Indus Chronicles

Mona Singh has begun shooting for her next film in the UK, continuing a busy year that has seen the actor take on multiple roles across different projects. After appearing in six distinct roles in 2026, Singh has now started work on another feature film.

The actor took to social media to share a glimpse from the film’s picturesque shooting location in the Cotswolds. Along with the post, Mona expressed her excitement about being part of the project and hinted at its unconventional approach to filmmaking. She captioned the post: "This project/movie feels special and unprecedented , its because we have thrown out the old rule book. #actorslife #cotswold #makingmovies #instamood #oct2026".

Her note suggests that the upcoming film will take a different approach to storytelling, moving away from conventional narrative formats. While details about the project are currently under wraps, her post offers a glimpse into the creative process behind the film.

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As per reports, the film is directed by Vikas Bahl and features an ensemble cast of Indian and international actors, musicians and performers. The story is reportedly set in Britain in the early 1990s and explores the period when the UK Punjabi music movement was beginning to take shape.

The film is set against a time when a generation growing up between cultures was finding its voice through music and performance. The narrative reportedly traces this period through garages, backrooms, pirate radio stations and underground gigs, reflecting the emergence of a cultural movement that would go on to shape the experiences of a generation.

With production now underway in the Cotswolds, further details about the cast, storyline and release plans are awaited.

Also Read : EXCLUSIVE: Vikas Bahl’s next stars Jimmy Shergill, Siddhant Chaturvedi, Mona Singh, Alizeh Agnihotri; based on the explosive rise of Punjabi music in 90s UK

Ramesh Taurani and Kumar Taurani spoke to Komal Nahta about their journey and experience of working on the music of some important films in their career. Ramesh Taurani also spoke of an embarrassing experience involving Suniel Shetty ad the beginning their journey.

Ramesh Taurani revealed, “I bought music rights of two films from Firoz Nadiadwala – Ram Shastra (1995) and one more film starring Anil Kapoor. Anil’s film was never made and we adjusted the money in Ram Shastra. After I paid him for the music rights of his two films, he announced three more films the next day. One film starred Suniel Shetty and he had just arrived in the industry. Firoz Nadiadwala asked me to acquire the music rights of those three films as well. I told him, ‘I don’t want’. When he asked the reason, I replied, ‘Kyunki aapki picture mein hero toh Suniel Shetty hai’. This happened in 1990 or 1991. We were new; we didn’t know that we couldn’t talk in this way.”

Ramesh raised laughs as he said, “One hour later, I got a call from Jatin Rajguru, the secretary of Suniel Shetty. He said, ‘Suniel wants to meet you’. I asked them to come to our office. He came in an hour and told me, ‘Sir, aap aisa mat bolo ki Suniel Shetty ki picture nahin lenge’. I confessed that I did say that but also assured him that I would buy the rights of his next two films. Those two films were Raghuveer (1995) and Takkar (1995). We were also involved in the music sittings. Takkar’s song ‘Aankhon Mein Base Ho Tum’ is popular even today.”

Ramesh Taurani remarked, “It was a lesson that taught us ki industry mein kya nahin bolna chahiye!”

Also Read: Ramesh Taurani reveals how his Rs. 5 lakh cheque helped Salman Khan get paid and kickstarted Patthar Ke Phool – a film that was NEVER supposed to be made

Ramesh Taurani and Kumar Taurani spoke to Komal Nahta about their journey and experience of working on the music of some important films in their career. Ramesh Taurani also spoke of an embarrassing experience involving Suniel Shetty ad the beginning their journey.

Ramesh Taurani revealed, “I bought music rights of two films from Firoz Nadiadwala – Ram Shastra (1995) and one more film starring Anil Kapoor. Anil’s film was never made and we adjusted the money in Ram Shastra. After I paid him for the music rights of his two films, he announced three more films the next day. One film starred Suniel Shetty and he had just arrived in the industry. Firoz Nadiadwala asked me to acquire the music rights of those three films as well. I told him, ‘I don’t want’. When he asked the reason, I replied, ‘Kyunki aapki picture mein hero toh Suniel Shetty hai’. This happened in 1990 or 1991. We were new; we didn’t know that we couldn’t talk in this way.”

Ramesh raised laughs as he said, “One hour later, I got a call from Jatin Rajguru, the secretary of Suniel Shetty. He said, ‘Suniel wants to meet you’. I asked them to come to our office. He came in an hour and told me, ‘Sir, aap aisa mat bolo ki Suniel Shetty ki picture nahin lenge’. I confessed that I did say that but also assured him that I would buy the rights of his next two films. Those two films were Raghuveer (1995) and Takkar (1995). We were also involved in the music sittings. Takkar’s song ‘Aankhon Mein Base Ho Tum’ is popular even today.”

Ramesh Taurani remarked, “It was a lesson that taught us ki industry mein kya nahin bolna chahiye!”

Also Read: Ramesh Taurani reveals how his Rs. 5 lakh cheque helped Salman Khan get paid and kickstarted Patthar Ke Phool – a film that was NEVER supposed to be made

Ramesh Taurani and Kumar Taurani spoke to Komal Nahta about their journey and experience of working on the music of some important films in their career. At the beginning, Ramesh Taurani said, “The first film whose music rights we acquired was Gunahon Ka Devta (1990). We paid Rs. 2.25 lakhs for it. We both didn’t sleep for 2 nights as we had paid Rs. 25,000 to the makers. Then we wondered, ‘Inko Rs. 2 lakhs chukayenge kaise?’ (laughs)! We also bought the music rights of Elaan-E-Jung (1989), which, again was an action film. We wanted to prove ourselves. So, we installed 6 hoardings for this film in Mumbai, in places like Bandra, Juhu, etc. Imagine a music company putting up posters, that too of an action film. But it worked as it sparked a discussion among filmmakers. They felt ki ‘Yeh toh acchi music company hai’!”

