Indus Chronicles

In a significant legal victory for Boney Kapoor and daughters Janhvi Kapoor and Khushi Kapoor, the Madras High Court has dismissed a civil suit concerning a Chennai property that had been purchased in the name of late actress Sridevi in 1988.

As per reports of Bar and Bench, Justice T V Thamilselvi allowed the civil revision petition filed by the Kapoor family and overturned an earlier order passed by a Chengalpattu court, which had declined to reject the plaint submitted by the plaintiffs. The matter was heard in the case titled Boney Kapoor vs C Sivakami.

The dispute revolved around a 2.70-acre property located in Sholinganallur, Chennai. The plaintiffs, identified as MC Sivakami, MC Natarajan and Chandrabhanu, had approached the court claiming inheritance rights over the land as alleged legal heirs of late MC Chandrasekaran. They had also questioned the validity of the 1988 sale deeds executed in favour of Sridevi, her mother, and sister, alleging that the sellers did not possess lawful ownership of the property at the time of the transaction.

The petitioners had further argued that the land originally belonged to MC Sambanda Mudaliar, who reportedly acquired large tracts in the region in the 1940s. According to their submissions, they became aware of the alleged irregularities only in 2023 after a patta was issued in the names of Boney Kapoor, Janhvi Kapoor and Khushi Kapoor.

However, the Kapoor family challenged the maintainability of the suit before the High Court under Order VII Rule 11 of the Code of Civil Procedure. Their counsel contended that the plaintiffs were not recognised as Class I legal heirs of Chandrasekaran and highlighted that he himself had never disputed the sale deeds during his lifetime. Chandrasekaran passed away in 1995, while the present suit was instituted only in 2025.

The High Court agreed with the Kapoor family’s submissions and observed that the challenge to the transaction had been initiated nearly four decades after the sale, rendering the case barred by limitation. The court also noted inconsistencies in the plaintiffs’ claims regarding legal heirship and pointed out that the certificate relied upon by them had already been cancelled.

Further, the court found the claim that the plaintiffs learnt about the property transaction only in 2023 to be difficult to accept. It also remarked that following Sridevi’s demise, the property had legally devolved upon Boney Kapoor and daughters Janhvi Kapoor and Khushi Kapoor. Describing the litigation as a misuse of legal process aimed at claiming the property through a distressing plea, the High Court ultimately rejected the plaint and set aside the earlier trial court order.

Also Read: Janhvi channels Sridevi in royal blue at Homebound premiere, But the missing necklace tells its own story

Dhurandhar The Revenge completed 50 glorious days today, May 8. The film has continued to do well in cinemas since day 1, and in a week’s time, it will finally drop on OTT. Bollywood Hungama has learned that Dhurandhar The Revenge will release on Netflix in international territories from May 14. Interestingly, the viewers will get to catch a longer version online.

Today, the overseas audiences learned that the Netflix app displays the information that Dhurandhar The Revenge will drop internationally on May 14. Interestingly, the title displayed on the streaming platform is ‘Dhurandhar The Revenge (Raw and Undekha)’. And that’s not all. The run time shown on the app is 3 hours and 52 mins. The theatrical version’s duration is 3 hours, 49 minutes and 6 seconds. Hence, the OTT version is longer by 3 minutes.

Dhurandhar stars Ranveer Singh, Sanjay Dutt, R Madhavan, Arjun Rampal, Sara Arjun, Rakesh Bedi and others. It is produced by Jyoti Deshpande of Jio Studios and Aditya Dhar and Lokesh Dhar of B62 Studios and written and directed by Aditya Dhar. The first part was released on December 5, 2025 and became an all-time blockbuster, breaking all records. The sequel, Dhurandhar The Revenge, was an even bigger hit and set new records.

It now remains to be seen whether Dhurandhar The Revenge will also be available in an extended version in India. In the home country, the film will stream on JioHotstar.

Also Read: EXCLUSIVE: “We’re NOT done with Dhurandhar yet,” reveals Jyoti Deshpande of Jio Studios

Veteran actor Shakti Kapoor has strongly reacted to fake reports of his demise that recently surfaced online. The actor took to social media to personally dismiss the rumours and reassure fans and loved ones that he is safe, healthy, and doing absolutely fine.

In a short video message shared online, the actor addressed the misleading reports directly and urged everyone not to believe them. “Hello everyone. My death news is all fake. I am healthy and happy. Please ignore it”, he said.

Expressing disappointment over the circulation of such rumours, Shakti Kapoor also revealed that he intends to take legal action against those responsible for spreading the false information. “I am going to file a cyber complaint about it because this is not good,” he added in the video.

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  A post shared by Shakti Kapoor (@shaktikapoor)

Soon after the actor posted the clarification, several fans flooded the comments section with messages of relief and support. Many users condemned the spread of fake news on social media and called for stricter action against individuals who create and circulate such hoaxes involving celebrities.

With a career spanning over five decades, Shakti Kapoor has remained one of the most recognizable faces in Hindi cinema. The actor gained immense popularity through his villainous and comic performances in films across the 1980s and 1990s. His memorable portrayals in movies like Andaz Apna Apna and Raja Babu continue to enjoy a cult following among audiences even today.

In recent years, the actor has continued to appear selectively in films while maintaining his presence in the entertainment industry. He was recently seen in projects like Animal and Mere Husband Ki Biwi.

Apart from his own career, Shakti Kapoor is also known as the father of actors Shraddha Kapoor and Siddhanth Kapoor. Shraddha Kapoor, in particular, has been enjoying a successful phase professionally with her last two films - Tu Jhoothi Main Makkaar and Stree 2 emerging as major successes.

