Indus Chronicles

18 years after Life In A Metro, its spiritual successor Metro… In Dino is set to release. Reports suggest that this film marks the final chapter of Anurag Basu’s journey with hyperlinked storytelling. Similar to its predecessor, it explores the complexities of modern relationships through four interconnected stories set across four metro cities—Mumbai, Delhi, Kolkata, and Bengaluru. Recently, Anurag Basu shared that the film is a tribute to Irrfan and KK, both of whom played significant roles in Life In A Metro.

In an exclusive conversation with News18 Showsha, Anurag Basu revealed that the idea of a sequel to the 2007 film Life In A Metro actually came from Irrfan himself. Speaking about it, he shared, “Post Jagga Jasoos, Irrfan and I were talking about a sequel to Life In A Metro. He, in fact, had given me the idea to start working on it. He told me, ‘Metro 2 banate hai.’ He told me about it much later, not immediately after the first film.” Interestingly, back in 2017, there were already reports suggesting that Irrfan had signed on and would be part of the second installment.

Anurag Basu, however, admitted that he never initially intended to create a trilogy of hyperlinked films. “I didn’t have any plans of making a trilogy. I was scared if Life In A Metro would even work. It was something very different. But after that, I got a hang of it. I started enjoying writing hyperlinked films. Then Ludo happened," shared the Gangster and Kites director. Despite earlier reports suggesting otherwise, it now appears that Metro… In Dino might not be the final chapter in his series of hyperlinked narratives.

Dating apps, now a key element of modern romance, may have surged in popularity in India after 2007, but Anurag believes that the storyline featuring Konkona Sensharma and Irrfan in Life In A Metro was actually ahead of its time. “Their characters had met online – on a matrimonial site. A lot has changed in these 18 years and we should come to terms with it. People are less expressive in person now. They speak their hearts out, virtually. They can convey all their emotions in a true form online. Aaj kal one-to-one mein nahi hota hai," he observes.

When asked about his personal takeaway from past relationships, Anurag shared, “What love has taught me is that I’ve started seeing the world and stories of people from a woman’s point of view. I’ve learnt to see things from their perspective after falling in love and that has really helped me as a creative person."

Also Read : “Anurag Basu and Pritam are a lethal combination,” says Metro In Dino producer Bhushan Kumar

The trailer of Akshardham: Operation Vajra Shakti, produced by Zee Studios in association with Contiloe Pictures, has gripped audiences with its raw intensity and emotional depth. Inspired by true events, the film brings to the screen. The searing 2002 terrorist attack on the Akshardham Temple in Gujarat and the heroic counter-terror operation that followed. The film is slated for a nationwide theatrical release on July 4, 2025.

Headlined by Akshaye Khanna, with Gautam Rode and Vivek Dahiya in pivotal roles, the film is directed by Ken Ghosh and produced by Abhimanyu Singh. The trailer has already sparked widespread attention for its grounded tone, realistic action, and moving portrayal of sacrifice.

Director Ken Ghosh, reflecting on the making of the film, shared some of the emotionally charged experiences behind the scenes, "Portraying the bravery of commandos, their selfless grit, knowing their lives were at stake yet ready to sacrifice for their country, was just so moving."

“The bridge scene, which is at the end of the film, was actually the first shot. We landed in Manali, and it had just started snowing. That was shot literally in the snow," Ken further added about the logistical challenges faced during filming. While the film promises gripping action and a tense narrative, it’s the emotional honesty, the moments of sacrifice, family, and courage, that sets Akshardham: Operation Vajra Shakti apart.

As the release date approaches, Akshardham: Operation Vajra Shakti is not just being seen as a patriotic thriller, but as a tribute to the bravery, discipline and strength of India’s unsung heroes. Readers may know that the film was earlier released on Zee 5 with the title State of Siege: Temple Attack and it is now released in theatres with this new title.

Also Read: Akshaye Khanna starrer Akshardham: Operation Vajra Shakti gets big-screen release on July 4

The industry trends change every few years. But post-pandemic, the changes have been sudden and also unexpected. Girish Johar, producer and eminent film business analyst, in an exclusive interview with Bollywood Hungama, opened up on aspects like reduced ticket prices, dearth of cinemas, BOGO, losing credibility of reviews, etc, in simple layman terms.

From a trade perspective, can reduced ticket pricing serve as a viable strategy to drive footfall in theatres, or does it risk devaluing the big-screen experience? I am of the firm belief that if theatrical business flourishes, then everything in the ecosystem will benefit. The theatrical economics has to be right. Theatres have tied up with malls and are paying higher rentals. As a result, they need to earn by hiking up the rates of snacks and tickets. Meanwhile, the audience always has the option to catch the film on OTT. They are not ready to watch below-average content on higher ticket prices. Sadly, 90% of the content in today’s times is below average. They argue that why should they pay a bomb to watch such films? This further draws them away from the big screen. This probably can be resolved with reasonable ticket pricing and a regular flow of content. In 2018-19, it was the small and mid-sized films that flourished like Badhaai Ho, Andhandhun, Article 15, etc. These films were expected to collect in the range of Rs. 30-40 crores. But they ended up collecting Rs. 70 crores and in some cases, even more than Rs. 100 crores. Such movies need to be priced averagely. You can’t sell its tickets for Rs. 500. That can be charged for tent-pole films but then there are not more than 10 such films.