Ramesh continued, “Then, we bagged the rights of Patthar Ke Phool (1991). Bhagyashree took the full credit for Maine Pyar Kiya (1989). 3 months after its release, Salman Khan didn’t have any film in its pipeline. That’s when Salim saab asked G P Sippy saab to announce that he was producing Salman’s next film. He told Sippy saab, ‘Bhale aap picture mat banao lekin aapke announcement se ek boost milega’.”

Ramesh Taurani revealed, “It was in Film Information magazine where I read that G P Sippy has signed Salman Khan. The news got published on Saturday and on Monday, I was in G P Sippy saab’s office. I expressed the desire to acquire the music rights. I asked him, ‘Have you signed any music director?’. He replied, ‘No’. I then asked if he had got a lyricist on board. He told me, ‘We haven’t done that either’. I requested him to get the Maine Pyar Kiya team again – music director Raamlaxman, lyricist Dev Kohli, and singers S P Balasubrahmanyam and Lata Mangeshkar! I told him, ‘Yeh combination hi aap lena. Aap bataiye aapka price kya hai?’.”

Ramesh added, “G P Sippy saab confessed that he hadn’t given much thought to the music and asked me to meet him after 2 days. Meanwhile, he was in touch with Viveck Vaswani, who wished to make an Rs. 80 lakh project called Patthar Ke Phool. Viveck wanted to sign Salman Khan and Ravi Tandon’s daughter, Raveena Tandon. Sippy saab initially declined, saying that it was a small project while they were used to making big-budget films. But after he met me, he felt, ‘Music ka aadmi aa gaya kheeli ek announcement pe. Toh iss project ko active karte hain’ (smiles).”

Ramesh Taurani stated, “Hence, he called Viveck Vaswani and the next day, he met Raamlaxman and discussed his fees. He asked for Rs. 12 lakhs. A day later, G P Sippy saab met me and told me, ‘Woh bahut mehenga hai. Rs. 12 lakh maanga’. Those days, Anand-Milind’s music rights used to be sold for Rs. 2-3 lakhs, while Laxmikant-Pyarelal’s music rights were sold in the range of Rs. 3-5 lakhs. I was in a spot as I was the one who had suggested Raamlaxman’s name! Finally, we negotiated and bought the rights for Rs. 10 lakhs.”

Ramesh then said, “We gave G P Sippy saab the first cheque amounting to Rs. 5 lakhs. From that amount, payments were made to Salman, Raveena and Salim saab, who was also the film’s writer. That’s how the film went on floors!”

Also Read: Lyricist Mehboob reacts to ‘Humma Humma’ remake in OK Jaanu: “NOT very happy with the idea of remixes…we have great creative minds, so why not make something new?”

Emraan Hashmi has added another luxury SUV to his enviable car collection. The actor recently took delivery of a brand-new Mercedes-Benz AMG G63, reportedly worth Rs. 4.3 crore, and pictures of him posing with his new set of wheels outside his residence have been doing the rounds on social media.

The purchase comes at an interesting time for the actor, who has had a significant box office outing with Awarapan 2. The film's entry into the Rs. 100 crore club marks an important milestone in Emraan's career, which spans over two decades. With his upcoming film Gunmaaster G9 also generating interest, the new SUV is being seen as a celebratory addition to his garage.

The Mercedes-Benz AMG G63 is among the most sought-after luxury SUVs in India. Mercedes-Benz India introduced the imported AMG version in 2024 at an ex-showroom price of Rs. 3.60 crore, with reports suggesting that its first batch was sold out even before the vehicles arrived in the country. Under the hood, the SUV packs a 4.0-litre twin-turbocharged V8 engine paired with a 48V mild-hybrid system. It can accelerate from 0 to 100 kmph in just 4.3 seconds and has a claimed top speed of 240 kmph.

Emraan's latest acquisition further expands a garage that already boasts some impressive names. Earlier this year, the actor added a Range Rover Autobiography to his collection. His previous automobiles have also included a Rolls-Royce Ghost Black Badge, a Lamborghini Huracan and a Maybach S560.

Known for his fondness for automobiles, Emraan's latest purchase is yet another glimpse into his passion for luxury cars, with the Mercedes-AMG G63 now joining his impressive collection.

Also Read: SCOOP: Jannat 2 duo Emraan Hashmi and Randeep Hooda likely to reunite for an action thriller by Sajid Nadiadwala

Actor Ranveer Singh has praised Captain Smit Machchhar for his actions during a mid-air emergency involving Flydubai flight FZ1073.

The flight was travelling from Dubai to Tel Aviv on September 30 when it was diverted to Tabuk, Saudi Arabia, following a violent confrontation in the cockpit. Captain Smit Machchhar sustained injuries during the incident but managed to open the cockpit door, allowing passengers and crew members to intervene and help bring the situation under control.

The aircraft, which was carrying over 170 people, was subsequently brought under control and landed safely. The incident drew attention to the captain’s actions during the emergency.

Ranveer Singh took to his Instagram Stories to share a picture of Captain Machchhar and acknowledge his bravery. The actor wrote, “CAPTAIN COURAGEOUS”, accompanied by a salute emoji and the Indian flag emoji.

Through his social media post, Ranveer expressed his appreciation for the captain’s actions during the incident.

The Flydubai incident has since drawn attention to the events aboard the flight and the actions taken by the cockpit crew and passengers before the aircraft landed safely in Saudi Arabia.

