Indus Chronicles

As Sara Ali Khan celebrates her birthday, it is the perfect moment to revisit the sartorial choices that continue to define her fashion identity. She carries a poise, a refined synthesis of classic lineage and a sharp contemporary focus. In her recent style choices, Khan moves beyond traditional fashion tropes, embracing structural silhouettes, precise proportions and an intentional balance between restraint and high-octane glamour. Across five defining looks, her wardrobe emerges as a masterclass in modern sartorial authority, seamlessly transitioning from cool architectural minimalism to fiery, tailored statements.

Diana’s Revenge Dress Constructed with an off-the-shoulder, structured boat neckline, this architectural gown features short capped sleeves resting just below the collarbone, revealing an exposed neck and shoulder line. The fitted bodice extends past the hip into a draped peplum accent before falling into an asymmetrical high-low hemline that flows into a subtle rear train, all rendered in an ink-black satin weave. The strength lies in the interplay between structured weight and liquid movement; by pairing the heavy satin frame with a statement diamond-and-sapphire choker, pointed black pumps, and a sleek low-slung chignon, the ensemble creates a strong vertical line that echoes classic European high-fashion codes.

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Sculpted Monochromatic Layering A three-piece tailored study in warm ivory, cream, and champagne nude accents, featuring a high, mandarin-collar jacket worn open over a textured high-neck top constructed with horizontal sheer and pearl-beaded striping. The sleeveless inner turtleneck offers coverage up to the chin, counterbalanced by a fitted, high-waisted mini skirt and long, slim-cut sleeves on the outerwear to complete the clean geometric lines. Monochrome works best when textures collide, and here, the soft weave of the outer jacket plays against the linear, pearl-encrusted inner mesh, while pointed embellished heels and a high ponytail elongate the frame for an effortless, sharp aesthetic.

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Modern Noir & Drapery A floor-length column gown defined by a draped cowl high neckline and sheer mesh short sleeves, finished in a matte black canvas with pops of silver and a muted blue watch strap. The top bodice combines delicate, semi-transparent paneling with draped jersey fabric that gathers tightly around the waist, falling into a straight, fluid floor-length skirt. The contrast between sheer technical mesh and soft, heavy draping creates an intriguing tactile balance, while keeping the neckline high and the silhouette extended down to the floor allows the texture play on the torso to take center stage alongside an undone updo and subtle drop earrings.

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Striated Crimson Tailoring A strapless, wide-leg jumpsuit engineered with a structured sweetheart neckline and built-in boning through the bodice, set in a deep crimson red with fine vertical white pinstripes. The sleeveless cut leaves the shoulders bare, balancing the dramatic volume of the relaxed, wide-leg trousers that sweep down over strappy sandals. Pinstripes are traditionally anchored in menswear, but applying them to a strapless, sweetheart-neck jumpsuit reclaims the motif with a feminine edge, where vertical lines elongate the body while a bold red backdrop matched with classic red lip and gold statement wristwear injects high-energy confidence into a precision-tailored silhouette.

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The Imperial Power Suit A tailored suit crafted in crisp polar white accented with polished gold hardware, featuring wide, sharp peak lapels and a deep V-neckline. The structural blazer showcases structured shoulders and full-length fitted sleeves anchored by six gold crest buttons, paired alongside mid-rise, wide-leg trousers tailored with a sharp center crease and a substantial hem fold. Tailoring in all-white demands precise execution, and this suit delivers as the fitted cut draws inward at the waist to emphasize structure while the flared trousers balance the broadness of the shoulder pads, elevated by gold buttons and matching metallic heels for effortless red-carpet presence.

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Sara Ali Khan’s wardrobe demonstrates high fashion impact. Whether adapting classic floor-length gowns or sharply cut power suits, her wardrobe proves that true sartorial authority doesn't require over-styling just impeccably tailored lines, confident proportions, and a clear understanding of personal presence.

Also Read: Sara Ali Khan continues her Delhi tradition with visit to Gurdwara Bangla Sahib

Priyanka Chopra is currently in India with her daughter Malti Marie as she spends time with her family. During her stay in Mumbai, the actor visited the city's famous Siddhivinayak Temple to seek blessings. She was accompanied by her sister Mannara Chopra, while Malti did not join them for the temple visit.

Priyanka was spotted outside the Siddhivinayak Temple dressed in a traditional pink salwar suit with a blue dupatta. Keeping her look simple, the actor made her way through the premises amid tight security. A number of fans had gathered outside to catch a glimpse of the actor. Before leaving, Priyanka waved to the crowd and then got into her car.

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The actor has frequently visited religious places during her trips to India. On one of her recent visits, she was seen at a Durga Puja pandal. During an earlier trip, Priyanka made headlines after performing seva and washing utensils at the Golden Temple. She also visited the Ram Mandir in Ayodhya with husband Nick Jonas and daughter Malti, where the family sought blessings.

Priyanka's latest India visit also comes at a time when there is considerable anticipation around her upcoming projects. She will next be seen in SS Rajamouli's much-awaited film Varanasi, which also stars Mahesh Babu and Prithviraj Sukumaran. The makers recently unveiled Priyanka's look as Mandakini along with a behind-the-scenes glimpse on the occasion of her 44th birthday. Mahesh Babu's character Rudhra was also introduced on his birthday. Varanasi is scheduled to release on April 7, 2027.

Meanwhile, Priyanka has also joined Oscar winner Russell Crowe for the sci-fi action thriller Bluefly. Directed by Nimrod Antal, the film revolves around a covert mission in the Congo following the discovery of a mysterious crashed aircraft. Priyanka announced her association with the project on Instagram on Thursday with a brief message: “On to the next.”

Also Read : Mahesh Babu thanks fans on birthday; says Varanasi is ‘very close to his heart’

The Cine and TV Artistes Association (CINTAA) is facing an internal dispute after eight elected members of its Executive Committee resigned from their respective offices and the Executive Committee with immediate effect. The members cited a loss of confidence in the present manner of functioning and called for fresh elections. They also alleged that the association’s functioning had increasingly become concentrated around CINTAA President Poonam Dhillon, Senior Vice President Padmini Kolhapure and a section of other Executive Committee members.