I always give the example of cricket. The slog overs do matter and in the case of cinema, these are the tentpole films. But it is the middle overs (that is, mid-sized films) which are crucial. This is when the players need to score 4s and 6s.

Will we ever see a day of Rs. 100 ticket pricing so that the moviegoing experience becomes affordable for the common man? It is possible. It has been implemented during Cinema Days though its effect has now diminished. Also, it should not be held blindly. It should be backed by content which will cater to the audience paying for discounted tickets. In my understanding, it is the regional economics which should derive such pricing. What is stopping such offers in specific regions for a specific day, like say Indore Cinema Day or Bhopal Cinema Day?

In the pre-pandemic era, the attitude of the moviegoer was different. They would turn up to watch any film every week as they were habituated. Now, moviegoers scan the film minutely before watching it. They ask, ‘Is it worth it? Aren’t the ticket rates too high? Will the film be out on OTT soon?’ We need to re-cultivate the habit of the audience of coming to the theatres.

As I said earlier, the more theatres benefit, the more the industry will flourish. More productions will be greenlit, more content will be made. Even allied industries like printing, F&B etc, will benefit. Direct commissioning of films on OTT will also increase.

Meanwhile, the cinemas need to understand that it's not a good idea to promote OTT platforms in cinemas. They might get 2x or 3x the rates for these ads. But when a patron buys a ticket for Rs. 500 or Rs. 1000 and sees an ad stating the OTT subscription is available for Rs. 99 or Rs. 199 per month, the theatres are simply hurting themselves.

From an industry-builder’s point of view: Do you believe stars and studios need to actively invest in cinema infrastructure in underserved regions to expand theatrical reach? There are certain places where there’s no theatre for miles. Whenever I visit Mahabaleshwar-Panchgani, I always wonder where its residents watch films on the big screen? The nearest cinema hall is in Wai, which is 30 kms away… We have seen Aamir Khan, Shah Rukh Khan and John Abraham talking about it. If they or other prominent celebrities come on board with a particular chain and become its brand ambassadors, then nothing like it. It’ll be much better as they’ll understand the ecosystem of cinemas minutely and the taste of the audience. This will help them select and make films accordingly.

Bhai ko, behen ko… Dushman ko, Yaar ko… And of course, apne Pyaar ko… Kal Jawan dikhaaiyega! Chacha-Chachi, Phoopha-Phoophi, Maama-Maami… Yaani Poore Parivaar ko. Sab ke liye ek ke saath ek free ticket!!!

Toh kal se… Parivaar, yaar aur pyaar… Just Buy 1 ticket and get the… pic.twitter.com/Qr9gI4ihcO

— Shah Rukh Khan (@iamsrk) September 27, 2023

With the rise of social media chatter and peer-led opinions, has the traditional influence of film critics and reviews on box office performance diminished? Also, there has been a growing chatter around box office credibility. Is the industry, in trying to create perception, risking long-term damage to its own credibility and sustainability? Yes. I believe that the audience is no longer taking reviews and box office numbers seriously. It has become a marketing tool. The more the industry uses these tactics, the more ineffective it becomes. A critic giving a dishonest review may take money and give a mild or positive review to a poorly made film. The audience will trust his review, go for the movie, get disappointed and wonder, ‘Isne toh bola acchi film hai?’. This way, you can fool the audience once or twice but after that, they’ll lose the trust. They now trust the reviews of a friend or a family member more than the actual critics. I saw that happening with Sitaare Zameen Par as well.

Meanwhile, the audience is bombarded with advance ticket numbers and news of the film collecting Rs. 100 crores. It might tempt the audience to watch the film. But when they go to the theatre and see that the audi is empty, and on top of that when the content is poor, they feel cheated. This promotional tool has gone on for years and now the audience laughs at it. It's also common to see fans of a particular actor posting how the show of a rival actor’s film was full or almost full on BookMyShow. But when they went to watch it, there were a handful of patrons inside.

What are your views on the Buy One Get One Ticket free offer, popularly called BOGO? Does it result in success at the box office for a film? It was a tool used to pull a section of the audience to cinemas, the one which was in two minds. The idea was that the greater number of people watch a film, the more they’ll talk about it and it’ll further attract an additional higher number of moviegoers to cinemas for that particular film. Again, this tool has also backfired. Now the perception is that ‘Film bakwaas hogi; isliye ek pe ek ticket de rahe hai’. Excessive use of anything, that is not in the right spirit, nullifies its USP.

To give you an example, there was a producer who asked the ticketing app to issue BOGO coupons worth Rs. 10 lakhs. Despite getting a free ticket for every ticket, the film failed to get enough audience and the coupons worth Rs. 10 lakhs didn’t even get fully consumed!

