Indus Chronicles

Actor-director Deepak Tijori has raised concerns over censorship practices in the theatrical release of Dhurandhar 2: The Revenge, questioning what he describes as inconsistencies in how abusive language is handled across platforms.

In a recent statement, Tijori criticised the Central Board of Film Certification (CBFC) for “half-muting” cuss words in the film’s theatrical version. He said he was unable to understand the rationale behind partially censoring expletives instead of either muting them completely or leaving them intact. “I genuinely don’t understand this, why mute half the abuses and let the other half stay?” he remarked, adding that the approach appears arbitrary.

The filmmaker also pointed out that the film has already been granted an adults-only certification, questioning the purpose of such partial censorship. “Who exactly are we protecting here? And from what, half a word?” he said, highlighting what he views as a lack of clarity in the guidelines.

Tijori further flagged what he termed a “double standard” in censorship between theatrical and digital releases. He noted that while the cinema version features muted language, the same film is later released on OTT platforms without such alterations. “The same film releases on OTT completely unmuted, exactly as it was meant to be,” he said, suggesting that this undermines the logic of theatrical cuts.

According to him, this discrepancy may inadvertently expose younger audiences to unfiltered content at home, despite stricter controls in cinemas. He argued that the current system raises broader questions about the effectiveness and consistency of content regulation across viewing platforms.

Also Read: Deepak Tijori alleges he was cheated of Rs 2.5 lakhs in false funding promise, case registered: Reports

A legal dispute has been brewing between the makers of the Hindi remake Bholaa starring Ajay Devgn and Tabu and the Tamil production house Dream Warrior Pictures who produced Karthi starrer Kaithi. The latter has approached the Bombay High Court, alleging infringement of copyright and remake rights linked to its original film Kaithi.

The matter was heard by a single-judge bench led by Justice Sharmila Deshmukh, who has currently reserved her decision on a preliminary issue—whether the Bombay High Court has the authority to hear the case. The producers of Bholaa have challenged the court’s jurisdiction, arguing that the dispute should be addressed elsewhere.

According to Dream Warrior Pictures, it produced and released Kaithi in October 2019 and retains complete ownership over the film’s intellectual property, including remake rights. The company stated that it later entered into multiple agreements regarding the Hindi adaptation, beginning with a collaboration involving a Reliance Group entity in early 2020.

A key agreement was signed on March 29, 2023, between Dream Warrior and Reliance Entertainment Studios, granting rights for the Hindi remake titled Bholaa. Under this deal, Dream Warrior claims it was to receive a fixed fee in instalments, along with additional earnings tied to the film’s performance. However, it alleges that only an initial payment of Rs.1 crore plus GST was made in April 2022.

The Hindi remake, starring Ajay Devgn, was released globally on March 30, 2023. Shortly after, on April 1, 2023, a second agreement was executed between Dream Warrior, Reliance, and Ajay Devgn Ffilms LLP. This arrangement reportedly granted all three parties joint ownership of remake rights, while leaving exploitation rights with Reliance.

Dream Warrior has claimed that subsequent payments due in April and May 2023 were never cleared. After repeated follow-ups over the next two years allegedly went unanswered, the company issued a legal notice in October 2024 demanding Rs. 4 crore along with interest. It also warned that failure to pay within 30 days would lead to termination of the agreement and restoration of all rights.

Following the lapse of this deadline in November 2024, Dream Warrior maintains that the agreement stood cancelled and that all rights related to Bholaa reverted to it.

In parallel, the production house had earlier approached the National Company Law Tribunal (NCLT) in Mumbai, seeking insolvency proceedings against Reliance Entertainment over unpaid dues. However, the tribunal dismissed the plea in August 2025, stating that the dispute did not qualify as an operational debt matter and should instead be resolved through civil proceedings.

Subsequently, Dream Warrior filed the present commercial intellectual property suit on March 22, 2026. It has sought a court order to restrain Reliance and Ajay Devgn Ffilms from distributing, streaming, or monetising Bholaa. The plea also seeks a formal declaration that the agreements stand terminated, along with compensation based on revenues earned from the film and its associated content.

The case also names several downstream platforms, including Amazon Prime Video, Zee Entertainment Enterprises, and T-Series, alleging that any streaming of the film after November 27, 2024 is unauthorised and amounts to wrongful gain.

During the hearing, the defendants argued that the primary agreement between the parties clearly specifies that courts in Chennai alone would have jurisdiction. They contended that the case cannot be brought before the Bombay High Court based on a secondary agreement.

After considering submissions from both sides, the court has reserved its order on the question of jurisdiction.

Also Read: Ajay Devgn starrer Bholaa gets its world television premiere on Zee Cinema

The upcoming cinematic adaptation of the Ramayana continues to build momentum as producer Namit Malhotra confirmed a major update regarding the film’s promotional rollout. The first glimpse titled ‘Rama’ is set to be unveiled on April 2, coinciding with the auspicious occasion of Hanuman Jayanti, and will be marked by a grand global reveal for fans.

The announcement came as Malhotra shared a note on social media on the occasion of Ram Navami, on Friday, March 27, offering insight into the vision and effort behind the ambitious project. In his message, he wished everyone and said, “Shubh Rama Navami. This is a story that belongs to all of us, and every step we take has been guided by a deep sense of responsibility, devotion, and care to bring our very own Ramayana to life in its truest spirit and scale with utmost sincerity. we look forward to sharing the next glimpse, ‘Rama’ On 2nd April, On the auspicious occasion of Hanuman Jayanti, as we begin to showcase all these years of our effort through a grand world reveal with fans, celebrating this moment across the world. Thank you for your love, faith, and patience. Namit Malhotra”.

