Indus Chronicles

After the debacle of War 2, director Ayan Mukerji has decided to take a backseat as the director of Dhoom 4. Sources close to the development confirm that Ayan has backed off from Dhoom 4 and, in a closed-door conversation with Aditya Chopra, conveyed his reservation. "Ayan believes that films like War 2 and Dhoom 4 were never meant for him, and he wants to do something a lot wider with scope for romance, drama with spectacle vibes and storytelling," an insider told Bollywood Hungama.

The insider informed Bollywood Hungama, "Ayan was just executing what was written on paper by Shridhar Raghavan, and had little say on the script and screenplay. He does not want to be on another journey of just execution, as he is a passionate filmmaker who prefers to exclusively work on the written material and bring more to the screen than what's written."

The source also confirms that the decision to step back from Dhoom 4 has been taken after a series of conversations with Aditya Chopra and Ranbir Kapoor. "Both Chopra and Kapoor understood Ayan's point of view and have parted ways on the right note. Ayan is now working on Brahmastra 2 and will take the film on floors in 2026. The writing work is concluded, and some polishing is going on during his stay in the Himalayas."

Aditya Chopra is meanwhile exploring more direction options. "Insiders at YRF have also suggested that the boss direct the new Dhoom film himself, as Ranbir has already allotted his dates for the new Dhoom film." A lot more drama will unfold in the days to come. Also Read: Priyanka Chopra pays a surprise visit to Durga Puja pandal organized by Kajol and Rani Mukerji’s families, poses with Ayan Mukerji and Tanishaa Mukerji

With the Diwali releases of 2025, namely the horror comedy Thamma and the intense romantic saga Ek Deewane Ki Deewaniyat, just a few days away, trade experts predicted about how they’ll fare in cinemas.

Film exhibitor and distributor Akshaye Rathi predicted, “Thamma is tuned to open at Rs. 20 crores possibly. As for Ek Deewane Ki Deewaniyat, there’s a serious undercurrent to it which is courtesy the music of the film. Day 1 of Deewaniyat can prove to be a head-turning surprise.”

Girish Johar, producer and film business analyst, said, “The box office has a huge capacity of Rs. 50-75 crores. How much the films would collect will depend on their capability. I’ll be happy if Thamma opens near the Rs. 20 crore mark. And if Ek Deewane Ki Deewaniyat opens near double digits, that would be great.”

Distributor and exhibitor Raj Bansal stated, “I expect Thamma to open at Rs. 15-18 crores. Ek

Deewane Ki Deewaniyat will open at Rs. 4 to 6 crores.”

But all of them agreed that the lead actors of Thamma and Ek Deewane Ki Deewaniyat – Ayushmann Khurrana and Harshvardhan Rane – are all set to deliver the biggest openers of their respective careers. Ayushmann’s biggest opener was Dream Girl 2 (2023), which opened at Rs. 10.69 crores. As for Harshvardhan, his biggest opener was Sanam Teri Kasam (2016) which earned Rs. 4 crores on the first day of its re-release.

Akshaye Rathi said, “Both these films should open significantly higher than anything that the two actors have opened in the past.”

Trade veteran Taran Adarsh agreed, “Ek Deewane Ki Deewaniyat would be Harshvardhan’s biggest opener. Thamma will also be Ayushmann’s highest opener because, firstly, it belongs to the horror comedy universe. Secondly, it’s a Diwali release and the film is backed by Dinesh Vijan. It can’t get bigger than that.”

Girish Johar also stated, “They are poised to have their biggest openers ever, unless the films are very bad and crash heavily in the evening.” Raj Bansal exulted, “Thamma will go beyond the Dream Girl 2 number as it’s a big holiday and it's the festive season. Hence, it is beyond any doubt that it would be Ayushmann’s biggest opener and the same goes for Harshvardhan.”

While it's heartening that both films will collect a maximum of Rs. 30 crores on their release day, a section of the trade and exhibitors is disheartened. After all, Diwali 2024 saw Singham Again earning Rs. 43.70 crores while Bhool Bhulaiyaa 3 accumulating Rs. 36.60 crores. In other words, both films collectively earned Rs. 80.35 crores in a day! Even other Diwali films in recent times like Tiger 3 (2023) and Sooryavanshi (2021) opened with a bang.

Taran Adarsh explained why the comparison with Diwali 2024 is unfair, “Both films don’t have such star power. Hence, we can’t compare. Singham Again had half the industry and was a big franchise. Bhool Bhulaiyaa 3, too, was a part of the brand.”

Lifetime predictions

The last film of the Maddock Horror Comedy Universe, Stree 2 (2024), collected Rs. 600 crores plus and is an all-time Bollywood grosser. Hence, can Thamma cross the Rs. 250 crore or Rs. 300 crore club and can Ek Deewane Ki Deewaniyat enter the Rs. 100 crore club?

Raj Bansal said, “It would be difficult to say unless I see the film or get to know the reports.” Girish Johar replied, “I feel this is a tall ask as of now. If they open up quite well and are fantastic, then obviously the capability is there, along with the festival period. If the content is strong, then anything can happen.”

Akshaye Rathi opined, “It depends on the merit of the film. Stree 2 collected more than Rs. 500 crores, but despite being in the same universe, Bhediya didn’t manage to cross the Rs. 100 crores mark. Interestingly, Munjya, which didn’t have any actor of this grade, managed to enter the Rs. 100 Crore Club. The universe has given Thamma the awareness and visibility, but ultimately, it’s the content of the film and the promotional material that generates buzz around it, thereby determining its fate.”

He continued, “The same goes for Ek Deewane Ki Deewaniyat. Munjya did the numbers purely on the basis of its content. Aashiqui 2 managed to over-perform back in the day purely on the basis of its music. A more recent example is Saiyaara, where the music drove the numbers rather than the actors. Even here, the music has caught on. It’s difficult to say where it’ll eventually reach, as that is determined by the film’s content. But in terms of music, we all may be in for a surprise due to the traction that the music has got so far.”