Also Read: Shakti Kapoor sells Juhu apartment for Rs 6.11 crores: Report

Actor-dancer Nora Fatehi appeared before the National Commission for Women (NCW) on May 7 in connection with the controversy surrounding the song ‘Sarke Chunar’ from the upcoming film KD – The Devil. The actress addressed the matter before the commission and issued an apology, stating that there was no intention to hurt sentiments through the track.

Speaking after her appearance before the commission, Nora told ANI, “It was just a situation that I was put in, and there was no intention to offend anybody, but of course I have to be responsible as an artist. I definitely apologise, we have done everything in writing. They have been so kind and helpful. It's really important for us to give back to society. So, I decided that we should sponsor a few orphan girls, their education, so that is the goal after this matter.”

#WATCH | Delhi | Actor-dancer Nora Fatehi today appeared before the National Commission for Women (NCW), in connection with the matter pertaining to the song Sarke Chunar

She says, "I apologise as I have to be responsible as an artist. There was no intention to offend anybody.… pic.twitter.com/OAcvyUaE4C — ANI (@ANI) May 7, 2026

The controversy dates back to March 2026 when the NCW had taken suo motu cognizance of media reports alleging obscenity and vulgarity in the song ‘Sarke Chunar Teri Sarke’. The commission had then shared an official statement on social media expressing concern over the content of the track.

The statement read, “The National Commission for Women, in exercise of its powers under the NCW Act, 1990, has taken suo motu cognizance of media reports alleging obscenity and vulgarity in the song “Sarke Chunar Teri Sarke.” Observing that the content prima facie appears to be sexually suggestive, objectionable, and violative of provisions under the Bharatiya Nyaya Sanhita, IT Act, and POCSO Act, the Commission has taken serious note of the matter. Summons have been issued to Actress Nora Fatehi, Raqueeb Alam, Actor Sanjay Dutt, Venkat K. Narayana (Producer, KVN Group), and Kiran Kumar (Director) directing them to appear before the Commission.”

The summons asking Nora to appear before the commission was issued on May 6. And, the actress eventually appeared on May 7 to clarify her stance and respond to the concerns raised by the statutory body.

The development has once again brought discussions around creative freedom, censorship, and accountability in entertainment content into focus. Meanwhile, KD – The Devil continues to remain one of the talked-about upcoming projects owing to its ensemble cast and ongoing controversies surrounding the film’s promotional material.

Also Read: Nora Fatehi summoned by National Commission for Women over ‘Sarke Chunar’ row from KD – The Devil

Actor Celina Jaitly has shared an emotional account of her ongoing divorce struggle and separation from her children through a heartbreaking Instagram post. Along with the note, the actor posted a video of herself cleaning the grave of her late son Shamsher, saying she had “no option” but to make her pain public.

“I had no option but to share this devastating video to show the world my trauma as a mother,” Celina wrote at the beginning of her post. Opening up about the legal battle, she revealed that she had recently travelled to Austria for divorce proceedings. “The last few weeks were the most difficult of my life. I was in Austria for my divorce hearing,” she wrote.

Celina alleged that despite assurances given before an Austrian judge, her children were not brought back to the marital residence. “Despite an undertaking before an Austrian judge, my children who were removed to an undisclosed location were not brought back to the marital residence,” she claimed. The actor added that during the visit, “The only child I got to meet was my son Shamsher, who passed away some time back.”

Sharing her emotional turmoil, Celina described herself as “a mother who has done everything for her children from the day they were born.” She also reflected on the personal sacrifices she made for her family and husband’s career.

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  A post shared by Celina Jaitly (@celinajaitlyofficial)

“I left my country, my parents, my work, & moved from India to Dubai, Singapore, Austria, back to Dubai, Austria AGAIN all to support my husband’s career,” she wrote. “I singlehandedly raised my children while standing firmly behind his ambitions, his relocations, his dreams, & the life we built together,” she added.

Celina further alleged that she suffered abuse and financial losses during the marriage. “For my dedication to marriage & children, I watched my assets being taken away, piece by piece… beared abuse,” she stated.

The actor also claimed that despite joint custody and an Austrian Family Court order, she has been denied access to her children. “Despite joint custody & a subsisting order of the Austrian Family Court, I am presently DENIED ANY COMMUNICATION with my 3 children & I am heartbroken!” she wrote.

She additionally alleged that there had been “repeated interference” in her communication with the children, including “brainwashing & intimidation to compel them to say things against me.”

Recalling the beginning of the separation, Celina claimed that in September she was served divorce papers “on the pretext of receiving a gift ordered for our 15th wedding anniversary at the local post office.”

Concluding the post, she said, “I REPEATEDLY SOUGHT AN AMICABLE SEPARATION IN GOOD FAITH, PRIORITIZING ONLY THE WELFARE OF THE CHILDREN,” but alleged that those efforts were met with “demands relating to my premarital assets & unreasonable conditions intended to strip me of my freedom & dignity even after divorce.”

Also Read: Celina Jaitly speaks out after court rejects plea to communicate with detained brother: “This was never about me”

In a major development in India’s streaming landscape, Prime Video has announced the integration of Amazon MX Player into its platform, creating what the company calls India’s largest streaming service for exclusive originals across free and paid entertainment.

The move will bring together Prime Video’s premium subscription-based content library with Amazon MX Player’s extensive ad-supported content offering, giving viewers access to a wider range of entertainment under one unified destination. The combined platform will span Subscription Video on Demand (SVOD), Advertising Video on Demand (AVOD), Transactional Video on Demand (TVOD), and add-on subscriptions.