A film like Jawan implemented BOGO in its sixth week. Do you think that it makes sense to have the offer just weeks before its OTT premiere? It can tempt that section of the audience, which is waiting for its digital release, to catch the film in cinemas instead. Yes. By the fifth or sixth week, the film has already proved its mettle. It is at the end of its run. If that is when BOGO is implemented, it would be a fair strategy. Again, it depends on the content.

Also Read: Shah Rukh Khan visits sets of Aamir Khan starrer Sitaare Zameen Par, shares iconic moments with cast

Paresh Rawal was back in the news yesterday, May 29, when he said in a podcast that his issues with Hera Pheri 3 team have been resolved. In the same podcast, hosted by Himanshu Mehta, he also talked about what has gone wrong with Hindi cinema.

Paresh Rawal began by saying, “The choice of subject (is to blame). Also, OTT ne do saal logon ko maze karwaaye lockdown mein. It led to a change in the taste of the audience and the makers haven’t been able to understand the same. Janta bahut aage nikal gayi hai. Some commercial film might work in between but if you keep churning same kind of films, you are bound to fail miserably. I am not saying commercial films shouldn’t be made. But a lot of effort should go into making it. Yeh nahin ki thokampatti karo.”

He further said, “Also, the stardom now will be limited. It won’t go for a long time. Now, every Friday, the star changes.”

Paresh Rawal also slammed inflated ticket rates, “Down South, there’s a slab. The prices can’t be more than Rs. 160 or Rs. 200. If the rate goes beyond that slab, then the films won’t work. If the aam junta shuns your film and only the rich class endorses your films, then it’s wrong.”

He also criticized the recliner seats section in multiplexes, “You are supposed to watch a film while sitting. Let ke nahin dekhi jaati. You haven’t come to a spa, you have come to see a film! Also, waiters keep roaming around. We have to tell them ‘Hatt, hatt’. Arre it’s a film, not a wedding event. Because of all this gandagi – gold class et al – you don’t feel like going to cinemas.”

He further explained, “It’s okay to sit comfortably on a seat. But why sit (lying down) with a pillow? Aise hi baithna hai toh spa mein jao ya fir mujra dekhne jao (laughs)!”

Paresh Rawal continued while also touching upon the high prices of food and beverages, “If a middle-class family, comprising 5-6 members, go to watch a film, unke Rs. 5000-6000 toh yuh nikal jaate hai. Also, there’s no guarantee that the film will satisfy you. On top of that, the kids will of course ask for popcorn, soda and ice cream (which also adds to the expenditure).”

Also Read: BREAKING: Baburao returns; Paresh Rawal reveals that Hera Pheri 3 issue has been resolved

Over the weekend, the sudden death of actress and television personality Shefali Jariwala received widespread media attention. While the exact cause of her death remains unclear, condolences from her peers and fans continue to pour in online. Among those who expressed their grief was Priyanka Chopra Jonas, who shared her shock over the untimely passing of the Kaanta Laga star. For those unaware, Shefali made a cameo appearance in Priyanka’s film Mujhse Shaadi Karogi, which also starred Salman Khan and Akshay Kumar.

On June 29, Priyanka took to her Instagram Stories to share a portrait photo of Shefali, accompanied by a heartfelt caption: “So shook. She was too young. Sending condolences to Parag and the family.”

Shefali was rushed to the hospital from her residence in Andheri on June 27 after her health suddenly deteriorated. However, she was declared dead on arrival. As per reports, her post-mortem findings have ruled out any foul play, and an Accidental Death Report (ADR) has been filed. The investigation is ongoing to determine the precise cause of her death.

Shefali is survived by her husband, actor Parag Tyagi. A new statement from an Amboli police officer revealed, “The doctor informed us that they suspect the cause of death could be a dip in her blood pressure.”

Also Read: Varun Dhawan SLAMS insensitive media coverage following Shefali Jariwala’s death: “Why do you have to cover someone’s grief?”

Filmmaker Anil Sharma took a break from his patriotic action films and came up with an emotional family drama in the form of Apne. The film brought together Dharmendra with his two sons Sunny Deol and Bobby Deol for the first time while it also starred Katrina Kaif and Shilpa Shetty in pivotal roles.

Veteran legend Dharmendra went down memory lane on Apne as the film completed 18 years today.

He said, “Apne is a film I am extremely proud of. It brought me and my two sons together. (Director) Anil Sharma wrote a script that did justice to all three of our characters. I remember we felt like a family on and off screen while shooting Apne.”

Speaking about the film’s sequel, Dharmendra added, “We have asked Anil to write a sequel. And he is in the process of writing Apne 2.” The sequel will also star Sunny Deol’s elder son Karan Deol. He was launched in 2019 with the romantic drama Pal Pal Dil Ke Paas.

Also Read: Dharmendra opens up on his youthful spirit; says, “Many people call me old, but I am still young”

Bollywood legend Amitabh Bachchan has paid a heartfelt tribute to his son Abhishek Bachchan on the milestone of completing 25 years in the film industry, publicly bowing to him and showering praise.

A video montage recently surfaced featuring Abhishek in various iconic roles over the years. The caption accompanying it read, “Celebrating 25 years of @juniorbachchan, the man who mastered wit, timing, and that unbeatable comic swag. Here’s to the laughs that never missed!”

