Indus Chronicles

Diwali celebrations appear to have begun early for Ayushmann Khurrana and Tahira Kashyap. The couple, known for hosting festive gatherings attended by members of the film industry, recently took to Instagram to share a portrait welcoming the season of lights. Their post also offered a glimpse of their festive style, with both opting for traditional ensembles featuring detailed embellishments.

Sharing the picture, Ayushmann and Tahira captioned it, “Diwali season is the best season for a reason. And the reason is love. End October and early November is full of butterflies.” The message reflected the celebratory mood as the couple posed together against a floral wallpaper backdrop, dressed in coordinated yet distinct festive looks. Not too long ago, the couple had hosted a Diwali bash at their residence which was attended by Sara Ali Khan, Karan Johar, Rakul Preet Singh and Jackky Bhagnani, among others.

For the occasion, Ayushmann opted for an all-black ethnic ensemble that combined traditional tailoring with subtle embellishment. The actor wore a bandhgala kurta featuring intricate dark sequin embroidery along the placket. Keeping the silhouette understated, he paired the outfit with relaxed, straight-leg black trousers and formal dress shoes. A sheer organza wrap added another layer to the look, with gold-toned tassel accents along the hem providing a contrast against the predominantly black palette.

Tahira, meanwhile, chose a champagne-gold lehenga set that leaned into the festive mood. Her sleeveless choli featured heavy embellishment, while the A-line skirt was detailed with mirror-work borders and delicate sequins across the fabric. She completed the ensemble with a matching sheer dupatta draped over her arm. Statement drop earrings and a cocktail ring served as accessories, while her softly styled, brushed-out waves complemented the outfit.

Together, their ensembles offered two different approaches to festive dressing. Ayushmann kept his look centred on dark tones, clean tailoring and restrained detailing, while Tahira embraced metallic hues, surface embellishment and traditional occasion wear elements. The portrait also fits into the couple’s familiar Diwali celebrations, with their social media post marking the arrival of the festive season.

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  A post shared by Ayushmann Khurrana (@ayushmannk)

Ayushmann Khurrana’s Upcoming Projects

On the professional front, Ayushmann was recently seen in Udta Teer, directed by Aakash Kaushik. The comedy caper also stars Sara Ali Khan, Rahul Bose, Ram Kapoor and the late Mukul Dev. The film follows a Pakistani spy who loses his memory after a blast and mistakenly believes himself to be an officer in India’s Counter Terrorism Squad.

The actor is also preparing for Yeh Prem Mol Liya, directed by Sooraj Barjatya and produced by Rajshri Productions. The family drama features Sharvari alongside Ayushmann, with Anupam Kher, Seema Pahwa and Supriya Pathak in the ensemble cast. With music composed by Himesh Reshammiya, the film is scheduled for a theatrical release on November 27, 2026.

Also Read: Ayushmann Khurrana, Sara Ali Khan visit Attari-Wagah border to promote Udta Teer

In the aftermath of the shooting incident involving Tiger Shroff in Mumbai, All Stars Football Club has put its regular Sunday football sessions on hold indefinitely. The decision comes amid heightened security concerns surrounding celebrities who participate in the club’s weekend matches.

The club’s founder, Bunty Walia, confirmed the development after cancelling the session scheduled for October 25. Speaking to News18 Showsha, Walia said the decision had been taken as a precautionary measure until the necessary security arrangements could be established. “Yes, for the time being, until we get the security protocols in place," he was quoted telling the portal.

The notice issued by the club does not specify a deadline for the suspension, indicating that the sessions will remain on hold until further notice. Walia has also reportedly been in discussions with the management and authorities to review and improve the security measures. There is currently no confirmed timeline for when the Sunday football matches will resume.

Tiger Shroff Shooting Incident Raises Security Concerns

The development follows the firing incident reported on the evening of October 18, 2026, in Mumbai’s Juhu area, when Tiger Shroff was targeted as his car was leaving a football venue. The incident raised concerns about the security of the actor and others associated with the gathering.

According to reports, multiple rounds were fired at the vehicle, with the attack reportedly targeting the side where Shroff was seated. The actor escaped serious injury, although his driver sustained a gunshot wound to the hand and a bystander was also reportedly injured. Shroff was said to have taken his injured staff member to Nanavati Hospital following the incident.

The shooting prompted a police investigation involving multiple state units. Reports subsequently indicated that several suspects had been detained across different states in connection with the case. Investigators have also reportedly examined possible links to organised crime, including claims of responsibility attributed to individuals associated with the Lawrence Bishnoi syndicate.

The incident has brought renewed attention to the security arrangements surrounding film personalities, particularly at public venues and informal gatherings where celebrities may be present. The suspension of the football sessions appears to be a precautionary step while the club works towards establishing appropriate protocols.

For now, All Stars Football Club’s regular Sunday matches remain suspended, with the resumption dependent on the implementation of security measures. The club has not announced a date for the return of the sessions.

Also Read: Tiger Shroff’s spokesperson DENIES reports of actor’s statement to Mumbai Police: “This news is completely untrue”

The team representing Vijay Deverakonda and Rashmika Mandanna has submitted a formal complaint to the Cyber Crime authorities in Hyderabad, seeking an investigation into specific online content concerning the actors. The complaint reportedly identifies alleged fabricated claims, manipulated digital material, impersonation and targeted online harassment that surfaced following the couple’s appearance on Koffee With Karan Season 9.

In a statement, the Virosh team confirmed that its representative had physically submitted the complaint, along with relevant links and supporting evidence, for examination by the authorities. The team has clarified that its request is not intended to restrict freedom of speech or genuine criticism but seeks accountability in cases where potentially unlawful conduct or demonstrably false information may be involved.

The complaint has been filed by P. Nishanth Kumar, who is identified as the manager of both actors. According to the excerpts shared by the team, the representation seeks an impartial, evidence-led examination of specifically identified online publications and digital material. It asks the authorities to verify whether any of the material contains materially false factual representations, fabricated quotations or screenshots, deceptively altered images or videos, false attribution, impersonation or other conduct that could attract legal consequences.

The complaint also refers to online claims concerning events allegedly occurring during the television programme, purported emotional distress or harassment, changes in social media following activity, and statements presenting a breakup, separation or divorce as fact. However, the complainant has stated that the authorities should not presume that any allegation is false or that any individual has committed an offence. Each instance, the representation says, should be examined against the available primary material, its origin and context.

The Virosh team has further stated that every identified instance of publishing, reposting or amplifying potentially unlawful content may be examined on its own merits. It has indicated that appropriate legal remedies will be pursued wherever warranted, in accordance with due process. The statement also calls for responsibility while sharing unverified claims and cautions against presenting speculation as established fact.

What Triggered the Online Debate?

The complaint follows the online scrutiny surrounding Vijay and Rashmika’s joint appearance on Koffee With Karan Season 9, during which the couple shared details about their relationship and journey towards marriage.

During the conversation, Vijay spoke about Rashmika expressing her feelings first and recalled asking her to ask him “100 times” before he agreed. Rashmika subsequently explained that the remark needed to be understood in the context of the time they took to understand each other before making a commitment.

Their comments and interactions became subjects of discussion across social media, with some users interpreting their remarks and body language critically. Older interviews and promotional clips featuring the actors also resurfaced, while details of their social media activity became part of the online debate.

Both actors subsequently responded to the criticism. Rashmika addressed the interpretation of Vijay’s remark and defended her relationship, while Vijay posted a statement affirming that the couple were “gloriously happy” and expressing his displeasure with the commentary surrounding their marriage.

The latest complaint brings the matter to the authorities, with the team seeking verification of specific online material and appropriate action wherever warranted under the law. The allegations outlined in the complaint remain subject to examination, and no finding of wrongdoing has been established against any individual or account at this stage.