The integration comes after Amazon acquired certain MX Player assets in 2024 and merged them with Amazon miniTV to create Amazon MX Player. The service rapidly expanded its reach through local originals, reality programming, micro-dramas and dubbed international content.

With the latest merger, Prime members will now have access to a larger catalogue of originals and exclusives across devices, with options to watch content with ads or choose an ad-free experience. At the same time, viewers looking for free entertainment will continue to have access to a broad selection of ad-supported content along with seamless opportunities to subscribe to Prime.

Speaking about the integration, Gaurav Gandhi, Vice President, Asia-Pacific and ANZ, Prime Video, said, “Our focus at Prime Video has always been to bring authentic stories that reflect the diversity of our audiences. With the integration of Amazon MX Player’s expansive original slate and audience scale, our collective offering is bigger and stronger than ever — making Prime Video the one-stop destination for quality entertainment, for every customer in the country.”

He further added, “Amazon MX Player has built remarkable engagement through a diverse library, and bringing it together with Prime Video’s iconic stories means we can keep serving our customers with the largest selection of exclusive and original content from India and around the world.”

The integration is also expected to significantly expand advertising opportunities on the platform. Girish Prabhu, Vice President & Head, Amazon Ads India, described the move as a “gamechanger” for advertisers.

“The unification of Amazon MX Player with Prime Video is a gamechanger for advertisers in India. We've created a single streaming destination that reaches audiences across the entire spectrum — from free ad-supported viewers to Prime members — enabling true full-funnel advertising on an unprecedented scale. Advertisers now have access to the most relevant and high-performing ad formats, all powered by trillions of shopping, browsing, and streaming signals, transforming every impression into measurable business outcomes, making Prime Video the most comprehensive video advertising service in Indian streaming,” he said.

As part of the rollout, the Amazon MX Player app on Android will continue serving free streaming users with a rebranded identity and an integrated Prime Video experience. Users will also get the option to upgrade to Prime subscriptions for expanded content access. Meanwhile, the iOS, web and Living Room versions of the app will redirect viewers directly to Prime Video, where content from both services will be accessible.

Prime Video currently houses several acclaimed Indian and international originals, while Amazon MX Player has established a strong foothold in the free streaming market through its diverse catalogue. With this integration, Amazon aims to strengthen its position in India’s rapidly evolving OTT ecosystem by catering to both premium subscribers and free-streaming audiences under a single entertainment hub.

Also Read: Photos: Palak Tiwari, Raashi Khanna, King and others grace the trailer launch of Lukkhe

In a significant legal move, Zee Entertainment Enterprises has filed a case against Nykaa, alleging unauthorised use of its copyrighted music in promotional content on Instagram. The media giant is seeking damages amounting to Rs. 2 crores (approximately $210,000), according to court filings reviewed by Reuters.

The lawsuit, submitted to the Delhi High Court on April 3, centres around the use of Zee-owned songs in short video clips posted by Nykaa on Instagram. Zee has argued that while it holds a licensing arrangement with Meta Platforms that permits individuals to use its music for non-commercial purposes, the same does not extend to brands using the tracks for advertising.

According to the claims, Nykaa allegedly featured several of Zee’s songs in Instagram reels to promote its products to its large follower base, without obtaining the necessary permissions. The case reportedly includes references to 12 such posts, along with supporting screenshots submitted as evidence.

Although the detailed court documents are not publicly accessible, both companies have refrained from issuing official statements on the matter so far.

During a recent hearing, Nykaa’s legal representative informed the court that the 12 identified reels had already been removed from the platform. This development was noted in a court order, though it has not been widely reported until now.

Zee’s complaint, which reportedly spans over 900 pages, maintains that the music was used without proper authorisation, and therefore constitutes a violation of its rights. The company has requested financial compensation for what it describes as unauthorised commercial exploitation of its content.

The case highlights a growing trend in digital marketing, where brands increasingly rely on short-form video content on platforms like Instagram, often pairing visuals with popular Hindi tracks to boost engagement.

Legal experts believe the outcome of this dispute could have broader implications for how companies approach music usage in social media campaigns. Aditya Gupta, a partner at Ira Law, noted that marketing teams frequently use music available in platform libraries without fully understanding usage restrictions, adding that a court ruling could bring greater clarity to such practices.

The matter is scheduled to be heard next on May 26, and its outcome is likely to be closely watched by both the media and advertising industries.

Also Read: Zee Music Company bags music rights of Yash starrer Toxic in major 2026 deal with KVN Productions

Bollywood Hungama has exclusively learned that Aakhri Sawal, which was all set to release in cinemas on May 8, is unlikely to make it to theatres on the scheduled date due to censor certification issues. We were the first ones to report last week that even the trailer has not yet been cleared by the Central Board of Film Certification (CBFC). The trailer, like the film, is still awaiting clearance from the Censor Board.

A source told Bollywood Hungama, “The nature of the film and its plot is such that the CBFC members are being cautious. The makers have explained to the CBFC committee that their film is based on historical events and records and hence, deserves to be released. The discussions between the makers and the CBFC have taken a lot of time. Hence, the producers of Aakhri Sawal felt that it would be wise to push the film to a later date.”

The source continued, “At present, the makers are considering releasing their film on May 15. Of course, this will be subject to receiving the censor certification on time. An announcement on the same can be expected soon once the hurdles are cleared.”

Directed by National Award-winning filmmaker Abhijeet Mohan Warang of Picasso fame, the film features a multi-generational ensemble cast. Alongside Sanjay Dutt, the lineup includes Namashi Chakraborty, Amit Sadh, Sameera Reddy, Neetu Chandra, Tridha Choudhury, Mrinal Kulkarni, Nikhil Nanda, Archana Iyer, and Bipin Nadkarni.