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Directed by Nitesh Tiwari, Ramayana is envisioned as a large-scale, two-part cinematic spectacle mounted with global collaboration. Set about 5000 years ago, the project aims to blend advanced technology with immersive storytelling, positioning itself as a visually grand yet emotionally resonant retelling of the ancient epic.

The film has already generated significant buzz following its initial reveal, which included a multi-city launch in India and a prominent showcase at Times Square. With the upcoming ‘Rama’ glimpse, the makers are expanding the scale further by turning the reveal into a worldwide fan-driven celebration.

Featuring an ensemble cast, the film stars Ranbir Kapoor as Lord Ram, Sai Pallavi as Sita, Yash as Ravana, Sunny Deol as Hanuman, and Ravi Dubey as Lakshman.

Backed by Prime Focus Studios in association with the eight-time Oscar-winning DNEG and Yash’s Monster Mind Creations, the film is slated for a worldwide IMAX release. The first part is scheduled to arrive during Diwali 2026, followed by the second instalment in Diwali 2027.

Also Read: Dinesh Vijan says “Mahavatar is SIX times the size of Chhaava”; also reveals, “I told Namit Malhotra, ‘If Ramayana runs, Mahavatar is all set'”

Filmmaker Aditya Dhar took to Instagram and issued a clarification addressing the circulation of manipulated visuals related to his film Dhurandhar: The Revenge. The director took to Instagram to warn audiences about AI-generated misinformation being spread using altered promotional material from the film.

In his statement, Dhar expressed gratitude for the film’s reception, saying, “I am deeply grateful & indebted for the overwhelming love that Dhurandhar The Revenge has received from audiences across the country and the world.” However, he raised concern over certain fabricated images being circulated online, which he said misrepresent the film’s content.

Highlighting a specific instance, Dhar stated, “One such fabricated image falsely depicts the character Hamza/Jaskirat smoking while wearing a turban. This is completely untrue and does not form part of the film or any official material released by us. It is a deliberate act of misrepresentation intended to provoke and create mischief.”

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He further emphasised his stance on cultural sensitivity, adding, “Let me state this unequivocally: I hold the highest respect for the Sikh community, and every portrayal in the film has been handled with utmost sensitivity, dignity, and responsibility.” Dhar described the circulation of such doctored content as “malicious and dishonest.”

Urging viewers to verify information, he said, “I urge audiences to rely only on official content and watch the film as it is intended, and not fall prey to AI-generated misinformation being circulated with ulterior motives.” He also warned that such actions would not be taken lightly, stating, “Such acts will be dealt with firmly.”

The clarification comes amid increasing concerns within the film industry over the misuse of artificial intelligence to alter promotional material and create misleading narratives. Dhar’s statement aims to reassure audiences while reinforcing the importance of relying on verified sources.

Also Read: Vicky Kaushal, Kangana Ranaut and others shower love on Dhurandhar franchise; applaud Aditya Dhar and his work

Netflix has announced its upcoming dark comedy Toaster, a film that turns an everyday object into the centre of an increasingly chaotic chain of events. Set to premiere on April 15, 2026, the film promises a quirky and unpredictable narrative that begins with a seemingly trivial situation—a wedding gift that refuses to be forgotten after the wedding itself is called off.

Directed by Vivek Das Chaudhary, Toaster marks a significant milestone for Patralekhaa, who steps into production with her banner Kampa Film. The project brings together Rajkummar Rao and Sanya Malhotra in leading roles, supported by a vibrant ensemble that includes Archana Puran Singh, Abhishek Banerjee, Farah Khan, Upendra Limaye, Vinod Rawat, Jitendra Joshi and Seema Pahwa.

The film also sees Rajkummar Rao returning to the comedy genre, a space where he has previously earned audience appreciation for his comic timing. With Toaster, he is set to headline a story that blends relatable situations with escalating absurdity and dark humour.

Speaking about stepping into production, Patralekhaa said, “Stepping into production with Kampa Film has been an incredibly meaningful milestone for us, and beginning this journey with Netflix — who have consistently championed distinctive and unconventional stories — makes it even more special. Toaster immediately stood out because it finds humour in the most unexpected places, and the moment we read it, we knew it was a story we wanted to bring to life. Being our very first film makes the experience even more personal for us. Having such a wonderful ensemble come together for this journey has been truly exciting, and we can’t wait for audiences to dive into this entertaining and unpredictable ride.”

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Sharing insights into the film, Ruchikaa Kapoor Sheikh, Director of Original Films at Netflix India, added, “Toaster is a quirky dark comedy that begins with a simple miser whose life spirals into complete mayhem in pursuit of getting back his toaster. It’s the kind of inventive storytelling we love to champion at Netflix. With Vivek Das Chaudhary making his directorial debut and Patralekhaa & Raj stepping into the producer’s role for the first time with Kampa Film, the project reflects our continued focus on championing emerging talent behind the camera while bringing an exciting burst of fresh creative energy. All of this comes alive with two phenomenal and much-loved actors, Rajkummar Rao and Sanya Malhotra, headlining this family entertainer, alongside a vibrant ensemble. Toaster adds a wonderfully fun note to the diverse mix of stories we’re bringing to audiences this year- an entertaining comedy that builds on relatable situations, dark humour and delightfully escalating chaos.”