Also Read: Vijay Deverakonda hits back at trolls targeting his marriage to Rashmika Mandanna; says, “If it’s me and her against the world – so be it”

Rajesh Naik was in his early 40s when he got the opportunity of a lifetime – to have breakfast with superstar Shah Rukh Khan, not just for a day, but for an entire week! This extraordinary experience took place on the sets of Asoka (2001) in Jaipur, Rajasthan. As the period drama, co-starring Kareena Kapoor Khan, completed 25 years on October 26, Bollywood Hungama exclusively spoke to Rajesh Naik, now 66, about how a common man landed this enviable opportunity and came away with memories to cherish for a lifetime.

Rajesh Naik began by saying, “I was deputed by the board of directors of Excel Industries Ltd to Jaipur, Rajasthan, to take over the operations. Initially, I was alone in Jaipur. My wife, Bhavna, and son, Hardik, had not joined me yet. Meanwhile, one of my close friends, the late Ravi Indulkar, was Shah Rukh Khan’s personal makeup man. We used to call him Ravi Dada. Shah Rukh also called him the same. Ravi Dada was aware that I had shifted from Mumbai to Jaipur. He called me one day at 8:45 in the morning and told me, ‘We are in your city and Sahab bhi hai’. By Sahab, he meant Shah Rukh. I asked him the purpose of the visit. He replied, ‘We are here for the shoot of Asoka. You should join us and have breakfast with Shah Rukh and us’!”

Rajesh Naik immediately agreed. When asked whether Kareena Kapoor Khan was also present at the breakfast table, he replied, “I don’t remember if she was there, but the child actor (Sooraj Balaji) was present. You won’t believe how Shah Rukh treated me. He was so happy that I accepted his invitation when it should have been the other way round! After we were done, he asked, ‘We are here for 7 more days. Aap roz hamare saath breakfast karne aayenge kya?’! The offer was very tempting, but I suddenly remembered that I had to be at work early in the morning. So, I told him, ‘Thank you so much, but unfortunately, I won’t be able to change my routine’. He understood my reason and told me, ‘Sure. Aapse ho sakta hai, toh hi aaiye. But I insist that you should join us’.”

Rajesh Naik revealed, “I couldn’t resist, and I ended up going for breakfast all 7 days! The shoot of Asoka was taking place 22 km outside the city. He used to call me ‘Sir’. During one of our breakfast sessions, he asked me, ‘Sir, would you and your office people like to come and see the shoot of our movie?’. I accepted this invitation too. I went to my office and asked my team if they were interested. Obviously, they agreed but requested that we go on a Saturday, which was an off day.”

He added, “My team had a total of 17 members. A minibus was booked, and we went to witness the shoot. The battle sequence was being shot. Even back then, he was a huge star, and yet, he was so kind to each one of them, as if we were VIPs. Food was arranged for us. A couple of people even went to his vanity van and shook hands with Shah Rukh!”

Rajesh Naik laughed as he shared, “My team was so charged up after that meeting and Shah Rukh's behaviour towards them that their efficiency increased. Our sales increased by almost 24% that year. The credit for it goes to Shah Rukh and Ravi Dada! Shah Rukh surely has some effect.”

Did he get a chance to click a picture with the superstar? Rajesh Naik said, “Yes, I clicked a picture with him. I asked him if he would put his hand on my shoulder. He laughed and was more than happy to accept my request (laughs).”

Rajesh Naik then got a couple of chances to meet the superstar, though those meetings were brief. Meanwhile, he also recalled a touching incident that Ravi Dada had narrated to him. He revealed, “While the shoot of Asoka was going on, his assistant’s mother passed away. Shah Rukh flew to Mumbai to pay his last respects. He even gave some money to the assistant. Then, he returned to Jaipur immediately. No one in the team was aware of his visit. Ravi Dada knew about it, and he told me. He said that this is how Shah Rukh treats every person in his team.”

The controversy involving veteran singer Daler Mehndi and Uttarakhand Cabinet Minister Subodh Uniyal appears to have come to an end after the minister reportedly apologised to the singer over a telephone call. The development was confirmed in a statement issued by Mika Singh’s team, which welcomed the gesture and reiterated the importance of treating artists with dignity and respect.

Reacting to the development, Mika Singh’s team released an official statement expressing hope that the matter could now be put behind them. The statement read, "We appreciate that Subodh Uniyal ji has apologised to Daler Mehndi paaji over a telephonic conversation regarding the unfortunate incident. Respecting artists and their dignity is extremely important. Daler paaji is a senior artist who has contributed immensely to the music industry, and every artist deserves to be treated with respect. We hope this matter can now be put behind us and everyone can move forward with mutual respect and understanding."

The dispute originated at the Siddhpeeth Maa Kunjapuri Tourism and Development Fair in New Tehri, Uttarakhand, where Daler Mehndi had been invited to perform. During the event, Uniyal interrupted the singer from the stage and questioned his conduct in front of the audience. The minister alleged that Mehndi was intoxicated, was not performing properly and was lip-syncing at a religious event being held during Navratri.

The incident subsequently triggered considerable criticism from members of the entertainment industry, with several artists expressing concern over the public treatment of a senior musician. The episode also sparked a wider conversation about the respect and dignity that performers deserve, irrespective of the circumstances surrounding a live performance.

As the disagreement escalated, Uttarakhand Chief Minister Pushkar Singh Dhami intervened in an effort to ease tensions between the parties. Before Uniyal's direct apology to Mehndi, Mika Singh had spoken about his interaction with the Chief Minister, appreciating the latter's approach to the situation.

Mika described Dhami as a humble and approachable leader who had communicated with him warmly and respectfully. According to the singer, the Chief Minister had also expressed regret over the incident on behalf of the cabinet minister.

While acknowledging Dhami's gesture, Mika clarified that he did not hold the Chief Minister responsible for what had transpired. He had reportedly told Dhami that there was no need for him to apologise, as he had not personally been involved in the incident. However, Mika maintained that the minister who had interrupted the performance needed to address the matter directly with Daler Mehndi.

Mika also revealed that Dhami had invited both brothers to visit Uttarakhand and perform in the state again, signalling his willingness to help restore the relationship with the music fraternity.

With Subodh Uniyal now reportedly having apologised to Daler Mehndi over the phone, the latest development indicates a step towards resolving the dispute. The episode, which drew attention from across the entertainment industry, has also highlighted the importance of respectful communication between public representatives and members of the creative community.

Also Read: Daler Mehndi controversy: FWICE writes to PM Narendra Modi, Uttarakhand CM Pushkar Singh Dhami after minister’s alcohol allegation

The tenth edition of the Bollywood Music Project, organised by Eva Live, took place on October 24 at Mumbai’s Jio World Gardens and drew a massive crowd. The star-studded line-up included Neeraj Shridhar, Roop Kumar Rathod, Anu Malik, Euphoria, Hariharan, Shilpa Rao, Himesh Reshammiya and several others. Shilpa Rao was the second-last performer, while Himesh Reshammiya was the final artist to take the stage. Bollywood Hungama earlier reported how Shilpa Rao's performance was abruptly cut short, leaving the audience furious. Thankfully, Himesh's epic act made up for the disappointment to some extent and ensured that the evening ended on an entertaining note.

Himesh Reshammiya began on a rocking note with 'Tera Surroor' from his album Aap Kaa Surroor. He followed it up with 'Viraaniya' from Namastey London (2007), 'Tanhaiyan' from Aap Kaa Surroor – The Movie (2007), 'Naam Hai Tera' from Aap Kaa Surroor and the title song of Tere Naam (2003). The crowd enthusiastically sang along, making it evident that Himesh's songs continue to enjoy a massive following.

At this point, Himesh's wife, Sonia Kapoor, joined him on stage. She recited a poem, following which Himesh sang 'Main Jahaan Rahoon' from Namastey London. As he performed the romantic number, Himesh lovingly embraced Sonia and kissed her on the forehead. The adorable moment prompted several attendees to go “Awwww”!