Reacting to the tribute, Amitabh wrote in a social media post, “Is Variety ko maine pranaam karta hoon, aur apne putra ki sarahna karta hoon. Jee haan, pita hoon main uska, aur mere liye mera putra Abhishek sarahna karne yogya hai …(I bow to this variety and I praise my son. Yes, I’m his father, and for me, my son Abhishek is worthy of praise).”

T 5425 - ek chap ke kuch hi dinon mein , release hone waali hai .. aur ek aur nayi film ki shuruaat ho gayi hai .. pehla din film 'KING' ki shooting ... My blessings Bhaiyu .. love and more ❤️ And one more film shooting is complete and ready and coming soon .. my prayers ever… — Amitabh Bachchan (@SrBachchan) June 28, 2025

The proud father went on to extend his blessings for Abhishek’s future projects, referencing multiple films in progress. In another post, Amitabh wrote, “Ek chap ke kuch hi dinon mein, release hone waali hai .. aur ek aur nayi film ki shuruaat ho gayi hai .. pehla din film KING ki shooting … My blessings Bhaiyu .. love and more. And one more film shooting is complete and ready and coming soon .. my prayers ever .”

On the work front, Abhishek made his cinematic debut in Refugee (2000). He gained critical acclaim and Filmfare Awards for early roles in Dhoom (2004), Yuva (2004), Sarkar (2005), and Kabhi Alvida Naa Kehna (2006).

His 2024 film I Want to Talk, directed by Shoojit Sircar, won praise for his portrayal of cancer survivor Arjun Sen.

Abhishek is set to star in  Kaalidhar Laapata, slated for ZEE5 release. Additionally, the shooting of King is underway, and another film is in post-production, both strongly endorsed by Amitabh’s blessings.

Also Read : 1 year of Kalki 2898 AD: Inside the world of the Prabhas starrer – The making of India’s most ambitious sci-fi film

Ramesh Sippy's 1975 all-time hit Sholay had its world premiere in Italy, on Friday, in the restored, uncut version at the prestigious Il Cinema Ritrovato Festival in Bologna. The screening, which celebrates the classic film's 50th anniversary, took place on June 27, 2025 at the open-air Piazza Maggiore.

Speaking on the occasion, Sholay’s veteran director Ramesh Sippy said, “Did I ever think Sholay would come so far? Not at all! I remember when we were making it we were confident we were making a good film. But a film that would shatter all records and will go on to be regarded as the one of the greatest films of all times? No, we never expected that.”

He remembers Sholay was declared a flop on release. “The reviews were negative. There was no audience. But it picked up (at the boxoffice) in the second week,” he said.

Ramesh Sippy, who made other noteworthy films such as Andaz, Shakti and Shaan, refuses to acknowledge Sholay as his favourite film. “I put in an equal amount of effort in making my other films. If they didn’t turn out to be Sholay, it doesn’t mean they were films made with less concentration. Blockbusters, like disasters, are not planned,” he said.

Asked to name one favourite character in Sholay, Ramesh Sippy replied, “Gabbar Singh, of course. He is everyone’s favourite. Everyone, including Amitabh Bachchan, wanted to play him.”

Also Read: Sholay’s 50th anniversary celebration at Raj Mandir Jaipur: Rajasthan Deputy Chief Minister Princess Diya Kumari hails Ramesh Sippy, Sooraj Barjatya: “NO Hollywood film can match Sholay or Hum Aapke Hain Koun”

Readers may recall that television couple Puja Banerjee and Kunal Verma were recently accused of serious charges by Bengali film producer Shyam Sunder Dey, who alleged that they kidnapped him in Goa and extorted Rs 23 lakh. Now, a couple of weeks after the news broke online, the couple has finally broken their silence.

Puja recently took to her social media handle to share a note addressing the situation. “Going through the toughest time of our lives. To those who are standing by us — we will be forever grateful. And to those who believe in the lies spread against us — God bless them too. I believe in God, and you know, GOD IS WATCHING,” her note read.

View this post on Instagram

  A post shared by Puja Banerjee (@banerjeepuja)

While many of her followers expressed support, some remained confused and concerned about the unfolding situation.

For context, earlier this month, Shyam Sunder Dey spoke to the Times of India, claiming that he met Puja in Goa and was later taken to a villa, where he was held against his will. He alleged, “I stayed at the villa from June 1 to June 4. I wasn’t allowed to leave. Every day, I tried to reason with Puja and Kunal. I reminded them that we were like family and pleaded with them to stop. But all I faced were threats.”

According to Dey, he managed to use a spare phone to send his location to his wife. He also secretly recorded a video in the bathroom and forwarded it to her. Following this, his wife contacted the police, and based on her complaint, he was rescued from the Goa villa on June 4.

Puja, Kunal, and their associate Piyush Kothari have since been booked under multiple sections of the Bharatiya Nyaya Sanhita (BNS), including charges related to abduction, extortion, criminal intimidation, and wrongful confinement.

