Indus Chronicles

Amaal Mallik has responded strongly to social media users targeting his family amid the ongoing discussion surrounding his song ‘Main Hoon Hero Tera’. The composer took to social media to address the criticism and made it clear that while he may respond to comments directed at him, he would not accept remarks aimed at his family.

On Wednesday, Amaal shared a post on X, formerly known as Twitter, drawing a distinction between criticism of his work and comments about his family. He wrote, “A statutory warning to the entire audience on each & every social platform of the world… Not a word about my family will be tolerated.”

Amaal was referring to the controversy surrounding ‘Main Hoon Hero Tera’, the 2015 song sung by Salman Khan. Addressing the discussion around the song's credits, he explained the contributions of everyone involved in its making. Amaal wrote, “Firstly, know that Armaan Malik has sung the main version, because of which it could be presented to the actor-producer Mr Salman Khan and director Mr Nikhil Advani. I made it, @kumaarofficial sir wrote it, @ArmaanMalik22 sang it; hence it got approved and then @BeingSalmanKhan sir sang it. That’s how the cookie crumbles, and that’s exactly how it happened, okay? FYI, without Me & Kumaar sir, there would be no song to sing. Without Armaan, there would be nothing to play to Salman, sir. Without SK’s face & voice version, the song wouldn’t be where it is today; never denied that. But does anyone even pause to think how much goes into creating a song and then get left out of every celebration post every year.”

A statutory warning to the entire audience on each & every social platform of the world…

Not a word about my family will be tolerated.

Targeting me is part of your game plan, gives you some likes and eyeballs - GREAT!

You are welcome ;)

Last few days I have been seeing… pic.twitter.com/nEx3qvLr3e — Amaal Mallik (@AmaalMallik) September 16, 2026

The composer further warned that he would publicly address those who make comments about his family. He also spoke about standing by his father, Daboo Malik, and his family despite their estrangement.

“I will expose each one of you here if I find you saying anything against my family. Also, if anyone from the film industry, without probable cause or reason, stands up against me and mine, watch out, I’ll be coming for you… Music ka #Srk hoon main, Magar gussa mera #SalmanKhan Aur #SanjayDutt wala hai. Yeh sab doosro ko saath chalta hoga, Daboo Malik aur unki family ke saath Bilkul nahi… Amaal Mallik unke saath khada tha, hai aur rahega bhi. So, bhidna at your own risk. (This might happen with others, but definitely not with Daboo Malik and his family… Amaal Mallik stood with them, stands with them, and will continue to stand with them. So, clash at your own risk).”

The controversy began after Salman Khan Films shared a social media post marking 10 years of ‘Main Hoon Hero Tera’ without initially mentioning Amaal Mallik as the composer. Amaal subsequently called out the omission, following which the post was edited to include his credit.

The incident also led to criticism of Amaal on social media, with some users calling him ‘ungrateful’ towards Salman Khan. Amaal and his singer-brother Armaan Malik subsequently defended his position publicly, resulting in further discussion online.

Also Read : Sau Aasmaan Turns 10: Amaal Malik, Armaan Malik and Neeti Mohan reflect on ‘Baar Baar Dekho’ song˝

Director Meghna Gulzar recently opened up about her experiences of working with several prominent actors, including Irrfan Khan, Vicky Kaushal, Deepika Padukone, Alia Bhatt, Tabu, Sushmita Sen, Kareena Kapoor Khan and Prithviraj Sukumaran. During a conversation for The Indian Express’ Expresso series, Meghna reflected on the different working styles of the actors she has collaborated with over the years. The filmmaker, known for films such as Raazi, Talvar and Sam Bahadur, is currently preparing for the release of Daayra, which stars Kareena and Prithviraj.

Irrfan Khan

Talking about her experience with Irrfan Khan in Talvar, Meghna said she had very little to do when it came to directing him. “I really had nothing to do. Everything he did, he made me look good,” she said. However, she revealed that there was one aspect of their collaboration that she still does not have an answer to. “I still don’t know which side of Talvar’s perspective he believes or agrees with,” she said.

Vicky Kaushal

Meghna also discussed her working relationship with Vicky Kaushal, whom she directed in Raazi and Sam Bahadur. Describing their understanding, she said, “I don’t need to complete a sentence. He knows what I am going to say if I want him to do something differently. That connection is just superb.” She added that finding another role bigger than Sam Bahadur could be difficult. “After Sam Bahadur, it is going to be very difficult to find a role that is larger than that. And the desire to work with him is very much there,” she said.

Deepika Padukone

On Deepika Padukone, who worked with her in Chhapaak, Meghna said, “She is a deep actor. She’ll never stay on the surface. She will go beneath the surface of the character, of the scene, of the story.” She also joked about their similarities, saying, “She’s a bigger OCD than I am.”

Alia Bhatt

Discussing Alia Bhatt, Meghna described her as spontaneous and instinctive. “She is spontaneous and instinctive to a point where she can hurt herself,” she said, recalling the running sequence in Raazi. “The running scene in Raazi is where she would get hurt every day. That is the difficult part. She tends to hurt herself,” she added.

Tabu and Sushmita Sen

Meghna also recalled working with Tabu and Sushmita Sen in Filhaal. While she found Tabu’s performance easy to work with, she admitted that directing an already established actor was not simple. “She is already an accomplished, senior actor. To be telling her what to do and how to do it was not easy,” she said.

Speaking about Sushmita, Meghna said, “What you see is what you get. Very, very not layered at all. The relationship was very easy.” Asked about the difficult part, she simply said, “There was nothing difficult with her.”

Kareena Kapoor Khan and Prithviraj

On her current collaborators Kareena and Prithviraj in Daayra, Meghna said both actors required very little instruction. “The easy part has been their proficiency as actors. I don’t have to talk about that. There was very little instruction required,” she said. She further noted that their interpretations had gone beyond what she had originally envisioned. “The interpretation they have given for their characters has elevated them more than I had imagined on paper, or between the lines. That’s the very gratifying part,” she said.

However, Meghna admitted that the trust placed in her by the two actors also comes with responsibility. “The immense trust they put in me is very scary. That makes it difficult,” she said.