Also Read: Low buzz, high hopes: Trade optimistic that 6-day Diwali weekend will boost Thamma and Ek Deewane Ki Deewaniyat

The festive spirit of Diwali peaked this year with Bollywood’s biggest stars sharing glimpses into their private celebrations, but it was actress Alia Bhatt who truly stole the spotlight by making a powerful sartorial statement rooted in Indian fashion history. Sharing a carousel of photos on social media, the actress gave fans a beautiful peek into her "fam jam x diwali glam" while embracing an exquisite piece of archival couture.

The Fashion Narrative: A Saree of Legacy Styled by the industry's resident fashion visionary, Rhea Kapoor, Alia’s Diwali look was more than just a gorgeous outfit—it was a revival of heritage. The actress was draped in an exquisite rose gold silk saree from the archives of the iconic designer, Ritu Kumar.

As Rhea Kapoor herself detailed, the ensemble was a piece of fashion history: "Archival @ritukumarhq, Remembering the Silk Road. From the Ritu Kumar archives, this sari revives one of her earliest designs, first created over 30 years ago... The silver tikki on rose gold silk carries her signature. A piece of fashion history, preserved in thread."

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Alia Bhatt’s Diwali 2025 Look Decoded:

The sheer beauty of the rose gold silk instantly elevates the look, offering a subtle, warm metallic glow that is perfectly festive without being overpowering. The saree's true masterpiece lies in the intricate silver tikki embroidery, a signature of Ritu Kumar's early work. This detailing, likely done in delicate floral or geometric patterns, creates a mesmerising, twinkling effect against the soft silk.

Alia's styling masterclass by Rhea Kapoor completed the vision. The saree was paired with a chic, sleeveless bustier-style blouse featuring a plunging sweetheart neckline, offering a modern, structured counterpoint to the heirloom silk. The inclusion of a matching embroidered jacket with full-length sleeves was a stroke of genius, lending a contemporary, layered elegance that made the traditional silhouette look current and regal.

The accessories were kept refined yet impactful: a classic gold choker necklace and perhaps a simple maang tikka, ensuring that the spotlight remained firmly on the 30-year-old saree. This choice to wear an archival piece not only highlights Alia’s personal commitment to sustainable fashion but also pays a beautiful tribute to the enduring legacy of Indian couturiers. The Festivities: A Star-Studded Family Affair Alia’s Instagram carousel was a heartfelt collection of precious moments. Alongside stunning portraits showcasing the ethereal quality of her look, the set included a beautiful family photo with her husband Ranbir Kapoor, mother-in-law Neetu Kapoor, and other close family members, radiating warmth and togetherness.

A particularly anticipated photo showed Alia posing alongside her sister-in-law, Kareena Kapoor Khan, who equally shone in a traditional Rajasthani Poshak, cementing the image as a powerful, multi-generational fashion moment.

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The joy of the occasion was palpable, with the caption, “fam jam x diwali glam,” perfectly encapsulating the mood. The comments section quickly filled with adoration, including a note from Alia’s sister-in-law, who reacted with pure joy: “Fomo!!!!!!! You all look stunningggggggggg,” followed by heart emoticons, echoing the sentiments of her millions of fans who extended their heartfelt Diwali wishes.

After celebrating the festival of lights with her family, the focus now shifts to Alia Bhatt’s exciting professional slate. The actress was last seen on the big screen a year ago in Jigra (released in October 2024), and her return is highly anticipated.

She is all set to reunite with her husband and actor Ranbir Kapoor for Sanjay Leela Bhansali’s epic film, Love & War, which also stars Vicky Kaushal. This collaboration marks their second on-screen pairing after the successful Brahmastra. Meanwhile, Alia is also preparing to headline YRF’s monumental venture: the studio's first female-led spy film, Alpha, where she will star alongside Sharvari and Bobby Deol as the antagonist

Also Read: ‘The last time a youngster this young made such a huge impact was Alia Bhatt!’ – Bollywood pins big hope on birthday girl Aneet Padda

The third generation of the illustrious Khanna family is all set to enter the movie industry. Yesteryears’ superstar Rajesh Khanna and Dimple Kapadia’s granddaughter Naomika Saran will make her screen debut in film being produced by Dinesh Vijan of Maddock Films.

Naomika is the daughter of Rajesh and Dimple’s younger daughter Rinke Khanna who was once an aspiring actress in Filmistan. Rinke did films like Pyar Mein Kabhi Kabhi and Jis Desh Ganga Mein Rehta Hai. When she was removed by Ram Gopal Varma from his film Company and replaced by Manisha Koirala, Rinke quite the film industry, got married and migrated to the West.

Now, her daughter is all set to rekindle the Khanna magic on screen. Naomika’s co-star in her debut film is the talented Vedang Raina, Alia Bhatt’s co-star in Jigra, currently shooting for a film with Imtiaz Ali in Punjab.

Also Read: Naomika Saran, Rajesh Khanna’s granddaughter, to debut in romantic comedy opposite Vedang Raina: Report

Diwali is usually associated with big films and big numbers at the box office. But this time, limited hype seems to have been generated by the Diwali releases of 2025, namely the horror comedy Thamma and the intense romantic saga Ek Deewane Ki Deewaniyat. Several exhibitors and theatre managers told this writer, “Iss baar Diwali thandi lag rahi hai thodi.” Nevertheless, both films are mass-appealing and trade experts hope that they’ll score eventually at the box office.

Trade veteran Taran Adarsh said, “Thamma comes from the horror comedy universe, which will prove to be a major advantage. Over a period of time, they have cultivated a very strong fan base. There might be surprises as well (in the form of cameos).”

He further said, “The music is the biggest asset of Ek Deewane Ki Deewaniyat; it has really caught on. I won’t say Harshvardhan Rane is a huge star but when music works, everyone benefits. Also, Harshvardhan Rane got the push with the re-release of Sanam Teri Kasam (2016). This film is a bit different and hence, let’s wait and watch. But the music will definitely play a role in drawing the audience.”