In a Facebook post, Dey’s wife Malabika further alleged that Puja and Kunal had threatened to frame the filmmaker in a false drug case if he didn’t pay them. She claimed that the couple forced him to transfer Rs 23 lakh out of the Rs 64 lakh they had allegedly demanded.

Also Read: Telly couple Kunal Verma and Puja Banerjee open up about financial scam by trusted friend; say, “We have to start from zero, and we won’t give up”

Ever since the trailer of Sardaar Ji 3 was released, Diljit Dosanjh has remained in the headlines. While some are calling for a ban on the actor-singer, others are empathizing with the producers, citing their lack of control over the recent conflict. Now, renowned writer and lyricist Javed Akhtar has weighed in on the controversy surrounding the release of Sardaar Ji 3.

Speaking at NDTV’s Creators Manch, Akhtar said, “Ab kya karein bechara. The movie was shot earlier. Usko pata toh nahin tha ki aisa hoga. Ismein Pakistani aadmi ka paisa toh nahin doobega, Hindustani ka paisa doobega. Toh phir kya faayda? (Translation: “What can he do now? The film was shot earlier. He didn’t know this would happen. No Pakistani money is at stake, only Indian money is. So what’s the point of halting it?)”

For the uninitiated, both the film and Diljit are facing backlash over the casting of Pakistani actress Hania Aamir in an Indian production. The criticism intensified after the Pahalgam terror attack, which was followed by India’s counter-operation, Operation Sindoor. Hania Aamir was among several Pakistani artists who publicly criticized the operation, further fuelling outrage.

He further added, “Usko pehle pata hota yeh hone wala hai, toh woh thodi na leta Pakistani actress. I think the government and the censor board should look at the situation with a little sympathy. And say that don’t do this again, but since you made this film before, release it. But it should not happen again.”

Akhtar’s remarks come at a time when Diljit Dosanjh is under increasing scrutiny. The Federation of Western India Cine Employees (FWICE) recently sent a letter to filmmaker Imtiaz Ali, urging him to cut ties with the singer-actor. Imtiaz is working with Diljit on an upcoming untitled film, which is set for a Baisakhi 2026 release.

Amid the ongoing controversy, there were also reports suggesting that Diljit had been dropped from Border 2. However, these reports were later denied. As of now, Diljit Dosanjh has not publicly addressed the situation.

It’s worth noting that, due to rising Indo-Pak tensions following the Pahalgam terror attack, the makers of Sardaar Ji 3 opted for an overseas-only release. The film was released internationally on June 27, 2025, skipping its domestic release entirely.

Also Read: Mika Singh urges Diljit Dosanjh to apologise over Hania Aamir’s casting in Sardaar Ji 3: “He must apologise and remove all the objectionable scenes from the movie”

Bollywood superstar Kareena Kapoor Khan recently offered an intimate glimpse into her life as a working mother—and the small tensions brewing at home. In a candid chat with Vicky Kaushal, she revealed how her career commitments have begun to test her sons’ patience, especially after her husband’s sudden absence due to filming.

In a conversation hosted by The Hollywood Reporter India, Vicky asked Kareena how her children handle her being away for shoots.

“It gets tough. This year, Saif went out and shot for two films, so they were used to Mumma being home. Now, if I go to shoot—like for a couple of days, when I’m shooting for ads, 10–15 days a month—they’re constantly irritated. They’re always like, ‘Where is Amma?’,” Kareena said.

Clearly, the kids had grown accustomed to Mumma’s presence. When Kareena had a similar workload—advertising commitments that pulled her away for extended stretches—Taimur and Jeh struggled to understand her absence. It’s a relatable scenario for many working families, albeit with a Bollywood twist.

Kareena then shed light on how her husband, actor Saif Ali Khan, has become the fun parent in her stead, “They love it when Saif is there, because Saif is such a lovely father, and he is a hands-on father. Also, they get extra TV time when he is around. My elder one loves to play guitar and drums with Saif. When I am not around, they always get extra TV time. The father always spoils them; otherwise, I am always like ‘Go to bed’,” she added.

Kareena doesn’t sugarcoat it—she’s the bedtime enforcer, while Saif plays dad the kids adore. More screen time, more play, fewer sleep reminders—a contrast that Taimur and Jeh clearly prefer on days when Mumma is absent.

Despite occasional toddler tantrums, Kareena’s commitment to both career and family remains unwavering. Her transparency reinforces that even Bollywood’s brightest faces pause when family calls—and sometimes miss their mum.

Kareena Kapoor and Saif Ali Khan got married in 2012. Fondly known as ‘Saifeena’ by their fans, the couple first crossed paths while working on the film Tashan in 2008, and their bond quickly turned romantic. They became parents to their first son, Taimur Ali Khan, in 2016, followed by the birth of their second son, Jehangir Ali Khan (Jeh), in 2021.

On the work front, Kareena Kapoor is set to team up with Malayalam star Prithviraj Sukumaran for the first time in Daayra. The film, directed by Meghna Gulzar, will tackle intense themes of crime and justice while shedding light on pressing and disturbing social issues. Currently in pre-production, the project is co-written by Meghna Gulzar, Yash Keswani, and Sima Agarwal.