The film is produced by Nikhil Nanda and Sanjay Dutt under the banners of Nikhil Nanda Motion Pictures and Neem Tree Entertainment. The screenplay, script, and dialogues have been written by Utkarsh Naithani, while the music is composed by Monty Sharma with lyrics by Kumar Vishwas.

Interestingly, Aakhri Sawal was meant to release on May 15 at one point and was preponed to May 8 just last month.

Also Read: Aakhri Sawal director Abhijeet Mohan Warang on Sanjay Dutt’s reaction to the film’s script, “He said this is not just a film but…”

Leaked visuals from the South Africa schedule of King, featuring Shah Rukh Khan and Deepika Padukone, went viral online; Siddharth Anand requested fans not to circulate such visuals to preserve the film’s cinematic experience.

Once upon a time, Bollywood controlled the first look.

A poster was planned. A teaser was timed. A still was approved. A magazine cover was negotiated. A campaign was built week by week, sometimes month by month. The audience saw what the studio wanted them to see, when the studio wanted them to see it. That world is gone.

The King leak controversy proves it. One leaked visual from a foreign schedule can now do what crores of marketing money once did. Ignite national conversation before the makers are ready. Shah Rukh Khan and Deepika Padukone’s leaked visuals from the sets have sent fans into overdrive, while director Siddharth Anand’s appeal not to circulate them has raised a larger question: in today’s cinema ecosystem, are fan pages more powerful than official PR?

The answer is uncomfortable. In many ways, yes.

pic.twitter.com/sTvx9IP4w3 — Siddharth Anand (@justSidAnand) May 1, 2026

Fan pages today are not just fan clubs. They are distribution networks. They are hype machines. They are unofficial newsrooms, meme factories, archive libraries and emotional armies. They monitor shoots, track schedules, amplify sightings, decode costumes, compare looks, trend hashtags and create narratives long before studios release official material. For a film like King, starring Shah Rukh Khan, this ecosystem becomes even more intense. SRK fandom is not passive. It is organised, emotional and incredibly fast.

That speed is both a blessing and a problem. On one hand, leaked images prove massive curiosity. Nobody leaks or circulates something that no one cares about. The frenzy around King shows the scale of anticipation. It tells the industry that the film is already an event. It gives free publicity, organic chatter and instant recall. In marketing terms, that is gold.

But cinema is not only marketing. It is also an experience. A filmmaker plans reveals for a reason. A look, a frame, a costume, a location, a character dynamic, all these things are meant to arrive with context. When leaked in poor quality or without explanation, they can distort perception. A blurry picture becomes a theory. A half seen costume becomes a judgement. A random moment on the set becomes a first look. The surprise is diluted before the storytelling even begins.

That is why Siddharth Anand’s frustration is understandable. A film like King is not being built casually. It is being mounted as a major cinematic event. The makers would naturally want control over how the first real imagery reaches the public. But control is now the hardest thing for filmmakers to retain. The more anticipated the film, the more impossible secrecy becomes.

There is also a moral question for fans. If one loves a star, does circulating leaks help or hurt the film? Fans often argue that they are only spreading excitement. Filmmakers argue that they are damaging the surprise. Both sides have a point. Fan excitement is genuine. But love without restraint can become interference. There is a difference between celebrating a film and prematurely exposing it.

The deeper issue is that Bollywood’s promotional model has not fully adapted to the fan page age. Studios still think in terms of official drops. Fans operate in real time. Studios plan calendars. Fans chase moments. Studios want polish. Fans want immediacy. The gap between the two is where leaks thrive.

The King controversy also shows the changing power structure around stardom. Earlier, PR teams created narratives and fans consumed them. Today, fans often create narratives and PR teams react to them. A leaked image can force a filmmaker to issue a statement. A fan trend can push a studio to respond. A blurry video can become bigger than a planned announcement. This is not a small shift. It is a complete reversal of control.

For Shah Rukh Khan, this is not new. His fandom has always been emotionally charged. But after his massive comeback phase, every move around him carries even greater scrutiny. Add Deepika Padukone to the mix, and the curiosity multiplies. Every frame becomes content. Every gesture becomes discourse. Every leak becomes a headline.

The industry now has two choices. It can either keep fighting leaks with requests and warnings, or it can rethink how to handle anticipation in an age where secrecy is almost impossible. Perhaps the answer lies in faster official communication, controlled behind the scenes drops, stricter set protocols and a more direct relationship with fan communities. But even then, the truth remains: the fan page is now a stakeholder.

The King may still belong to the makers on screen, but off screen, the kingdom is increasingly being run by the fans.

Also Read: King leak controversy: Siddharth Anand issues strong warning after Shah Rukh Khan, Deepika Padukone set photos go viral

The legal tussle involving Aditya Dhar’s Dhurandhar The Revenge has, for the time being, reached a resolution after the Bombay High Court disposed of a defamation case. The development came after filmmaker Santosh Kumar formally apologised for his earlier public remarks.

The dispute traces back to March 2026, when Kumar accused Dhar of lifting the storyline for Dhurandhar The Revenge from his own script titled D-Saheb. He claimed that his script had been officially registered with the Screenwriters Association in 2023. These allegations were made during a press conference, following which Dhar approached the High Court, arguing that the statements were defamatory and had harmed his professional reputation.

As reported by Live Law, the matter was heard by a single-judge bench presided over by Justice Arif Doctor, who ultimately closed the case after Kumar issued an unconditional apology in court.