Also Read : EXCLUSIVE: CBFC orders 45-50 cuts for Dhurandhar The Revenge’s TV Premiere; U/A 16+ version is 10 minutes shorter

There are actors who become synonymous with action, actors who build their identity around romance, and stars whose names immediately evoke spectacle. And then there is Ayushmann Khurrana, who over the years has almost created a genre of his own: films built around ideas that sound outrageous when reduced to a single sentence, but somehow become warm, funny, relatable mainstream entertainers once he steps into them.

That is precisely why Udta Teer feels interesting even before its release. Ayushmann plays a Pakistani spy who loses his memory and finds himself caught in a situation where his identity, loyalties and understanding of who he really is are thrown into complete chaos. On paper, it is a premise that could easily have become a dark espionage thriller or an intense geopolitical drama. Instead, Udta Teer turns the situation into a patriotic comedy-filled caper, combining action, confusion and absurdity. And suddenly, you find yourself thinking: isn't this exactly the kind of film Ayushmann Khurrana was born to headline?

In fact, there was a period when describing an upcoming Ayushmann film to somebody almost became an entertaining exercise in itself. A young man is a sperm donor, but the film is actually a love story. A soon-to-be-married man suffers from erectile dysfunction, but the film is a family comedy. A young man's middle-aged parents unexpectedly become pregnant, but their embarrassment becomes one of Hindi cinema's most endearing family entertainers. A prematurely balding man desperately tries to hold on to his confidence and his idea of attractiveness. A small-town performer discovers that his ability to speak in a woman's voice can become a profession, and eventually, a recipe for complete chaos. Now add another sentence to that list: A Pakistani spy loses his memory and begins navigating an entirely different sense of identity.

That one line has vintage Ayushmann Khurrana written all over it.

What made films such as Vicky Donor, Shubh Mangal Saavdhan, Badhaai Ho, Bala and Dream Girl connect was not merely that their concepts were unusual. Hindi cinema has never suffered from a shortage of unusual ideas. The more difficult achievement was making those ideas accessible to audiences that might otherwise have kept their distance from the subjects. Ayushmann became one of the industry's most reliable bridges between the unconventional and the mainstream.

His characters rarely enter the screen as superheroes. More often, they are men with insecurities, embarrassments and problems that they would rather nobody knew about. He has repeatedly allowed circumstances to overwhelm his characters, and that vulnerability has been crucial to his appeal. Instead of asking audiences to admire his characters from a distance, his films usually invite viewers to laugh with them, laugh at them and eventually root for them. Udta Teer appears to tap into exactly that quality.

More significantly, Ayushmann himself recently described Udta Teer as a return to the kind of content-driven cinema associated with the phase that first brought him widespread popularity. Speaking at FICCI Frames 2026, the actor argued for films that connect strongly with audiences without necessarily depending on inflated budgets or scale. In that context, his excitement about Udta Teer acquires greater significance.

Because perhaps what audiences have missed was never simply “Ayushmann doing comedy”. It was Ayushmann taking a concept that another actor might consider too strange, too awkward or too difficult to categorise, and turning precisely that strangeness into the film's biggest selling point. That distinction is important.

At his best, Ayushmann does not appear to choose movies according to conventional genre definitions. He appears attracted to the question at the centre of them. What happens if the hero is a sperm donor? What happens when a son discovers his parents are expecting another child? What happens when society's obsession with physical appearance collides with a young man's rapidly disappearing hairline? And now: what happens when a spy forgets the very identity on which his mission depends?

The answer could make Udta Teer much more than another comedy arriving in cinemas. It could mark the return of the particular brand of Hindi entertainer that Ayushmann helped popularise: the high concept film whose poster makes you curious, whose trailer makes you wonder how anybody came up with the idea, but whose emotions remain recognisably Indian and mainstream.

There is another advantage Ayushmann brings to such material: he rarely appears embarrassed by the absurdity of the premise. He commits to it. That conviction is why the phrase “Ayushmann Khurrana film” came to mean something beyond merely a movie featuring Ayushmann Khurrana.

For a while, it described a particular kind of theatrical experience: a provocative idea without the heaviness normally associated with a provocative idea; a social observation without turning the film into a lecture; an imperfect hero without sacrificing star appeal; and comedy emerging from circumstances rather than being bolted onto them.

With Udta Teer, those ingredients appear to be coming together again, only this time against the colourful backdrop of spies, borders, mistaken identity, action and madness. And perhaps that is the most exciting thing about the film.

Udta Teer does not seem to be asking Ayushmann Khurrana to transform himself into somebody else's idea of a Hindi-film hero. It appears to be doing something far more promising.

It is allowing Ayushmann Khurrana to be completely, unmistakably Ayushmann Khurrana again.

Also Read: Ayushmann Khurrana explains chanting ‘Pakistan Zindabad’ in Udta Teer; says, “Whatever the script demands from me, I do”

In November 2022, Drishyam 2 was among the first major films of the post-pandemic era to witness post-midnight and early morning shows, as theatres responded to the tremendous demand for the Ajay Devgn-led thriller. Four years later, history is repeating itself with Drishyam The Conclusion. The much-awaited third instalment of the franchise is all set for a historic opening today, October 2, and the unprecedented demand is already visible in the way exhibitors have opened up post-midnight shows even before release day.

Unlike Drishyam 2, where several post-midnight shows were added only in the second half of the opening day, exhibitors have acted much earlier this time. Realizing that the advances for Day 1 are exceptionally strong and anticipating historic collections, several theatres began opening bookings for post-midnight shows as early as October 1, a day before the film's release.