Also Read : Kareena Kapoor Khan calls Vicky Kaushal ‘The best actor of this generation’; praises his bold film choices

Actor Ajay Devgn paid tribute to his late father Veeru Devgn on his birth anniversary. On Wednesday, he shared a black-and-white photo on Instagram, writing, “You recognised the hero in me long before the world did. Happy Birthday, dad. I miss you always.”

Kajol also paid a heartfelt tribute to Veeru Devgn. She posted a black-and-white photo of the late action director with the caption, “Thinking of you on this special day.”

Netizens flooded the comments section with love and admiration. One user wrote, “Amazing pic… Ajay sir.” Another fan commented, “Legend Action Guru Ji.”

View this post on Instagram

  A post shared by Ajay Devgn (@ajaydevgn)

Veeru Devgn was a renowned action director in the film industry, having worked on over 200 films, including Lal Baadshah, Mr Natwarlal, Phool Aur Kaante, and many others. In 1999, he made his directorial debut with Hindustan Ki Kasam, which featured Ajay Devgn, Amitabh Bachchan, and Manisha Koirala in lead roles.

After struggling with breathing issues and multiple health complications for an extended period, the veteran action director passed away on the morning of May 27, 2019, at his Mumbai residence.

On the work front, Ajay Devgn recently announced the release date of Son of Sardar 2, describing it as “a return of Sardaar.”

The first instalment of Son of Sardaar, directed by Ashwani Dhir, starred Ajay Devgn alongside Sonakshi Sinha. The story followed Jassi, a man who returns to his ancestral village in Punjab and finds himself caught in the middle of a long-standing family feud.

Ajay Devgn was last seen in Raid 2, which hit theatres on May 1. In the film, he shared screen space with Riteish Deshmukh.

Produced by Bhushan Kumar, Kumar Mangat Pathak, Abhishek Pathak, and Krishan Kumar, the sequel was directed by Raj Kumar Gupta. The film continues the narrative of the 2018 crime thriller, known for its intense portrayal of tax raids and corruption. Vaani Kapoor and Rajat Kapoor are also part of the film.

Ajay Devgn’s 2018 film Raid featured Saurabh Shukla and Ileana D'Cruz alongside him. Inspired by a real-life income tax raid from the 1980s, the film saw Ileana portraying Ajay's wife.

Also Read : Kajol shares the secret to her married life with Ajay Devgn: “It is partial deafness and selective amnesia”

Kajol, celebrated for her sharp wit and enduring charm, recently shared a playful yet meaningful perspective on maintaining a strong marriage. In a new interview, the Kuch Kuch Hota Hai actress revealed her personal secret to a lasting and happy relationship with her husband, actor Ajay Devgn.

In an interview with Mashable India, Kajol opened up about the amusing contrast in her relationship with husband Ajay Devgn—while he prefers to stay quiet, she enjoys talking. When asked how they manage their differences, she humorously replied, “Oh, I say that quite often—the secret to a happy marriage is partial deafness and selective amnesia.”

Kajol went on to explain with a laugh, “Kuch cheezein bhoolni bohot zaruri hai, aur kuch cheezein na sunni bohot zaruri hai.”

In the same interview, Kajol also revealed Ajay Devgn’s hidden culinary talent. She shared that Ajay is one of the best cooks she’s come across. “Unki khaasiyat hai, vo kisi bhi cheez ko ek baar taste karte hai, he would know how to make it exactly the same,” she said, adding, “He would never tell you his secret ingredients for his recipes.”

Kajol and Ajay Devgn have been married for over two decades. Their first meeting took place on the sets of Hulchul in 1995. After dating for nearly four years, the couple tied the knot in 1999. Over the years, they’ve managed to juggle thriving film careers while raising their two children—Nysa, born in 2003, and Yug, born in 2010. The duo has also shared the screen in nine films, including hits like Pyaar To Hona Hi Tha, Ishq, Dil Kya Kare, Raju Chacha, and U, Me Aur Hum.

Also Read : Kajol recalls feeling isolated on Ishq sets: “Aamir was very friendly with the director and so was Juhi”

Paresh Rawal played a key role in the Hera Pheri series, and his departure from the upcoming third installment surprised many fans. Actress Sonakshi Sinha shared a similar sentiment, expressing that she couldn't picture Hera Pheri without the veteran actor.

In an interview with IANS, Sonakshi Sinha shared, “I can't imagine Hera Pheri 3 without Paresh Rawal.” She also emphasized that his presence was essential to maintaining the essence and appeal of the beloved comedy series.

Sonakshi, who is set to appear next in the supernatural thriller Nikita Roy, spoke about her “fantastic” experience working with Paresh Rawal on the film. She said, “I think it was such an honour for me to share screen space with an actor of his calibre. And, you know, in terms of his body of work and how amazing he is, it was an amazing experience for me.”

Kussh S Sinha, the director of Nikita Roy and Sonakshi Sinha's brother, also spoke highly of Paresh Rawal, offering nothing but praise for the veteran actor.