Also Read : Parvathy Thiruvothu lends her voice to Kareena Kapoor Khan’s Ajooni in Malayalam version of Daayra

The casting of Ranbir Kapoor as Lord Rama in Nitesh Tiwari’s Ramayana has been a topic of discussion since the release of the film’s first teaser. While some viewers have questioned whether the actor fits the role, others have responded positively to his appearance as the revered mythological character. Amid the ongoing debate, Ravie Dubey, who plays Lakshman in the film, has spoken in support of his co-star and shared his experience of working with him.\

In an interview with Variety India, Ravie Dubey praised Ranbir Kapoor’s approach to his work and described him as “simply the best”. Addressing the criticism around Ranbir’s casting as Lord Rama, Ravie said, “I think Ranbir is simply the best we have. He is a superstar of epic proportions, but what has stayed with me even more is the human being and the artiste I have witnessed at close range. The sincerity with which he comes onto a set is unparalleled. His work ethic, etiquette, intensity and preparation; I had heard so much about these things, but I had the privilege of witnessing them firsthand.”

Ravie further spoke about Ranbir’s personality away from his stardom and added, “And alongside all of that is this incredibly grounded, warm and inclusive nature. There is no weight of his stardom in the way he interacts with people. I find that enormously inspiring. It is my great good fortune to be a part of this journey alongside Ranbir, Namit (Malhotra), Nitesh (Tiwari), Yash, Sai Pallavi and every single person associated with Ramayana.”

Ranbir had earlier confirmed that he will be seen in the dual roles of Lord Rama and Lord Parshurama in Ramayana. Speaking about playing both characters in an interview with Collider, he said, “Lord Vishnu had different avatars. Lord Rama was an avatar, and Lord Parshurama was an avatar before Lord Rama. Just to get the opportunity, you know, how I got to play Lord Rama, to also play Lord Parshurama was fantastic.”

About Ramayana

Directed by Nitesh Tiwari, Ramayana is based on Valmiki’s ancient Sanskrit epic and follows the life and trials of Lord Rama, the Prince of Ayodhya. The film features Ranbir Kapoor, Ravie Dubey in his film debut as Lakshman, Sai Pallavi, Sunny Deol, Yash in his Hindi film debut, Anupam Kher, Kajal Aggarwal, Rakul Preet Singh, Vivek Oberoi, Kunal Kapoor, Adinath Kothare, Arun Govil, Indira Krishnan and Lara Dutta.

The two-part film is backed by Namit Malhotra and Yash under Prime Focus Studios, Monster Mind Creations and DNEG. Mounted on a reported budget of Rs 4,000 crores, Ramayana is slated to release in two parts, with the first instalment scheduled for Diwali 2026 and the second part arriving on Diwali 2027.

Also Read : BREAKING: 4-minute-15-second-long trailer of Ramayana passed by CBFC with a ‘U’ certificate

The Supreme Court on September 15, 2026, granted actor Rajpal Yadav a final two-week window to submit a concrete proposal for clearing his outstanding financial dues in multiple cheque-bounce cases. A three-judge bench headed by Chief Justice Surya Kant and comprising Justices Joymalya Bagchi and V Mohana extended the actor's exemption from surrendering until October 5, while directing him to deposit Rs 2 crore with the apex court registry.

The bench strongly criticized Yadav’s past non-compliance with judicial directions, observing that his conduct failed to inspire confidence. “He is perfect at doing drama but this court. Earlier orders of the court have not been complied with,” the bench remarked during proceedings, before deciding to grant him one last opportunity to prove his bona fides. Defense cites financial distress and industry support Appearing on behalf of the actor, senior advocate PS Patwalia urged the court to allow two weeks to present a detailed payment roadmap. He assured the bench that Yadav would deposit Rs 2 crore as a demonstration of good faith.

Patwalia informed the court that Yadav had already served four-and-a-half months in prison in connection with the matter, noting that the actor would need assistance from friends in the film industry to arrange the funds.

Representing the complainant, M/s Murali Projects Pvt Ltd, senior advocate Ajit Sinha emphasized that the firm was primarily focused on recovering the defaulted funds. He told the bench that Yadav had repeatedly failed to honor his financial commitments over the years.

The legal dispute traces back to financial assistance of Rs 5 crore allegedly extended to Yadav for a film project in 2010. According to the complainant, Yadav tendered seven cheques of Rs 1.05 crore each in 2013 as part of a settlement agreement, all of which subsequently bounced.

The complainant further stated that under a 2012 agreement, Yadav, his wife Radha Rajpal Yadav, and their company had agreed to repay approximately Rs 11 crore, inclusive of accumulated interest. The apex court is scheduled to hear the matter next on October 5.

Also Read: Rajpal Yadav gets interim relief from Supreme Court in cheque dishonour cases, asked to deposit Rs 5 crores

Rabya Khan, the mother of the late actress Jiah Khan, has issued her first public response after actor Sooraj Pancholi’s name appeared in the Central Bureau of Investigation (CBI) First Information Report (FIR) regarding celebrity manager Disha Salian’s death. Expressing deep concern over the handling of the investigation, Rabya drew sharp parallels between the ongoing developments and her late daughter’s legal journey, questioning the potential loss or destruction of critical forensic material.

Taking to social media without naming specific individuals, Rabya voiced her apprehension regarding the resurgence of familiar names after several years. “When I hear that the same name has surfaced in another young Disha Salian murder six years ago, it deeply saddens me and this must alarm everyone,” she wrote. Concerns over evidence destruction and investigation handicaps Highlighting the pivotal role of forensic integrity, Rabya stressed that once vital evidence is compromised, establishing the facts becomes extremely difficult for both investigative agencies and affected families. She claimed personal insight into how evidence can be manipulated, stating she knows what happens when crucial material is “destroyed” or replaced in a way that can “fool victims”.

She also cited what she called “serious discrepancies” previously noted by the High Court regarding the initial probe into Disha Salian's death. Rabya argued that conducting a fresh inquiry years after an event poses severe challenges if foundational proof is no longer intact.

“No wonder they have specifically said no one is accused without evidence. But when crucial evidence has already been destroyed or lost, a fresh investigation will face an enormous handicap,” she noted.