Backed by a strong creative team, the film’s story and screenplay are written by Parveez Shaikh, with additional screenplay credits going to Akshat Ghildial and Anagh Mukerjee. The dialogues have been penned by Akshat Ghildial, while Tarun Bali serves as the executive producer.

With its eccentric characters, madcap twists and an unusual premise, Toaster aims to deliver a chaotic yet engaging viewing experience when it premieres exclusively on Netflix on April 15, 2026.

Also Read: TOASTER: Rajkummar Rao and Sanya Malhotra reunite for a dark comedy where a wedding gift sparks murder

Yesterday morning, Bollywood Hungama reported that Project Hail Mary is struggling to secure screens in IMAX properties in India. Dhurandhar The Revenge was released in an IMAX version on Thursday, March 19, in the country, and due to its historic performance, it was expected that both films would share shows in IMAX. In a shocking turn of events, that hasn’t happened in most IMAX screens. As of 8:00 am on March 26, only six out of 34 IMAX theatres in the country are playing Project Hail Mary. The anger among the fans of the Hollywood film is quite visible on social media.

A source told Bollywood Hungama, “Project Hail Mary is filmed for IMAX and hence for many moviegoers, it is a must-watch in the IMAX theatres. Issues over screen-sharing are very common and it was expected that they would get resolved on the night of Wednesday, March 25. Sadly, that didn’t happen as the studio backing Dhurandhar The Revenge refused to let go of the shows in IMAX. Finally, late at night, Sony Pictures managed to secure 6 shows in 6 different screens in the country.”

An industry insider, on condition of anonymity, told us, “I was checking the booking app every 15 minutes as I was desperate to book tickets in IMAX and I knew that the moment the bookings would commence, all the best seats would be grabbed by other enthusiastic fans. However, this is not how it should be – there should be some clarity and some confirmation in advance, especially for a film shot in IMAX.”

At present, the six IMAX theatres in India that are playing Project Hail Mary are Maison Inox BKC in Mumbai, Cinepolis Seawoods in Navi Mumbai, Inox Megaplex Wakad and Cinepolis Nexus in Pune, Inox South City in Kolkata and Broadway Cinemas in Coimbatore. No show has been allotted yet in the 7 screens in Delhi-NCR.

Meanwhile, there’s hope that Project Hail Mary’s shows will increase as theatres like Cinepolis Centre Square in Kochi, Cinepolis Thane, PVR Nexus, Cinepolis Nexus Shantiniketan and Inox Mantri Square in Bengaluru, PVR Palladium Mall in Ahmedabad, Cinepolis Nexus in Pune, PVR Palazzo and Inox Phoenix Market City in Chennai, Rajhans Precia in Surat and PVR Lulu in Trivandrum have kept one slot vacant. In Delhi-NCR, PVR Vegas, PVR Superplex Noida, PVR Ambience Gurugram, Inox Vishal Mall Rajouri Garden, PVR Select City Walk and PVR Superplex Logix Noida have programmed only the morning shows of Dhurandhar The Revenge and haven’t yet declared which film they’ll play later in the day. Lucknow’s Inox Megaplex Phoenix Pallasio Mall is yet to open booking for any film in the IMAX screen for the day. This has further raised expectations that the acclaimed Hollywood film will make it to these cinemas.

On the other hand, the IMAX cinemas that won’t play Project Hail Mary today are PVR Lower Parel, Inox R City Ghatkopar, Inox Malad, Inox Sky City Mall Borivali, Eros and Miraj Wadala in Mumbai, PVR Priya and Inox Paras in Delhi and PVR Vega City, PVR VR Whitefield Road and Inox Galleria Mall in Bengaluru. These cinemas will continue to showcase Dhurandhar The Revenge.

A trade source told us, “This is a developing situation. Sony is trying its best to increase the number of shows in IMAX for today. Also, none of the IMAX theatres has commenced bookings for the weekend. Hence, there’s a possibility that Project Hail Mary will have more shows in more screens from Friday, March 27. Sony is trying its best to push for at least one show of their film in all the IMAX centres in India. The healthy advance bookings have given them all the more reason to persuade theatres to give them shows.”

Also Read: Project Hail Mary struggles to get screens in India despite healthy advance sales; expected to share shows with Dhurandhar The Revenge in IMAX properties

Dhurandhar The Revenge is doing record business and the way it has held strongly on Monday proves that the film will not lose its hold even in the weekdays. As a result, the team of Bhooth Bangla have begun contemplating whether they should bring the horror comedy on April 10 or whether it should be postponed by a week.”

“A source told Bollywood Hungama, “The way Dhurandhar The Revenge is performing, it is clear that the craze is not going to die down anytime soon. Bhooth Bangla also looks like an exciting film. But since Dhurandhar 2 is doing historic business, there’s a strong possibility that it could perform exceptionally well even in its fourth week, which coincides with the release of Bhooth Bangla. Meanwhile, there’s no Hindi film currently scheduled for release on April 17.”

The source added, “At the same time, Dhurandhar The Revenge would have exhausted most of its business by the end of four weeks. Hence, it could also work in Bhooth Bangla’s favour to arrive on April 10, by when most people would have already seen the Ranveer Singh-starrer. Therefore, lead actor and producer Akshay Kumar and producer Ekta Kapoor are closely analyzing the situation and will take a call within the next 24 hours.”