The official order recorded that Kumar’s counsel submitted the apology for statements made during the March 30, 2026 press interaction. Dhar’s legal representative informed the court that, in view of the apology, his client no longer wished to continue pursuing the defamation suit or seek damages. Accepting the apology, Dhar agreed that the matter could be concluded, leading the court to dispose of the case, noting that no further issues remained to be addressed.

While this brings an end to the defamation proceedings, the court clarified that Kumar retains the right to initiate separate legal action regarding his claim over the script. The ruling explicitly stated that any future proceedings on the issue of authorship would be independent and unaffected by the current order.

During earlier hearings, the court had encouraged both parties to settle the matter amicably and refrain from escalating tensions. Although Kumar was initially reluctant to issue a formal apology, he eventually agreed, paving the way for the dispute’s resolution.

For now, the defamation case stands closed, but the larger question surrounding the ownership of the story remains unresolved and could potentially lead to fresh litigation in the future.

Also Read: As Dhurandhar The Revenge becomes UK’s highest grosser, here’s the UNBELIEVABLE Kabhi Khushi Kabhie Gham record that still refuses to die after more than 24 years

A new video from the sets of King has surfaced online, adding to the growing buzz around the film. The clip, reportedly from the ongoing shoot schedule in Cape Town, appears to capture a romantic sequence featuring Shah Rukh Khan and Deepika Padukone.

In the video, the two actors run towards each other along a beach before coming together in a signature romantic pose. Deepika is dressed in a flowing white outfit, while Shah Rukh Khan is seen wearing a multi-coloured striped shirt paired with black denims. The sequence is set against a sunset backdrop, which adds to the visual appeal of the scene.

At one point in the clip, Shah Rukh Khan is also seen recreating his well-known arms-outstretched pose, drawing reactions from members of the crew present during the shoot. The moment has been widely shared across social media platforms, with fans reacting to the on-screen pairing. Deepika Padukone and SRK from the sets of King. by u/AgreeableScarcity568 in bollynewsandgossips

The video follows a series of images from the same schedule that went viral earlier. At the time, director Siddharth Anand had addressed the leaks on social media, urging fans not to circulate unauthorised content. He wrote, “REQUEST TO ALL THE FANS. Please do not post or circulate any leaked multimedia from the sets of KING. The team is working round the clock to ensure the best cinematic experience for everyone. Let us wait for the surprise on the big screen and for the assets to be revealed as the team of King originally intends to.”

Speaking of the upcoming SRK starrer, it also features Suhana Khan, who is set to make her theatrical debut after appearing in The Archies. The cast further includes Rani Mukerji, Raghav Juyal, Arshad Warsi, Abhishek Bachchan, Jaideep Ahlawat and Saurabh Shukla in key roles. King is scheduled to release in theatres on December 24, 2026.

Also Read: King leak controversy: Siddharth Anand issues strong warning after Shah Rukh Khan, Deepika Padukone set photos go viral

Filmmaker Karan Johar spoke about his journey in fashion and cinema ahead of his appearance at the Met Gala 2026 in New York. In an interaction at the Empire State Building, Johar reflected on how his career has come full circle, returning to fashion on one of its most prominent global platforms.

Recalling his early years, Johar said, “I did start as a costume designer. That was my primary passion when I was about 22 years old. And then I discovered on the sets of a film that filmmaking is what really exhilarates me, excites me, inspires me.” He added that while he moved on to become a director and producer, his connection with fashion has remained constant over the years.

Johar also shared memories of his first exposure to fashion through magazines. “I remember the origin of fashion in my life was Vogue. I remember reading my first fashion magazine that I read when I was all of 12 years old was Vogue. That time it wasn't available in India, so I had to go to a tiny shop that sold some old Vogue magazines,” he said.

Speaking about the significance of attending the Met Gala, Johar noted that it was an event he had followed for years. “I always imagined what it would feel like to be on that carpet that represents like a story with fashion and so much talent and so much artistry and hours of execution of each garment and ideation. I just feel like fashion is such a deep art form,” he said. He added that this year’s theme further strengthened the personal significance of his presence. “For me to come back this year where the theme is fashion is art really not only just completes an entire circle in my head, but also it's such a critical year to be representing India,” he said.

The filmmaker emphasised the importance of showcasing Indian culture on a global stage. “I'm here to represent my country and also showcase our deep cultural heritage through my garment,” he added.

On a lighter note, Johar spoke about a personal wish for the evening. “I'm the father of twins. Yash and Roohi, they're both nine. My daughter is obsessed with Sabrina Carpenter. If I can meet her and if I can take a selfie with her, if that would be permissible, allowed, and if I am not encroaching on her privacy, I think my daughter will just, it'll be the best gift to give her,” he said.

Johar also confirmed that his outfit for the evening has been designed by Manish Malhotra. “He is a legendary designer from India. He's also my best friend. We've been collaborators on film forever. Every film that I've directed, he has actually designed for costumes. His name is Manish Malhotra. He has made my garment, which had to happen because we've had a journey together as best friends,” Johar shared.

He further added that their collaboration for the Met Gala holds emotional value. “He went into the world of fashion, I went into film, and we crossed paths beautifully, and we're here to represent our country together, and I feel really great and emotional about it.”

Also Read:Karan Johar turns the Met Gala 2026 into a living canvas, pays tribute to Raja Ravi Varma in Manish Malhotra creation

Actor Ayushmann Khurrana is gearing up for the release of his upcoming family entertainer, Pati Patni Aur Woh Do. The film promises to bring back the charm of classic situational comedy, drawing inspiration from the golden era of Hindi cinema.