Rabya further compared the framing of the investigation to her daughter's case. She observed that while Jiah's death was ruled as an "abetment to suicide", there were serious questions over whether the alleged act of "abetting" was thoroughly examined. She claimed a similar pattern is currently unfolding in Disha’s case.

Jiah Khan’s mother says, "System repeatedly fails to protect evidence" In her statement, Rabya expressed worry that a lack of concrete forensic proof could ultimately result in an incomplete judicial process or lead to acquittals. “High Court order will give these accused acquittal due to no evidence,” she warned, questioning why evidence capable of uncovering the truth is allegedly not preserved, leaving grieving families “searching for answers”.

She went on to question institutional protocols surrounding high-profile cases, writing, “Think why the system repeatedly fails to protect the evidence that could establish the truth.” Reiterating her demand for transparency and justice, she concluded, “The people are not foolish, it’s different perception created to hide truth when the system tries to protect them,” adding firmly that “Disha deserves the truth, just as Jiah did.” Background on Jiah Khan’s Case Jiah Khan, who made her Bollywood debut in Nishabd (2007) alongside Amitabh Bachchan and later featured in hit films like Ghajini and Housefull, was found dead at her Mumbai residence on June 3, 2013, at the age of 25. Her death was initially investigated as a suicide, and her then-boyfriend Sooraj Pancholi was charged with abetment to suicide. Following a long trial, a Special CBI Court acquitted Pancholi in April 2023, citing a lack of concrete evidence. Rabya Khan has consistently rejected the suicide ruling, maintaining that her daughter was murdered.

Also Read: Sooraj Pancholi DENIES link to Disha Salian death case after CBI FIR names him alongside Aaditya Thackeray, Rhea Chakraborty: “Very unfair and extremely upsetting”

Filmmaker Rakesh Roshan has leased two commercial units in Mumbai’s Andheri West to Beingu Studios Private Limited. According to property registration documents accessed by CRE Matrix, the two offices have a combined area of 5,574 sq ft and are being leased for a monthly fee of Rs 7.30 lakh.

The commercial units are situated at Commerce Centre, off New Link Road in Oshiwara, Andheri West. The deal also includes two car parking spaces.

The leave and license agreement was registered on September 9, 2026. The lease has been signed for a period of three years, with a 5% annual increase in the monthly rent. The security deposit for the transaction stands at Rs 10.95 lakh. Rent To Increase Over Three-Year Lease As per the registered agreement, Beingu Studios will pay Rs 7.30 lakh per month during the first year of the lease. The monthly license fee will rise to Rs 7.66 lakh in the second year and further increase to Rs 8.04 lakh during the third year.

The escalation clause is part of the three-year leave and license agreement registered with the authorities.

Beingu Studios describes itself on its website as a content enterprise with operations spanning cinema, television, live concerts and digital platforms. Rakesh Roshan’s Recent Property Transactions The latest commercial lease comes a few months after Rakesh Roshan and his wife, Pramila Roshan, leased their apartment in Mumbai’s Juhu-Vile Parle Development Scheme. The residential property was leased for three years. Property registration documents accessed by CRE Matrix indicated that the agreement could generate approximately Rs 1.89 crore in rental income over the complete lease period.

The Roshan family has also been involved in several property transactions in Mumbai and other parts of the country in recent months.

In January 2026, Rakesh Roshan sold a 1.09-hectare land parcel in Pune district for Rs 15 crore. The transaction was recorded in property registration documents accessed by CRE Matrix.

Also Read: BREAKING: EXCLUSIVE footage of Ramayana to be screened at Big Cine Expo 2026, Chennai; Rakesh Roshan to receive Special Achievement Award

Yesterday, we reported that Anya Singh of The Ba***ds Of Bollywood fame has joined the star cast of Vikram Bhatt’s 1920: Cold Winter. We now bring you another exciting update about the upcoming horror film.

A source told Bollywood Hungama, “Music composer Himesh Reshammiya has signed the film. Vikram Bhatt’s horror films are known not just for jump scares and scary visuals, but also for soulful music. 1920: Cold Winter is no exception. This time, he really wanted the music to stand out and hence, he approached Himesh. Himesh Reshammiya was too happy to join hands with Vikram after a long time and signed on the dotted line.”

1920: Cold Winter marks the fifth film of Vikram Bhatt and Himesh Reshammiya. They previously collaborated on Footpath (2003), Fear (2007), Red: The Dark Side (2007) and Dangerous Ishhq (2012).

Meanwhile, another source told us, “Vikram Bhatt has shot for many of his films in Ooty. But for 1920: Cold Winter, he’ll be filming in Mussoorie. Moreover, the shoot takes place in the winter season at the end of the year, which will be perfect as per the film’s requirement.”

Bollywood Hungama has also learned that the other film for which Himesh Reshammiya has composed is the Sunny Deol-starrer Soorya. As per sources, the film is now called Suryaa - One Man Against The System. It is produced by Kamal Mukut and co-stars Manish Wadhwa, Ravi Kishan and others. It is the remake of the Malayalam film Joseph (2018), and just like the original, the action entertainer is directed by M Padmakumar. In this film, Sunny Deol plays a retired cop who takes on the organ harvesting mafia.

This is the third time that Himesh Reshammiya has composed music for a Sunny Deol starrer. Their previous collaborations were Fool & Final (2007) and Apne (2007); both films released 19 years ago.

The source also revealed, “Himesh Reshammiya’s music label, Himesh Reshammiya Melodies, has bagged the music rights of both 1920: Cold Winter and Suryaa - One Man Against The System. The label will also release songs from other films for which Himesh is composing the music, including the Emraan Hashmi-starrer Gunmaaster G9, the Ayushmann Khurrana-starrer Yeh Prem Mol Liya and Anil Sharma’s Utkarsh Sharma-Arjun Rampal starrer Arjun Naga.”