The source continued, “If Bhooth Bangla arrives on April 10, the makers plan to release the much-awaited theatrical trailer on Friday, March 27. In case the film is pushed, the trailer will be dropped later. All eyes of the industry and trade are on Akshay and Ekta and let’s see what they decide.”

Bhooth Bangla reunites Akshay Kumar and director Priyadarshan after almost 16 years. The horror comedy also stars Tabu, Wamiqa Gabbi, Rajpal Yadav, Paresh Rawal, late Asrani and many others.

Also Read: Akshay Kumar starrer Bhooth Bangla secures UA 16 certificate; Priyadarshan film set to deliver a family-friendly summer treat

Ektaa R Kapoor has joined forces with The Viral Fever for the upcoming folklore-driven thriller Vvan, starring Sidharth Malhotra and Tamannaah Bhatia in the lead roles. The makers have now locked August 28, 2026, which coincides with Raksha Bandhan, as the film’s theatrical release date.

Produced by Balaji Motion Pictures in association with TVF, the film is directed by Arunabh Kumar and Deepak Mishra. The collaboration marks a notable partnership between Balaji Motion Pictures and TVF as they explore a folklore-based cinematic narrative with a large-scale visual treatment. Prime Video acquires post-theatrical rights The release date announcement comes shortly after Prime Video confirmed that it has acquired the post-theatrical streaming rights of Vvan during its It Starts Here event. The teaser of the film was also showcased exclusively to audiences at the event, offering an early glimpse into the project’s visual tone and narrative world.

Speaking earlier about the film, Ektaa R Kapoor said, “Indian folklore has been a part of all of us. It's time we bring a state-of-the-art VFX heavy and large screen experience. Vvan going to be a whole new genre-breaker.”

Sidharth Malhotra also shared his experience of collaborating with the producer on the film. He said, “This is mine and Ekta's third project together and she has been the most passionate about Vvan. I have never had a producer who could narrate me a film from start to finish.” Tamannaah Bhatia on collaborating with Sidharth Malhotra Talking about the casting, Ektaa Kapoor added a light-hearted note about working with Tamannaah Bhatia, saying, “Mere dil ki tamanna poori hui!”

Tamannaah Bhatia also spoke about sharing screen space with Sidharth Malhotra and her connection with the film’s storytelling space. She said, "Working with Sid was a long, long dream and I am very happy that I had a chance to collaborate with him. He's a really fine actor.”

She further added, “I have grown up on commercial films. Vvan is in the same zone and also has a strong soul. It also has our Indian folklore at the forefront. Its a masala film which will leave you very emotional at the end. It was something that I have been missing when I went to the theatres.”

Also Read: Teaser of Sidharth Malhotra’s most AMBITIOUS project Vvan EXCLUSIVELY shown at Prime Video’s It Starts Here event; Tamannaah Bhatia says, “A masala film which will leave you emotional”

Less than 24 hours remain until the release of Project Hail Mary in India, and fans are disappointed as the booking has yet to open in a full-fledged manner across the board. The biggest grouse among them is that ticket sales have yet to begin in IMAX theatres. The Ryan Gosling-starrer, which released on March 20 in most parts of the world, was pushed by a week in India, to March 26, to avoid a clash with Dhurandhar The Revenge.

A trade source told Bollywood Hungama, “Project Hail Mary is filmed for IMAX and hence for many moviegoers, it is a must-watch in the IMAX theatres. But the bookings still haven't began though the film releases tomorrow (Thursday, March 26). In all probability, Project Hail Mary will share shows with Dhurandhar 2 in the IMAX screens.”

What alarmed netizens was that Cinepolis Kochi had initially allotted all shows for the day to Project Hail Mary, while the late-night show at Maison INOX, BKC, Mumbai, was also scheduled for the Hollywood film. However, on the night of March 24, bookings for Project Hail Mary were suspended at both cinemas. As of 8:00 am on March 25, the only IMAX property in India to have opened bookings for the film is Broadway Cinemas, Coimbatore. It is scheduled to screen the Ryan Gosling-starrer tomorrow at 2:00 pm, and the show is already almost full.

The trade source revealed, “Project Hail Mary has sold some 25,000 tickets for the release day. Once IMAX bookings start, the number will jump significantly as the majority of the moviegoers in the major cities are going to watch the film in all its glory on the giant IMAX screens.”

Another source told us, “Dhurandhar The Revenge is doing record business. We don’t remember the last time a film has done such business. The occupancy has barely fallen on weekdays. Hence, it's obvious that the studio and also the exhibitors are unwilling to reduce showcasing in order to accommodate another film. However, Project Hail Mary’s advance booking is strong. This and the glowing reviews from the West have given Sony Pictures the motivation to fight for as many screens as possible. The issue is expected to be resolved by Wednesday afternoon or at the latest by Wednesday evening.”

Meanwhile, a few days ago, Project Hail Mary’s director duo, Phil Lord and Christopher Miller opened up about Dhurandhar The Revenge’s blockbuster business in an interview with Variety India. When asked about their film releasing a week later in India, Christopher Miller said, “We’ve got a sequel to a very popular Bollywood film coming out on that date; I heard about it. And I am happy.”

Phil Lord added, “(That’s) good for the health of the global movie business and for Bollywood. There are great local productions, for sure.”