In Mumbai and the surrounding areas, post-midnight shows have been opened at PVR Lower Parel, Cinepolis Seawoods, Metro Inox, Inox R City Ghatkopar, Maxus Borivali, Inox Malad, PVR Oberoi Mall Goregaon, PVR Phoenix Market City Kurla, PVR Juhu, PVR Citi Mall Andheri, Inox Sky City Mall Borivali, PVR Chakala, PVR Orion Panvel, PVR Palava, Cinepolis Bhandup, Funcity Big Cinema Ulhasnagar, Inox Raghuleela Kandivali, Cinepolis Andheri, PVR Infiniti Andheri, PVR Infiniti Malad and Miraj Dombivali.

Interestingly, Maxus Bhayander has gone a step further and is showing Drishyam The Conclusion practically round the clock. The cinema has scheduled shows at 12:35 am, 1:05 am, 2:05 am, 3:05 am, 4:05 am and 5:05 am, making it a 24/7 affair for the film.

The trend isn't restricted to Mumbai. In Pune, post-midnight shows have been opened at Inox Megaplex Wakad, PVR Phoenix Market City, Cinepolis Seasons Mall, Inox Chinchwad, PVR Icon The Pavilion, PVR Hinjawadi, PVR Kumar Pacific, Inox Jai Ganesh Akurdi, Inox Royal Heritage Mall, Inox Royal Heritage Mall and Inox Bund Garden Road. In Ahmedabad, the film has also begun getting post-midnight shows at Connplex Prahladnagar, Classic Cinema Gandhinagar, PVR Motera, Connplex SBR, The Cinestar Miniplex SP Ring Road and CLEXA.

More cinemas across different cities are also expected to add post-midnight shows as the day progresses, especially given the strong advance booking response. The unprecedented demand for Drishyam The Conclusion has clearly prompted exhibitors to start adding shows much earlier than they did for Drishyam 2, setting the stage for a potentially historic opening for the franchise.

The other interesting aspect is the high-ticket pricing. Despite the steep rates, there is tremendous demand among audiences to watch Drishyam The Conclusion as soon as possible. As per exhibition sources, theatres have been asked to price tickets for the film on par with Spider-Man: Brand New Day and Dhurandhar The Revenge.

Also Read: EXCLUSIVE: CBFC clears Drishyam The Conclusion WITHOUT a single cut; is 8 minutes longer than Drishyam 2

Indian cinema’s premier leading ladies are continually redefining international style standards, bringing high-octane glamour, sharp tailoring, and rich sartorial heritage to prestigious global stages. From the historic fashion capitals of Paris and London to star-studded international red carpets in Cannes, Milan, and Riyadh, these powerhouse actors have established themselves as undeniable global fashion icons. This list highlights five leading Indian actresses who truly aced international fashion events, perfectly combining high-fashion couture with confident individuality.

Deepika Padukone: ⁠Making a striking impression at Paris Fashion Week for the Louis Vuitton Fall/Winter 2025 presentation (#LVFW25), global House Ambassador Deepika Padukone exuded timeless, old-world Parisian sophistication in a sharply tailored light-grey trench coat featuring an oversized white lapel collar, styled effortlessly with dark leather gloves, sheer black tights, classic pumps, and a statement wide-brimmed white hat.

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Priyanka Chopra Jonas: Stepping out for an exclusive, star-studded evening with Bvlgari in Milan, Italy, Priyanka Chopra Jonas commanded the room in a dramatic, body-sculpting black mermaid gown designed with a plunging sweetheart neckline and an avant-garde folded shoulder accent, beautifully offset by a sparkling high-jewelry diamond necklace and a sleek pulled-back updo.

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Kriti Sanon: Taking front-row center stage at London Fashion Week for the Burberry show, Kriti Sanon defined autumn-winter chic in a structured dark mocha-brown textured trench coat thoughtfully styled with an eye-catching geometric teal scarf tucked along the neckline, an updoupdoop-knotd a sleek luxury shoulder bag.

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Alia Bhatt: Gracing the opening night of the prestigious Cannes Film Festival on behalf of global beauty giant L'Oréal Paris, Alia Bhatt delivered pure fairytale romance on the French Riviera in a soft blush-pink strapless gown with a deep plunge neckline, seamlessly anchored by a light, flowing sheer train draped elegantly around her arm.

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Shraddha Kapoor: Representing Indian cinema at the prestigious Joy Awards during Riyadh Season in Saudi Arabia, Shraddha Kapoor fused regal Indian tradition with modern Middle Eastern couture in a mesmerizing black saree-style gown lavishly detailed with intricate gold metallic hand-embroidery across the bodice, sheer sleeves, and trailing pallu.

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With these standout international appearances, these actors continue to elevate Indian talent on the global fashion stage, proving that whether on the red carpet or front row at fashion week, their sartorial choices remain undeniably world-class.

Also Read: From Priyanka Chopra Jonas, Deepika Padukone to Bhumi Pednekar: Bollywood actresses who turned heads at global fashion events

After impressing audience with Queen (2014), Goodbye (2022) and Shaitaan (2024), Vikas Bahl is all set with his next directorial. The untitled film stars Jimmy Shergill, Siddhant Chaturvedi, Mona Singh and Alizeh Agnihotri in lead roles. The coming-of-age drama is set against a defining cultural moment, where a generation of immigrants found belonging, rebellion and a voice through music.

Set in Britain in the early 1990s, the film unfolds against the rise of the UK Punjabi music movement, a turbulent and exhilarating time when a generation growing up between cultures began turning up the volume from garages, backrooms, pirate radio stations and underground gigs.