About 1920: Cold Winter

1920: Cold Winter was announced a few weeks after the release and surprising box office performance of Haunted – Echoes Of The Past (2026). Like the Mimoh Chakraborty-starrer, 1920: Cold Winter is also produced by Anand Pandit. Ahan Shetty has been locked in as the male lead. Interestingly, both Ahan Shetty and Anya Singh also shared screen space in this year’s super-hit war film, Border 2. While Ahan played the role of Lt Cdr Mahendra Singh Rawat, Anya was seen as his wife, Sudha Rawat. Hence, 1920: Cold Winter marks the second film in which Ahan Shetty and Anya Singh will be paired opposite each other.

Also Read: SCOOP: Himesh Reshammiya Melodies on a roll! After Yeh Prem Mol Liya and Gunmaaster G9, label bags music rights of Anil Sharma’s Arjun Naga

The return of Practical Magic brings back some of the franchise's most beloved characters while introducing a new generation of Owens women. For director Susanne Bier, bringing together returning stars and new talent was one of the most rewarding aspects of making Practical Magic 2.

Speaking about Dianne Wiest and Stockard Channing, who return as the iconic Aunts, Bier described the experience as an enormous privilege. “Dianne and Stockard, it was the biggest honour ever. They are beautiful human beings and they are beautiful in the movie. I almost can't see them without those gorgeous costumes. And there is a kindness to both of them. A kindness and a sharpness. It's like they're incredibly kind, but they also have an edge, and that mixture is wonderful. There's something incredibly dignified, but also very poetic about both of them.”

The sequel also expands the Owens legacy through Kylie and Antonia, played by Maisie and Joey. Bier was looking for performers who could bring strength, confidence and individuality to the next generation. “When we were talking about Kylie and Antonia, it was like, who are two real badass young women that can fill those shoes? Maisie and Joey had that in different ways.”

She adds, “They both have a strong feminine side to them, but you also have a sense that you do not want to cross them. They will do what it takes, both of them. They have very fierce will and a confident sense of self. I think we were very much looking for that. They're very different and they are gorgeous and interesting and surprising. I don't really know where to stop with either of them! The two of them were great together.”

Bier also found a distinctive dynamic in the film's male characters. Lee Pace, who plays Professor Ian Wright, brings what she describes as a rare combination of confidence, humour and sex appeal. “Lee has that balance—which is quite rare in a way in a man—of being quite comfortable in his own skin and being very, very handsome… and maybe not really caring that much about it.”

She continues, “There's a kind of generosity in Lee Pace where you think he's quite comfortable being the love interest, being Professor Ian Wright. He does play what could be thought of as a traditionally female part in a way—he’s the lead’s love interest. And he does that with quite a lot of humor and quite a lot of sexiness. And he's enjoying it. And I think that that's why it works so wonderfully well—because he's actually having a lot of fun with it.”

Xolo Maridueña's Gideon, meanwhile, was cast for his ability to balance charm with emotional openness. “With Xolo, it was that balance again of having a guy who is sexy, cute, but also kind and also, in some way, more audacious than Kylie is.”

Bier explains, “He’s not scared of telling her he loves her, and he's not scared of any of that. But because of this ingrained thing that she can't even articulate—that I'm not really allowed to love anybody—she is so much more reserved. And he's quite free with that. We wanted somebody who could play that without losing his integrity. And Xolo did that beautifully.”

With its returning icons and younger generation, Bier sees the ensemble as an important part of carrying the Practical Magic legacy forward.

Also Read: EXCLUSIVE: Susanne Bier on the theatrical experience of Practical Magic 2: “Watching a movie with other people is an entirely different experience”

Actor Sooraj Pancholi has addressed the renewed attention around his name following the Central Bureau of Investigation’s FIR in the death case of celebrity manager Disha Salian. The actor has denied ever meeting Salian or Shiv Sena (UBT) leader Aaditya Thackeray and said he is willing to cooperate with the investigation if required.

The CBI registered an FIR on September 14 in connection with Salian’s June 2020 death after the Bombay High Court directed the agency to investigate the circumstances surrounding the case. The development has once again brought several names associated with allegations and speculation around the case into focus. However, the High Court had directed the CBI to conduct the probe without naming anyone as an accused at that stage.

According to reports citing advocate Nilesh Ojha, who represents Salian’s father Satish Salian, the FIR contains the names of several individuals, including Sooraj Pancholi, Aaditya Thackeray, Rhea Chakraborty and Dino Morea. The reported inclusion of a name in an FIR does not by itself establish guilt or wrongdoing, and the investigation is ongoing. Sooraj Pancholi says he has never met Disha Salian Amid the renewed discussion, Pancholi took to social media late on September 14 to put out a detailed statement about his alleged connection to the case. He said his name has been repeatedly linked to the matter through media reports and statements despite, according to him, there being no connection between him and Salian.

“I have decided to put this out because I feel it is important to put certain facts clearly in the public domain. For the last few years, my name has been dragged into the controversy surrounding the unfortunate demise of late Disha Salian through various media reports and statements. I want to say this out loud and very clear. I have never met late Disha Salian in my life, directly or indirectly. I have also never met Aaditya Thackeray in my life!” he wrote.

Pancholi said he found it unfair that his name continued to be associated with the case and claimed there was no evidence connecting him to the matter. “It is honestly very unfair and extremely upsetting to see my name being dragged into something that I have absolutely nothing to do with, especially when there is no evidence or proof connecting me to this matter,” he added. Actor says he is willing to cooperate with CBI Pancholi also addressed his previous interactions with investigating agencies. According to the actor, he was questioned by the CBI and police several years ago and his statement was recorded during the earlier investigation. “Regarding this matter, I have already been investigated by the CBI/police and my statement was recorded by the agencies almost 4-5 years ago. I have nothing to hide,” he said.

The actor further stated that he would cooperate if the investigating agency requires additional information from him. “If any investigating agency feels that they need to question me again or require any further information from me, I am completely willing to cooperate and make myself available for any investigation,” Pancholi wrote.

The CBI’s latest probe follows the Bombay High Court’s September 2 order directing the agency to investigate Salian’s death. The court had said the investigation should cover all aspects surrounding the circumstances in which she lost her life. Sooraj Pancholi urges people not to treat speculation as fact Pancholi also spoke about the role of media reports and social media discussions in shaping public opinion around the case. He urged people to distinguish between allegations, statements and established facts.