Also Read: Hrithik Roshan and Ryan Gosling come together to promote Project Hail Mary; their chat breaks the internet as fans demand a collaboration

Ajay Devgn’s association with horror and supernatural cinema has always been significant. His foray into horror began with Bhoot (2003) and he followed it up with Kaal (2005). Golmaal Again (2017) was a highly successful horror comedy before the genre became mainstream. Exactly two years ago, his supernatural flick, Shaitaan (2024), co-starring R Madhavan and Jyotika, worked big time at the box office. And now, the versatile actor is working on yet another horror film.

A source told Bollywood Hungama, “The makers are toying with the idea of naming the film Griha Pravesh. Another title that has caught their eye is Vaastu Shastra. But it's Griha Pravesh that they feel is apt for the film and the subject. A final call will be taken in the near future, after which the makers will make an official announcement.”

The source further said, “Ajay Devgn will shoot the film in the United Kingdom in a start-to-finish schedule. The team is already planning meticulously to ensure that they are able to finish the shoot in the stipulated time.”

Meanwhile, Pinkvilla reported earlier in the day that the film will be directed by Rohit Jugraj. He began his career as a director with the Mohit Ahlawat-Nisha Kothari starrer James (2005) and then made Kunal Kemmu’s double role drama, Superstar (2008). He later moved to Punjabi cinema and made successful films like Sardaar Ji (2015) and Sardaar Ji 2 (2016), both of which starred Diljit Dosanjh. Recently, he directed the musical thriller web series Chamak. It starred Gippy Grewal, Manoj Pahwa, Rakesh Bedi, Isha Talwar, Navneet Nishan and others and was aired on Sony LIV.

Interestingly, this is the second time that Rohit Jugraj would work with Ajay Devgn in a horror film. He had earlier assisted Ram Gopal Varma on Bhoot. It was RGV who produced Rohit’s debut directorial as well.

Also Read: Ajay Devgn brings futuristic cinema to Thane: Devgn Cinex opens luxury multiplex with motion seats

In a significant brand move, Ranveer Singh has been announced as the new face of Ajmal Perfumes, taking over ambassadorial duties after Saif Ali Khan. The announcement was jointly made by the brand and the actor across social media platforms, marking the beginning of a fresh collaboration as Ranveer fronts the company’s latest fragrance campaign.

Currently enjoying the success of Dhurandhar The Revenge, which released on March 19 and continues to perform strongly in theatres, Ranveer has also featured in a newly unveiled commercial for Ajmal Perfumes. Promoting their premium fragrance Aristocrat, the actor is seen embodying sophistication and charm in a sharply tailored suited avatar, reinforcing the brand’s emphasis on elegance and understated power.

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The campaign, built around the theme ‘Your Unseen Power’, positions ‘Aristocrat’ as a refined oudh-based fragrance with woody undertones, designed for individuals who make a lasting impression without overt display. The brand’s messaging highlights subtlety and presence, aligning with Ranveer’s portrayal in the ad, where his poised screen presence anchors the narrative.

Beyond ‘Aristocrat’, the collaboration also extends to Ajmal’s wider fragrance portfolio. Ranveer will be associated with upcoming launches including ‘Aurum Summer’, a floral unisex scent aimed at capturing freshness and vibrancy, and ‘Wisal Layl’, described as a sensual, woody fragrance that leans into deeper, more intimate notes.

Speaking about the association, Ranveer Singh shared that Ajmal Dubai represents heritage, craftsmanship, and the belief that fragrance is an extension of one’s personality—an idea he personally resonates with. He noted that the ‘Your Unseen Power’ campaign reflects this philosophy through fragrances like Aristocrat, Aurum Summer, and Wisal Layl, each capturing different facets of confidence, energy, and intimacy. He further described these fragrances not merely as perfumes, but as immersive experiences that allow individuals to step into their own ‘unseen power’.

Ajmal Perfumes, known for its legacy in crafting Oud-based scents and its strong presence in the Middle East, continues to expand its global footprint with this collaboration. By bringing Ranveer Singh on board, the brand appears to be targeting a wider, younger audience while maintaining its core identity rooted in tradition and luxury.

With this new partnership, Ranveer Singh adds another high-profile endorsement to his portfolio, while Ajmal Perfumes strengthens its positioning in the competitive global fragrance market through a campaign that blends heritage with contemporary appeal.

Also Read: Deepika Padukone and Ranveer Singh step out for seafood date in Mumbai; viral pics leave fans gushing

In a significant development ahead of the upcoming Tamil Nadu Assembly elections, a plea has been raised before the Madras High Court seeking a ban on the recently released film Dhurandhar The Revenge in the state. The matter was mentioned urgently on Monday, March 23, with concerns that the film’s politically charged narrative could influence voters during the crucial election period.

Advocate Sheela brought the issue before a bench comprising Chief Justice SA Dharmadhikari and Justice G Arul Murugan. The counsel argued that the film contains strong political undertones and may impact voter sentiment, especially with elections scheduled to take place on April 23, 2026.

Highlighting the timing of the release, the advocate pointed out that the Model Code of Conduct is currently in force following the March 15 announcement by the Election Commission of India. She urged the court to restrain the screening of the film in Tamil Nadu until the completion of polling, suggesting that its exhibition could resume thereafter.

Dhurandhar The Revenge, which hit theatres on March 19, has been generating considerable buzz for its high-octane narrative and intense political backdrop. The film reportedly follows the journey of a covert operative returning to India after a long mission, only to find himself entangled in a web of power, corruption, and political intrigue. With its layered storytelling and dramatic conflicts, the film has sparked conversations among audiences and critics alike.