Responding to Hindustan Times, Poonam Dhillon has defended her and Padmini’s work for the organisation. Speaking to us, Poonam says, “Padmini and I are working hard to bring goodwill to CINTAA by using our resources and contacts; it is not for personal gain. No one else was taking initiatives to do anything for members of the organisation, so I’m shocked by their allegations.”

Poonam also addressed the controversy surrounding CAWT (Cine Artistes’ Welfare Trust), which was formed by senior actors including late Dilip Kumar, Amrish Puri and Amjad Khan. She claimed that the trust had not fulfilled its responsibility of providing medical facilities to members and said that no one from the current committee had raised funds for CAWT in the past few decades.

She pointed to a recent fundraising event, where artistes including Kavita Krishnamurthy, Madhushree and Nitin Mukesh performed without charging CINTAA. Gifts were presented to the artistes following their performances. “We raised 1 crore through these performances, so how is it a problem if we spend 1 lakh on gifts for them?” Poonam questions.

The actor further alleged that some of the members who resigned had been promised positions if a new committee came to power. Referring to Puneet Issar, she says, “Puneet (Issar) has barely attended two meetings in two years, but the day they wanted to dissolve the committee, they were beckoned just to vote us out.” She also alleged that certain members were pressured into resigning. “We still have the majority and the committee still stands," says Poonam.

Addressing General Secretary Upasana Singh’s claim that the EGM called by Poonam and her team was illegal, the actor explained her position on the process. “The resignation of former members was received by the General Secretary and not accepted by EC (Executive Committee). Meanwhile we held an EGM with a member who had withdrawn her resignation and inducted in seven new members on top of the elected list. Only after that resignations were accepted. So the EC stands. This process was vetted by our legal team.”

Poonam also said that she and Padmini have been paying some CINTAA expenses from their own pockets. She added that they have been conducting regular checks on television sets and educating members about labour codes. According to Poonam, several more initiatives are planned for the organisation as the dispute over its functioning continues.

Also Read : Rajeev Khandelwal recalls college romance on Tum Ho Naa – Ghar Ki Superstar; reveals the Poonam Dhillon song he played on loop

The IMAX format has a tremendous following, and certain films have done exceptional business in it. The Odyssey, for instance, has collected more than Rs. 70 crores in IMAX alone, a remarkable feat considering that India has just 34 IMAX theatres. While Mumbai has 9 IMAX screens, Delhi-NCR has 8. Meanwhile, Hyderabad still doesn’t have an IMAX auditorium, while cities like Pune and Chennai have two IMAX screens each. In comparison, the United States has more than 250 IMAX-branded screens! This naturally raises a question: why doesn’t India have more IMAX theatres, especially when the format has proved to be such a crowd-puller?

Sanjeev Kumar Bijli, Executive Director, PVR INOX Ltd, spoke about it in an interview with NDTV. He said, “We have 26 IMAX screens across the country (belonging to the PVR INOX chain), which seemed very few in number when The Odyssey was coming out. But it’s a very expensive technology. At the same time, it’s something which obviously can’t be ignored. It needs to be pushed. We need to have a roll-out of IMAX screens as well. Also, in India, it’ll make more sense to invest in this technology if we end up getting a lot more Hindi content, or rather, local content. It takes around Rs. 10-11 crores per screen. It’s not cheap at all.”

Sanjeev Kumar Bijli explained, “What happens with English IMAX films is that while a film like The Odyssey worked very well, Toy Story 5 didn’t work as much as intended in the IMAX format. So, it’s like 50-50. As a result, we need more Hindi and regional filmmakers, that is, Tamil and Telugu filmmakers, to make IMAX-worthy films. If we have more content, then I think we’ll be more comfortable investing in the IMAX format.”

Also Read: EXCLUSIVE: PVR INOX’s Sanjeev Kumar Bijli opens up on Project Hail Mary’s IMAX tussle with Dhurandhar The Revenge: “These are the challenges that we face in our business”; shares his views on Disney’s Infinity Vision: “We would love to partner…”

Spider-Man: Brand New Day is having an unstoppable run at the box office. Yet the other Hollywood film, The Odyssey, remains rock-solid at the box office. It's currently in its fourth week and in 24 days, it has collected Rs. 166.89 crores. If we count all languages, the total collections amount to Rs. 178.31 crores.

The Odyssey opened at Rs. 16.08 crores and went on to record an opening weekend of Rs. 56.85 crores. After collecting Rs. 85.65 crores in its first week, it added another Rs. 45.67 crores in Week 2. Spider-Man: Brand New Day was released on Thursday, July 30, the 14th day of The Odyssey’s run, and its arrival did impact the Christopher Nolan-directed film. A day earlier, The Odyssey had collected Rs. 4.46 crores, but on July 30, its collections dropped to Rs. 2.79 crores.

But The Odyssey picked up on Friday, July 31, when it collected Rs. 3.41 crores. On August 1 and 2, it earned Rs. 5.66 crores and Rs. 5.72 crores respectively and remained rock-steady in the weekdays. This way, it earned Rs. 24.15 crores in Week 3.

What is interesting to note is that the collections fell by 46.68% in Week 2 compared to Week 1. In the subsequent week, earnings dropped by just 47.12%, despite the Spider-Man mania.

While The Odyssey collected Rs. 2.23 crores on Thursday, August 6, the earnings increased on Friday, August 7, when the period epic collected Rs. 2.54 crores. The collections on August 8 and August 9 were Rs. 4.49 crores and Rs. 4.39 crores respectively. Hence, the film has collected Rs. 11.42 crores in its fourth weekend and will end the week with Rs. 15-16 crores.

The crazy IMAX performance

Meanwhile, the IMAX format has played a major role in the collections of The Odyssey. This is the first film to be completely filmed in IMAX and hence, there’s a tremendous demand to catch the film in the premium format. As a result, the footfalls in the IMAX version are very strong. Bollywood Hungama had earlier reported that in 13 days, the share of IMAX collections are a huge Rs. 48.25 crores. This is when the film had earned Rs. 132.65 crores.