“I strongly support a fair and thorough CBI investigation into the circumstances surrounding the unfortunate demise of late Disha Salian,” he wrote. “At the same time, I also believe that there should be an investigation into the malicious propaganda and false narratives being created around this unfortunate incident because someone’s death should never become a reason to destroy another person’s reputation without evidence.”

He further appealed to people to verify information before forming opinions. “And to everyone who is reading this, please don’t believe everything you see on the News or on social media! A headline is not evidence. A debate is not evidence. Someone saying something on television does not make it a fact. Please verify things before forming an opinion about someone’s life and character,” Pancholi said.

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  A post shared by Sooraj P (@soorajpancholi)

The actor concluded his statement by reiterating that he has faith in the legal process and the investigating agencies. “I have faith in the law. I have faith in the investigating agencies. And I have faith that ultimately, the truth will come out. Let the fact speak. Let the investigation speak. Let the truth speak. Jai Hind.”

The actor captioned his post, “Please read because I’m sure the media won’t cover this!”

Also Read: Sooraj Pancholi breaks silence on Jiah Khan case; says, “I spent the next 14 years fighting to prove my innocence”

Actor Samantha Ruth Prabhu recently celebrated her traditional baby shower ceremony, known as Seemantham, with her husband and director Raj Nidimoru. The intimate ceremony comes as the couple prepare to welcome their first child in December 2026. The actor also opened up about her experience of participating in the ceremony and understanding the meaning behind the rituals.

For the occasion, Samantha opted for a dark yellow and gold ethnic ensemble, which she paired with traditional jewellery and fresh flowers in her hair. Raj was also present as the couple participated in the sacred rituals together.

The intimate gathering was held outdoors, with the space decorated with marigold flowers and traditional oil lamps. Among those present were close friends and members of Samantha’s creative circle, including designer Shilpa Reddy and stylist Neeraja Kona. Samantha Ruth Prabhu explains the significance of the ceremony Sharing pictures from the celebration, Samantha spoke at length about her relationship with Indian traditions and how the ceremony gave her a deeper understanding of their significance.

“I have always had a deep respect for our traditions. I may not understand the meaning behind every ritual, but I have always believed that there is something deeper at work… in the sound of a mantra, the energy created through chanting, and the careful way the ancient practices have been passed down through generations,” she wrote.

She further explained that the priest conducting the ceremony was a Srividya Upaasaka, who took her through the meaning behind each ritual. “As the priest, a Srividya Upaasaka, began explaining each step, I slowly understood how thoughtful and meaningful the ceremony was. Every mantra had a purpose. Every offering had a meaning. Every step had its place,” Samantha added.

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  A post shared by Samantha (@samantharuthprabhuoffl)

According to the actor, the ceremony included Kalaa Aavarana, also referred to as Sri Kalpam, a specialised ritual associated with the Srividya tradition. She explained that the ritual honours the 94 kalas of Devi through the seven chakras of the mother-to-be, with sacred water and mantras used as part of the ceremony.

Samantha also highlighted the way the ritual places the mother at the centre of the ceremony, describing her as Devi and as the creator through whom new life is taking form. Samantha describes the Sri Chakra Yantram ritual The actor went on to explain another important part of the ceremony involving the Sri Chakra Yantram. Following the abhishekam, the mother-to-be is seated at its sacred centre, known as the bindu. “At its centre is the bindu, a single point symbolising the source of creation and the blessings of Lalita Tripurasundari,” Samantha explained.

She also spoke about the recitation of the Devi Khadgamaala, during which the names of deities and divine energies associated with the nine enclosures of the Sri Chakra are chanted. “The recitation symbolically moves from the outer layers towards the centre, guiding the mind inward and invoking protection and blessings,” she wrote.

Samantha described the experience as deeply personal, adding that she initially knew little about the ceremony but left feeling a stronger connection to the traditions and rituals. “There was something incredibly powerful about sitting there, experiencing all of this while understanding what was being invoked for me and for the baby. I went in knowing almost nothing about the ceremony. I came away feeling deeply blessed and protected,” she said.

The actor concluded her post by expressing gratitude to Shilpa Reddy for giving her the opportunity to experience the ceremony, as well as to everyone involved in creating the sacred space. “Grateful for the wisdom in the ancient traditions that surround us. Grateful for the mother I am becoming, and for the little life entrusted to me.”

Also Read: Samantha Ruth Prabhu reacts to fan suggesting baby name Samraj with Raj Nidimoru: “A tad full of ourselves, don’t you think?”

Neena Gupta has spoken openly about raising her daughter Masaba Gupta as a single mother and the choices that shaped their lives. In a recent conversation with Zoom, Neena reflected on Masaba’s childhood and her experience of growing up without her father, former West Indies cricketer Vivian Richards, being present in her everyday life.

Neena revealed that she has apologised to Masaba over the years for the circumstances of her upbringing. She acknowledged that some decisions made when she was younger had consequences that became clearer with time.

“I am so honest with her that many times I have said sorry to her that you didn't have a father with you when you were young. It is my fault, but she understands. We all make mistakes. When we are young, our parents tell us certain things and we don't listen. That wisdom comes later,” she said.

Neena also explained that she made a conscious effort to ensure Masaba learned about her father and their relationship directly from her. Rather than allowing her daughter to hear about the circumstances from others, she chose to have honest conversations with her as she grew older.

“I made her like her father. I told her why and what had happened as she grew up. So, there was no malice or anger towards me because I told her the truth. It is very important because, rather than her hearing something from outside, I thought it was better that I told her myself. I think that was a very sensible thing that I di,” she added.

Neena and Vivian Richards welcomed Masaba in 1989. In her autobiography Sach Kahun Toh, the actor had previously spoken about their relationship and the circumstances surrounding her pregnancy. "Vivian and I had an affair and I got pregnant. He had already returned home when I found out," she recalled.

She also remembered telling Richards about her pregnancy and asking whether he would object to her having his child. “I'm pregnant,” she told him. “Would you have a problem if I were to have your baby?" According to Neena, Richards told her to go ahead with the pregnancy.