Bollywood Music Project 2026: @ayushmannk makes a surprise entry; crowd goes crazy. Joins #HimeshReshammiya as they promote #YehPremMolLiya @bmp_live https://t.co/qwcKDeH7DZ

— Fenil Seta (@fenil_seta) October 25, 2026

Singer Pragati Nagpal then came on stage to sing the female portions of the songs that followed. Himesh continued his musical extravaganza with 'Yahi Hota Pyaar' from Namastey London, 'Aashiqui Mein Teri' from 36 China Town (2006), 'Afsaana Banaaya Aapne' from the upcoming Gunmaaster G9, the title track of Aashiq Banaya Aapne (2005), 'Kheech Meri Photo' from Sanam Teri Kasam (2016), 'Hookah Bar' from Khiladi 786 (2012), 'Soniye' from Aksar (2006), and 'Ek Haseena Thi' and 'Tandoori Nights' from Karzzzz (2008).

In between, he performed a foot-tapping medley comprising 'Jhalak Dikhla Ja' from Aksar, the title tracks of Sanam Teri Kasam and Humko Deewana Kar Gaye (2006), and 'Kitne Armaan' and 'Aye Meri Zohrajabeen' from Phir Hera Pheri (2006).

Ayushmann Khurrana joins Himesh Reshammiya on stage; calls him ‘Lord Himesh’

In one of the biggest surprises of the evening, Ayushmann Khurrana suddenly appeared on stage, much to the delight of the crowd. The actor joined Himesh Reshammiya to promote their upcoming film, Yeh Prem Mol Liya.

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Ayushmann told the cheering audience, “I am just overwhelmed seeing you guys. It is so beautiful. Maine ek baar Himesh sir ka concert dekha tha Indore mein. Or maybe it was Raipur. This is when my debut film Vicky Donor (2012) had just been released. This is the second time I am at a Himesh Reshammiya concert. And you guys are singing along. It's absolutely crazy and madness here.” He then enthusiastically declared, “Lord Himesh is with us!”

Ayushmann also spoke highly of the music of their upcoming film, saying, “Yeh Prem Mol Liya is a Himesh Reshammiya musical. The tracks of the film are supremely hummable.”

The crowd, meanwhile, had another demand. Fans began insisting that Ayushmann sing his immensely popular song 'Pani Da Rang' from Vicky Donor. Himesh decided to have some fun and joked, “Maine aaj tak 'Pani Da' nahin gaaya. Main bhi gaa lu?” As expected, the crowd shouted, “Yes, yes!” However, Himesh ultimately let Ayushmann do the honours. Himesh, meanwhile, performed on the title song of Yeh Prem Mol Liya.

“Naak se gau ya khatarnaak se?”: Himesh Reshammiya leaves fans in splits

Himesh also entertained the audience with his trademark humour. During one of the performances, he proudly declared, “Lip-sync ya Auto-Tune nahin hai mere performance mein!” He then asked the crowd a hilarious question: “Naak se gau ya khatarnaak se?” The audience was left amused and confused, unsure which option to choose. Himesh, however, went ahead and sang in his much-loved nasal voice, much to the delight of his fans.

#HimeshReshammiya sings 'Aye Meri Zohrajabeen' from #PhirHeraPheri at Bollywood Music Project 2026; fans can't control their excitement @bmp_live https://t.co/XX2Dmsv61T

— Fenil Seta (@fenil_seta) October 25, 2026

At another point, he revealed that he had plenty of songs in his repertoire but was unable to perform all of them due to time constraints. He added, “Uske liye Capmania Tour mein aana padega!”

Himesh eventually returned to 'Jhalak Dikhla Ja', performing a longer version of the iconic track and sending the crowd into a frenzy.

Himesh Reshammiya takes cheeky digs at organizers

Towards the end of his performance, Himesh shot a selfie video with the massive crowd in the background for his social media handle.

He then made a remark that caught everyone's attention. Himesh said, “Main aap logon ke liye 24 ghante perform karna chahta hoon! Lekin hamare pyaare Bollywood Music Project waalon ne mujhe sirf thoda sa waqt diya hain!” The remark prompted loud boos from the audience. Himesh continued, “Kya karoon? If you guys want, main subah tak hilunga nahin!”

Even as his set was drawing to a close, Himesh seemed reluctant to leave the stage and wanted to entertain the audience with more songs. He then made another cheeky remark, saying, “I will perform until they don't switch off my mic.” Interestingly, that is precisely what happened. With the event having crossed its scheduled closing time of 10:00 pm, the organisers eventually switched off Himesh's microphone, bringing his performance to an end. Yet, Himesh continued speaking even after his microphone was switched off, hoping his voice would reach the fans. Sadly, his efforts were in vain.

#HimeshReshammiya keeps talking to fans at Bollywood Music Project 2026 even as his mic was cut off by the organizers https://t.co/9Iy7KQHoFv — Fenil Seta (@fenil_seta) October 25, 2026

His repeated remarks about being allotted limited time, particularly the reference to his microphone being switched off, were especially striking in light of what had happened with Shilpa Rao earlier in the evening. Whether or not the comments were intended as a dig at the organisers over that incident, they certainly added an unexpected layer of humour and drama to the proceedings.

Nevertheless, Himesh Reshammiya ensured that the Bollywood Music Project ended on a high. With his infectious energy, memorable songs, hilarious one-liners and generous doses of nostalgia, the singer gave attendees a performance to remember and, more importantly, their money's worth.

Also Read: Bollywood Music Project 2026: Roop Kumar Rathod ROCKS the show; Palash Sen sings Marathi OG version of ‘Chikni Chameli; Anu Malik reminds attendees, “DON’T forget that I composed ‘Sandese Aate Hain’”

The tenth edition of the Bollywood Music Project, organized by Eva Live, took place on October 24 at Mumbai’s Jio World Gardens and drew a massive crowd. The star-studded line-up included Neeraj Shridhar, Roop Kumar Rathod, Anu Malik, Euphoria, Hariharan, Shilpa Rao, Himesh Reshammiya and several others. Shilpa Rao was the second-last performer, while Himesh Reshammiya was the final artist to take the stage, and their performances were keenly awaited. However, the acts preceding them were equally entertaining and ensured that attendees had a memorable evening.

Bollywood Hungama reached the venue just as Roop Kumar Rathod and his wife, fellow singer Sonali Rathod, took the stage. They instantly set the mood with a beautiful rendition of 'Tere Liye' from Veer-Zaara (2004). The original song was sung by Roop Kumar Rathod and the legendary Lata Mangeshkar. Sonali stepped into Lata's gigantic shoes, and she managed to impress the audience with her rendition.

#RoopKumarRathod at his best...sings 'Maula Mere Maula' from Anwar at Bollywood Music Project 2026; joined by wife Sonali Rathod https://t.co/cIDGx8hZtE — Fenil Seta (@fenil_seta) October 25, 2026

Roop Kumar Rathod then crooned another crowd favourite, 'Maula Mere Maula' from Anwar (2007). Sonali followed it up with another Lata Mangeshkar classic, 'Yaara Seeli Seeli', from Lekin (1991). Roop Kumar Rathod concluded his set with the romantic classic ‘Tujh Mein Rab Dikhta Hai’ from Rab Ne Bana Di Jodi (2008) and the patriotic anthem 'Sandese Aate Hain' from Border (1997), which struck a chord with the audience.

Anu Malik entertains with hilarious shayaris, 90s chartbusters and patriotic fervour

The next performance on the main stage was that of Anu Malik and his team. The act began with Anu's youngest daughter, Ada Malik, dancing to some of her father's iconic compositions.