It was a time when Punjabi dhol collided with basslines and when young Brown artists, with their unique sound, fought their way to music charts, making their whole community visible. Set against this cultural explosion, the film is a coming-of-age story about music, identity, family, friendship and belonging.

The film brings together an ensemble of Indian and international actors, musicians and performers to recreate a moment when an entire generation began to discover that perhaps belonging wasn't something they needed to ask permission for.

Also Read: Ayushmann Khurrana says influencers and YouTubers have changed the definition of stardom: “It used to be exclusive club earlier but not anymore”

Yami Gautam, Adinath Kothare, Sushmita Mukherjee, Mita Vashisht, producers Nikhil Madhok, Aanand L Rai and Himanshu Sharma, director Balaji Mohan and others attended the trailer launch of Nayyi Navelli at a multiplex in Mumbai. The event marked Yami’s first major public appearance after receiving the National Award and, naturally, the actress was asked about how the recognition has impacted her.

When asked whether she now feels a greater sense of responsibility, Yami replied, “Yes, I do feel the sense of responsibility even more. I have always, as an actor, looked out for roles which interest me as an actor. But the audience in me is always looking out for something original. We don’t know what’s good or bad, but does it excite me to come on the set every day and spend every second and every cell of my mind in that moment or not? And not just within the periphery of being an artist, but also as a team member – just someone who’s in service of making films. That’s it.”

She added, “And I think the National Film Award is a really, really big honour. It’s also a true validation for any artist, across all languages and all formats, that you can receive in our country. And I take it with all humility.”

Yami further admitted, “I’ll be lying if I say that nothing has changed. You do feel that there’s an added responsibility in me as an artist or actor who’ll try to push even more, be even more diverse, work even harder and try to win and earn this love and respect that you all have literally bestowed upon me — someone who has come from a small town and reached till here. I still feel there’s a long, long way to go. There’s so much for me to learn.”

Another journalist asked Yami whether she was aiming for an Oscar next. She responded, “Aapke sapne sirf aapko aur aapke mann ko pata hona chahiye. Otherwise, I don’t like to share much. I believe in my work. When work is your expression, then you don’t need to say much.”

He also asked if she continues to be grounded even after winning a National Award. Yami said, “Pair zameen pe hi hai aur pair jitne zameen se jude rahenge, utna achha rahega. One thing I’ve learned in my life, and whenever I see great personalities around me, is that success will come and go. Today, you are doing so many films; who knows whether you’ll be doing so many films tomorrow? But one thing that is in your hands is your humility. That makes one more memorable than anything else, in my opinion.”

Nayyi Navelli releases in cinemas on October 16.

Also Read: Yami Gautam brings warmth, mystery and mischief as Mohini in Nayyi Navelli trailer, out now

Punjabi actress Isha Rikhi has shared her first statement after being eliminated from Bigg Boss 20. The actress, who spent three weeks inside the reality show, took to social media to reflect on her journey, the emotions she experienced and the support she received from viewers. Isha was eliminated after facing the eviction vote against Yung DSA. Yung DSA was saved through public voting, bringing Isha’s stint on the show to an end.

Isha Rikhi reflects on her Bigg Boss 20 journey Following her exit, Isha shared a note on social media, admitting that her three weeks inside the Bigg Boss house came with a mix of emotions and challenges. She also acknowledged that there were moments when she struggled to express herself. She wrote, “Three weeks inside the Bigg Boss house three weeks of so many emotions, experiences, challenges, laughter, tears, and memories I’ll carry with me forever.”

The actress further added, “Coming back has made me realise just how much your love and support means to me. Thank you to every single person who stood by me, believed in me, cheered for me, and even to those who didn’t support me. I’m grateful for every opinion, every message and every person who was a part of this journey in some way.”

Another excerpt of her note read, “The last few weeks were not easy for me. I had my emotional breakdowns, moments where I struggled to express myself, and moments where I probably didn’t come across the way I wanted to. I know I may have disappointed some of you, and if I did, I’m genuinely sorry. I’m still processing everything, understanding myself better and taking this whole experience as a learning.”

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Isha says she felt the audience’s support Isha also thanked viewers who continued to support her during her time on the show. She said, “But one thing I want you all to know is that I felt your love, even when I couldn’t express much myself. And that means more to me than I can put into words. Thank you for standing by me, for understanding me, and for continuing to support me. ❤️ I’m truly, truly grateful. 🫶🏻”

Her statement comes shortly after her exit from the reality show, as she looks back at the experience and the response she received during her time inside the house.

Isha entered Bigg Boss 20 as one of the contestants this season. During her three-week stint, the actress became part of the conversations and dynamics inside the house before eventually facing the public vote.

Also Read: Bigg Boss 20: Isha Rikhi says she faced “physical, emotional and social cheating” in relationship

The jail doors are set to open once again, allowing new inmates to assemble. Following a landmark season that became a cultural phenomenon and a constant source of conversation both on and off screen, Netflix announces the return of Lock Upp: Sach Ya Sazaa for a second season. Produced by Ekta Kapoor, Shobha Kapoor and Manisha Sharma, and showrun by Malaya Pradhan, the new season promises to blur the lines between spectacle and vulnerability.

Centered on its distinctly Indian format, Lock Upp: Sach Ya Sazaa resonated with audiences worldwide, with its most shareable moments driving 5 billion+ views across social and word of mouth. The series demonstrated how a homegrown reality format can become a shared cultural experience: one that audiences don't simply watch, but participate in and carry with them.

Inside the jail in Season 1, contestants were pushed to own their truth, confronting the perceptions and narratives that had long surrounded them. Confessions became talking points, confrontations became debates, unexpected relationships became turning points, and raw moments became what audiences remembered most. What viewers witnessed was more than captivity and competition; it was celebrities taking ownership of their personal stories.