In an interview with ETimes, Kussh S Sinha expressed his gratitude for having Paresh Rawal join Nikita Roy, saying, “I feel extremely fortunate that we just had to have two meetings with him and he was on board. That gave me confidence when he came on board.”

He further praised the veteran actor, adding, “He is spoilt for choice. Because Paresh ji is such a capable actor, any director would want to work with him. 99 percent of the industry would want to work with Paresh Rawal ji.”

As per reports, Paresh Rawal exited Hera Pheri 3 due to creative differences and financial issues. However, in May, he dismissed these claims through a post on X.

In his statement, Paresh Rawal clarified, “I wish to put it on record that my decision to step away from Hera Pheri 3 was not due to creative differences. I reiterate that there are no creative disagreements with the filmmaker. I hold immense love, respect, and faith in Mr Priyadarshan, the film director.”

Meanwhile, Nikita Roy, starring Sonakshi Sinha, also features Arjun Rampal in a significant role. The film is scheduled for a theatrical release on June 27.

Also Read : Sonakshi Sinha reflects on Salman Khan’s unexpected role in her love story with Zaheer Iqbal: “It was because of him that we met”

Punjabi singer-actor Diljit Dosanjh, who made a notable debut at the Met Gala 2025, has opened up about his experience at the global fashion spectacle and shared a heartwarming anecdote involving Bollywood icon Priyanka Chopra Jonas. Dosanjh, who is among the few Indian entertainers to have walked the prestigious Met Gala red carpet, took to social media shortly after the event to share behind-the-scenes glimpses. But in a recent interview with BBC Asian Network, the Chamkila actor reflected on his emotional moment with Priyanka Chopra at the venue.

“Thanks to Priyanka Chopra,” Diljit recalled. “Main jab gaya toh voh vahan thi already and Priyanka also came to me and said, ‘Diljit main idhar hi bethi hun, tereko kisi bhi cheez ki zarurat ho just say PC and main jaldi se aajaungi.’ Aur mera tabhi mann bhar aaya tha.” (Translation: “When I arrived, she was already there. She came to me and said, ‘Diljit, I’m sitting right here. If you need anything, just say PC and I’ll be there immediately.’ That filled my heart.”)

View this post on Instagram

  A post shared by DILJIT DOSANJH (@diljitdosanjh)

Dosanjh, who admitted to feeling slightly out of place at such a high-profile global event, also shared another meaningful encounter. “When I went to my table, there was another Sardar boy who helped me a lot. I didn’t know anyone there. I hadn’t been to any parties before. But he came to my table and served me everything. He was actually serving food there,” the actor said, visibly moved.

View this post on Instagram

  A post shared by DILJIT DOSANJH (@diljitdosanjh)

Sardaar Ji 3 Release Update Amid Backlash On the professional front, Diljit is awaiting the release of Sardaar Ji 3, a Punjabi horror-comedy slated to premiere on June 27. However, the film has been surrounded by controversy due to the casting of Pakistani actress Hania Aamir. In light of recent geopolitical tensions, including the Pahalgam terror attack, the filmmakers have decided not to release the film in India. Instead, it will be released exclusively in overseas markets.

View this post on Instagram

  A post shared by DILJIT DOSANJH (@diljitdosanjh)

Despite this decision, the makers and Dosanjh himself have come under fire from a section of netizens and film industry representatives, with calls to boycott the film due to its collaboration with a Pakistani artist.

Also Read: Ashoke Pandit calls for boycott of Diljit Dosanjh over Sardaar Ji 3 collaboration with Pakistani actress Hania Aamir

After her viral appearance in October, Nora Fatehi returns to Paris Fashion Week. She is set to attend the Louis Vuitton Men’s Spring-Summer 2026 collection by Pharrell Williams, marking her presence at one of fashion’s major global events.

She posted a video on her Instagram story, whispering, “We are on our way for fittings and LV and we are going to kill it this time just like last year, we are going to do an ASMR of our fittings. Are you ready?” setting the tone for another fashion moment.

Her last appearance at Paris Fashion Week drew attention for her white body-con dress paired with a statement trench coat, a look that sparked conversation and gained widespread visibility online.

Now, as she returns to the fashion capital, Nora is set to make another appearance that reflects her evolving style. Her presence at Paris Fashion Week highlights her continued efforts to represent India on the global stage.

Fashion isn’t the only space Nora Fatehi is active in. Her international music collaboration Snake with Jason Derulo has crossed 130 million views. She also appeared at the American Music Awards in a custom Tom Ford look and wore Oscar de la Renta at the Vanity Fair Oscar After Party. From Billboard features to a presence in Allure, Nora Fatehi’s return to Paris Fashion Week reflects her ongoing engagement with both fashion and global entertainment.

Also Read: Sonakshi Sinha highlights why middle-class families are avoiding cinemas: “The theatre-going experience has become very expensive for a regular family”

Finally, you’re moving ahead after Karan Johar’s Jigra? Yes, finally! It’s been a long wait, but it’s all been worth it. It’s a dream to be working with Imtiaz sir.