Shahid Mallya came next and sang the title song of Main Hoon Na (2004), followed by another popular track from the film, 'Tumse Milke'. Anmol Malik then took over and performed 'Talli' from Ugly Aur Pagli (2008), 'Jungle Hai Aadhi Raat' from Biwi No 1 (1999) and 'Main Naagin' from Bajatey Raho (2013).

Finally, Anu Malik made his grand entry and, as expected, brought his trademark energy, humour and spontaneity to the proceedings. Before beginning his performance, he entertained the crowd with a shayari: “Soch ko badlo, sitaare badal jaayenge. Apni nazar ko badlo, nazaare badal jaayenge!”

The entertaining Anu Malik sings 'Julie Julie' at Bollywood Music Project 2026; asks crowd to join him @The_AnuMalik @bmp_live https://t.co/nyxvvvDBf4

— Fenil Seta (@fenil_seta) October 25, 2026

Anu Malik announced that he would begin with a song that has found a new lease of life on Instagram Reels – 'In The Night No Control' from Khiladiyon Ka Khiladi (1996).

He followed it up with 'Julie Julie' from Jeete Hain Shaan Se (1987). Thereafter, he belted out one hit after another, including 'Jeene Ke Hai Chaar Din' from Mujhse Shaadi Karogi (2004), 'Humko Tumse Pyaar Hai' from Ishq (1997), the title track of No Entry (2005), 'Aaila Re Ladki Mast Mast Tu' from Jung (2000), and 'Tan Tana Tan Tan' and 'Oonchi Hai Building' from Judwaa (1997). He ended his set with 'Ek Garam Chai' from Har Dil Jo Pyar Karega (2000).

Veteran singer Amit Kumar then made an appearance and entertained the audience with two songs from Imtihaan (1994) – 'Dheere Dheere Chori Chori' and 'Is Tarah Aashiqui Ka'. He followed these with the evergreen 'Bade Achhe Lagte Hain' from Balika Badhu (1976) and 'Main Hoon Jhoom Jhoom Jhumroo' from Jhumroo (1961).

Bollywood Music Project 2026: Anu Malik tells crowd “DON’T forget that I composed ‘Sandese Aate Hai’”; then sings the Border song with Shahid Mallya, Amit Kumar, Anmol Malik @The_AnuMalik @bmp_live https://t.co/h6GzO4zGJn

— Fenil Seta (@fenil_seta) October 25, 2026

Anu Malik then called Ada Malik, Anmol Malik, Shahid Mallya and Amit Kumar together on stage. At this point, he referred to Roop Kumar Rathod's earlier rendition of 'Sandese Aate Hain' and reminded the audience that he was the composer of the iconic track.

He told the crowd, “Don't forget that I composed that song. I was asked by someone, 'Kya yeh gaana aapne banaya hai?'. I replied, 'Maine banaya hai'. That person suggested, 'Thoda gaa do'!”

He continued, “Yeh gaana maine apne Hindustan ke liye banaya hai. Yeh gaana maine apne Indian Armed Forces ke liye banaya hai, who protect us day and night. It's the song that came out of my heart. Main baar baar kehta hoon – naa aisa desh tha, na aisa desh hai aur na aisa desh hoga. East or West, India is the best!” This was followed by Anu and his team singing the patriotic anthem.

Palash Sen takes a dig at Bollywood; Hariharan mesmerizes with his evergreen classics

Palash Sen then took centre stage, accompanied by his son Kinshuk Sen, Shalmali Kholgade, Vaishali Samant and Abhay Jodhpurkar. Palash began with 'Aapki Duaa', originally associated with the late singer KK. A recreated version of the song is part of Euphoria's new album, Dhoomsday.

Bollywood Music Project 2026: Palash Sen sings in Marathi; joins Vaishali Samant in singing 'Kombdi Palali' from Jatra (2005); it was created as 'Chinki Chameli' in Agneepath (2012) @docpalash @vaishaliisamant @bmp_live https://t.co/tfes9TwKsC

— Fenil Seta (@fenil_seta) October 25, 2026

He also performed 'Tum Ho Meri Main Tumhara' and 'Kaise Bhulegi Mera Naam'. In between songs, Palash expressed his disappointment over how the Bollywood music industry never gave him a chance. However, he also claimed that he had no regrets about retaining ownership of his music. Speaking about his immensely popular song 'Maaeri', he said, “I am glad I never gave away the rights to my song 'Maaeri'. Koi apni maa ko bhi nahi bechta!” Palash saved this track for the end of his performance.

In between, Vaishali Samant joined him on stage and, in a pleasant surprise, Palash sang the male portions of the Marathi chartbuster 'Kombdi Palali' from Jatra (2005). The song was famously recreated as 'Chikni Chameli' in Agneepath (2012).

Hariharan and his son Akshay Hariharan then took the stage and performed songs like the title track of Roja (1992), 'Nahin Saamne' from Taal (1999), 'Baahon Ke Darmiyan' from Khamoshi (1996) and 'Chappa Chappa' from Maachis (1996).

Bollywood Music Project 2026: For the first time, heard the rock version of 'Chappa Chappa'; performed by the legendary Hariharan and his son Akshay Hariharan @SingerHariharan @bmp_live https://t.co/CcKcRSeCtl

— Fenil Seta (@fenil_seta) October 25, 2026

Interestingly, 'Chappa Chappa' was presented in a rock avatar, which took the attendees by surprise. Hariharan also sang 'Telephone Dhun Mein Hasne Wali' from Hindustani (1996) and the recently released 'Vande Mataram'.

Finally, he concluded his performance with arguably one of his most iconic songs, 'Tu Hi Re' from Roja (1992), bringing his set to a fitting end.

Also Read: SHOCKING: Shilpa Rao’s mic switched off TWICE at Bollywood Music Project; HEARTBROKEN singer says, “Woh nahin gaane de rahe” as angry fans boo organizers (FIRST-HAND account)

The tenth edition of the Bollywood Music Project took place on October 24 at Mumbai’s Jio World Gardens and drew a massive crowd. The star-studded line-up included Neeraj Shridhar, Roop Kumar Rathod, Anu Malik, Euphoria, Hariharan, Shilpa Rao, Himesh Reshammiya and several others. Shilpa Rao’s performance began on a rocking note, but in a shocking turn of events, her microphone was switched off and her performance was abruptly cut short, seemingly because the event was running behind schedule. What followed left the singer visibly upset and the audience furious. Bollywood Hungama was present at the concert and brings you a detailed account of how the incident unfolded.

Bollywood Music Project featured two stages – the main stage and a smaller second stage, positioned to its left. The arrangement was simple: an artist or group would perform on the main stage, following which the performers on the second stage would take over. Once their act concluded, the next artist would appear on the main stage.

However, the event was running behind schedule. Shilpa Rao’s set was originally scheduled from 7:45 pm to 8:15 pm, but she arrived on stage only at around 8:30 pm. She began with a rocking performance of 'Tose Naina Lage' (Anwar; 2007), instantly setting the mood. However, towards the end of the song, her microphone suddenly stopped working. She gestured to the backstage team to provide her with a functioning microphone, and a crew member quickly rushed to her aid.

Singer #ShilpaRao sings 'Tose Naina Lage' from #Anwar as soon as she comes on stage during Bollywood Music Project...fans go crazy @bmp_live @shilparao11 https://t.co/OsBAKXp2Nt

— Fenil Seta (@fenil_seta) October 25, 2026

Shilpa Rao then told the cheering audience, “I don't need a mic. You guys are my voice!” Her remark sent the crowd into a frenzy. She also revealed that her mother was present at the venue and that it was her birthday. The audience immediately began singing 'Happy Birthday To You', making for a heartwarming moment.

Shilpa continued her performance with 'Tere Hawaale' (Laal Singh Chaddha; 2022), the title track of Kalank (2019), 'Khuda Jaane' (Bachna Ae Haseeno; 2008) and 'Woh Ajnabee' (The Train; 2007). The Rish also joined her on stage to perform 'Barbaad' from Saiyaara (2025).