To date, the IMAX format of The Odyssey has collected Rs. 74.21 crores (Rs. 73.77 crores from English and Rs. 44 lakhs from Hindi), accounting for nearly 41.62% of the film’s total collections. Interestingly, the contribution from IMAX has increased significantly as the film’s run has progressed. In Week 3, when The Odyssey collected Rs. 25.30 crores across all languages, IMAX screens contributed Rs. 16.10 crores. In other words, IMAX alone accounted for a massive 63.64% of the film’s Week 3 collections.

However, in the fourth weekend, the IMAX share jumped further to 67.14%. Of the film’s total collections of Rs. 11.44 crores across all languages, IMAX screens alone contributed Rs. 7.68 crores. If all premium formats (IMAX, HDR By Barco, 4DX, MX4D, EPIQ and Dolby) are taken into account, they contributed a staggering 71.15% of The Odyssey’s total fourth-weekend collections.

Even after completing 24 days, the demand for The Odyssey in IMAX remains rock-steady. For instance, as of 8:45 am on August 10, the 9:45 am show at the IMAX screen of PVR Phoenix Lower Parel, Mumbai, had already sold around 80 tickets. The figure is likely to touch 100 tickets by the time the show begins, which is remarkable for a Monday morning, especially for a film in its fourth week. Moreover, tickets for these premium-format shows are priced considerably higher than those for regular 2D shows, which has played a major role in driving the film’s collections. At this rate, The Odyssey has a shot at a lifetime collection of Rs. 180 crores from its English version alone.

The 24-day collections of The Odyssey Week 1 - Rs. 85.65 cr Week 2 - Rs. 45.67 cr Week 3 - Rs. 24.15 cr Week 4 [3 days] - Rs. 11.42 cr

The 24-day collections of The Odyssey in the IMAX format Week 1 - Rs. 27.97 cr Week 2 - Rs. 22.45 cr Week 3 - Rs. 16.10 cr Week 4 [3 days] - Rs. 7.68 cr

Also Read: Exhibitors hail Christopher Nolan’s The Odyssey for becoming highest-grossing IMAX release in India: “Moviegoers embraced it not merely as a film to watch, but as a cinematic experience to revisit”

Film director Shakeel Noorani, 73, has been arrested in Mumbai following a complaint filed by a 33-year-old actor, who has alleged that she was raped after being called to his residence in Malwani. According to the police complaint, Noorani allegedly invited the actor to his house on the pretext of discussing an upcoming film project.

The actor has alleged that after she reached the director's residence, she was allegedly drugged and sexually assaulted. The complaint further states that Noorani allegedly threatened her following the incident. Police subsequently registered a case based on the actor's allegations and arrested the filmmaker.

Following his arrest, Noorani was produced before the Borivali Holiday Court. The court has reportedly remanded him to police custody until August 12, during which the police are expected to investigate the allegations and gather further evidence in the case.

The allegations are currently part of an ongoing investigation, and the charges against Noorani have not been established in court.

Shakeel Noorani has been associated with Hindi cinema as a writer, producer and director. He is known for films including Bade Dilwala, released in 1999, and Joru Ka Ghulam, which came out in 2000.

The latest case has brought the veteran filmmaker into the spotlight as Mumbai Police continue their investigation into the actor's allegations. Further details regarding the case are expected to emerge as the investigation progresses and the police record statements and examine other evidence connected to the complaint.

Noorani's police custody is scheduled to continue until August 12, following which he is expected to be produced before the court again. The investigation will determine the circumstances surrounding the allegations and the events that allegedly took place at his Malwani residence.

The much awaited trailer of filmmaker Geetu Mohandas’ Toxic released yesterday and, ever since, it has become the talk of the town. The striking visuals, action and production design has ensured that the chatter around the film hasn’t stopped on social media. Along with that, Tara Sutaria’s presence in it has also been noticed and appreciated.

During the trailer launch of the film in Bengaluru, when asked on having a Disney princess image about her and what was it like to go from fairy tales to fairy tales for grown-ups, Tara responded saying, “There's a very popular phrase from an old Disney fairy tale, which I think it goes something like, ‘A dream is a wish your heart makes.’ And it feels so fitting to Toxic and to this fairy tale that we've all created. Because I think it's a dream and a wish that all of us have had, I think collectively as a team, to be a part of something and a fairy tale of sorts that is really outstanding, exceptional, and something very, very special to all of us in many different ways. And I think I'm just, like I said, overwhelmed and humbled and blessed to be with all of you and to be a part of this incredible story.”

Tara’s words reflected not only her excitement but also the emotional connection she shares with Toxic. Her belief in the film has only heightened the anticipation surrounding Toxic. With her appearance as Rebecca already earning praise for her captivating screen presence, audiences are now eagerly looking forward to watching Tara on the big screen.

Also Read: Toxic trailer launch: Yash praises his co-stars: “All these lovely talented people have kept their EGOS aside to put an Indian film on a GLOBAL platform”; HITS back at those who doubt him: “I see it as their STUPIDITY”

On the occasion of Telugu superstar Mahesh Babu’s birthday, team Varanasi unveiled two stills from the highly anticipated epic, offering the world its first glimpse of Rudhra in his element.

The first still captures Rudhra at rest on a bamboo raft, surrounded by a dense jungle, effortlessly cool, magnetic and carrying the quiet intensity that defines his character. The second transports us to the sweeping plains of Kenya’s Maasai Mara, where Rudhra stands amidst giraffes and wildebeest looking back with an unmistakable sense of command.

Together, the two stills offer a glimpse into the soul of Varanasi, a globe-trotting, century-spanning epic where one man’s extraordinary journey takes him from the sacred waters of India to the wildest corners of the earth.

Director SS Rajamouli said, “Rudhra was born to fulfil a purpose much larger than himself. He carries a destiny he did not ask for. He is witty, he is vulnerable, and he is fierce. That is what Mahesh brought to him. Anyone can play fierce. Very few can play fierce and fragile in the same breath. These frames are from our Africa schedule, and the land gave us something no set could. Shooting around Kilimanjaro and in the Maasai Mara, I was stunned. There were mornings when I felt even the 1.43:1 IMAX frame could not hold what was in front of us.”