While the court did not pass an immediate order on the oral mention, it directed the complainant to file a formal petition to examine the matter in detail. An urgent hearing is expected to take place after the complainant completes the filing process, which could determine whether the film continues its theatrical run in the state during the election period.

The development adds a fresh layer of controversy to the Ranveer Singh starrer, which has already been in the spotlight for its bold themes and strong narrative tone. As the legal proceedings unfold, all eyes will be on the court’s decision and its potential impact on both the film’s box office performance and the broader conversation around cinema and political sensitivity during elections.

Also Read: Dhurandhar The Revenge creates HISTORY on Monday with Rs. 60 crores; smashes Rs. 500 crores in 5 days

The amount Aditya Dhar was spending per day on shooting Uri, he was spending almost 11 to 12 lakhs lesser than that every day on shooting Dhurandhar. As Aditya told me, it was insanity the way they have pulled off this film.

What is the cost of shooting the actual end product? How much did it cost? Aditya told me it's about Rs. 255 crores. Yes, both the films together cost a paltry Rs 255 crores to shoot. Originally, it was meant to be one film only. But an 8-hour film seemed out of the question. Hence, Dhurandhar was split into two.

The length increased as the film was being shot. Because Aditya realized that the small montages were turning into big, big scenes. And those big scenes were turning out to be highlights, one after the other. So, what to cut? Aditya explained to me, “A scene that was meant to be for say 10 seconds, it actually required two minutes.”

To take an example, there was the scene in which Major Iqbal is introduced. Arjun Rampal's character is introduced where he says that I want to buy guns. That was supposed to be two-and-a-half-minute scene. It eventually became eight-nine minutes long.

While Aditya had a water-tight script, the dialogues were enhanced on the sets. A lot of the banter which you hear in the film are actually what Aditya Dhar thought on the set on the day of the shooting.

But the end product is almost 95 to 96% close to the main script. The original script.  “And I'm very thorough with my script. I'm very thorough with my research,” said Aditya.

Almost the entire film was shot was by Aditya Dhar, with some assistance from a second unit. But all the main crucial sequences were shot by Aditya Dhar personally.

Also Read: BREAKING: Dhurandhar The Revenge beats highly anticipated Hollywood film Ready Or Not 2 overseas; brings Bahar to Mumbai’s Bahar cinema

Bollywood star Ranbir Kapoor has partnered with Bengaluru-based real estate developer Mana Projects as its brand ambassador, marking a significant crossover between entertainment and the evolving urban housing space. The collaboration coincides with the company unveiling a refreshed brand identity, aimed at redefining modern community living.

Known for being selective with endorsements, Ranbir’s association signals a strategic move by the developer to connect with a younger, aspirational audience. The actor will be the face of a large-scale campaign spanning digital, outdoor, and experiential platforms, positioning the brand at the intersection of design, sustainability, and contemporary lifestyles.

Speaking about the association, Ranbir Kapoor highlighted the emotional value attached to homes, stating, “A home is one of the most meaningful investments people make in their lives, and it should reflect comfort, warmth and a sense of belonging. What impressed me about Mana Projects is the brilliance of their thought, the way design, nature and functionality come together to enhance everyday living. I'm delighted to be associated with Mana Projects as they continue to create homes that inspire modern urban families to truly live brilliantly.”

For Mana Projects, the move represents more than just a celebrity endorsement. Chairman and Managing Director D. Kishore Reddy described it as a reflection of the company’s evolving identity and future vision. “This rebranding represents the natural evolution of Mana Projects as we align ourselves with the aspirations of a new generation of homeowners, particularly millennials who form the backbone of Bengaluru's dynamic homebuyer community. Today's homebuyers seek more than just an apartment; they look for thoughtfully designed spaces, meaningful community living and a deeper connection with nature. At Mana, our philosophy centres on creating homes where space is purposeful, design is intelligent, nature is respected, and engineering ensures long-term sustainability. Our association with Ranbir Kapoor reflects this new chapter as we continue to build communities that enable people to truly Live Brilliantly.”

The refreshed brand philosophy places emphasis on creating living spaces that blend architecture with nature, focusing on sustainability, intelligent design, and community-driven environments. With Ranbir Kapoor now fronting its vision, the brand is set to amplify its reach, leveraging the actor’s wide appeal to resonate with modern homebuyers looking for more than just a place to live.

Also Read: Mohit Suri clarifies he is not working with Ranbir Kapoor yet: “I wish there was”

A legal tussle surrounding the Hera Pheri franchise has come into focus, with Vijay Kumar asserting complete ownership over the intellectual property, as his dispute with producer Firoz Nadiadwala continues in court.

In a candid interaction with Pinkvilla, Vijay Kumar laid out his stance on the matter, claiming that the rights to the franchise have always remained with his side. Addressing the ongoing case, he confirmed, “We have the total rights for Hera Pheri franchise clean and clear, everything. And guess what? This man did the second instalment without permission.”

According to Vijay, the issue dates back to the sequel itself. While a one-time remake right for the Hindi version was granted, he alleges that subsequent developments took place without consent. “We had only given a one-time remake right for the Hindi version. He made that, but then proceeded with a second film without our consent or knowledge,” he stated, adding that the matter was not pursued legally at the time.