Shilpa Rao then sang 'Chuttamalle' from Devara (2024). After finishing the song, she was preparing to perform her next track when, without warning, the lights on the main stage went off. Her microphone was also switched off. At exactly the same moment, the second stage came alive and Kutle Khan began his performance.

It took the audience a few seconds to comprehend what had just happened. Shilpa Rao’s performance had effectively been brought to an abrupt end. Although the main stage was plunged into darkness, one could see that the singer appeared visibly shocked, angry and distraught by the sudden turn of events.

#ShilpaRao's performance cut short by Bollywood Music Project team to give way for Kutle Khan's performance. Angry crowd chants 'Shilpa Shilpa'. @bmp_live @shilparao11 https://t.co/KMs6EiYEm9

— Fenil Seta (@fenil_seta) October 25, 2026

The audience, meanwhile, was furious. Fans began loudly chanting “Shilpa, Shilpa”, demanding that the singer be allowed to continue. Amid the commotion, Shilpa Rao’s microphone was switched back on. She stepped forward, and a spotlight was directed at her. Kutle Khan, meanwhile, continued performing on the adjacent stage.

Addressing him, Shilpa said, “Kutle ji, main ek line bol ke nikal jaungi, theek hai? Aap bahut accha gaa rahe ho. Aap bahut sahi gaa rahe ho.”

As the crowd continued chanting her name, Shilpa addressed her fans, saying, “I just wanted to say bye. I can’t leave without saying bye. Woh nahin gaane de rahe.” Her remark prompted loud boos from the audience.

After her performance was forcefully cut short at Bollywood Music Project, #ShilpaRao allowed to say bye to fans. But even her goodbye message is cut short while Kutle Khan probably was cued to keep singing. One could see @shilparao11 feeling distraught and helpless. @bmp_live https://t.co/hMnL34k1lI

— Fenil Seta (@fenil_seta) October 25, 2026

Shilpa continued, “But I’ll say one thing. You guys made 15-20 minutes of my performance amazing. After a long time, I have performed in Mumbai.” However, before she could complete her remarks, her microphone was switched off yet again, even as Kutle Khan’s performance continued on the second stage.

A visibly helpless Shilpa Rao could do little at this point. She made a heart sign with her hands, blew a flying kiss towards her fans and walked off the stage. The audience, however, refused to stop chanting “Shilpa, Shilpa”.

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Following the concert, Shilpa Rao took to Instagram to express her heartbreak over the incident. In an emotional statement, she wrote, “Mumbai, a little piece of my heart broke tonight. It hurts deeply to have something so beautiful taken away from us like this. But even when the music stopped, you did not. The way you kept calling my name, the love in your voices. I could feel it all. Our story tonight was left unfinished. I promise, I will come back I love you, Mumbai. Forever and ever.”

Also Read: Amit Trivedi recalls how Shilpa Rao introduced him to Anurag Kashyap: “I never saw myself as a music director”

Prahaar, which was released on October 16, has been appreciated for its subject, dramatic and emotional moments, award-worthy performances and first-rate direction by Avinash Arun. Moviegoers who watched the film were pleasantly surprised to spot Aamir Khan's name in the 'Special Thanks' section of the credits. Bollywood Hungama exclusively spoke to Avinash Arun to find out the reason behind this special mention.

Avinash Arun told us, “I have thanked him because he got me on board. He suggested my name to Mr Dinesh Vijan.” He added, “He told me, ‘Avinash, I think you'll do justice to this subject and I think you should consider this project’. That motivated me to take up Prahaar.”

Avinash Arun continued, “I am really grateful to him because since my first film Killa (2015), Aamir sir has been following my work. Even after Paatal Lok, he called me.”

Can we expect a collaboration between the two? Avinash replied, “We are discussing a couple of things. So, hopefully, we'll work together soon!”

About Avinash Arun Avinash Arun is a renowned cinematographer as well as a director. A graduate of the Film and Television Institute of India (FTII), Pune, he has worked as a cinematographer on several significant films like Masaan (2015), Drishyam (2015), Madaari (2016), Hichki (2018) and Karwaan (2018).

He made his directorial debut with the acclaimed Marathi film Killa, followed by Three Of Us (2023) and web series like School Of Lies, Paatal Lok and Pritam And Pedro. Interestingly, he also served as the director of photography (DOP) on the projects he directed, although Saurabh Goswami shared the cinematography responsibilities on Season 1 of Paatal Lok. Even in Prahaar, Avinash Arun has donned the dual hats of director and cinematographer.

Also Read: Aamir Khan says, ‘Rajkumar Hirani will narrate 3 Idiots sequel’s final script in the coming weeks’

The Bombay High Court has sought an explanation from the Cine and Television Artistes Association (CINTAA) over its decision to hold elections and announce the results despite earlier court directions, as per a report by Times Now. The development follows a contempt petition filed by the Federation of Western India Cine Employees (FWICE), which has accused the association of disregarding judicial orders.

On October 22, Justice Aarti Sathe issued a show cause notice to CINTAA, stating that the material placed before the court indicated a prima facie case of wilful disobedience and breach of undertaking. The court has also restrained the association from implementing the outcome of the elections held on October 20, 2026.

FWICE’s petition alleges that CINTAA failed to comply with directions issued by the Bombay High Court on September 11 and October 19. The earlier orders required the parties involved in the dispute to refrain from taking further steps that could affect the court’s directions while a Notice of Motion remained pending before the trial court.

According to the petition, CINTAA went ahead with its election process and declared the results despite these restrictions. FWICE has therefore approached the High Court seeking action over the alleged non-compliance. The federation was represented by Advocates Saveena Bedi Sachar and Ashok Shetty.

The show cause notice, issued under Rule 9(1) of the Contempt of Courts (Bombay High Court Rules, 1994), requires CINTAA to explain why proceedings under the Contempt of Courts Act, 1971, should not be initiated against it. The allegations concern the purported disregard of the previous orders and/or a wilful breach of the undertaking given before the court.

The High Court’s direction means CINTAA cannot act on the October 20 election results or give effect to them while the restraint remains in place. The notice represents an opportunity for the association to respond to the allegations; the court has not yet made a final determination on the contempt petition.

The matter is scheduled to come up before the Bombay High Court again on November 18, 2026.

Also Read: Poonam Dhillon hits back at CINTAA members after mass resignations: “I’m shocked by their allegations”

With more opportunities emerging for female-led films, conversations around gender parity, pay disparity and the commercial potential of women-centric stories continue to be a part of the entertainment industry. Actress Kriti Sanon recently shared her views on the changing landscape, highlighting the role of audiences in encouraging filmmakers to invest in stories led by women.

Kriti, who is reportedly set to headline a large-scale horror film backed by Maddock Films, also spoke about the difference in remuneration between male and female actors. While she acknowledged the growing number of substantial roles being written for women, she noted that pay parity remains an area that needs attention.

Talking about the rise of female-driven projects, the actress said, “With OTT and so many other platforms coming in, and also a lot of writers writing meaty parts for women, which is amazing, because now it's not just about male-driven films. There are many female-driven films that are also happening. Women are also opting for meaty parts. But of course, there is a lot of difference in the pay and the fee, which still needs to change. But it is all a mathematical calculation of what the return is going to be in theatres, what the platforms pay for certain films and certain actors.”

She added, “But I would actually like to say, I'm doing a film that is on my shoulders, a solo lead next. And I actually want the audiences to make it make as much money as it would if it had a male actor. Make it a blockbuster, and things will change. I feel it's not just about the industry. It's actually a calculated thing where how much you invest and how much you're getting is dependent on that. And actually, I feel the audiences need to make that difference also, you know, by watching a film regardless of the gender. So when that happens, and a film that's on a female's shoulders opens to big numbers, things will change.”