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Directed by SS Rajamouli, with music by MM Keeravani, Varanasi is produced by Sri Durga Arts and Showing Business and is set to release worldwide on April 7, 2027, in IMAX.

Also Read: Priyanka Chopra gets birthday surprise as new Varanasi photos unveil fresh look from SS Rajamouli film

In the last 10 days, Ravi Kishan has achieved cult status on the world of internet memes. A months-old video of the actor went viral, in which he can be seen passionately singing the devotional song ‘Har Har Bhole Namah Shivaya’. The clip opened the floodgates, triggering what can only be described as a Ravi Kishan special week on the internet. Netizens began unearthing and sharing several priceless gems – from Ravi Kishan and Manoj Tiwari posing like cool dudes and hilariously arguing in English to Ravi dancing without a care at promotional events.

We have now stumbled upon an interesting coincidence that connects Ravi Kishan with the recently-released blockbuster, The Odyssey, directed by legendary filmmaker Christopher Nolan.

The Odyssey was released in India and most major markets across the world on July 17. Interestingly, Ravi Kishan’s birthday falls on the very same date! Did Ravi Kishan’s charm rub off on The Odyssey, or was it the other way around? Well, that’s difficult to say!

Ravi Kishan breaks silence

Meanwhile, Ravi Kishan spoke to Bombay Times about his viral memes. He said, “If you lose the ability to laugh at yourself, you lose a part of your freedom. People are having fun, and as long as it's in good spirit, why should I be offended? So, I smile, I move on, and I focus on doing good work. The internet will always find something new tomorrow.”

He also said, “If you start planning viral moments, they stop being real. The audiences of today are incredibly smart; they are hyper aware of authentic and organic moments…I've always believed that if you start changing yourself to avoid trolling, you slowly lose the person you truly are. I would rather remain authentic than become overly cautious. The people who genuinely appreciate you connect with your honesty, not with a carefully manufactured image. Tareef aur trolling, dono temporary hain.”

Also Read: Ravi Kishan’s viral ‘Headquarters’ meme reaches Europe as Juventus and Borussia Dortmund join the trend

On August 5, Bollywood Hungama was the first to report that Ramayana would release worldwide in most international markets on Friday, November 6. And now, producer Namit Malhotra has revealed an unusual release strategy – the film will arrive in international markets two days before its India release.

In an interview with NDTV, Namit Malhotra revealed that since Diwali falls on Sunday, November 8, audiences in India will get to watch Ramayana on the big screen on the festival day itself. Meanwhile, the film will release overseas two days earlier, on Friday, November 6.

When asked about the film’s release date, Namit Malhotra said in the NDTV interview, “It’ll release in India on Diwali.” When specifically asked if that meant Ramayana would arrive in Indian theatres on November 8, he replied in the affirmative.

The reporter then pointed out that the recently released English version of the Ramayana trailer mentions November 6 as the release date. Explaining the difference, Namit Malhotra said, “So, we are releasing internationally (on November 6). The international distribution works from a Friday standpoint. So, that is on the 6th of November. But India currently we are targeting a release on Diwali.”

While Dharma Productions will distribute Ramayana in India, Sony Pictures has picked up the overseas distribution rights. Last week, Bollywood Hungama broke the news that T-Series has bagged the music rights to both parts of Ramayana for Rs. 75 crores in an advance deal.

Ramayana stars Ranbir Kapoor as Lord Rama, Sai Pallavi as Sita, Yash as Ravana, Sunny Deol as Lord Hanuman and Ravie Dubey as Lakshman. It is directed by Nitesh Tiwari of Dangal (2016) fame and produced by Namit Malhotra. The music is composed by A R Rahman and Hans Zimmer. It's a two-part saga with the first part releasing on Diwali 2026. As for the second part, it'll arrive on the big screen on Diwali 2027.

Also Read: CM Devendra Fadnavis inaugurates Namit Malhotra’s Prime One; says, “I will be disappointed if Academy Award doesn’t come to Ramayana”

Richa Chadha and Ali Fazal are all set to make a special appearance in the India chapter of the highly anticipated third season of Conan O’Brien Must Go, the internationally acclaimed travel-comedy series hosted by Emmy-winning television personality Conan O’Brien. The makers recently unveiled the trailer for the upcoming season, offering audiences a glimpse of the comedian’s latest global adventures.

During Conan’s visit to India, Richa and Ali join the celebrated host for an engaging and entertaining conversation packed with humour, candid moments and cultural insights. The segment captures the trio sharing spontaneous banter and light-hearted exchanges, while Conan’s signature comedic style blends effortlessly with the couple’s natural chemistry. Their interaction is expected to present viewers with a fun and refreshing perspective on India through the comedian’s distinctive lens.

The appearance also marks an exciting collaboration between two of India’s acclaimed actors and one of the most recognised comedy figures in the world. Known for taking on unconventional projects and pushing creative boundaries, Richa Chadha and Ali Fazal’s participation adds a unique global crossover to the upcoming season.

Speaking about the experience, Richa Chadha and Ali Fazal jointly shared, “Conan O’Brien is quite simply a legend. We’ve admired his unique brand of humour for years, so getting to sit across from him and be a part of his India journey was surreal in the best way. The conversation was completely unfiltered, spontaneous and filled with the kind of humour that only Conan can bring out. We had an absolute blast filming it and can’t wait for audiences around the world to see this wonderfully chaotic exchange.”

The third season of Conan O’Brien Must Go will once again follow Conan O’Brien as he travels across different parts of the world, meeting fascinating people and immersing himself in local traditions. Combining curiosity, self-deprecating humour and his trademark irreverent style, the new season promises another entertaining journey filled with memorable encounters, cultural discoveries and engaging conversations with people from diverse backgrounds.