The film taps into a storytelling tradition that audiences have cherished for decades, a space where misunderstandings spiral into hilarious situations, every character adds a new layer to the narrative, and the humour feels organic, clean and timeless.

Speaking about the film, Ayushmann said, “Pati Patni Aur Woh Do is a situational comedy in its purest, most classic form. The idea traces its roots back to the legacy of Sanjeev Kumar. I have been a big fan of his work. Humour from films of that era emerged from misunderstandings, timing, and character dynamics. I’ve always admired that style of storytelling, seen in timeless films like Padosan, Chupke Chupke, Angoor and Gol Maal. They are a laugh riot and I’m hoping Pati Patni Aur Woh Do will also be the same for people.”

He added, “With this film, Mudassar Aziz has crafted something that carries forward that spirit of clever writing in cinema that celebrates comedy of errors beautifully. This is an out and out family entertainer meant to be enjoyed together, where the comedy comes from a series of errors and misunderstandings. It’s a throwback to a time when storytelling was simple, clean, and genuinely funny and that’s exactly what we’ve tried to recreate here. I’m a big fan of such cinema and it was truly refreshing for me to see someone wanting to make that kind of film and celebrate the simplicity of emotions”.

At a time when Hindi cinema is constantly chasing newer formats, genres and spectacle-driven narratives, Pati Patni Aur Woh Do looks back at a much-loved style of comedy that relied on sharp writing, timing and character-based humour. In doing so, the film aims to remind audiences why comedy of errors has remained one of the most enjoyable genres for Indian families.

Slated to release in theatres on May 15, 2026, Pati Patni Aur Woh Do promises to deliver laughter rooted in timeless storytelling, offering a wholesome cinematic experience for families.

Also Read: Pati Patni Aur Woh Do Trailer: Ayushmann Khurrana caught in a web of chaos with Sara Ali Khan, Wamiqa Gabbi and Rakul Preet Singh

Bollywood actor Ameesha Patel has shared her travel troubles after being stuck at Dubai airport for several hours due to flight delays. The actor took to social media to express her ordeal as she waited to return home to Mumbai.

In a post shared on X, Ameesha described the long and tiring wait at the airport, writing, “Been hours n hours at DUBAI airport !! And the wait continues …. Can’t wait to get home to MUMBAI ❤️❤️❤️.”

Her post quickly caught the attention of fans, many of whom sympathised with her situation and shared similar travel experiences. Flight delays have become an issue at busy international hubs like Dubai and several other airports in the Middle East due to the ongoing tensions in the region, as per latest reports.

Been hours n hours at DUBAI airport !! And the wait continues …. Can’t wait to get home to MUMBAI ❤️❤️❤️ pic.twitter.com/Kcmrro3fyf — ameesha patel (@ameesha_patel) May 5, 2026

Ameesha’s tweet highlighted the inconvenience faced by travellers when schedules are disrupted. Despite the frustration, the actor remained hopeful about reaching Mumbai soon.

The actress, known for films like Kaho Naa... Pyaar Hai and Gadar, is quite active on social media and often keeps her followers updated about her personal and professional life. This incident is yet another glimpse into the challenges faced by citizens and celebrities alike when it comes to regional conflicts.

Ameesha was last seen in Gadar 2 (2023), which became one of the biggest blockbusters. Directed by Anil Sharma, the movie also starred Sunny Deol and Utkarsh Sharma in key roles.

Also Read: Ameesha Patel slams Zakir Khan’s ‘Jealous Bollywood’ claim: ‘SRK, Salman, Sunny have given 25+ hits’

Actor Jacqueline Fernandez is expected to attend the 79th edition of the Cannes Film Festival, scheduled to take place from May 12 to May 23, 2026, in France. The actor, who has been a recurring presence at the festival in recent years, is preparing for her appearance on the international red carpet.

According to sources, Jacqueline has already begun preparations, which include styling sessions and finalising her wardrobe for the event. Her Cannes outings have often drawn attention for their fashion choices, and similar expectations surround her appearance this year as well.

A source close to the development said, “Jacqueline’s Cannes appearances have consistently reflected her evolution as a global personality. Every year, she ensures her presence goes beyond fashion and glamour, carrying India’s representation onto an international stage with elegance and confidence. This year too, she is carefully finalising multiple looks that align with her global image while celebrating her roots.”

Jacqueline has maintained a steady association with Cannes over the past few years. In 2025, she was recognised by the Red Sea Film Foundation as part of its Women in Cinema initiative. She was among a select group of international artists acknowledged for their contributions to the film industry.

In 2024, the actor attended the festival and was present at the premiere of The Substance. Her appearances during that edition also received attention across fashion and entertainment platforms.

With Cannes 2026 approaching, Jacqueline Fernandez’s return adds to the list of Indian personalities expected to mark their presence at the festival. Her participation continues to reflect the growing visibility of Indian actors at international film events, where cinema and fashion often intersect.

Also Read: Tara Sutaria to make Cannes 2026 debut amid Toxic buzz; set to represent India globally

Awarapan (2007) underperformed at the box office during its theatrical run but went on to achieve cult status over the years, thanks to its unforgettable soundtrack, touching storyline, memorable dramatic and action moments and, of course, Emraan Hashmi in an intense, never-seen-before avatar. As a result, the trade and industry are confident about the prospects of Awarapan 2. Last week, some of the biggest distributors in the Hindi film industry were seen at the Vishesh Films office, keen to acquire the film’s all-India theatrical rights.