Through her remarks, Kriti emphasised that the success of female-led films at the box office could influence the industry's approach to casting, budgets and remuneration. She pointed out that the financial returns associated with a film play a role in determining how much producers invest in a project and how actors are paid.

The actress also called on audiences to support films based on their content rather than the gender of the lead actor. According to her, when a woman-led film achieves box-office numbers comparable to those of a male-led project, it could encourage the industry to explore more such ventures.

Kriti's next solo-led film is reportedly a large-scale horror project with Maddock Films. While further details about the project have not been confirmed in the information provided, her comments have brought attention to the commercial expectations surrounding female-led theatrical releases and the importance of audience participation in driving change.

Also Read : Kriti Sanon’s latest photo dump features dubbing studio glimpse, Pani Puri, Navratri celebration and more!

Anil Kapoor revisited his cherished memories of late actor and filmmaker Satish Kaushik on an upcoming episode of India Ke Top 1% – The Anil Kapoor Show. A contestant named Gagan, whose appearance reminded people of Satish, prompted the host to recall his long-standing friendship with the actor and the bond they shared beyond their professional association.

During the interaction, Gagan told Anil that people often compared him to Satish Kaushik. He also recalled meeting the late actor while shooting in Delhi for the television show Sumit Sambhal Lega. The conversation led Anil to reflect on the closeness they shared and the many memories they had created together.

Speaking about their relationship, Anil said, “My bond with him, I cannot explain. Even if this shoot were 70 minutes long, it would not be enough to tell his stories. He used to tell me, ‘Tera talent lajawab hai (Your talent is unmatched).’”

Anil also recalled that he affectionately called Satish ‘Danny DeVito’. The two shared a fondness for the film Twins and had often imagined playing twin brothers in a film of their own. Explaining why he felt such a deep connection with Satish, Anil said, “Agar mera koi judwa bhai ban sakta hai, toh woh sirf Satish tha, kyunki usko mere baare mein har cheez pata thi mera gussa, meri khushi, har cheez (If I could have a twin brother, it could only have been Satish, because he knew everything about me—my anger, my happiness, everything). He knew me so well.”

The exchange also featured a light-hearted tribute to Satish’s comic legacy. Anil and Gagan recreated one of the late actor’s memorable dialogues on stage: “Mera naam hai Calendar, main chala kitchen ke andar (My name is Calendar, I am going inside the kitchen)!” Appreciating the contestant’s gesture, Anil told him, “Aapne mera dil jeet liya hai (You have won my heart).”

Anil then added a humorous suggestion for the audience, saying that if anyone had the money to make a film inspired by Twins, they should cast him and Gagan as twin brothers. The moment brought humour to an otherwise emotional conversation about his friend.

Satish Kaushik, who worked as an actor, director and screenwriter, shared a long association with Anil Kapoor. Their friendship and collaborations made them familiar figures in Hindi cinema, and Anil’s recollections offered a glimpse into the personal bond behind that association.

India Ke Top 1% – The Anil Kapoor Show airs on Star Plus every Saturday and Sunday at 8 PM and is also available to stream on JioHotstar.

Also Read: Anil Kapoor reveals Sonam Kapoor bought her own flat with her savings after Saawariya break: “Mujhe kharidne ki zaroorat hi nahi padi”

Shahid Kapoor and Kareena Kapoor Khan sparked nostalgia among fans after sharing a warm hug at the recent International Indian Film Academy (IIFA) press conference in Mumbai. The two actors, who were among Bollywood’s most widely discussed couples in the early 2000s, exchanged smiles and pleasantries at the event, with videos of their interaction subsequently circulating on social media.

The moment unfolded as Kareena stepped down from the stage, where she had been sharing the spotlight with Salman Khan and other attendees. Shahid, who was standing nearby, caught her attention, and the two greeted each other with a hug before briefly exchanging pleasantries. Their cordial interaction quickly caught the attention of fans, many of whom associated the reunion with their popular on-screen pairing in Jab We Met.

Both actors made distinct fashion choices for the press conference. Kareena arrived in an all-black ensemble featuring a top and a tailored skirt, while Shahid opted for an all-white silhouette.

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This is not the first time their friendly interactions at an IIFA event have generated interest online. In early 2025, the actors also exchanged greetings at an IIFA press event in Jaipur. Responding to the attention their interaction received at the time, Shahid had said that it was nice if people felt happy seeing them together, while adding that they often crossed paths in everyday life.

Shahid and Kareena’s relationship was widely followed during the early 2000s, when they also appeared together in films such as Fida (2004), 36 China Town (2006) and Chup Chup Ke (2006). Their most celebrated collaboration remains Imtiaz Ali’s Jab We Met (2007), in which they played Aditya and Geet. The film went on to become a popular romantic drama, and their on-screen chemistry continues to be remembered by audiences.

The actors later appeared in Milenge Milenge, which was released in 2010, and were also part of the ensemble cast of Udta Punjab (2016), although they did not share screen time in the latter film.

Both have since moved on in their personal lives. Shahid is married to Mira Rajput, while Kareena is married to Saif Ali Khan. Their latest interaction at the IIFA press conference offered a glimpse of their cordial equation at an industry event, bringing renewed attention to a pairing that remains familiar to Hindi film audiences.

The press conference was held ahead of the upcoming IIFA awards event in Abu Dhabi.

Also Read: Photos: Salman Khan, Shahid Kapoor, Varun Dhawan, Rashmika Mandanna, Kareena Kapoor Khan and others snapped at IIFA Digital Awards press conference

Days after a shooting incident of Tiger Shroff in Mumbai’s Juhu neighbourhood, his team has shared a video on their official social media handle showing the injuries he sustained during the attack. The footage features visible cuts, abrasions and bruises, offering a glimpse of the physical impact of the incident. The actor reportedly escaped direct bullet injuries when unidentified assailants opened fire at his vehicle.

According to the details shared, the injuries were sustained amid the chaos as bullets struck the vehicle and shattered glass. The video shows marks on Tiger’s arms and back. The social media post comes as the investigation into the firing continues, with multiple agencies working to establish the circumstances surrounding the attack and identify everyone allegedly involved.

The shooting took place at around 7 pm on Sunday, October 18, outside a sports facility in Juhu. According to reports, motorcycle-borne assailants opened fire at Tiger’s car before fleeing the scene. The two-wheeler was reportedly abandoned near Andheri West railway station.

Tiger Shroff reportedly avoided fatal injuries, while his driver, Firdous, and a passer-by sustained injuries and were taken to Nanavati Hospital. The driver is said to remain under medical observation as he recovers.

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Following the incident, an unverified social media claim linked the attack to the Lawrence Bishnoi syndicate. However, the allegation has not been independently established, and investigators are continuing to examine the possible motive and the wider circumstances of the firing.

The Mumbai Crime Branch, working with other law enforcement agencies, has carried out arrests across several states in connection with the case. According to the details provided, the total number of people arrested had reached 10 by October 23.

Three key suspects, identified as Rehan Ansari, Phool Singh and Ritik Mahtoo, were reportedly apprehended in Kota, Rajasthan, while allegedly attempting to flee towards the Nepal border. They were subsequently brought to Mumbai. On October 21, a Mumbai court reportedly remanded the three suspects to police custody until October 31.

Investigators are also examining an alleged interstate weapons network and possible links between those accused of carrying out the attack and individuals suspected of assisting them. Further inquiries are reportedly focused on the planning of the incident, the movement of weapons and the possibility of a wider conspiracy.

The investigation has also prompted renewed scrutiny of security arrangements for prominent Bollywood personalities. Tiger’s representatives have expressed appreciation for the police response and urged people to refrain from circulating unverified information while the investigation remains ongoing.