Also Read : Richa Chadha on uncovering Mumbai in her non-fiction series Musafiri, “It is my love letter to the city”

Sunaina Roshan has never hesitated to speak openly about the personal struggles that have defined different phases of her life. From battling alcoholism and cancer to dealing with health complications and body shaming, she has consistently shared her experiences with the hope that they may encourage others facing similar challenges. In the latest episode of her Instagram series, Dad & I Unfiltered, Sunaina had an emotional conversation with her father, filmmaker Rakesh Roshan, as the two reflected on the difficult times their family endured together.

During the heartfelt discussion, Sunaina asked her father a question she admitted she had never asked him before. Looking back at the period when her health was at its lowest, she said, “I don’t think I have ever asked you this before. When my health was at its worst, what was going through your mind as a father?”

Rakesh responded by revealing how emotionally difficult it had been to watch his daughter go through repeated health crises. He admitted that there were several moments when he felt powerless despite wanting to do everything possible for her. “It’s not been once, it has been many times. I used to pray silently. I did have tears in my eyes sometimes, but then I had a different front when I used to come to you to meet you. I used to be smiling always and giving you courage,” he said.

Hearing her father's words, Sunaina shared that it was his strength and positive outlook that inspired her own approach to adversity. She recalled that when Rakesh Roshan was diagnosed with cancer, she intentionally concealed her fears and emotions so she could remain a pillar of support for him. “I think I have got that strong mindset from you, how to fight everything. And I think I did the same thing when you had cancer. I was very courageous, smiling in front of you. But in my room, I used to sob and sob. I remember there were days, I would actually go to the mirror, start laughing by myself and in that way come and face you. I think I never told you this before. It’s the first time I’m telling you that,” she revealed.

Deeply moved by his daughter's confession, Rakesh emphasized the importance of staying hopeful when a loved one is battling illness. According to him, maintaining a positive attitude and offering emotional support can have a meaningful impact on the person's recovery. “Good, that’s the way because you do feel sorry when some family member, their children or any member in the family who are very close to you is not doing well health wise. But then by keeping a positive attitude, by smiling in front of them, giving them more strength at that time always has a good result,” he said.

Concluding the conversation, Sunaina highlighted that while support from family is invaluable, true determination has to come from within. She stressed the importance of believing in one's ability to overcome challenges, saying, “But that strength actually has to come from within yourself. Yes, I am going to fight it. Yes, I’m going to overcome this.”

The candid father-daughter conversation offered a rare glimpse into the emotional resilience that helped both Sunaina and Rakesh Roshan navigate some of the most challenging moments in their lives, underscoring the power of hope, family support and inner strength.

Also Read : Rakesh Roshan shuts down reports of Hrithik Roshan-YRF budget clash over Krrish 4: “There are no issues”

Priyanka Chopra Jonas has added another major international project to her growing Hollywood slate. The actor is set to share screen space with Academy Award-winning actor Russell Crowe in the upcoming sci-fi action thriller Bluefly. The film will be directed by Nimród Antal, known for Predators and Stranger Things, while the screenplay has been penned by David Frigerio, William Eubank, and Carlyle Eubank.

The announcement follows another significant career update for Priyanka, who was recently confirmed to star opposite Orlando Bloom in the survival thriller Reset. Earlier this year, she headlined Prime Video's The Bluff, which debuted at the top spot globally. She also featured alongside Idris Elba and John Cena in the action-comedy Heads of State, which became Prime Video's fourth most-watched film. The film has since received a nomination for Outstanding Television Movie at the 78th Primetime Emmy Awards. Priyanka also earned a nomination for Best Actress in an Action Movie at the 2026 Critics Choice Super Awards for her performance as Ercell Bodden in The Bluff. She will next appear in S.S. Rajamouli's action-adventure film Varanasi, scheduled to release on April 7, 2027.

Bluefly is being produced by Michael Jefferson for Polite Society, David Frigerio for Broken Open Pictures, Deborah Glover for G2 Dispatch, Arianne Fraser and Delphine Perrier for Highland Film Group, along with Vanessa Yao Guo. Executive producers include Lia Buman, Guy Davies, RuthAnne Frigerio, Brian Kavanaugh-Jones, Jason Kringstein, Katie Leary, and Scott Levenson.

Highland Film Group will oversee worldwide rights for the project and will launch international sales at the Toronto International Film Festival (TIFF). Filming is expected to begin later this year on Australia's Gold Coast.

The story is set in the Congo and follows a grieving United Nations translator who becomes involved in a covert mission to retrieve a mysterious aircraft that officially does not exist. Accompanied by a Special Operations team travelling through militia-controlled territory, the mission gradually turns into a dangerous journey where the truth behind the aircraft reveals that it was never meant to be recovered.

Speaking about the project, Highland Film Group CEO Arianne Fraser said, "We have a stellar cast led by Russell Crowe and Priyanka Chopra Jonas who will ignite the screen in this high-stakes, sci-fi thrill ride with layers of depth, akin to Denis Villeneuve's Arrival." She further added, "Bluefly is heart-pounding entertainment with a complex story full of unexpected twists. With Nimród Antal at the helm and our wonderful cast, we cannot wait to introduce this fantastic project to our global buyers."

Director Nimród Antal also shared his excitement about the film, saying, "Bluefly is an intense, character-driven thriller wrapped inside a bold science-fiction premise. It's the kind of film I live to make — grounded, propulsive, and full of dread — and I couldn't ask for a better cast or team to bring it to the screen."

Russell Crowe, an Academy Award winner for Gladiator, continues to expand his filmography with projects including Unabomber, The Weight, Billion Dollar Spy, and Amazon MGM's Highlander. Meanwhile, Priyanka Chopra Jonas remains one of the most prominent Indian actors on the global stage, balancing acting, production, and international projects, with Bluefly marking yet another significant addition to her Hollywood journey.

Also Read : Priyanka Chopra Jonas shows her ‘mama’ and ‘mamacita’ sides in adorable video; watch

Music composer, singer and actor Swanand Kirkire has completed filming for Sooraj Barjatya's upcoming family entertainer, Yeh Prem Mol Liya, featuring Ayushmann Khurrana and Sharvari in the lead roles. With the final schedule now finished, the film has officially wrapped production, marking the end of an important phase for the cast and crew.