Girish Johar, producer and film business analyst, commented, “Compared to the previous Diwali, the hype is milder. But the good part is that it’s a big holiday. Hence, I feel that the films will start on a slow note. However, if they enjoy strong reports, then they have the potential to score at the box office.”

Film exhibitor and distributor Akshaye Rathi said on an optimistic note, “The buzz for both the films is reasonably good. The day after Diwali traditionally is one of the best days for box office. Ek Deewane Ki Deewaniyat seems to be a film that caters absolutely to the front benchers and single screen audience and has got momentum courtesy the three songs, which have become very popular already. Thamma is in the space of horror comedy universe, which has seen tremendous success with Stree, Stree 2 and Munjya. Being a film in that space and hopefully featuring cameos by other characters, as it has been the case in the past, it should be a really good Diwali for all of us. I am hoping that the content of both films will fire in a good way and people will turn up in cinemas in big numbers.”

Distributor and exhibitor Raj Bansal didn’t mince words as he said, “Sadly, the buzz is hardly there. I have been talking to a lot of exhibitors and they are very disappointed this Diwali as they were expecting big films to hit the screens on the festival. Both films might still turn out to be big ultimately. But they fear that they would not open well as the star cast plays a major role in getting the audience in initially.”

He explained, “People are adopting a wait-and-watch strategy. They’ll first check the reports and then book tickets.”

Diwali releases usually arrive in cinemas a day after the big festival to take advantage of a National Holiday-like scenario. But Raj Bansal said, “Tuesday, the day these films will release, is a partial holiday. Certain people are celebrating Diwali on Monday, October 20 while some will bring in the festival on Tuesday, October 21. The big holiday is on Wednesday, October 22.”

Others, however, said that it's like a six-day long weekend in many parts of the country as New Year falls on October 22 while Bhai Dooj will be celebrated on October 23. The weekend arrives on Friday, October 24. Taran Adarsh said, “It’s a long, extended weekend, which can prove advantageous. But as I said, it all boils down to the content.”

A positive development this time is that the makers of both Thamma and Ek Deewane Ki Deewaniyat have opted for reasonable ticket prices. Taran Adarsh explained, “The makers should go for popular pricing instead of blockbuster pricing. Let’s make the film more affordable to the common man. Once that happens, people definitely come into the theatres.”

A minor hiccup has been screens-sharing issues but the trade is confident that it's not extreme this time. Akshaye Rathi explained, “It’s always the question of the law of demand and supply. That is factored by the advance booking sales and also by the momentum that the genres have had in the past. Now, it’s understandable that the horror comedy universe of Maddock has been extremely successful so far and therefore, will have an edge over Ek Deewane Ki Deewaniyat. Having said that, the music of Deewaniyat is an underlying factor, which nobody can really gauge the impact of right now.”

He added, “On day 1, there may be a scenario where Thamma may have an extremely lopsidedly high showcasing. But after the release day, what takes over is the merit of the film. For all you know, things may actually start becoming fluid depending on how both the films are received.”

He remarked, “Despite the clash and programming tug of war continuing, Ek Deewane Ki Deewaniyat has already significantly got a better deal than what it would have got on a normal day. It speaks volumes about the distribution efforts that are being put into by its makers, that too, by a new company. Interestingly, it is also the film being distributed by them as well.”

Raj Bansal said on the same lines, “It’s all between the exhibitor and distributor. The exhibitors are very smart businessmen and won’t like to harm their business. They know which film would have a bigger opening and would opt for it. In case if the distributor pressurizes them and forces them to put on more shows, chances are that the showcasing of the weaker film would reduce from the second day. However, this time, I don’t think there would be any issue of showcasing. Ayushmann doesn’t have a pull in single screens. Hence, to fight for shows in single screens is uncalled for.”

Girish Johar agreed, “It’s very dynamic. If a film does well, it automatically gets more shows. The exhibitors are the first ones to get the pulse of the audience because they are at the ground level. If they realize that the shows of high-demand films are fewer, they’ll increase their shows. This has been proved multiple times as they don’t want to lose out on cashing on the higher-performing movie. I feel there’s ample space for both the films to survive.”

Also Read: EXCLUSIVE: CBFC reduces kissing scene in Thamma by 5 seconds; replaces ‘Azaadi doonga’ with ‘Aiyaashi karata hoon’

The title Dilwale Dulhania Le Jayenge instantly brings to our minds the 1995 classic blockbuster by Aditya Chopra starring Shah Rukh Khan, Kajol, Amrish Puri and Farida Jalal in pivotal roles.

However, it would come as a surprise to many that the 1995 movie isn’t the only one with this name. There was a film called Dilwale Dulhaniya Le Jayenge released 15 years before the Aditya Chopra film (with a different spelling of ‘Dulhaniya’).

The 1980 film was directed by Rajendra Singh ‘Atish’ and it starred Beena Banerjee, Tariq Shah and Desh Gautam. This is the only info available about this movie’s cast on IMDb. Of course, the database site also contains a very colourful and amusing poster of the film. It has an animated image of four women in vibrant clothing walking in what looks like a park full of flowers.

The poster also says that Dilwale Dulhaniya Le Jayenge was produced by Kishore Saigal and Rajendra Singh ‘Atish’ himself. It had music by Cuckoo Singh while the film was cinematographed by H Laxminarayan, who was also behind the lens in known films like Ankush, Pratighaat, Suryavanshi, Rang, Anari No. 1, etc.

However, there is no info either on IMDb or anywhere on the internet on whether the film was released. In fact, apart from the names of the few cast members and crew, there is no info about the film.

Bollywood Hungama tried digging for more details about the film. Our search led us to the well-known film historian, author and archivist SMM Ausaja. He referred to the book Geet Kosh, which is a compilation of songs of all the yesteryear films. It has an entry of this Dilwale Dulhaniya Le Jayenge movie. Apart from its songs, it also features the film’s censor details. It received censor clearance on January 30, 1980, which indicates that it did release. Its length is mentioned as 15 reels, which roughly equals to around 2 hours and 45 minutes of runtime.