A trade source told Bollywood Hungama, “You name it and that distributor was seen at the Vishesh Films office last week – be it Zee Studios, Anil Thadani’s AA Films, Pen Marudhar, Jio Studios, Star Studio18, Cinepolis, etc. That’s not all. Dharma Productions, which now has its own distribution arm, also met Mukesh Bhatt. Lastly, Ananya Birla’s Birla Studios plans to not only produce but also distribute films in the future. Their representative also dropped by.”

An industry insider commented, “Ek zamaane mein hota tha that distributors would make a beeline and fiercely try to outdo each other to acquire the rights of a promising film. This episode reminded me of those days. It clearly shows that Awarapan 2 will be a film to watch out for. The first part has tremendous recall value. Memes are already being shared online about how fans are waiting to see the second part. As they say in our line, picture ekdum garam hai.”

The trade source further said, “Mukesh Bhatt is quite overwhelmed by the response. He met all the distributors warmly. Now, he and his team are analysing the offers and are expected to make a decision soon. Once that is done, the makers will announce the name of the distributor who won the competitive bid.”

Besides Emraan Hashmi, Awarapan’s first part also starred Shriya Saran, Mrinalini Sharma, Ashutosh Rana, Ashish Vidyarthi, Shaad Randhawa, Salil Acharya, Purab Kohli and the late Atul Parchure. Mohit Suri directed the love saga while its evergreen songs were composed by Pritam Chakraborty.

As for Awarapan 2, it is directed by Nitin Kakkar of Filmistaan (2014) and Notebook (2019) fame. This time, Emraan is joined by Disha Patani and Shabana Azmi. It releases in cinemas on August 14.

Also Read: Awarapan 2 locked for August 14, 2026 release; Emraan Hashmi reunites with Vishesh Bhatt

Actor Janhvi Kapoor recently found herself at the centre of online speculation after a segment from her appearance on Raj Shamani’s podcast was circulated out of context. The edited clips led to misleading assumptions that the actress was speaking from personal experience about alcohol addiction.

Addressing the growing confusion, mental health organisation Amaha, in collaboration with Off The Rocks, issued an official clarification regarding Kapoor’s role in the conversation. The statement firmly refuted claims that the actress had any personal history of addiction.

“We at Off The Rocks & Amaha have noticed certain media pages misrepresenting content associated with this initiative and Janhvi Kapoor. This is deeply concerning. We want to be clear, Janhvi Kapoor is part of this conversation as a caregiver and ally, not as someone who has had any personal experience of addiction or alcohol dependence”, the statement read.

It further emphasised the impact of such misinformation, adding, “Such misrepresentation not only diminishes her role, but also undermines and disrespects the real, lived experiences of those battling addiction and those supporting them. Let's not trivialise efforts to lend a healing hand to a critical problem by misleading information for the sake of click bait.”

Calling for accountability, the organisation concluded, “We strongly call upon media outlets, digital platforms, and individuals to report with integrity and ensure conversations around addiction are handled with the sensitivity they deserve. Misinformation in this space is harmful, irresponsible, and disrespectful to the very community this dialogue aims to support. Thank you for standing with us.”

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During the podcast, Kapoor had spoken about alcohol addiction in a broader context, while also reiterating that she has not personally struggled with it. She also elaborated on her involvement in initiatives that aim to combat addiction, positioning herself as a caregiver and ally. However, selective edits of her remarks sparked speculation, with some reports highlighting her statement about how she may have turned to alcohol during the COVID-19 period, thus creating the need to issue an official clarification.

On the professional front, Kapoor is gearing up for her upcoming film Peddi, which marks her second Telugu outing after Devara. The film also stars Ram Charan and is slated for release on June 4, adding to the anticipation surrounding her expanding filmography.

Also Read: Janhvi Kapoor opens up on alcohol addiction: “Don’t abuse it – recognise when you’re crossing the line”

Diljit Dosanjh recently made headlines during his concert in Calgary, Canada, after addressing a group of attendees waving Khalistani flags at the venue. The singer-actor reportedly asked the group to leave, expressing his discomfort with the display and distancing himself from pro-Khalistani elements during the live performance.

The incident unfolded amid ongoing criticism from a section of people who had questioned Diljit for showing respect towards veteran actor Amitabh Bachchan. Responding to these allegations during the concert, Diljit clarified his stance while emphasizing his continued efforts to highlight issues related to Punjab on global platforms.

“My job is not to do charity. But whichever platform I go on, I always talk about Punjab”, he said and continued, “We often say national media doesn’t talk about Punjab enough. I went everywhere, including on that channel for the sake of Punjab. I put forth Punjab’s issues there. I’ve even donated generously to my state whenever needed”.

The backlash surrounding his interaction with Amitabh Bachchan stems from long-standing criticism by certain groups. Bachchan had faced controversy decades ago over remarks made in the aftermath of former Prime Minister Indira Gandhi’s assassination during the period of Operation Blue Star. While the remarks have been widely debated over the years, some groups continue to hold the actor accountable.

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The singer also elaborated on his intent behind international appearances, including his visit to The Tonight Show Starring Jimmy Fallon. “I even went on Jimmy Fallon’s show to talk about Punjab and the Guru Nanak Jahaz incident. I didn’t go there to promote any film or song. I went there to bring Punjab and its issues to light so that the national media talks about it. If you still have an issue that I sat across someone on television, then keep waving how many flags you want to,” he added.

During the show, Diljit had referenced the historic Komagata Maru incident, where Indian immigrants faced discrimination in Canada. He had also noted performing in Vancouver, close to the site of the incident, where he witnessed a significant turnout for his concert.