The upcoming season builds on that world, bringing audiences back inside the jail for another chapter where personalities collide, dynamics shift, and every secret has the potential to change the game.

Monika Shergill, VP- Content, Netflix India said: "Lock Upp: Sach Yaa Sazaa became appointment viewing overnight. Viewers invested, debated, and kept coming back. It captured the zeitgeist - not just as entertainment, but also as a space where celebrities talked about topics they rarely do, owned their choices and confronted past trauma. Ekta’s bold homegrown idea and the scaled adaptation on Netflix led to entertainment maxxing. Season 2 will be about recreating the same Netflix effect with many new surprises for our audiences."

Ekta Kapoor, Joint Managing Director, Balaji Telefilms & Creator of Lock Upp said: “Lock Upp: Sach Ya Sazaa on Netflix went far beyond what we imagined. The conversations, the inmates, and their most memorable moments continued to live with audiences even after the finale. That’s what makes the return of Lock Upp so exciting. The next season will take audiences back into a world they know, but with an entirely new set of stories, personalities, and surprises. And Farah and Riteish will continue to helm Lock Upp as the formidable jailer duo, bringing their own energy, unpredictability, and dynamic to the next chapter.”

As audiences wait to discover who will enter the jail this time, one thing is certain: the game, the inmates, and the tasks may change, but the conversations are about to begin all over again!

Also Read: Did Harshad Chopda accidentally reveal Lock Upp Season 2 winner? His comment on Shreya Kalra has fans convinced

Bigg Boss 20 contestant Uditi Singh recently opened up about her past relationship with actor Karan Wahi and what eventually led to its end. During a conversation with ScoutOp, Uditi described the breakup as an important turning point in her life and said she later realised that it had worked in her favour. “Mere liye breakup was really a blessing in disguise,” Uditi said, while reflecting on how her personal and professional life changed after the relationship ended.

Uditi Singh recalls frequent clashes with ex Talking about the relationship, Uditi revealed that differences in their everyday lives became a source of repeated disagreements. She recalled that the couple had adopted a Golden Retriever named Noah during the lockdown, but taking care of their pet eventually became one of the reasons they fought. “Uske le ke bahut ladaiyan hui,” she said, referring to the disagreements surrounding their pet.

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Uditi also spoke about their contrasting approaches to cleanliness. According to her, they had very different expectations when it came to maintaining their surroundings, which added to the tension in their relationship. “Mere tareeke alag safai ke, uske alag,” she said. Uditi says she felt demotivated Uditi further claimed that their age difference also influenced the dynamics of their relationship. She alleged that her former partner would sometimes adopt a dominant approach towards her and make comments that left her feeling discouraged. Recalling some of the remarks she heard, Uditi said, “Aap nahi kar paoge, aapko nahi aata.” She summed up how the dynamic affected her by saying, “Partner hi demotivate kar raha hai.” Uditi Singh and Karan Wahi’s reported relationship Uditi Singh and Karan Wahi were reportedly in a relationship from around 2019, although the two did not publicly confirm their romance initially. During a recent episode of Bigg Boss 20, Uditi spoke about how they first connected. According to Uditi, she had messaged Karan on Instagram regarding a restaurant in London. The two eventually met when Karan was visiting the city and stayed in touch for around two months before their relationship began.

Their romance became public in January 2020, when Karan shared a picture with Uditi on social media and spoke about their relationship.

Also Read: Bigg Boss 20: Gullu chooses 80% ration and restores Uditi Singh and Kanika Mann’s lifelines; everyone except Arishfa Khan and Aasif Khan nominated

Veteran actor Anupam Kher has received a Certificate of Recognition in Toronto for his contribution to cinema, storytelling, education and mentorship. The actor shared the news on social media on September 29, expressing his gratitude for the honour and reflecting on how his work has reached audiences beyond India.

Kher shared a picture from the ceremony and revealed that he received the certificate from Ruby Sahota, Member of Parliament for Brampton North, Caledon. Sharing his reaction, the actor wrote, “CERTIFICATE OF RECOGNITION!❤️🇨🇦What a wonderful feeling to receive this Certificate of Recognition in Toronto from the Hon. Ruby Sahota, Member of Parliament for Brampton North—Caledon. I am touched by her words about my work in cinema, storytelling, education and mentorship.🙏😳😍”

He further spoke about what the recognition means to him as an actor who has spent decades working across films, television and theatre. Kher wrote, “An actor begins by hoping to connect with the person sitting in front of the stage or screen. To learn that the work has travelled across borders and touched people here in Canada means a great deal to me.”

The actor also thanked Sahota and the residents of Brampton North, Caledon, while acknowledging the people who have been part of his journey. He added, “Thank you, Ruby Sahota ji, and the residents of Brampton North, Caledon, for this generous honour. I accept it with gratitude and share it with everyone who has been part of my journey. Lots of love. Jai Ho!”

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Anupam Kher’s North American theatre tour The Toronto honour comes at a significant point in Kher’s ongoing North American theatre tour. The actor is currently travelling across the US and Canada with the Hindi musical play Jaane Pehchaane Anjaane, in which he stars opposite Swaroop Sampat.

The play recently marked its 25th show in Toronto on September 27. Kher described the milestone as an important moment for the production and said that Toronto had continued to give him “amazing love.” The play, written and directed by Gajendra Iyer, has been touring several North American cities.

On the film front, Kher has several projects lined up. He will next be seen in Sooraj Barjatya’s Yeh Prem Mol Liya, which stars Ayushmann Khurrana and Sharvari. The film is scheduled to release theatrically on November 27, 2026.