The two continued their relationship for a few years despite often living apart. Neena later married chartered accountant Vivek Mehra in 2008. Masaba went on to establish herself in fashion before also entering acting. She married Satyadeep Misra in 2023, with both her parents present at the wedding.

On the work front, Neena was most recently seen in Netflix’s Chumbak, alongside Deven Bhojani, Arjun Bijlani, Sumeet Raghavan and others. The sitcom revolves around five multigenerational families living in row houses in the fictional Chumbak Colony. The series was created by Aatish Kapadia and Jamnadas “JD” Majethia.

 Also Read : Chumbak Trailer: Neena Gupta, Deven Bhojani, Arjun Bijlani, and Sumeet Vyas lead Netflix’s new family comedy

Govinda’s wife Sunita Ahuja, has added a new Mercedes-Benz to her car collection. Sunita was spotted at a luxury car dealership in Mumbai with her daughter, Tina Ahuja, as they arrived to take delivery of the new vehicle.

The mother-daughter duo was seen at the dealership before leaving with the new car. Their appearance also caught the attention of the paparazzi, who gathered around to capture pictures of the vehicle. During the interaction, Sunita responded to the photographers with a light-hearted remark. She said, “Humari gaadi toh aane se pehle hi bahut famous ho gayi hai!”

Tina accompanied her mother during the delivery ceremony. The two also participated in a traditional puja at the dealership, with Tina seen breaking a coconut as part of the ritual before they drove away in the new Mercedes-Benz.

The latest purchase adds to the Ahuja family's collection of premium cars. Sunita has previously been seen travelling in luxury vehicles, including a BMW 3 Series Gran Limousine that Govinda had gifted her on an earlier occasion.

Sunita and Tina's appearance at the dealership comes as the family adds another luxury vehicle to its garage. The new Mercedes-Benz was subsequently driven out onto the streets of Mumbai following the traditional ceremony.

Also Read : Sunita Ahuja urges Bollywood to contribute to Nepal flood relief; says, “Nepal is my matrabhoomi”

A couple of weeks after the release and surprising box office performance of Haunted – Echoes Of The Past, director Vikram Bhatt and producer Anand Pandit announced that they would join hands for 1920: Cold Winter. A month later, in July 2026, it was reported that Ahan Shetty has signed the horror flick. And now, Bollywood Hungama has come across an interesting information about the film.

A source told Bollywood Hungama, “Anya Singh, who became widely known after The Ba***ds Of Bollywood, has come on board as the female lead of the film. The makers were impressed by Anya’s screen presence and talent, and felt that she would be apt for the part. Anya is also excited as she has never attempted horror before in Bollywood.”

Interestingly, both Ahan Shetty and Anya Singh also shared screen space in this year’s super-hit war film, Border 2. While Ahan played the role of Lt Cdr Mahendra Singh Rawat, Anya was seen as his wife, Sudha Rawat. Hence, 1920: Cold Winter marks the second film in which Ahan Shetty and Anya Singh will be paired opposite each other.

As per reports, 1920: Cold Winter will go on floors in November this year. It will be the sixth film in the 1920 franchise. The series began with 1920 in 2008. It was directed by Vikram Bhatt and launched Adah Sharma and Rajniesh Duggal. While 1920 was average, the next film, 1920: Evil Returns (2012), was a semi-hit. It starred Aftab Shivdasani and Tia Bajpai and was directed by Bhushan Patel. 1920 London (2016), meanwhile, was directed by Tinu Suresh Desai and featured Sharman Joshi and Meera Chopra. Vikram Bhatt was involved with the second and third parts as writer and producer.

1921 (2018) was produced, written and directed by Vikram and it featured Zareen Khan and Karan Kundrra. While 1920 London flopped at the box office, 1921 was an average grosser.

1920: Horrors Of The Heart (2023) was also directed by Vikram Bhatt and it was his first association with producer Anand Pandit. Starring Avika Gor and Danish Pandor, the horror flick performed decently at the box office.

Also Read: Anya Singh opens up about changing fashion views; says, “It’s such a generic thought to have, and women do that to other women as well”

Delivering a thriller that keeps audiences on the edge of their seats is a challenge; outsmarting a fanbase that has spent years studying every detail of a beloved franchise is almost impossible. Yet, as anticipation reaches its peak for Drishyam The Conclusion, director Abhishek Pathak believes he and his writing team have pulled off the ultimate cinematic sleight of hand.

The Drishyam series has built its reputation on the razor-sharp intellect of its central character, Vijay Salgaonkar - a simple family man whose ability to stay steps ahead of the law has captivated millions. For the third chapter, Pathak knew that standard suspense mechanics wouldn’t cut it. To truly shock the audience, the creative team had to immerse themselves completely inside the calculated mind of Vijay Salgaonkar himself.

Reflecting on the gruelling, mind-bending writing process, Pathak shared a pivotal moment from the film’s development. He said, “When we were writing, we were thinking like Salgaonkar. Even when I was narrating the script to Ajay Devgn, there came a point when we brought it to a halt… and I kept asking people, ‘Now, what do you think is going to happen?’ No one could really guess it, and that was a victory in itself.”

By turning the script room and even early narrations with leading man Ajay Devgn, into an interactive litmus test, Pathak ensured that every potential fan theory was systematically dismantled. With early listeners left stumped by the film's trajectory, Pathak enters the release confident that Drishyam The Conclusion will give thriller enthusiasts the ultimate test of wits. The film releases on October 2, 2026.

Also Read: Abhishek Pathak opens up on 12-year Drishyam journey: “Filmmaking is intense, and my wife kept me sane”

Lyricist Sameer had a conversation with Komal Nahta where he criticized the current state of music in Bollywood. He said, “Jo acchi cheez hoti hai, wahi lambi samay tak chalti hai. So even 100 years later, the old songs will continue to find an audience. A producer told me that he has only hired young kids in his office. I replied, ‘Acchi baat hai. Kab se rakha hai aapne?’. They replied, ‘Since 5-6 years’. I told them, ‘There was a time when your company used to come up with 10 super-hit albums every year. But that hasn’t happened in the last 5-6 years. Who have you hired then?’.”