Sharing his thoughts on the journey, Swanand described the experience as both creatively satisfying and emotionally memorable. He said being associated with a Rajshri Productions film gave him the opportunity to work in an atmosphere known for its warmth, simplicity and collaborative spirit. As production concludes, he is now looking forward to the film's release and hopes audiences will embrace the story that the team has worked hard to bring to life.

Reflecting on wrapping the film, Swanand Kirkire said, "We've completed the final schedule and officially wrapped Yeh Prem Mol Liya, and it's always a bittersweet feeling when a film comes to an end. Over the course of the shoot, this team has truly started feeling like a family. Working with Sooraj ji and Rajshri Productions has been a beautiful experience because there's a rare sense of calmness on set. Everyone is treated with genuine love, kindness and respect, irrespective of the role they play. That warmth creates an environment where you can simply focus on your work and enjoy the process."

Speaking about the film's upcoming release, he further added, "Now that we've wrapped the film, the excitement has naturally shifted towards its release. Every film is a labour of love, but this one carries a certain warmth and honesty that I believe audiences will connect with. I can't wait for people to watch Yeh Prem Mol Liya on the big screen and experience the emotions that all of us have poured into it. I truly hope the film receives the same affection with which it has been made."

Directed by Sooraj Barjatya, Yeh Prem Mol Liya brings together Ayushmann Khurrana and Sharvari on screen for the first time. The film has generated significant interest ever since it was announced, with audiences eager to see the fresh pairing in a family-oriented entertainer. Now that filming has officially concluded, attention turns to its theatrical release, as fans await the opportunity to experience the story on the big screen.

Also Read: It’s a wrap! Ayushmann Khurrana and Sharvari’s Yeh Prem Mol Liya concludes shoot; see EXCLUSIVE picture from set!

Anil Kapoor has reached Hyderabad to kick off filming for the highly anticipated Pan-India film Dragon, directed by Prashanth Neel. Featuring Jr NTR in the lead role, the film is already generating significant excitement and is expected to be one of the biggest theatrical releases of 2027. The first installment of the ambitious project is slated to arrive in cinemas on June 11, 2027.

Before beginning work on the film, Anil shared a nostalgic moment with fans on social media. On August 5, which marks actress Kajol's birthday, the actor posted a heartfelt Instagram Story remembering their time together while shooting Hum Aapke Dil Mein Rehte Hain (1999) at Ramoji Film City.

Recalling a memorable conversation from those days, Anil revealed that Kajol had once playfully told him that even years later, after getting married and raising a family, he would still be shooting at the same location. Her light-hearted prediction unexpectedly came true as he returned to Ramoji Film City on her birthday, this time for Dragon. Describing the coincidence as a "true blessing," Anil also expressed his wish to reunite with Kajol on screen in the near future.

The film also marks a major milestone in Anil Kapoor's career, as it brings him back to Telugu cinema after a gap of 46 years. He made his Telugu debut with Bapu's Vamsa Vruksham in 1980, a film that also introduced him as a leading actor. During the promotions of Animal in Hyderabad in 2023, Anil had fondly spoken about working on the film, sharing that the experience taught him discipline. He recalled waking up at 4 a.m. every day to prepare for the demanding schedule, an experience that left a lasting impact on him.

In Dragon, Anil Kapoor takes on the role of Raghuveer Rathod, the Chief of India's Narcotics Bureau. Set in the backdrop of the opium trade during the 1960s, the story revolves around Jr NTR's character, Luger, the ruthless assassin-in-chief of the Afghan Trading Company.

As the narrative unfolds, Rathod becomes the biggest obstacle standing in Luger's path and his expanding criminal network. The confrontation between the Narcotics Bureau and the powerful trading syndicate forms the core of the story. According to industry buzz, Anil's character is expected to be a commanding authority figure whose unwavering pursuit of justice will lead to one of the film's most intense and significant face-offs. With its powerful cast, high-stakes narrative, and Prashanth Neel's direction, Dragon is shaping up to be one of the most eagerly awaited releases in Indian cinema.

Also Read: Anil Kapoor, Manisha Koirala and Jackie Shroff celebrate 32 years of 1942: A Love Story as restored version heads to cinemas

After wowing audiences with the quirky yet progressive ‘Lipstick’, Adnan Sami is back with the intense dance number ‘Ishq Tamasha’. The track combines the emotional depth of a romantic ballad with contemporary pop-rock production and expressive visual storytelling. The strikingly mounted video also evokes memories of Adnan Sami’s creatively filmed music videos from the early 2000s. In an exclusive interview with Bollywood Hungama, the legendary singer-composer spoke about ‘Ishq Tamasha’, his evolving musical sensibilities and a lot more.

‘Ishq Tamasha’ is quite intense and impactful and also completely different from ‘Lipstick’… I have a whole host of songs that are in the pipeline. We started off with ‘Lipstick’ and it had a completely different vibe from whatever I have done in the past. ‘Ishq Tamasha’ is a completely different song from that. They don’t have any connection whatsoever, as you can tell. This is a very intense romantic song. In the past, I have done a lot of songs from very different types of genres – songs like ‘Kabhi To Nazar Milao’, ‘Bheegi Bheegi Raaton Mein’ and ‘Tera Chehra’ on one hand and also ‘Lift Kara De’, ‘Gela Gela’, ‘Aye Udi Udi’ and ‘Kiss Me Baby’ on the other. I have also done qawwali. So, I have these different genres that are in me, and they reflect a lot of who I am as a musician and as a person. They also reflect my upbringing. You are what you listen to and what you are influenced by. Since I have lived all over the world throughout my life, obviously there’s so much of influence that I have picked up wherever I lived.

In the forthcoming future, I am going to be sharing all of that. The forthcoming songs would also stand out in terms of their arrangements, themes, texture, etc. It is exciting for me as a musician. I finally got into a zone where I decided that I want to bare all (smiles). I don’t want to get stuck into any particular genre.