He is also part of Fauzi, starring Prabhas and directed by Hanu Raghavapudi. The film is currently listed for release on December 3, 2026.

Kher is set to reprise his popular character Kamal Khosla in Khosla Ka Ghosla 2. The sequel had been announced for release in August 2026, but its release was subsequently postponed and a new date has not been locked yet.

The actor has also announced his 555th film, although details about the project and its title have not yet been revealed.

Also Read: Anupam Kher advises Govinda amid rumoured affair: “Don’t allow your personal life or habits to overshadow your entire life”

Tara Sutaria has often spoken about different aspects of her life in the public eye, but during a recent appearance on Fashionably Pernia, the actor opened up about something more personal: the way she and her sister were raised by their parents. Speaking about her childhood, Tara said her parents made a conscious effort to treat both daughters as equals and gave their opinions importance from an early age. According to the actor, being treated with that level of respect helped her develop confidence and a stronger sense of self.

“My mom and dad kind of always treated my sister and me like we were equals. We were kind of treated like adults when we were kids, and our opinions always mattered,” Tara said.

The actor believes that allowing children to feel heard can have a lasting impact on their confidence. For Tara, this was also reflected in the way disagreements were handled at home. “I think that gives a child so much confidence. We also enjoy arguing, which I think sometimes families feel… out of respect, kids might not feel comfortable having a healthy argument. Like our family loves to agree to disagree. And I love that about our family,” she shared.

For Tara, the ability to disagree openly became another part of growing up in an environment where her voice was valued. She suggested, “So I think that brings maturity, confidence and a certain... again, adds to your sense of self.” Tara Sutaria’s Work Front On the work front, Tara Sutaria was most recently seen in Toxic: A Fairy Tale for Grown-Ups, which released theatrically on August 26, 2026. Directed by Geetu Mohandas and led by Yash, the pan-India action film features Tara as Rebecca Almeida, a character with a vintage-inspired look and a romantic arc opposite Yash in the first half of the film.

The Kannada-English bilingual also stars Nayanthara, Kiara Advani, Huma Qureshi and Rukmini Vasanth. The film was released in multiple languages, including dubbed versions.

As of now, no new feature film has been officially announced as Tara’s next project.

Also Read: Tara Sutaria has always loved old Hollywood glamour: 7 looks to prove it!

Filmmaker Sanjay Gupta has questioned the continued use of smoking imagery in Bollywood film promotions, pointing to what he sees as a contrast between smoking visuals in posters and the anti-smoking messages audiences are shown in cinemas. On Sunday, September 27, Gupta shared a collage on X featuring Ranbir Kapoor in Animal, Ranveer Singh in Dhurandhar and Vicky Kaushal in Love & War. The three posters showed the actors with cigarettes as part of their respective character looks.

Sharing the images, Gupta questioned the purpose of the anti-smoking messages that audiences encounter while watching films in theatres. He wrote, "What is the point of those unpleasant anti-smoking reels we have to endure before and during films when these are the posters of the films (sic)?"

The filmmaker's post quickly prompted a discussion on X, with users debating whether smoking continues to be presented as a part of a leading man's screen image despite the presence of tobacco-related health warnings.

What is the point of those unpleasant anti smoking reels we have to endure before and during films when these are the posters of the films? pic.twitter.com/oQSkEWkTZl — Sanjay Gupta (@_SanjayGupta) September 27, 2026

Sanjay Gupta responds to criticism over Kaante One user brought up Gupta's 2002 film Kaante while responding to his post. The user pointed to the film's song ‘Rama Re,’ which contains a reference to cigarette smoke, and questioned the filmmaker's stance on smoking imagery. Gupta responded by highlighting the difference between the regulatory environment then and now. "There were no non smoking ads then you genius (sic)," he wrote.

There were no non smoking ads then you genius. — Sanjay Gupta (@_SanjayGupta) September 27, 2026

Debate comes amid updated film certification guidelines Gupta's comments also come at a time when India's rules around the depiction of substance use in films are undergoing renewed attention. The Ministry of Information and Broadcasting published revised guidelines for the certification of films for public exhibition on September 18, 2026.

The updated certification framework includes provisions concerning the depiction of narcotic drugs and psychotropic substances, alongside existing areas such as violence, sensitive subjects and content that could affect India's international relations. Recent reports on the revised guidelines state that films depicting the consumption, use or trafficking of illicit narcotics are required to carry an anti-drug warning on screen.

Also Read: Sanjay Gupta slams IMDb after Satluj’s 9.5 rating disappears: “This proves how bogus they are”

Namit Malhotra’s Ramayana, directed by Nitesh Tiwari, is among the most highly anticipated films of the year. With anticipation around the epic continuing to soar with every new reveal, the makers recently released the trailer and posters of the film, leaving everyone even more excited for its arrival. Now, as the cast and crew of the film gathered to meet American YouTuber MrBeast during his visit to India, the popular YouTuber had a great time interacting with them.

Taking to his social media, MrBeast shared a glimpse from the red carpet, where he is seen posing with the film’s cast and crew, including Ranbir Kapoor, Sai Pallavi, Ravie Dubey, producer Namit Malhotra, and director Nitesh Tiwari. While tagging the cast and crew, he captioned the post: "Had a great time at the Ramayana red carpet :D"

Bringing to life one of the greatest tales ever told, Nitesh Tiwari’s Ramayana seeks to translate the epic’s scale, emotion and timeless characters into a cinematic spectacle. Ranbir Kapoor essays Lord Ram, Sai Pallavi plays Sita, Yash takes on the role of Ravana, Sunny Deol portrays Hanuman, while Ravi Dubey plays Lakshman. The film will be released in Hindi, Tamil, Telugu, Kannada, and Malayalam in India.