Also Read: Tiger Shroff resumes shooting of Lag Jaa Gale two days after firing incident: Report

The Indian Medical Association (IMA) has raised objections to the promotional content of Sunny Deol’s upcoming crime drama Suryaa: Ant Se Aarambh Tak, expressing concern over its portrayal of the medical profession. In a formal communication, the association questioned whether the film’s depiction of alleged corruption and violence against healthcare workers could contribute to negative perceptions of doctors and hospital personnel.

The IMA has outlined four key areas of concern, including the generalisation of alleged misconduct across the medical fraternity, the depiction of physical assaults on healthcare workers, the safety of medical personnel and the potential impact on doctor-patient trust.

In its letter, the association cautioned against portraying individual instances of wrongdoing in a manner that could reflect on the wider medical community. It stated, "The portrayal risks creating the impression that corruption, unethical practices, and alleged corruption in medical fraternity. While individual misconduct must be investigated and punished, the actions of a few must not be used to tarnish the reputation of countless honest and dedicated doctors."

The organisation also expressed concern over scenes involving physical confrontations in medical facilities, particularly if such actions are presented as justified. The IMA stated, "Scenes depicting physical assaults on doctors, nursing staff, and hospital personnel, particularly when presented as heroic or justified acts, risk normalising violence against those committed to saving lives."

Highlighting the safety concerns faced by healthcare workers, the association further said, "Doctors and healthcare personnel already face serious safety challenges in hospitals. Content that appears to glorify attacks on medical professionals may encourage hostility and further endanger those providing essential healthcare services."

The IMA also flagged the possible impact of such portrayals on public confidence in medical professionals, stating, "Such portrayals may foster unwarranted mistrust and hostility towards doctors, weakening the mutual trust and cooperation essential for effective treatment and healthcare delivery."

While making its objections known, the association clarified that it does not support unethical medical practices and that individual cases of misconduct should be addressed through statutory and disciplinary mechanisms. It argued that such instances should not lead to broad portrayals that could affect the reputation of the profession or discourage aspiring medical students.

As part of its appeal, the IMA requested an impartial review of the film’s content and asked for appropriate corrective measures to address its concerns. It also called on the relevant authorities to consider further action, stating, "In view of these concerns, we respectfully request... [an] impartial review of the film's content and its portrayal of the medical profession; seek appropriate corrective measures from the filmmakers to address the generalisation of alleged misconduct and the depiction of violence against healthcare workers; [and] consider a ban or other appropriate action if justified under applicable law."

Directed by M. Padmakumar in his Hindi directorial debut, Suryaa: Ant Se Aarambh Tak is an official remake of the 2018 Malayalam crime thriller Joseph. The film stars Sunny Deol as a retired police officer who investigates disturbing revelations involving medical malpractice and systemic corruption following a personal tragedy. The supporting cast includes Ravi Kishan, Pragya Jaiswal, Manish Wadhwa and Jisshu Sengupta.

Produced by Kamal Mukut, the film is scheduled to release theatrically on November 20, 2026. The IMA’s objections have brought attention to the film’s portrayal of healthcare workers ahead of its planned release.

Also Read: On Sunny Deol’s birthday, Suryaa: Ant Se Aarambh Tak teaser unleashes his fight against corruption within the medical system; watch

Veteran actor Manoj Bajpayee has expressed concern over the firing incident targeting Tiger Shroff’s car in Mumbai’s Juhu neighbourhood, describing the situation as frightening and emphasising the need for a thorough investigation. Speaking to news agency ANI, Bajpayee said he was relieved that the Baaghi actor had escaped unharmed and hoped the authorities would take decisive action.

Reacting to the incident, Bajpayee said, “I don't see a gang war, but shots are being fired from who knows where, and that's really scary. Secondly, it's sad what happened to Tiger, but the best and happiest part is that he's safe, and his driver is also recovering slowly. Anyway, we aren't law and order experts or anything. From what I've heard in the news, the investigation is ongoing. The alleged suspects have been brought to Mumbai, and they've been arrested. I just hope the investigation wraps up as soon as possible and that an example is set so that next time, anyone will think twice before doing something like this.”

The incident took place on the evening of Sunday, October 18, when unidentified assailants allegedly opened fire at Tiger Shroff’s car in Juhu before fleeing on a motorcycle. The actor escaped without gunshot injuries, while his driver, Firdous, and a bystander sustained injuries and were taken to Nanavati Hospital for treatment. The driver is reportedly recovering.

The Mumbai Crime Branch’s Anti-Extortion Cell is leading the investigation. According to reports, the suspected shooters fled Mumbai through Gujarat and Rajasthan and were intercepted in Kota before being brought back to the city. On October 21, a court remanded three accused to police custody until October 31 as investigators continued questioning them.

The probe has also widened beyond the alleged shooters. The Delhi Police Special Cell has reportedly arrested individuals suspected of being part of an interstate weapons supply network linked to the case. Investigators are examining possible connections to an overseas-based syndicate allegedly affiliated with the Lawrence Bishnoi gang. An online claim of responsibility has also been reported, although the alleged links and motive remain subject to investigation.

Meanwhile, reports that the accused may have conducted reconnaissance near other prominent residences have prompted precautionary security measures, including heightened security around Salman Khan’s Galaxy Apartments in Bandra.

Tiger Shroff’s team has urged the public and media to avoid speculation while the investigation continues. The authorities are expected to establish the circumstances surrounding the attack and determine whether a wider conspiracy was involved.

Also Read: Tiger Shroff’s team issues statement after firing in Juhu, says actor made “no statements” about incident

Ranbir Kapoor, Yash, Sai Pallavi, Rakul Preet Singh, Ravie Dubey, producer Namit Malhotra, director Nitesh Tiwari and music maestro A R Rahman attended the grand musical event of their upcoming film Ramayana in Chennai. A R Rahman mesmerized the audience by performing songs from the film. However, one of the highlights of the evening was Rakul Preet Singh’s praise for Ranbir Kapoor and his portrayal of Lord Rama.

Rakul said, “I am so, so happy to be here. I am going to keep it very sweet and short. I am going to begin by thanking the visionary, Namit sir. We need a bigger round of applause for someone who has been dreaming of this film for the last 10 years. You need a huge heart, guts and a mind which is very differently wired to be able to create a film and to envision a film that India can showcase to the world and say, ‘This is our history. This is our truth’. So, thank you so much, sir. None of us would have been here without you.”

She added, “I hope all of you watch and enjoy the film. The performances are amazing. Ranbir as Lord Rama is magical. After this film, every time you think of Lord Rama, I really think that you will see Ranbir. That’s the kind of portrayal he has done.”

She then praised Sai Pallavi and Ravie Dubey, “Sai as Sita is again beautiful. She’s a phenomenal actor. She has essayed the part with a lot of purity and rootedness. She’s a delight to watch on screen. There couldn’t have been a better Lakshman than Ravie at all.”

Rakul Preet Singh further said, “Lastly, as for Yash, he is magical on screen. I don’t know how it’s humanly possible for a person like him to portray a role like that with so much conviction. It’s unreal. So, you have to see it on the big screen to witness the magic. I really hope you all like the film and believe in the vision that we have tried to create.”

Ramayana releases in cinemas worldwide on November 5.

Also Read: Ramayana Chennai event: Ranbir Kapoor apologizes for achhai-burai slip of tongue; says “Jo bhi main kehna chahoon, barbaad karein alfaaz mere!”

Ranbir Kapoor, Yash, Sai Pallavi, Rakul Preet Singh, Ravie Dubey, producer Namit Malhotra, director Nitesh Tiwari and music maestro A R Rahman attended the musical event for their film Ramayana in Chennai. A R Rahman performed to the songs of the film and mesmerized the audience. Meanwhile, Ranbir Kapoor clarified the goof-up he made the day before at a Dussehra event held in Kolkata as part of Ramayana promotions. At this event, Ranbir Kapoor mistakenly said, “Burai chahe kitne bhi taaqatwar kyun na ho, aakhir mein anth sacchai aur acchaai ki hi hogi”. The video went viral on social media, leading to a lot of trolling.