The book also mentions the rest of the cast of the film in the form of Devender, Ashok Nath, Parvez Malik, Madhumita, Kavita Kiran, Vandana, etc. Some of its songs include, ‘He Mere Bhole Bhandari’, ‘Loot Liya Dil Goriye Pyaar Ne’, ‘Suno Ri Sunaau Main’, etc.

The film’s genre as mentioned in the book is ‘social’. This coupled with the song ‘He Mere Bhole Bhandari’ gives an idea that it had some religious angle as well. These two factors indicate that the 1980 film won’t be an out-and-out romance like its 1995 namesake.

From the aforementioned cast of the film, Beena Banerjee is the only one who is not only well-known but also active even today. She has worked in well-known films like Andar Baahar (1984), Meri Jung (1985), Karma (1986), Qayamat Se Qayamat Tak (1988), Baaghi (1990), Khiladi (1992), Main Khiladi Tu Anari (1994), Criminal (1994), Bewafa Sanam (1995), Zamaana Deewana (1995), Lajja (2001), Koi… Mil Gaya (2003), etc.

Some of her notable TV shows include, Katha Sagar, Gul Gulshan Gulfam, Indian, Uttaran, Stories by Rabindranath Tagore, etc. She was last seen just recently in the second season of the web series The Trial, which starred Kajol in the lead.

The trivia about an older DDLJ is sure to surprise many film lovers across the world.

Also Read: 30 years of Dilwale Dulhania Le Jayenge: Maratha Mandir’s Manoj Desai reveals Shah Rukh Khan told him, ‘Humein thank you bolo’: “I replied, ‘Shah Rukh ji, tum aur Kajol thank you mujhe bolo ki itne kam rate mein main chalata hoon”

Actress Zaira Wasim has officially announced her marriage. She took to Instagram to share the joyous news with the caption, “Qubool hai x3.” The post featured two serene glimpses from her wedding ceremony, one showing her signing the nikah papers adorned in henna and jewelry, and another capturing her and her husband from behind, gazing at the full moon, symbolizing a sacred new beginning.

Zaira, who stepped away from the film industry in 2019 citing her spiritual journey, made a rare social media appearance to share the personal milestone. She did not reveal her husband’s identity or show his face, choosing to maintain the privacy she has long valued. Dressed in a red embroidered bridal ensemble with golden detailing, Zaira looked every bit the traditional bride in a ceremony that seemed intimate and elegant.

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Fans and well-wishers flooded the comments section with blessings and congratulatory messages. One user wrote, “Allahumma barik, sister. May Allah bless your marriage … till Jannah, Ameen,” while others expressed joy at her return to social media for such a heartfelt reason.

Zaira rose to fame as the young Geeta Phogat in Aamir Khan’s Dangal (2016), a performance that earned her widespread acclaim and a National Film Award. She went on to star in Secret Superstar (2017) and The Sky Is Pink (2019) before choosing to leave the film world, saying it conflicted with her faith.

With her simple caption, “Qubool hai x3,” Zaira Wasim announced her wedding with grace and humility, marking not just a union but a quiet reaffirmation of the life choices she stands by away from the limelight, on her own terms.

Three days are left for the release of the grand Diwali biggie, Thamma, and the excitement is gradually building up. The makers, Maddock Films, completed the censor process on time and in this article, Bollywood Hungama will exclusively focus on the cuts suffered by the horror comedy.

The Central Board of Film Certification (CBFC) asked for audio cuts in three places and one visual modification as well. The word 'Alexander' was replaced with ‘Sikandar’. In another dialogue, the word ‘Ashwathama’ was muted.

In the second half of the film, the words 'Azaadi doonga' were replaced with 'Aiyaashi karata hoon'. The Examining Committee also asked the makers to ‘reduce the slurping sound of drinking blood to minimum’. Finally, a kissing scene in the second half was reduced by 30%, that is, by 5 seconds.

The last modification may dampen the excitement of the moviegoers but on the positive side, this is the shortest intimacy cut asked by the CBFC in recent times. In Sunny Sanskari Ki Tulsi Kumari, liplock visuals were reduced by 60%. In Saiyaara, the makers were instructed to delete and replace 10 seconds of ‘sensual, intimacy, body exposure visuals’. Lastly, in Superman, the CBFC axed 33 seconds of ‘sensual visual’ from Superman. It led to massive criticism as the studio had to make abrupt cuts to accommodate CBFC’s directive.

Coming back to Thamma, once the changes were made, the censor certificate was handed over to the makers on October 15. The film was passed with a U/A 16+ rating. The length of the movie, as mentioned on the censor certificate, is 149.59 minutes. In other words, Thamma is 2 hours 29 minutes and 59 seconds long.

Thamma releases on Tuesday, October 21 and stars Ayushmann Khurrana, Rashmika Mandanna, Nawazuddin Siddiqui and Paresh Rawal. It is backed by blockbuster producer Dinesh Vijan’s Maddock Films and directed by Aditya Sarpotdar of Munjya (2024) fame. It is a part of the Maddock Horror Comedy Universe and hence, belongs to the same world as Stree, Bhediya and Munjya.

Also Read: Thamma Creates Diwali Frenzy: Thamma advance tickets selling fast after historic fan screening in Delhi

On Friday, October 17, history was made as Shah Rukh Khan, Salman Khan, and Aamir Khan graced the 2025 edition of Joy Forum at the SEF Arena, Boulevard City, Riyadh, Saudi Arabia. Salman was the first to be welcomed on stage, followed by SRK and Aamir.

Salman Khan said, “I was 13 or 14 when I went to see this film called Enter The Dragon (1973). When I came out of the theatre, I thought I was Bruce Lee. And I got beaten up! But due to the impact, I realized one thing that when you come out of a theatre, somebody should want a son like you. A mother or a father should want a son like you, a sister should want a brother like you, a girl should want a husband or boyfriend like you. When you come out of a theatre, you should go back home at least 20-25% a better person. That is the character that is liked.”