Directed by Nitesh Tiwari and produced by Namit Malhotra’s Prime Focus Studios in association with 8-time Oscar-winning DNEG and Yash’s Monster Mind Creations, the two-part epic will release worldwide in IMAX, with Part 1 arriving in Diwali 2026 and Part 2 in Diwali 2027.

Also Read: SHOCKING: MrBeast’s Ramayana event leaves media FURIOUS; several journalists WALK OUT after 3½-hour delay

After months of spectacular performances, and unforgettable dance moments to the theme of India Wala Dance on Sony Entertainment Television’s India’s Best Dancer Season 5, Raipur’s Ritesh Pal, together with choreographer Pratik Utekar, crowned the winners of the season. From the very beginning, Ritesh’s journey stood out for his passion, versatility and determination. He consistently pushed his boundaries, won the coveted Battle trophy thrice this season, and earned appreciation for his powerful and well curated dance performances. The journey also challenged him to step beyond his comfort zone, explore different dance forms and showcase his versatility as a performer. The duo together with their exceptional talent, consistency and dedication, emerged victorious, lifting the coveted trophy after a thrilling Grand Finale.

Ritesh Pal’s journey culminated in a spectacular finale, where he and his choreographer Pratik, competed against fellow finalists Dipali Borkar, Prathamesh Mane, Anshika Dhara and Geetanjali Marwaha. Showcasing their versatility across dance forms, Ritesh and Pratik continued to impress the judges and audiences through the season, ultimately earning the title of India’s Best Dancer Season 5.

The Grand Finale was truly a star-studded affair with the presence of the judges Karisma Kapoor, Jaaved Jaaferi, Geeta Kapur and Terence Lewis, who have mentored and guided the contestants throughout their journey this season. Adding to the glitz and glamour were actors Jackie Shroff, along with special guests Tamannaah Bhatia and Sidharth Malhotra, who joined the judges and finalists in marking the grand culmination of an unforgettable season.

Ritesh Pal, Winner of India’s Best Dancer Season 5, said, “Dance has always been my passion, and winning India’s Best Dancer Season 5 is a dream come true. I feel truly fortunate to be a part of this journey with Sony Entertainment Television. India Wala Dance pushed me beyond my comfort zone and helped me grow as a performer. I am grateful to Karisma Ma’am, Jaaved Sir, Geeta Maa and Terence Sir for their guidance, with Geeta Maa holding a special place in my heart. A special thank you to my choreographer Pratik Utekar Sir for believing in me and transforming my journey. I have learnt so much from my fellow contestants. This trophy makes every challenge worthwhile.”

Choreographer Pratik Utekar said, “Winning India’s Best Dancer Season 5 with my shishya Ritesh Pal is an incredibly proud and emotional moment. I am so happy to see his growth, and Ritesh has always trusted my vision and wholeheartedly accepted my guidance. Since we both come from a contemporary dance background, India Wala Dance challenged us to step out of our comfort zone and explore new dance forms. We overcame every challenge together, and lifting this trophy with him makes this victory truly special.”

With Raipur’s Ritesh Pal taking home the coveted trophy, India’s Best Dancer Season 5 concludes another memorable chapter, celebrating India's finest dancing talent and bringing together powerful performances, diverse dance forms, and inspiring journeys on one stage.

Also Read: India’s Best Dancer Season 5: Karisma Kapoor reveals her “unusual” connection to the Fiza song ‘Mehboob Mere’

Ramayana, produced by Namit Malhotra and directed by Nitesh Tiwari, is one of the most anticipated films of 2026. With every asset, from its teaser to its trailer, the excitement surrounding the film has been continuously soaring. Now, amidst the rising exhilaration, the makers have dropped an endearing poster featuring Ranbir Kapoor, Sai Pallavi and Ravie Dubey as Lord Ram, Mata Sita and Lakshman, respectively.

In the poster of Ramayana, Ranbir Kapoor as Lord Ram looks composed, calm and courageous, carrying an aura of nobility with effortless grace. On the other hand, Sai Pallavi radiates grace, innocence, devotion, patience and fearlessness as Mata Sita, while Ravie Dubey as Lakshman stands as a true embodiment of loyalty, love and protectiveness. The poster holds immense significance as it brings Lord Ram, Mata Sita and Lakshman together in a single frame, making it a truly special moment in this epic.

The poster further fuels the excitement to witness Ranbir Kapoor, Sai Pallavi and Ravie Dubey bring these iconic characters to life on the big screen. In many ways, the casting has been one of the most crucial aspects of the project, and this poster says it all.

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  A post shared by The World Of Ramayana (@worldoframayana)

Bringing to life one of the greatest tales ever told, Nitesh Tiwari’s Ramayana seeks to translate the epic’s scale, emotion and timeless characters into a cinematic spectacle. Ranbir Kapoor essays Lord Ram, Sai Pallavi plays Sita, Yash takes on the role of Ravana, Sunny Deol portrays Hanuman, while Ravie Dubey plays Lakshman. The film will be released in Hindi, Tamil, Telugu, Kannada, and Malayalam in India.

Directed by Nitesh Tiwari and produced by Namit Malhotra’s Prime Focus Studios in association with 8-time Oscar-winning DNEG and Yash’s Monster Mind Creations, the two-part epic will release worldwide in IMAX, with Part 1 arriving in Diwali 2026 and Part 2 in Diwali 2027.

Also Read: VIRAL moment: Ranbir Kapoor teaches MrBeast to say “Jai Shri Ram”; Namit Malhotra explains Ramayana’s bow challenge to MrBeast with The Odyssey reference