The dispute intensified when plans for Hera Pheri 3 surfaced. Vijay revealed that repeated attempts to resolve the issue amicably did not yield results, prompting legal action. “When he attempted a third film, we issued a notice stating clearly that he has no rights, and even the second film was a violation,” he said. He further alleged that Nadiadwala attempted to transfer or sell the project, which led to the filing of an intellectual property rights case.

Providing an update on the legal proceedings, Vijay claimed that the court has already indicated its stance. “The court has made it very clear that the rights are with us, and we are confident of getting that order as well,” he said, while also accusing the opposing side of delaying the process through repeated adjournments and non-appearance.

Despite the ongoing dispute, Vijay acknowledged the commercial value of the franchise and did not rule out future collaborations once the matter is resolved. “Selling can only be considered after we sort things out with Nadiadwala. Once that is resolved, all options are open… because it is a prime brand,” he explained.

On the creative front, he emphasised that the original trio of Akshay Kumar, Paresh Rawal, and Suniel Shetty remains integral to the franchise’s identity, noting that retaining them “makes the most business sense in every way.”

For now, the fate of Hera Pheri 3 remains uncertain, hinging largely on the outcome of the legal proceedings, which Vijay believes will eventually conclude in his favour, even as delays continue to stall a final resolution.

Also Read: Paresh Rawal Addresses Hera Pheri 3 Delay, Clarifies It’s Due to Technical Issues

Salman Khan breathed a sigh of relief when his father, Salim Khan, returned home from the hospital. However, the worst may not be over yet, as the Khan patriarch is still a long way from recovery.

A source very close to the family reveals, “In fact, Salim Saab is very, very unwell. At 92, full recovery from his neurological condition is unlikely. We can only hope for the best. The family is taking him home so he can be comfortable with his loved ones. Otherwise, it is pretty much a replay of what happened with Dharmendra some months ago. We are all praying and hoping for the best.”

A close friend of Salman Khan adds that the actor has taken his father’s health decline “very badly.”

“Salman is extremely upset. His equation with his father is well known to those close to the family. He is unable to focus on anything but his father’s health. And yet, he continues to work on Maatrabhumi, navigating post-production while visibly distressed—snapping, sulking, and struggling to stay composed.”

Also Read:  SCOOP: Salman Khan aims to return to Eid with Dil Raju and Vamshi’s action entertainer in 2027

Dhurandhar The Revenge is unstoppable; the film was expected to break records, and yet, the trade and industry are stunned by how it's performing at the box office. On Saturday, March 21, it set a new record by collecting Rs. 100 crore in a day. On Saturday, March 21, the film created history by collecting Rs. 100 crore in a single day. And now, its dominance is being felt in the Overseas market as well, where it has managed to outgross a much-awaited Hollywood sequel.

According to a report in Deadline, Ready or Not 2: Here I Come, a highly anticipated sequel, opened with $9 million. On the other hand, Dhurandhar The Revenge collected a huge $10.5 million. Dhurandhar’s sequel was always set to open big, considering the response of the first part, which was released in December 2025. However, Ready Or Not 2: Here I Come, released by Fox Searclight Pictures, should have ideally opened bigger in foreign territories, considering the star cast (Sarah Michelle Gellar, Elijah Wood and Kathryn Newton). The fact that Dhurandhar The Revenge has gone past it only underlines the scale of its global craze.

Dhurandhar 2 brings Bahar to Bahar Cinema

Meanwhile, residents of Vile Parle East and Andheri East in Mumbai got a pleasant surprise as the popular Bahar Cinema will play four shows of Dhurandhar The Revenge on Sunday, March 22. This has never happened before since it commenced operations in November 2010.

According to an exhibition source, “Due to certain regulations of the commercial establishments in the cinema building, Bahar is allowed to play shows only after 5:00 pm. But with Dhurandhar The Revenge, they have made an exception. On Sunday, the film had four shows, at 8:00 am, 12:30 pm, 5:00 pm and 9:30 pm.”

Bollywood Hungama was the first one to report that Dhurandhar The Revenge’s post-midnight and early morning shows have been planned by several cinemas. As the film was released and went on a record-breaking spree, more theatres joined the bandwagon, probably for the first time. Kasturba Cinema in Malad hosted a 2:30 am show, while Woodland Cinemas in Virar, near Mumbai, arranged a 7:45 am screening on Sunday for eager moviegoers. Both shows were nearly sold out.

Dhurandhar The Revenge is produced by Jyoti Deshpande of Jio Studios and Aditya Dhar and Lokesh Dhar of B62 Studios. It is written and directed by Aditya Dhar.

Also Read: Mukesh Chhabra calls Aditya Dhar a ‘real hero’ as Dhurandhar The Revenge hits theatres; says “People will be talking about these films for years”

The Delhi High Court on Friday indicated that it would issue an interim direction to safeguard the personality rights of Bollywood actor Sonakshi Sinha. The matter was heard by Justice Jyoti Singh, who was considering an application filed by the actor seeking an injunction against alleged misuse of her identity.

During the proceedings, the court asked for specific instances of infringement. In response, the counsel representing Sinha pointed to the unauthorised use of her persona and characteristics by certain AI chatbots. Taking note of the submission, the court directed the legal team to provide a soft copy of the alleged infringing links. It also permitted the filing of additional documents in a sealed cover within two days. The case has now been scheduled for further hearing on July 6.