He continued, “So, he (Shah Rukh Khan) is liked by all the women. They feel that ‘I want a son or brother like him’. Now, we have come to a stage where they see us and wish ‘I want a father like him’. Very soon, it’s going to be ‘We want grandfathers like them’ (smiles).” The audience laughed and clapped at this point.

Salman also observed, “None of us call ourselves stars. We don’t believe in it. Some journalists mention ‘Salman Khan, star’, ‘Shah Rukh Khan, superstar’ or ‘Aamir Khan, super-duper star’! We don’t believe it at all. At home, we are just like everyone else. I still get yelled at by my father and my mother. I still get told by my sisters and my brothers (sic). So, we are just normal human beings. It's just that so many people who we work with, they are the people who portray average, mediocre people like me, not them (pointing at Shah Rukh Khan and Aamir Khan), to look like a God on screen. So, the credit is not ours. It is your DOP, your director, your writer and then, the people and fans who want to see Aamir Khan, Salman Khan, Shah Rukh Khan, Akshay Kumar, Ajay Devgn, Sanjay Dutt on screen and they like what they see on screen.”

Also Read: Joy Forum 2025: “Shah Rukh Khan, Aamir Khan and I DON’T call ourselves stars… I still get YELLED at by my father and my mother” – Salman Khan

On Friday, October 17, history was made as Shah Rukh Khan, Salman Khan, and Aamir Khan graced the 2025 edition of Joy Forum at the SEF Arena, Boulevard City, Riyadh, Saudi Arabia. Salman was the first to be welcomed on stage, followed by SRK and Aamir.

The host reminded them that the last time the three Khans came together was ten years ago. Salman Khan agreed, “The last time we shared a stage was at Rajat Sharma’s place.” Aamir added, “Where you both forced me to dance!”

The first question asked was about the ‘it’ factor that would turn an actor into a star. Shah Rukh answered, “This would be mine, Aamir and Salman’s experience and also of those actors who have worked for many, many years, that there’s nothing like an ‘it’ factor. If somebody ever tells you that, it is absolutely redundant and not true. You don’t know what the ‘it’ factor is. The ‘it’ factor has to do with the audience, how they perceive your persona, how you look, how you talk, and how you walk…It’s just something about a person that an audience starts liking in large numbers. If you ask Aamir right now, he’ll tell you, ‘I don’t know why I am a star’. If you ask me, I’ll say, ‘I don’t know why I am a star’.”

Salman joked, “But I know!” SRK smiled and said, “Salman is the only one! Nobody else would know.” Salman replied, “I am because if God wants you to be a star, you’ll become one!” As expected, the audience broke into applause.

Salman explained, “None of us call ourselves stars. We don’t believe in it. Some journalists mention ‘Salman Khan, star’, ‘Shah Rukh Khan, superstar’ or ‘Aamir Khan, super duper star’! We don’t believe it at all. At home, we are just like everyone else. I still get yelled at by my father and my mother. I still get told by my sisters and my brothers (sic). So, we are just normal human beings. It's just that so many people who we work with, they are the people who portray average, mediocre people like me, not them (pointing at Shah Rukh Khan and Aamir Khan), to look like a God on screen. So, the credit is not ours. It is your DOP, your director, your writer and then, the people and fans who want to see Aamir Khan, Salman Khan, Shah Rukh Khan, Akshay Kumar, Ajay Devgn, Sanjay Dutt on screen and they like what they see on screen.”

Also Read: Joy Forum 2025: Salman Khan wishes that Aryan Khan should act and supersede father Shah Rukh Khan; SRK manifests, “If Salman has a son, I’d like him to be the BIGGEST star ever in the HISTORY of mankind!”

Tarun Tahiliani brought down the curtains at Lakmé Fashion Week x FDCI with a grand finale that was nothing short of spectacular. The celebrated designer unveiled his dazzling new couture line, “Bejeweled,” and all eyes were on his radiant showstopper — Aneet Padda, who ruled the runway with her ethereal presence.

Social media is abuzz with pictures and videos of Aneet gliding down the runway, looking every bit like a modern-day princess. Dressed in a signature Tarun Tahiliani ensemble, the rising Gen Z star of Saiyaara left audiences spellbound as she embodied the spirit of contemporary Indian couture.

Speaking about the inspiration behind his collection, Tahiliani said, “With this collection, I wanted to celebrate the luminous, layered, and wearable spirit of today’s woman — just like Lakmé Be-Jewel.”

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Aneet’s ensemble drew from timeless Indian drapes, reinvented for a global, modern audience. The outfit shimmered with metallic sequins, fluid textures, and Swarovski crystal detailing, creating a seamless blend of tradition and glamour. Every movement reflected Tahiliani’s signature craftsmanship — luxurious, regal, and impossibly graceful.

Fashion critics and fans alike couldn’t stop praising Aneet’s “queen-like aura” and Tahiliani’s mastery in “bringing out the best version of her.” Social media was flooded with comments calling her a “stunning queen”, “runway princess,” and even “the perfect muse for Tarun Tahiliani.”

With support from Lakmé India and FDCI, Tarun Tahiliani’s Bejeweled Grand Finale is being hailed as one of the most memorable closing shows in recent fashion week history — a celebration of Indian craftsmanship, couture innovation, and the sheer magic of fashion that continues to inspire season after season.

Also Read: Ahaan Panday posts heartfelt birthday wish for Aneet Padda; duo’s Coldplay concert moments go viral as fans root for them

Keerthy Suresh is not just a talented actress but also a true style icon. Rising from the South to become a Pan-Indian sensation, she is celebrated for her acting prowess, beauty, and impeccable fashion sense. Known for her flawless saree styling, Keerthy’s wardrobe is the perfect source of festive inspiration this Diwali. From sequins to florals, here’s how you can steal her ethnic looks and dazzle this festive season.

1. Grace in Every Drape Step into the festive spotlight in a vibrant yellow saree with delicate blue floral prints, paired with a halter-neck blouse just like Keerthy. Soft makeup, colorful jhumkas, and a petite blue bindi complete this sun-kissed, heritage-meets-modern look.