Why do you think this is the right time for you to bare all? Because even the listener has evolved. In the past, the listener was prepared to listen to very limited music. There was film music, which had its own texture and genre. Then there was a little bit of experimentation on the independent side. So, you needed to work around that perimeter of music. Now, formats have changed and streaming has come in.

Earlier, a listener would buy cassettes. You had a certain amount of money and you would walk into the music store. Most of the people could buy just 1 or 2 cassettes based on their budget. As a result, the listener would buy only that album that he had heard on radio or seen its music video and was comfortable with it. Accordingly, the person would buy those two cassettes and listen to their songs to death (laughs). There were a hundred other cassettes of other films and albums. But the listener would not buy them, citing ‘Maine inke gaane nahin sune aur mere paas paise nahin hai udaane ke liye’. And it was fair; even I used to do the same as a student.

Consequently, everyone was roaming around that perimeter of music. But with streaming coming in, things have improved. Let’s say that you have paid Rs. 100 to access a subscription of a music app. By paying just Rs. 100, you could listen to the songs from the entire world. Now, because you have the facility, you will listen to different sounds. You’ll say ‘Hey, I like that’. Suddenly, your mind opens up. You are far more receptive towards all kind of music as you have got the exposure.

And that’s not all. Today, we have international acts coming to India of all kinds of genres that one didn’t expect that people would like. Yet, they are filling up stadiums. This makes me very happy. I grew up with so many different genres and compositions of all kinds. But I was not able to present them to the listener as I knew that he or she was not possibly accustomed and tuned to take it in. Hence, I stuck to a particular format. Now that the listener has become attentive and receptive to such genres, I am really enjoying this as now, I can go anywhere. So, now I have decided to do just that (smiles). It allows me to open up my creative banks.

‘Ishq Tamasha’ is an intense romantic song about a man who is so madly in love that he worries he may be making a fool of himself and become an object of ridicule. How did the idea for the song come about? We, as a society in India and elsewhere, have this tendency. When we read about Romeo And Juliet, Heer Ranjha, Laila Majnu or watch Devdas, we glorify them and say ‘Waah…romance ho toh aisa ho’! But when we see somebody doing the same in real life, we mock them. Why this hypocrisy? We say ‘Majnu ban gaya hai, pagal ban gaya hai, Devdas ki aulad’. They’ll also say all kinds of nonsense like ‘Kya hua agar woh chali gayi? There are many fish in the ocean’! Your parents may tell you, ‘You’d look back at this and you’ll laugh at yourself’. When you’re going through it, you feel small and dejected. You wonder, ‘Why are you making fun of me? I am just in love with somebody’. You also feel ‘Main nahin, yeh log pagal ho gaye hai’!

‘Ishq Tamasha’ is about this hypocrisy. By and large, most people go through it.

Also Read: Adnan Sami releases new single ‘Ishq Tamasha’ with Zee Music Company; explores love through music and dance

With the trailer of Awarapan 2 set to launch on August 6, anticipation around Emraan Hashmi’s much-awaited sequel continues to grow. The film, which arrives in cinemas on August 14 during the Independence Day holiday weekend, will face competition from Sunny Deol’s Batwara 1947. Despite the high-profile box office clash, producer Vishesh Bhatt has expressed confidence and gratitude, saying the release date was chosen with audiences in mind rather than competition.

Addressing the much-discussed clash, Vishesh Bhatt said, “We came on the date that seemed best. It's our first release coming into 14th August on a holiday and it's our fortune and luck that we get to share this release date with the legend Sunny Deol and and it's with a lot of humility we would like to bring the film on a holiday so more people can also come and watch this film.”

#Awaarapan2 producer Vishesh Bhatt answers the question on the Independence Day clash with #Batwara1947.

He says it's THEIR fortune to share this release date with the LEGEND SUNNY DEOL ♥️

ALL the best to them as well!!

Healthy clash ho jaye....!! #SunnyDeol pic.twitter.com/8R3R3bhzki — Deva Ki Adaalat (@SunnyDeolFanHu) August 4, 2026

His remarks reflect the makers’ positive outlook towards the festive release window, which traditionally draws large crowds to theatres. Instead of viewing the simultaneous release as a rivalry, Bhatt emphasized that the holiday period offers moviegoers an opportunity to enjoy multiple films on the big screen.

Awarapan 2 marks the return of Emraan Hashmi as Shivam Pandit nearly two decades after the original Awarapan earned cult status among fans. The sequel also stars Disha Patani, Shabana Azmi, Suvinder Vicky and Vijayant Kohli, promising a blend of action, romance and emotional drama while carrying forward the legacy of the 2007 film.

Music has always been one of the biggest strengths of the Awarapan franchise. Songs like ‘Tera Mera Rishta,’ ‘Toh Phir Aao,’ and ‘Maula Maula’ continue to enjoy immense popularity years after the original film's release. Keeping that legacy alive, the makers have already hinted that Awarapan 2 will feature a fresh soundtrack while retaining the soulful musical identity that made the first film memorable. The music is expected to play a key role in connecting both old fans and a new generation of audiences.

With nostalgia, music, and Emraan Hashmi reprising one of his most loved characters, Awarapan 2 is shaping up to be one of the most anticipated releases of the Independence Day weekend.

Also Read : Awarapan 2 trailer to release on 6th August, Emraan Hashmi and Vishesh Bhatt

Bhagyashree recently treated her fans to a nostalgic moment by sharing a video of herself dancing to Lata Mangeshkar’s evergreen classic, ‘Gum Hai Kisi Ke Pyar Mein’, The performance beautifully celebrated the timeless appeal of the iconic melody, reminding viewers of the simplicity and elegance that defined the golden era of Hindi film music.

In the video, Bhagyashree is seen gracefully performing to the beloved track while also singing along to the lyrics. Dressed in a stylish Anarkali suit paired with matching jewellery, the actress effortlessly complemented the mood of the classic song with her elegant expressions and dance moves.

Sharing the video on social media, Bhagyashree reflected on how romance was once expressed through subtle emotions rather than grand gestures. She captioned the post, “#myfavsongsbyb Do you remember when love had a different language? A little shy, a little hesitant, a little longing, a little anticipation..... when words were fewer and a look said it all. Have you ever felt love like that? #musicforever #1900s.”