This development follows a recent order by the same court granting protection to the personality rights of Ramdev, founder of Patanjali Ayurved, through a John Doe directive. Over time, coordinate benches of the High Court have passed similar rulings in favour of several public figures across fields.

Among those who have received such legal protection are singer Jubin Nautiyal, Andhra Pradesh Deputy Chief Minister Pawan Kalyan, former cricketer Sunil Gavaskar, and actors Kajol, R. Madhavan and N. T. Rama Rao Jr. Actor Salman Khan has also approached the court with a similar plea.

The High Court has, in separate cases, extended protection to spiritual leader Sri Sri Ravi Shankar of The Art of Living Foundation, Telugu actor Nagarjuna, as well as Bollywood actors Aishwarya Rai Bachchan, Abhishek Bachchan and filmmaker Karan Johar.

In another recent instance, journalist Sudhir Chaudhary was granted relief after raising concerns over misleading AI-generated videos circulating online. Similarly, a John Doe order was issued in favour of podcaster Raj Shamani, with the court recognising his prominence in the digital content space.

Sonakshi Sinha, who made her Bollywood debut with Dabangg opposite Salman Khan, has since featured in several commercial and content-driven films including Rowdy Rathore, Mission Mangal with her recent success being in the web-series Heeramandi in which she essayed a double role. Known for balancing mainstream entertainers with performance-oriented roles, the actor has built a steady presence in the industry, making the protection of her identity and likeness increasingly significant in the evolving digital landscape.

Also Read: System first look out: Sonakshi Sinha, Jyotika headline courtroom drama on Prime Video, watch

In a significant relief for filmmaker Sujoy Ghosh, the Supreme Court of India has set aside criminal proceedings initiated against him in a copyright infringement case linked to his 2016 film Kahaani 2: Durga Rani Singh.

According to a report by Bar and Bench, a Bench comprising Justices PS Narasimha and Alok Aradhe observed that the complaint lacked substance and failed to establish even a basic comparison between the two works in question. The court noted that the allegations were vague and unsupported, with no clear indication of how the film resembled the complainant’s script.

The case stemmed from a complaint filed by Umesh Prasad Mehta, who alleged that his script titled Sabak had been copied for the film. He claimed to have shared his work with Ghosh in 2015. Acting on this complaint, a magistrate court in Hazaribagh had issued summons in 2018 under provisions of the Copyright Act. Later, the Jharkhand High Court declined to quash the case, stating that the matter warranted trial.

Ghosh subsequently moved the apex court, where his counsel, Senior Advocate Siddhartha Dave, argued that the complaint did not provide any material evidence demonstrating similarity between the scripts and that the proceedings were a misuse of legal process.

The Supreme Court agreed with these submissions, pointing out that both the magistrate’s summoning order and the High Court’s decision showed a lack of proper judicial consideration. It also highlighted that witness statements presented by the complainant did not establish that any part of the script had been copied.

A key factor in the ruling was the finding of the Screen Writers Association’s Dispute Settlement Committee, which had earlier concluded that there was no resemblance between the two works. The court noted that this crucial detail had not been disclosed to the magistrate at the time of issuing summons.

Additionally, the Bench underscored that Ghosh’s script for Kahaani 2 had been registered well before the complainant’s script was created, making the allegation of infringement untenable.

Reiterating that courts must guard against frivolous or malicious litigation, the apex court emphasized the need to examine surrounding circumstances in such cases to prevent misuse of criminal law. It ultimately set aside both the summoning order and the High Court’s ruling, bringing an end to the proceedings pending before the trial court.

The case was argued on behalf of Sujoy Ghosh by Senior Advocate Siddhartha Dave, assisted by a team of advocates. As for Ghosh’s 2016 thriller Kahaani 2: Durga Rani Singh, it is a Vidya Balan-led film that revolves around a woman living under an assumed identity while protecting a child, unfolding into a layered narrative of crime, abuse, and hidden pasts. Also starring Arjun Rampal and Jugal Hansraj in key roles, the film was expected to be a spiritual sequel to the 2012 blockbuster Kahaani.

Also Read: “No one claimed it’s original”: Sujoy Ghosh REACTS to music criticism in Dhurandhar trailer

Eid is synonymous with Salman Khan, as over the years, the superstar has played a major role in making the festival a lucrative period. While today, actors are reaping the benefits of the date, once upon a time, it was never considered to be a festive window for Hindi films. It's Wanted followed by Dabangg that changed the tide for the same. This year is going without a Salman Khan release, but reliable sources inform that the superstar is aiming at the festive period of Eid for his next feature film.

"Salman Khan is in talks with Dil Raju and Vamshi Padilpally to plan their schedules in a way that an Eid 2027 release becomes a reality. The producer - director duo is contemplating the option, and plan to get back to Salman with a plan soon," revealed a source to Bollywood Hungama. The source further informs that the film in question is an action-packed entertainer with a strong emotional core.

"It's a pure commercial entertainer with Salman Khan playing to the gallery. Vamshi plans to present Salman in a way audiences like to see him. The pre-production is going on in full swing, and the makers aim to take the film on floors in April," the source added.

The film will be shot all across the country starting in April, and there is ample VFX work involved. All the aspects are being looked at at the moment, before they decide on announcing. The film will, however, be released in the first half of 2027, and that's a promise made by the producer to Salman.

Also Read: Maatrubhumi song ‘Chand Dekh Lena’ out ahead of Eid 2026: Salman Khan, Chitrangada Singh highlight love and longing in new track