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2. Where Tradition Meets Trend Fuse tradition with contemporary glam in a metallic black sequin saree. Styled with a sweetheart-neck blouse, sleek ponytail, and bold silver earrings, this look highlights festive sophistication while accenting your figure effortlessly.

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3. Timeless Charm in Floral Drape Opt for a grey organza tissue saree with white floral designs and a silver-embellished border. Keerthy paired it with a matching shimmery blouse, minimal makeup, and simple pearl earrings — pure elegance in every drape.

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4. The Queen of Ethnic Chic Make a statement in a multicolor Phulkari-inspired georgette saree featuring vibrant thread embroidery, sequins, kundan, zardozi, and aari work. Paired with a complementing blouse, this intricate, colorful look is perfect for festive Diwali celebrations.

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5. Golden Hues, Royal Vibes Embrace the festive spirit in a golden silk saree with black and gold checked borders and a gleaming pallu. Styled with a black V-neck blouse and minimal accessories, this look exudes understated elegance.

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6. Saree Soirée, Keerthy Style Perfect for a Diwali party, this white-silver sequin shimmer saree paired with a deep-neck strappy blouse lets the sparkle take center stage. Minimal accessories highlight natural beauty, making it effortlessly chic.

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7. Six Yards of Pure Elegance Go subtle yet striking in a nude semi-sheer sequinned saree paired with a full-sleeved embellished blouse. Minimal styling lets the shimmer shine, creating a timeless Diwali-ready ensemble.

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Also Read: Keerthy Suresh gets candid about her career; says, “The legacy I hope to leave behind is of being an actor who took chances and evolved”

The much-anticipated Diwali releases, Thamma and Ek Deewane Ki Deewaniyat, are just days away, and the excitement across the trade, industry, and audiences is palpable. As with every major festive clash, the battle for screens has intensified. Bollywood Hungama has learned that the first round of this tussle between the distributors of both films has already begun.

A trade source told Bollywood Hungama, “Thamma, starring Ayushmann Khurrana and Rashmika Mandanna, is being distributed by PVR Inox Pictures. Its distributor-partner in the Mumbai circuit, August Entertainment, has sent a mail to cinemas in the territory informing them about their screen-sharing requirements. They have asked for all shows in single-screen cinemas and two screen theatres. They have also asked for 12 shows in three-screen multiplexes; it means 100% showcasing in two of the three screens and a show or two in the third screen as well.”

The mail from August Entertainment further states that they want 15 shows of Thamma in four-screen theatres, 18 shows in five-screen cinemas, 21 shows in six-screen multiplexes, 24 shows in seven-screen multiplexes, 27 shows in eight-screen multiplexes, 30 shows in nine-screen plexes and 33 shows in 10-screen theatres.

It’s important to note that this move has come directly from August Entertainment, which is handling the release of Thamma in the Mumbai circuit. How distributors in other regions respond, and whether they follow suit with similar demands, remains to be seen.

Nevertheless, the exhibitors have expressed reservations. An exhibitor told us, “We would definitely want to show Thamma as it looks exciting. But single-screen cinemas should also be given a chance to play Ek Deewane Ki Deewaniyat. In fact, it’s the single-screen theatres where the Harshvardhan Rane-film can score big time. And let’s not forget that the Marathi film Premachi Goshta 2 and the Gujarati film Chaniya Toli are also up for release this Diwali. Some cinemas would want to accommodate it as well. Hence, we hope a solution can be found.”

Another exhibitor remarked, “The mail from August Entertainment mentions that the rule exists only for non-PVR, non-Inox and non-Cinepolis cinemas. We feel it’s not fair and it should be uniform for all cinemas.”

Meanwhile, a trade expert commented, “Just a few weeks ago, we saw what happened during the Kantara: A Legend – Chapter 1 vs Sunny Sanskari Ki Tulsi Kumari clash. At that time, the makers of the former asked for 100% shows in single-screen, two-screen and three-screen cinemas. Even in theatres with four screens and more, they asked for nearly 80-90% of showcasing. At least, the distributors are reasonable in the case of Thamma.”

Also Read: Ayushmann Khurrana flashes fake vampire teeth as he and Rashmika Mandanna promote Thamma in Delhi

Ayushmann Khurrana and Rashmika Mandanna are leaving no stone unturned as they promote their upcoming horror-comedy Thamma, which marks the next installment in Maddock Films’ expanding Horror Comedy Universe. The film, directed by Aditya Sarpotdar and written by Niren Bhatt, Suresh Mathew, and Arun Falara, is set for release on October 21.

The lead pair was recently spotted in Delhi, where they brought their signature charm and humor to the promotional rounds. In a video doing the rounds on social media, Ayushmann and Rashmika can be seen posing for the paparazzi while enjoying a plate of Delhi’s beloved street food — chole-kulche and rajma-chawal. However, what caught everyone’s attention was Ayushmann’s unexpected twist — a pair of fake vampire-like teeth.

As Rashmika, dressed in an elegant festive outfit, playfully offered him a bite, Ayushmann opened his mouth to reveal the quirky accessory, leaving both the photographers and fans amused. The light-hearted moment added a fun, thematic nod to the film’s spooky genre and perfectly captured the actors’ chemistry off-screen.

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Thamma holds significance for both stars — it marks Ayushmann Khurrana’s return to the big screen after two years, and Rashmika Mandanna’s first Hindi release after the Sikandar debacle. The film also features Nawazuddin Siddiqui and Paresh Rawal in pivotal roles, further adding weight to its ensemble cast.

Backed by Dinesh Vijan and Amar Kaushik under Maddock Films, Thamma promises to blend horror and humour in equal measure. So far, the makers have unveiled a teaser, trailer, and multiple songs — including ‘Dilbar Ki Aankhon Ka,’ featuring the return of Nora Fatehi after ‘Kamariya’.