Sameer clarified, “I am not saying that the young kids are not talented. But when the old and new can merge together, it can be beneficial. I worked with Sachin-Jigar in FALTU (2011) and wrote songs like ‘Aaltu Jalaltu’ and ‘Chaar Baje Gaye Lekin Party Abhi Baaki Hai’. I proved with these songs that I could collaborate with young kids and come up with such youthful numbers. If you won’t give an opportunity to Anand-Milind or Anu Malik, how will they prove that they still have it in them? But the makers want to instead work with just the new people. Has that helped?”

Sameer thundered, “No wonder Arijit Singh pagal ho gaya aur industry chod diya. Things became monotonous for him; the sound of most songs is the same. He wasn’t getting variety. Udit Narayan and other songs in those days were offered variety of songs.”

He added, “This is the reason why there has been a deterioration of music. Upar se Dhurandhar ne aur satyanaash kiya. Unhone music ko utha ke background mein daal diya. Look at the teaser of Chauhaan. ‘Jumma Chumma’ plays in the background while all the action happens on screen. They recreated my song ‘Hum Pyaar Karne Waale, Duniya Se Na Darr Ne Waale’ in Dhurandhar The Revenge. But on the screen, goliyan chal rahi hain. Gaana kahaan hai bhai? Now it’s not my father’s industry that I can stop such practices. Yeh tab tak galat hoga jab tak galat hoke sab kuch khatam nahin ho jaayega.”

He further said, “Nadeem (Music director Nadeem Saifi) told me, ‘Pandit ji, don’t worry. Aap chup chaap baitho. Yeh (practice) jab tak aakhri saans na le le, tab tak inko saans le lene do. Fir hum aayenge’.”

Sameer also remarked, “Top banners run by Aditya Chopra, Karan Johar, Sajid Nadiadwala etc. used to patronize good songs. Inko kya ho gaya?”

Ganesh Chaturthi is the perfect excuse to bring out your festive wardrobe and add a little glamour to your celebrations. From elegant sarees and traditional silhouettes to contemporary takes on ethnic wear, Bollywood celebrities have given us plenty of fashion inspiration to bookmark.

This festive season, take cues from these celebrities and put your own stylish spin on your Ganesh Chaturthi look.

Sonam Kapoor

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When it comes to fashion inspiration, Sonam Kapoor is always one to watch out for. Her approach to festive dressing proves that traditional wear does not have to be predictable. If you want to experiment with silhouettes, layering or accessories this Ganesh Chaturthi, Sonam's fashion choices are worth bookmarking.

Aamna Sharif

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If you love keeping your festive look elegant and feminine, Aamna Sharif is the perfect style inspiration. Her traditional yet effortlessly glamorous look makes a strong case for choosing a classic ethnic silhouette and letting the details do the talking. Think graceful drapes, delicate accessories, and a polished beauty look for your Ganesh Chaturthi celebrations.

Janhvi Kapoor

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Janhvi Kapoor knows how to make traditional fashion look effortlessly glamorous. Her festive look is perfect inspiration for those who want to go all out this Ganesh Chaturthi without losing the elegance of Indian wear. Take cues from her styling and add statement jewellery, soft glam and a touch of contemporary flair to your festive ensemble.

Alia Bhatt

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For those who prefer understated elegance, Alia Bhatt's style is the perfect reference. Her fuss-free approach to ethnic fashion shows how you can keep your Ganesh Chaturthi outfit sophisticated without going over the top. A beautiful traditional ensemble paired with minimal jewellery and natural makeup can create that effortless festive look.

Sonakshi Sinha

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Sonakshi Sinha’s festive fashion is all about embracing the beauty of traditional Indian dressing. If sarees are your go-to for celebrations, take inspiration from her and make the classic drape your statement. Add some bold jewellery and a confident beauty look to complete the ensemble.

Mrunal Thakur

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Mrunal Thakur is another celebrity to look towards when planning your festive wardrobe. Her ethnic looks strike the right balance between traditional and contemporary, making them perfect for anyone who wants to experiment this Ganesh Chaturthi while still keeping the festive spirit intact.

Sanya Malhotra

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For a more relaxed and modern take on festive dressing, Sanya Malhotra is a great style inspiration. Her looks show that you can have fun with Indian fashion while keeping things youthful and effortless. Take cues from her styling if you want your Ganesh Chaturthi outfit to feel comfortable, chic and anything but boring.

Also Read: Don’t Be Shy trailer launch: Shaheen Bhatt used to ‘RAGEBAIT’ 4-year-old Alia Bhatt: “She said I wasn’t really my parents’ child; I came FREE with Parle-G!”

Veer Pahariya recently visited the Kamakhya Temple in Assam to seek blessings ahead of the release of his upcoming film Prem Keetanu. The actor shared a glimpse of his visit on social media, posting a picture from the temple premises with the caption, “Jai Jai Maa KAMAKHYA,” along with devotional emojis.

For the temple visit, Veer opted for a traditional blue kurta paired with a red and gold stole. He was seen offering prayers at the revered temple as he prepares for the release of his next film.

Directed by Apoorv Singh Karki, Prem Keetanu features Veer alongside Aparshakti Khurana, Aafiya Sayed, Rakesh Bedi and Nikhil Vijay. The film revolves around a group of young men and their experiences with college life, friendship, love, aspirations and heartbreak.

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Prem Keetanu is scheduled to release in theatres worldwide on October 2, 2026, coinciding with Gandhi Jayanti. The film also marks the first production venture under producer Gaurav Verma’s banner, Avanika Films.

Veer made his acting debut with Sky Force and is now set to take on a different role with the upcoming romantic comedy. The promotional campaign for Prem Keetanu is currently underway, with songs including ‘Tu Mera Raiyyo’ already released for audiences.

His visit to the Kamakhya Temple comes as he prepares for the film’s theatrical release. By sharing a glimpse of the spiritual outing, Veer gave fans a look at a quieter moment during the ongoing promotions of Prem Keetanu.

Also Read : Prem Keetanu: Veer Pahariya and Aafiya Sayed rise in love with ‘Kaho Toh’ sung by Armaan Malik; watch song

With Ganesh Chaturthi around the corner, it’s time to bring out the ethnic wear. And when it comes to festive fashion inspiration, Deepika Padukone’s wardrobe offers everything from elegant sarees to regal lehengas and timeless Indian silhouettes. Here are 10 looks to bookmark for the festive season.