Ranbir Kapoor began by saying, “Vanakkam, Chennai! Thank you for this love and energy. We really feel welcomed by all you beautiful people. Ramayana is a story that connects all of us through love, faith and our culture. I have had the privilege of working with the maestro, Mr Rahman, on two of my films (Rockstar and Tamasha). And both have been really special to me. But sir, this opportunity will be remembered forever. It’s really an opportunity of a lifetime to collaborate with you on this film.”

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He then said, “I would like to take this opportunity to apologize for an incident that happened yesterday. I was at a Dussehra event and I had a slip of tongue. What I meant to say is ‘Burai chahe kitne bhi taaqatwar kyun na ho, aakhir mein jeet sachhai aur achhai ki hi hogi’. So, this reminds me of a collaboration that I had with Rahman sir in Rockstar – ‘Jo bhi main kehna chahoon, barbaad karein alfaaz mere’! So, I truly apologize for that (smiles).”

Ramayana releases in cinemas worldwide on November 5.

Also Read: Ramayana: Part 1 tax-free in West Bengal: CM confirms exemption for Ranbir Kapoor starrer

Ranbir Kapoor, Yash, Sai Pallavi, Rakul Preet Singh, Ravie Dubey, producer Namit Malhotra, director Nitesh Tiwari and music maestro A R Rahman attended the musical event for their film Ramayana in Chennai. A R Rahman performed to the songs of the film and mesmerized the audience. Meanwhile, Ranbir Kapoor clarified the goof-up he made the day before at a Dussehra event held in Kolkata as part of Ramayana promotions. At this event, Ranbir Kapoor mistakenly said, “Burai chahe kitne bhi taaqatwar kyun na ho, aakhir mein anth sacchai aur acchaai ki hi hogi”. The video went viral on social media, leading to a lot of trolling.

Ranbir Kapoor began by saying, “Vanakkam, Chennai! Thank you for this love and energy. We really feel welcomed by all you beautiful people. Ramayana is a story that connects all of us through love, faith and our culture. I have had the privilege of working with the maestro, Mr Rahman, on two of my films (Rockstar and Tamasha). And both have been really special to me. But sir, this opportunity will be remembered forever. It’s really an opportunity of a lifetime to collaborate with you on this film.”

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He then said, “I would like to take this opportunity to apologize for an incident that happened yesterday. I was at a Dussehra event and I had a slip of tongue. What I meant to say is ‘Burai chahe kitne bhi taaqatwar kyun na ho, aakhir mein jeet sachhai aur achhai ki hi hogi’. So, this reminds me of a collaboration that I had with Rahman sir in Rockstar – ‘Jo bhi main kehna chahoon, barbaad karein alfaaz mere’! So, I truly apologize for that (smiles).”

Ramayana releases in cinemas worldwide on November 5.

Also Read: Ramayana: Part 1 tax-free in West Bengal: CM confirms exemption for Ranbir Kapoor starrer

Vishal Rana is all set to release his next film, Tu Hai Meri Kiran, this Friday, October 23. In an exclusive interview with Bollywood Hungama, the producer spoke about the film’s casting, its catchy title, the crowded release date and a lot more.

The first thing that stands out about Tu Hai Meri Kiran is that real-life couple Sonakshi Sinha and Zaheer Iqbal are seen in a completely different dynamic. How did that come about? The script came to me, and I found it interesting as it had a lot of twists and revolved around an obsessive lover. We approached Sonakshi first, and she really liked the story. We wanted an actress in the 25-30 age group, and she fit the bill.

Then it became a challenge to find an actor opposite her who could match her personality, aura, and demeanour. At the same time, the actor had to look more powerful than her, as he plays an obsessive, creepy stalker. We auditioned several actors, but we couldn't find the one we were looking for.

One day, I happened to meet Zaheer and felt that he should audition. When he tested for the part, my director Karan Rawal and I were both surprised. He brought the required intensity to the character of an obsessive lover. The character is a creep with grey shades who derives sadistic pleasure from troubling people. That came across very well during his audition.

I then realized that people would love to see Sonakshi and Zaheer pitted against each other rather than being together. That was the idea, and we are very happy with the casting, which happened quite unexpectedly.

The other catchy aspect of the film is its title, which is also a classic song from the Shah Rukh Khan-starrer Darr (1993). Tell us how you locked the title. Also, was it difficult to secure the title rights? Not really. We were looking for a suitable title. Since it’s the story of an obsessive person, one of the names that came to our minds was Darr. However, it was Zaheer who told us that he had narrated the film’s story to a friend, and she suggested the title Tu Hai Meri Kiran.

As you rightly said, even we thought that we might not get the rights. But we were pleasantly surprised when we approached IMPPA (Indian Motion Picture Producers' Association) and discovered that the title had not been registered by anyone!

The title works because it has strong recall value, but the film has nothing to do with Darr. It is neither similar to Darr nor a spin-off. It’s a completely different film, though the title gives you the vibe of a story revolving around an obsessive stalker.

Nowadays, remixes of old classics are in vogue. Did you consider acquiring the rights to the song ‘Tu Hai Meri Kiran’ from Darr? No. As I said, there are no similarities between the two films, and I don’t want people to compare them. We chose the title because the song ‘Tu Hai Meri Kiran’ has been strongly etched in people’s minds for years. We felt that the title itself was enough to give audiences an idea of what our film is about, without drawing direct comparisons. Hence, we didn’t acquire the rights to any song.

Globally, there has been a rise in films featuring dark and twisted themes, and many of them are working big time. The success of Obsession (2026) is a major example. Do you feel the timing is just right for Tu Hai Meri Kiran?

When I received the script, I liked it because it was different from the kind of films we usually make. As time passed, almost everything working in theatres was about obsessive lovers!

Obsession was released when we were completing our post-production. The film was a huge success, and we felt that the timing was perfect, as Tu Hai Meri Kiran could be our answer to Obsession.

We rarely make these kinds of films in our cinema. I hope people turn up in large numbers because the film will surely surprise them. Youngsters love stories packed with twists, and our film falls into that category. So, I believe the timing is right. Sometimes, you end up making the right film at the right time!

Tu Hai Meri Kiran releases on October 23, alongside six other films. Did you ever consider postponing its release? When I announced October 23 as the release date, only Luv Ranjan’s Pehla Pyaar Doosri Baar and one more film were scheduled to release that day. Gradually, more films joined the line-up. Then Udta Teer shifted to the same date at the last minute. By then, we had already begun our promotional campaign, so pulling back made no sense.

There have been instances where a small film has worked despite clashing with three big films. That happens when the content connects with the audience. Whichever film has better content will succeed, whether during the opening weekend or in the subsequent weeks. Hanuman Ansh was released between two big films. Yet, it managed to hold its own and make a mark. Likewise, we believe in our content.

Also, we genuinely feel that October 23 is a very good release date for our film. The other films releasing that day are mostly mid-sized or small productions. There’s no major event film clashing with us or releasing around the same time. This gives us some breathing space and allows word of mouth to build. From next month onwards, big films will release back-to-back. Had we postponed our release, we probably wouldn't have been able to bring the film to cinemas until next year.

What is the screen count for Tu Hai Meri Kiran? We are targeting a release across 500 screens with approximately 1,500 shows. Since so many films are releasing simultaneously, it’s difficult to secure screens. However, I believe that the number of screens doesn't necessarily matter.

Several films have opened on a slow note but gradually picked up, prompting theatres to increase their shows. On the other hand, many films have opened across a huge number of screens, only to collapse by Monday because the content was weak. Hence, I am hoping that our film speaks for itself and earns additional screens on merit rather than us having to push for them.

Also Read: Bombay High Court directs makers of Tu Hai Meri Kiran to deposit Rs. 8.85 crores before release