Also Read: Thamma ‘Poison Baby’ song launch: Rashmika Mandanna reveals that ‘Tum Mere Na Huye’ was shot just after her three-month-long fracture ordeal; adds, “I didn’t know what I was getting into”

Deepika Padukone has created history by becoming the first Indian to lend her voice to Meta AI, the virtual assistant integrated into Meta’s ecosystem, including the Ray-Ban Meta smart glasses, joining the list of the global lineup of voices for the AI assistant, including Hollywood celebrities Awkwafina, Judi Dench, etc. The collaboration marks a powerful intersection of technology and culture, positioning Deepika as a bridge between global innovation and Indian identity.

Meta announced that users in India will now be able to interact with Meta AI through Deepika’s voice, available in Indian English. Alongside this, the company introduced full Hindi language support and UPI Lite payments, making the experience more localised and personal. Yet, the biggest talking point remains Deepika’s voice — warm, poised, and unmistakably familiar.

Known for her global influence and grounded presence, Deepika brings authenticity and emotion to a space often dominated by synthetic tones. Her voice adds a human touch to artificial intelligence — turning digital interactions into something relatable and distinctly Indian. For millions of users, hearing Deepika guide them through tasks or respond to questions adds a sense of comfort and connection rarely found in technology.

This partnership also represents India’s growing significance in the global tech landscape. By featuring Deepika, Meta acknowledges India’s cultural power and linguistic diversity. The move goes beyond convenience — it celebrates representation and the inclusion of an Indian identity within a global product.

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For Deepika, this step expands her influence beyond cinema into the realm of digital innovation. It’s another milestone in a career defined by versatility, intelligence, and impact. With this collaboration, she becomes not just the voice of Meta AI — but the voice of a new era where technology feels a little more human, and a lot more Indian.

Also Read: Deepika Padukone’s 8-hour work rule sparks debate: Hansal Mehta, Hema Malini, and Sharmila Tagore weigh in

The fourth episode of Two Much With Kajol And Twinkle featured Govinda and Chunky Panday. Both raised a lot of laughs and at the same time, they also opened up about their hardships and struggles. Chunky’s career got a new lease of life by playing Aakhri Pasta in Housefull’s first part (2010). The character became so iconic and popular that he was repeated in all other films of the series. Chunky revealed on the show that he was not the original choice and that it was going to be played by Sajid Khan, who was also the director of Housefull.

Chunky Panday said, “I believe the second innings of my career happened all thanks to my wife Bhavana Pandey. She brought luck for me after we got married. We got married in the year 1998, when my career was at my lowest phase. I had a career in Bangladesh but even that was about to end. It was a very big thing. But it lasted from 1993 to 1998 aur woh khatam hone aa raha tha. She was the only one who told me to come back to Bollywood.”

He continued, “In fact, the best film that I’ve had recently is the Housefull series. Sajid Khan, Bhavana and I were at a party. Sajid Khan told Bhavana that he was making a film called Housefull. He said, ‘Everyone wants me to play this character of Aakhri Pasta. Lekin main nahin kar paunga because it would be difficult for me to act as well as direct at the same time’. He further said, ‘I am wondering who I should cast’. Bhavana asked him, ‘Why don’t you take Chunky?’. He looked at me and asked, ‘Chunky, will you do it?’. I replied, ‘Haan, main karoonga’. So, I feel that my wife has been very lucky for me.”

Also Read: Two Much with Kajol and Twinkle: Govinda recalls his Rajesh Khanna fan moment; Chunky Panday reveals how he became ‘Bangladesh Bachchan’

Hrithik Roshan has moved the Delhi High Court by filing a petition seeking safeguards for his name, image, likeness and other aspects of his persona against unauthorised commercial use and misuse. This comes days after veteran playback singer Kumar Sanu sought legal protection for his personality rights, and the matter is expected to be heard on Wednesday, according to a report by Bar and Bench.

With the increasing use of generative AI and deepfake technologies, several Indian celebrities have been turning to the courts to protect their digital and personal identities. Hrithik joins a growing list of public figures — including Amitabh Bachchan, Aishwarya Rai Bachchan, Jackie Shroff, Anil Kapoor, Abhishek Bachchan, Kumar Sanu, and even the late Ratan Tata — who have sought injunctions to prevent unauthorised exploitation of their name or likeness, often through AI-generated content.

Personality rights, also known as publicity rights, give individuals legal control over how their name, image, voice, and other identifiable traits are used commercially. While India does not yet have a dedicated law governing these rights, courts have upheld them under the right to privacy guaranteed by Article 21 of the Constitution and through existing principles of common law.

Hrithik Roshan, who was last seen in War 2 which released on August 14, has been in the spotlight not only for his films but also for his new venture as a producer. The actor recently kicked off his debut production Storm in collaboration with Amazon Prime Video under his banner HRX Films. Known for his carefully curated projects and strong public image, Hrithik’s move to secure his personality rights reflects a growing concern among stars about their identity being misused in the age of AI-generated videos, fake endorsements and manipulated content.

As courts continue to issue directions to online platforms for removing infringing material, legal experts believe more celebrities will take similar steps until India establishes a dedicated framework to regulate the commercial use of personal likenesses in the digital era.

Also Read: Hrithik Roshan rings in star-studded celebration with Storm cast; watch

Pranutan Bahl had a memorable debut in the much-loved Notebook (2019), produced by Salman Khan. She was then seen in Helmet (2021) and Amar Prem Ki Prem Kahani (2024), both of which were released online. She had confirmed that she had bagged an international film, Coco & Nut. In an exclusive interview with Bollywood Hungama, Pranutan spoke about this upcoming project and more.

Talking about Coco & Nut, Pranutan Bahl said, “We plan to begin principal photography early 2026. However, I have completed two movies this year and I am very excited about them. One is a cop drama and the other is along the lines of a folk thriller. Both have a fantastic star cast. It’s so amazing to work with people who are more experienced than you because you learn so much from them.”

Pranutan has always got a good response for her act in all her films. Hence, many feel that she should be seen more and should get more offers. The actress smiled and replied, “I agree! I wish but what can you do other than the fact that you just look for work? It’s tough getting work, especially after Covid, for the industry as a whole. I would love to work; I am extremely ambitious. Unfortunately, the opportunities are very far and few between. Even I find it weird sometimes because I see love and appreciation for my work. I guess that’s how our business is.”