Diljit’s recent statements indicate his attempt to separate his artistic and cultural outreach from political interpretations. By addressing the issue directly at a public event, he underscored his focus on representing Punjab’s culture and concerns on global platforms while rejecting associations he does not align with.

The Calgary incident has since sparked conversations online, with fans and observers weighing in on the singer’s stance and his broader messaging during international performances.

Also Read: Diljit Dosanjh opens up on Toronto University introducing course on him at Jimmy Fallon show; gets candid about Komagata Maru legacy

Tara Sutaria may be on the verge of a significant international breakthrough, with reports indicating that she is set to represent India at the Cannes Film Festival in 2026. While an official confirmation is awaited, the development has already sparked interest among fans and industry observers, especially as anticipation builds around her upcoming film Toxic.

According to reports, “Ahead of Toxic, Tara is set to make her debut at the Cannes Film Festival 2026, representing India on a global stage. With Toxic already generating buzz, this debut is expected to mark the beginning of a significant global phase in her career.”

The Cannes Film Festival has long been regarded as a key platform for artists seeking international visibility, often serving as a gateway to global collaborations and recognition. For Tara Sutaria, a debut at the prestigious event could mark a turning point, aligning her with a growing list of Indian actors who have expanded their presence beyond domestic cinema.

Over the years, Tara has gradually built a reputation for her screen presence and evolving choice of roles. From her early appearances to more recent projects, the actress has shown an inclination toward exploring varied genres and narratives. Her potential Cannes appearance comes at a time when her career appears to be entering a new phase, with Toxic already generating curiosity among audiences.

The film itself has been gaining traction for its scale and concept, adding to the excitement surrounding Tara’s professional trajectory. A presence at Cannes could further amplify the film’s visibility on an international stage, while also opening doors for cross-border collaborations.

If the reports hold true, Tara’s Cannes debut would not only represent a personal milestone but also reflect the increasing global footprint of Indian talent. In recent years, India’s participation at Cannes has grown steadily, with actors, filmmakers, and creators using the platform to showcase diverse stories and cultural narratives.

As 2026 approaches, attention is likely to remain on Tara Sutaria and her next steps, with her possible Cannes debut poised to be one of the most talked-about moments in her career.

Also Read: “New beginnings”: Tara Sutaria moves into her first house, shares glimpse of elegant Mumbai abode

Many viewers who ventured to watch The Devil Wears Prada 2 on Friday, May 1, and Saturday, May 2, expected an abundance of skin show, intimacy or violence. This is because the film has been certified ‘A’. However, all such fears were put to rest once patrons exited the theatre; after all, there’s nothing even remotely adult in the film, be it in terms of dialogues, scenes or even theme. Almost everyone is unanimous that The Devil Wears Prada 2 is a family-friendly flick and that the Central Board of Film Certification (CBFC) should have awarded it a U/A, if not a ‘U’, rating.

Bollywood Hungama went through the ratings awarded by censor boards across various countries and found that India is the only country where The Devil Wears Prada 2 is restricted to audiences aged 18 and above. In Switzerland, the film is permitted for anyone above the age of 6. Finland, Denmark and Spain permit anyone over 7 to catch the comedy drama. In Ireland, one has to be above 8, while in Belgium and the Netherlands, one has to be 9 to see the film. Turkey has awarded 10A rating to The Devil Wears Prada 2. In all these countries, minors are not restricted from watching the film; they can enter the theatre if accompanied by adults.

The Censor Boards in Brazil, Hungary, Malta, the United Kingdom, Oman, Poland, Portugal, South Africa, South Korea and Ukraine have given 12 rating to the film. One has to be above 13 or accompanied by adults in Argentina, Bahrain, Indonesia, Singapore, the United States and the United Arab Emirates if they want to check out the Meryl Streep-Anne Hathaway-Emily Blunt-Stanley Tucci starrer. In Lebanon and Vietnam, the film has received a PG13 and T13 rating; it means that no one under the age of 13 can watch the film.

Then there are four countries where the rating is a bit mature, but still the film is accessible to under 18-year-olds. In Australia and Saudi Arabia, The Devil Wears Prada 2 has received an M and PG15 rating. Anyone under the age of 15 can watch The Devil Wears Prada 2 if they are tagging along with an adult or above the age of 15. In Kuwait, no one can see the film if they are under 15, while the same rule is in place in Russia for those under 16.

There are three countries – Egypt, Hong Kong and the Philippines – where the film has received a 'Parental Guidance' rating. Finally, The Devil Wears Prada 2 has no age restrictions and is accessible to all in as many as 11 countries – Bulgaria, Czech Republic, France, Germany, Greece, Israel, Italy, Norway, Sweden, Taiwan and Thailand.

La La Land déjà vu

The unjustified ‘A’ rating for The Devil Wears Prada 2 brings back memories of La La Land (2016). The acclaimed musical romantic saga had family-friendly content and yet got an ‘A’ rating in India. Just like The Devil Wears Prada 2, every other major country in the world made it accessible to anyone under the age of 18.

To conclude

The question, then, is simple: what exactly did the CBFC see in The Devil Wears Prada 2 that the rest of the world did not? When countries across Europe, Asia, the Middle East and the Americas have found the film suitable for younger audiences, India’s ‘A’ rating doesn’t just look harsh; it looks inexplicable. At a time when the industry is trying to bring families back to theatres, such baffling certification decisions end up hurting films, exhibitors and audiences alike. Thankfully, despite the ‘A’ rating, The Devil Wears Prada 2 is delivering huge numbers at the box office in India. Nevertheless, the CBFC owes an explanation for this fiasco.

Also Read: Karan Johar reviews The Devil Wears Prada 2: “I walked out more in love with Meryl Streep”