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  A post shared by Bhagyashree (@bhagyashree.online)

The actress has often expressed her fondness for evergreen Bollywood music by recreating iconic songs through dance videos. Her latest post is another example of her appreciation for timeless melodies that continue to resonate with audiences across generations.

A few days earlier, Bhagyashree had also given fans a glimpse of her getaway to Udaipur with her husband, Himalaya Dassani. Sharing pictures from the trip, she offered snapshots of the couple enjoying special moments together during a birthday celebration. Alongside the photos, she wrote, “Wild, wild west! What a weekend... Witty's birthday celebration!.”

On the work front, Bhagyashree married Himalaya Dassani in 1989, and the couple has two children, Abhimanyu Dassani and Avantika Dassani. Abhimanyu made his Bollywood debut with Mard Ko Dard Nahi Hota in 2019, while Avantika entered the entertainment industry with the web series Mithya.

Professionally, Bhagyashree was last seen in the 2023 thriller Sajini Shinde Ka Viral Video. She later made a special appearance in the comedy-drama streaming series Life Hill Gayi, continuing to stay connected with audiences through selective projects while also sharing glimpses of her personal life and love for classic Bollywood music on social media.

Also Read : Bhagyashree hits back at trolls over ‘fake lassi promotion’ claims; says, “Kya aap the wahan par?”

Singer Neha Bhasin has publicly criticised actor Bhumi Pednekar over her recent comments on the language used by protesters during the CJP-led NEET-UG 2026 demonstrations. Bhumi's statement, which urged young protesters to avoid using abusive language while expressing their anger, had already sparked widespread debate on social media. Many users argued that the actor focused on the protesters' choice of words instead of addressing the alleged police action during the demonstrations.

The controversy stems from Bhumi's Instagram video, where she expressed concern over videos showing protesters using offensive language against Prime Minister Narendra Modi. Emphasising the importance of maintaining respect, she said, “Looking at the videos surfacing now, the kind of language being used, and the way the youth of our country are speaking — the youth of our country... this isn't how we talk, man. We are talking about someone who holds the highest office in the land today. And it’s not just about the office; would we ever speak like this to the elders in our own homes? Can we really resort to using abusive language?” She further added, “Guys, this isn't our culture; it’s wrong, and this really bothered me — that’s why I wanted to come forward and address this: a country will only progress and move forward when, collectively and unitedly, we discuss our flaws as well as the good things. Our culture and value system form our backbone; we shouldn't stray from them, otherwise, we won't be able to communicate the right things in the right way, and they will never be implemented or lead to change.”

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  A post shared by Neha Bhasin (NB) (@nehabhasin4u)

However, Bhumi's remarks drew criticism from several social media users, who questioned why she did not address the reported use of force against students during the July 20 Sansad March. Videos circulating online allegedly showed protesters being lathi-charged, tear-gassed and assaulted by police personnel, prompting demands for accountability. Joining the criticism, Neha Bhasin shared a strongly worded post questioning the silence over the alleged police conduct. She wrote, “I would have really respected our dear PM more if there was calling out of police for openly, inappropriately touching women during the protests as he is offended by the use of gaalis. He himself said these are kids. But the police is appointed to protect and abide by the law. So why is there no accountability there.” The singer also took a direct dig at Bhumi, stating, “Bhumi Pednekar Lock Upp pe bhi scripted thi aur protests ko lekar bhi. Gooda nahi hai toh chup rehna best hai behen (She was scripted in Lock Upp and also about the protests. Sometimes its best to keep your mouth shut)." Bhumi had recently appeared as Janta Ki Awaz alongside Huma Qureshi in the Judgment Day episode of Lock Upp, hosted by Farah Khan and Riteish Deshmukh. The controversy comes against the backdrop of nationwide protests over the alleged NEET-UG 2026 paper leak. Organised by the Cockroach Janta Party (CJP), thousands of students gathered at Delhi's Jantar Mantar demanding reforms in the education system and the resignation of the Education Minister following several student suicides. Although Dharmendra Pradhan later resigned, protesters have continued to press for broader reforms. The demonstrations intensified after the July 20 march towards Parliament, when videos purportedly showing police using batons, tear gas and physical force against protesters surfaced online, triggering widespread outrage. Also Read : VIVA’s iconic songs return to streaming platforms after 20 years; India’s first Pop Girl band sparks nostalgia online

Recently, reports claimed that Salman Khan had charged just Rs. 70 crores for Vamshi Paidipally’s upcoming untitled film. It was further alleged that the superstar, whose usual remuneration is said to exceed Rs. 120 crores, had agreed to reduce his fee by nearly 40% for the action entertainer. However, Bollywood Hungama has now received an exclusive statement from the film’s producers, categorically denying these claims.

The producers, Sri Venkateswara Creations, have shared the following statement with Bollywood Hungama: “We have come across several reports circulating regarding Salman Khan’s remuneration for SVC63. We would like to categorically state that these reports are completely false and baseless.

As producers, we do not comment on or disclose confidential business or financial arrangements related to our projects. The figures currently being circulated, including those relating to the film’s budget, are purely speculative and factually incorrect.

We sincerely request members of the media to reach out to us for any clarification pertaining to SVC63 before publishing such reports.

Our team remains committed to creating a grand cinematic experience for audiences and delivering a film that lives up to their expectations. We truly value your continued support and look forward to your cooperation in keeping the spotlight on the film and the experience we are working hard to create for audiences.”

About SVC63

Besides Salman Khan, the untitled film also stars Nayanthara. Presented by Dil Raju, it went on floors on April 22, 2026. It is produced under the banner of Sri Venkateswara Creations by Shirish and Kuldeep Rathore and co-produced by Rafi Kazi.

Salman Khan sports a cool, stylish look for this film. Recently, he was spotted at an event sporting his new haircut and it broke the internet.

Also Read: Salman Khan and Vamshi Paidipally share heartwarming birthday hug in new SVC63 BTS photo; fans cant keep calm