She added, “Nevertheless, I am extremely grateful so far for all my roles to date; they have been meaty and acting-oriented. Helmet was a 180-degree transformation compared to Notebook as a character. In Amar Prem Ki Prem Kahani, my character had a hint of negative shades. My next two films are also different from what I have done before. Moreover, I am very clear that I don’t want to be reduced just as the love interest of a hero.”

Does the latter come inspired by the filmography of her late grandmother, Nutan? Pranutan Bahl answered, “I don’t know if it’s because of her, but I think I value myself. Like, I don’t want to be there just because the girl is required to romance a hero. You need to be an integral part of the story. You don’t want to be cast because you’re a girl and you look nice. I don’t judge anyone who does that. But somewhere, this requirement streamlines you further, as I am not keen to do those kinds of roles.”

Meanwhile, the nepotism debate continues. Many, especially those not connected to the industry, have the impression that star kids have it easy. Pranutan disagrees, “That’s not true at all. I feel weird that I am also put in this bracket of nepotism just because I come from a legacy family. Nobody knows this but Salman Khan sir didn’t even know that I was auditioning for Notebook. The producer saw my picture and he went to the director, Mr Nitin Kakkar, and said that I’ll suit the part. They had already auditioned 80 or 100 girls. Nitin sir was not getting anybody to match what he had in mind for the character. Hence, he agreed to audition me. This is how I was called. I was already in the audition circles by then. It was 2 ½ years after I started doing auditions that I got a call for Notebook. I started auditioning in 2016 and I was called by Nitin sir in 2018. It was a five-hour audition. He asked me to do 3 scenes. The experience was tough. He was not easy on me and was extremely particular about what he wanted.”

Pranutan continued, “Even for Helmet, I auditioned through the casting route. This is the journey a lot of I have had and unfortunately, its washed away by random articles. Everybody from legacy families doesn’t have the advantage of nepotism. We are not given things on a platter.”

She also revealed, “I got Amar Prem Ki Prem Kahani after Helmet. We did a reading and only then, I bagged the part. None of my films were funded by my friends or family members, not even from the back end. Let’s be that clear (laughs). So, it’s very sad that we are all painted with the same brush. I do not have the opportunities because I come from Nutan ji’s family, or due to my father (Mohnish Bahl). I am sure that I get a lot of goodwill and I am grateful for it. But I don’t think an opportunity has to come to me because of that.”

She signed off by saying, “I am still auditioning. In fact, I auditioned just three days back.”

Also Read: EXCLUSIVE: Pranutan Bahl opens up on Filmfare honouring Nutan and hails her choice of films and STARDOM: “She was shooting for Bandini when she was pregnant with my father…filmmakers saw that she could carry films on her shoulders”

Kartik Aaryan’s stellar performance as real-life Olympian Murlikant Petkar continues to win him accolades and awards, more than a year after the release of Chandu Champion.

Speaking about Kartik’s impact in the film, director Kabir Khan says, “This is what hard work and dedication of an actor looks like. I always knew it would be extremely challenging for any actor to portray Murlikant Petkar in Chandu Champion. The role could have easily gone to someone far more experienced, and it would still have been tough. But Kartik rose to the occasion and delivered everything I had desired as a filmmaker.”

Kabir describes Kartik’s performance as a complete triumph. “I’m so proud to stand with him and applaud him for winning the Best Actor award. He’s not only a star who delivers commercial blockbusters but also an actor hungry for roles that challenge him — a very rare combination in our industry.”

Recalling why he chose Kartik for Chandu Champion, Kabir explains, “I needed somebody who could look like a boy — someone who was 18 when he made a statement, with that sense of naivety. I also needed someone who could look endearing even when his conduct was questionable. Then, as the character matures, there’s the physical and emotional transformation. Kartik had to live two lives on screen — the chubby, innocent village boy at the start and the disciplined athlete later.”

Kabir reveals that Kartik even underwent a significant physical transformation for the role. “He actually put on all that weight. He had wanted to gain weight for Freddy, but I think he couldn’t stop eating and continued to gain more. When I met him, he was already at that weight. He then went the extra mile for Chandu Champion. Whenever an actor goes that far for authenticity, I truly wish he gets recognized and applauded for it.”

Also Read: Abhishek Bachchan on sharing the Best Actor Filmfare Award with Kartik Aaryan, “He is outstanding in Chandu Champion”

Nita Ambani never misses a chance to make a refined statement, and her appearance at Manish Malhotra’s annual pre-Diwali party was no exception. The philanthropist and businesswoman turned heads as she arrived in a dazzling silver sequin saree paired with emerald jewellery — but it was her accessory that truly defined luxury.

Ambani was seen carrying a rare Hermès Birkin bag worth a staggering Rs 17 crore, a piece that is as much a jewel as it is a handbag. Crafted from white gold and encrusted with 2,712 diamonds, this creation is part of an ultra-limited edition by Hermès, known for transforming its iconic silhouettes into collector’s treasures. Each piece is meticulously handcrafted, taking months to complete, making it one of the most exclusive and valuable handbags in the world.

The bag, often referred to as a “Himalaya Diamond Birkin,” is coveted among luxury collectors and symbolizes the pinnacle of artisanal craftsmanship. Its shimmering white-gold exterior, detailed diamond embellishments, and timeless design merge fashion with fine jewellery — an aesthetic that aligns seamlessly with Ambani’s elegant persona.

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Completing her look with emerald drop earrings and a matching bracelet, Nita Ambani balanced traditional grace with understated opulence. Her appearance at the designer’s festive soirée reaffirmed her status as one of India’s most sophisticated style icons, where every element — from her saree to her accessories — told a story of taste, legacy, and refinement.

Also Read: Tara Sutaria drops dreamy pics with her ‘firecracker’ Veer Pahariya from Manish Malhotra’s starry Diwali bash; watch