1. The Statement Patola Ensemble A beautiful handwoven Patola-inspired ensemble featuring intricate prints, vibrant detailing and a traditional border. It’s festive, elegant and perfect for making a statement at Ganesh Chaturthi celebrations.

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2. The Classic Red Saree For a quintessential festive look, Deepika’s red saree is all the inspiration you need. Paired with traditional jewellery, a sleek bun and a statement drape, this is a timeless Ganesh Chaturthi look that never goes out of style.

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3. The Elegant Ivory Suit Keeping things understated, Deepika’s ivory traditional suit is ideal for those who prefer subtle festive dressing. The delicate embroidery and muted palette make it graceful without being OTT.

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4. The Regal Red-And-Gold Lehenga Deepika proves that red and gold are a match made for the festive season. Draped in a richly embellished outfit with traditional jewellery, this look brings all the royal festive energy.

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5. The Royal Purple Saree A deep purple saree with intricate borders is another gorgeous way to stand out this Ganesh Chaturthi. Deepika keeps the styling sophisticated, letting the rich colour and detailed embroidery do all the talking.

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6. The Shimmering Champagne Saree For an evening celebration, take cues from Deepika’s shimmering champagne saree. Elegant, glamorous and effortlessly sophisticated, it’s proof that festive wear doesn’t always have to come in bright colours.

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7. The White-And-Black Saree Deepika’s striking white saree with a black border offers a contemporary spin on traditional dressing. Minimal yet powerful, it’s perfect for those who like their festive fashion classic with a modern edge.

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8. The Traditional Lehenga Deepika’s gold-and-black lehenga is another look worth bookmarking. With its ornate embroidery, traditional detailing and sheer dupatta, the ensemble brings a regal touch to festive celebrations.

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9. The Gold Embroidered Ensemble For a more unconventional take on ethnic wear, Deepika’s heavily embroidered gold ensemble is a perfect pick. The long silhouette and dramatic trail make it elegant enough for a special festive evening.

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10. The Red Family Festive Look Nothing says celebration quite like a classic red Indian ensemble. Deepika’s festive family portrait in a traditional red saree shows how timeless the colour can be, especially when paired with traditional jewellery and a classic bun.

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From vibrant Patola prints to understated ivory, royal purple and timeless red, Deepika Padukone has a traditional look for every kind of festive mood. And as she gears up for two major releases, King and Raaka, her style continues to be just as much a talking point as her screen presence.

Also Read: Deepika Padukone and Ranveer Singh pregnancy photoshoot wins hearts; fans call couple with daughter Dua a “perfect family”

Triptii Dimri has joined D2C eye-focused beauty brand Peep Beauty as an investor and co-creator. The startup is looking to build a beauty category centred on coloured contact lenses and eye makeup.

According to a statement shared by the company, Dimri has been associated with Peep Beauty from its early stages. As part of her role, she has contributed to the brand’s creative direction, product discussions and storytelling. Her involvement extends beyond her investment, with the actor also participating in conversations around the brand’s overall vision and positioning.

Dimri’s investment comes as part of Peep Beauty’s pre-seed funding round of Rs. 12 crores ($1.2 million). The round was led by Sadev Ventures, with participation from iSeed, ISV and TDV.

The partnership is also built around the idea of creating a beauty brand that places greater focus on the Indian eye. Peep Beauty aims to position coloured contact lenses as part of the broader beauty and self-expression space rather than limiting them to a functional or medical category.

Talking about her association with the brand, Triptii Dimri, Investor & Co-Creator, Peep Beauty, said, “The first thing that struck me about Peep Beauty was that it wasn’t just creating a product; it was creating an entirely new way of thinking about beauty. The eye is one of the most expressive parts of who we are, yet coloured lenses have always been spoken about as a functional or medical category. Peep Beauty changes that conversation. Being part of building a brand from the ground up, contributing creatively, and helping shape its vision made this partnership incredibly exciting for me.”

With Dimri coming on board as an investor and co-creator, Peep Beauty is set to develop its presence in the eye-focused beauty segment while working on products and storytelling aimed at Indian consumers.

Also Read : Triptii Dimri plays ‘Sexy Or Skip It’ for Victoria’s Secret; actress reveals what she finds ‘definitely sexy’

Filmmaker Siddharth P. Malhotra’s upcoming Meena Kumari biopic Kamal Aur Meena has once again drawn attention amid reports about its casting. Saif Ali Khan and Triptii Dimri are reportedly in advanced discussions to play filmmaker Kamal Amrohi and legendary actress Meena Kumari, respectively. However, Malhotra has clarified that the casting details should not be considered official at this stage.

Reacting to the reports, the filmmaker acknowledged the interest surrounding the project but asked the media and audiences to wait for a formal announcement. He said the team is currently working on finalising the cast and other aspects of the film.

“Absolutely touched and delighted by the love and interest around Kamal Aur Meena. But a humble request to the media: please stop the speculation and unconfirmed reports,” Malhotra said.

The director further explained that the team will announce the cast, studio and other details once the necessary agreements have been completed. He also stressed that reports based on incomplete information could affect the film and those involved with it. “Unnecessary conjecture doesn't help the film, the actors or the studios involved,” he added.

Saif Ali Khan and Triptii Dimri reportedly in talks for Kamal Aur Meena? According to the latest reports, Saif Ali Khan and Triptii Dimri are being considered for the central roles of Kamal Amrohi and Meena Kumari. The reported pairing has generated considerable interest given the stature of the real-life personalities at the centre of the story.

Kamal Aur Meena is based on the relationship between Meena Kumari and Kamal Amrohi, who were married and worked together professionally. The project has been in development amid considerable curiosity over who will take on the roles of the celebrated actress and filmmaker.

Before the latest reports surrounding Triptii Dimri, Kiara Advani had also been linked to the project. Reports had suggested that she was being considered for the role of Meena Kumari.

Also Read: Meena Kumari and Kamal Amrohi’s love story to be adapted into film titled Kamal Aur Meena