How did Imtiaz Ali come into the picture? I had a meeting with him a long time ago, after my debut series The Archies released. It was just a casual, friendly conversation. Then, almost a year or year-and-a-half later, we met again, and he discussed the idea for this story. I was very excited.

Have you seen Imtiaz Ali’s films? I’ve seen all of them, except his first — Socha Na Tha. Rockstar and Chamkila are probably my favourites. But Jab We Met, Tamasha — they’re all classics. He understands human emotions and dilemmas like no one else, and he presents them so poetically on screen.

Your debut was directed by Zoya Akhtar, your second is a Karan Johar production, and now Imtiaz Ali... Are you pleased with your progress so far? Yes. I’m keeping my head down and working hard. I understand the responsibility that comes with being part of an Imtiaz Ali film — especially in an ensemble of this calibre. I take it upon myself to do justice to the role and deliver, no excuses. I have a fire in me, and I’m motivated like never before.

Your co-star in Imtiaz Ali’s film is Naseeruddin Shah. Isn’t that daunting? Daunting and exciting. I’ve watched hours of Naseer Saab’s lectures on the craft of acting. I took notes as a young actor trying to understand the process — I still have those notes! I told him that the first time I met him. It’s truly an honour.

Are you prepping for the film already? Prep has begun to some degree. We’ve had some look tests. Shooting should start in August.

Also Read: Vedang Raina on turning 25, “I share my birthday with my mom, she says my birth was her best birthday gift”

The fan screening of Raanjhanaa (2013) was held at a multiplex in Mumbai on the occasion of its 12th anniversary by DIY Solutions and was attended by the film’s team – actors Dhanush and Mohd Zeeshan Ayyub, then-child-actor Naman Jain, director Aanand L Rai, writer Himanshu Sharma and lyricist Irshad Kamil. Sonam Kapoor couldn’t make it and the team kept a picture of her on the seat. The event began with the screening of the film after which stand-up comic Devansh Singh entertained the crowd. Laksh Maheshwari, then, in his trademark style narrated the film’s story and also hosted the talk. Dhanush opened up on several fascinating aspects of the film, which were not known to the world.

Towards the last leg of the event, Dhanush said, “Raanjhanaa is the story of two mad men (Aanand L Rai and Himanshu Sharma). They had made a film before – Tanu Weds Manu (2011). They believed in something that was close to impossible. At that time, they didn’t have the right kind of budget for hiring me as the lead actor. But this man’s (Aanand L Rai) passion was so strong that he just wanted me to play Kundan. He could have offered any actor this part and they would have happily come on board. After all, it’s such a great part. But he went against all odds. I don’t know I am supposed to say this and I don’t care! He invested his own money as well. He went all out (to cast me). He saw Kundan in me and he stayed true to his vision. Himanshu and Aanand somehow convinced me to play the role. The only reason I wasn’t convinced was due to the language barrier. Otherwise, I loved the part.”

He remarked, “They made a cult classic. It is not the story of Kundan and Zoya. It is the story of two mad men who believed in this.”

Dhanush continued, “By the grace of Mahadev, this film worked, and they survived (laughs). I was so scared. I was not scared during my first film. When I was written off, I was not scared. That’s how I am. But for the first time, I was scared. I felt responsible. So, I was praying so hard to God that ‘Somehow save this man’. June 21, the day Raanjhanaa was released, was my son’s birthday. He’s here among you, by the way!”

The crowd got excited and tried to locate him. Dhanush added, “I was not even there in the city (Chennai) with (my family when the film was released). I was in Mumbai, in the pooja room and was praying for this man. 12 years later, we are here with all of you. I thank you and all the Raanjhanaa fans all over the world. Har Har Mahadev!”

Also Read: Raanjhanaa fan screening: Dhanush jokes “Be it in North or South, all boys are the same”: reveals why he and writer Himanshu Sharma wanted to “KILL each other”: “I was ANGRY with him as I used to dub Tamil films in a day while dubbing for Raanjhanaa took 8-9 days”

The admiration for Aamir Khan’s latest release, Sitaare Zameen Par, continues to pour in from across the film industry. Actor Mahesh Babu is the latest to join the growing list of voices hailing the film, calling it a deeply moving experience.

Taking to social media, Mahesh wrote, “#SitaareZameenPar… Shines so bright and how… It’ll make you laugh, cry and clap!! Like all Aamir Khan’s classics, you’ll walk out with a big smile on your face…”

#SitaareZameenPar …Shines so bright and how…..It’ll make you laugh, cry and clap!! Like all Aamir Khan’s classics, you’ll walk out with a big smile on your face… Love and Respect..♥️♥️♥️#AamirKhan @geneliad @r_s_prasanna @AKPPL_Official @ShankarEhsanLoy #AmitabhBhattacharya… — Mahesh Babu (@urstrulyMahesh) June 22, 2025

Mahesh’s words resonate with the sentiment shared earlier by veteran screenwriter and lyricist Javed Akhtar, who had tweeted after the film’s strong box office showing on Day 2: “So happy to learn about the record leap that Sitaare Zameen Par has taken at the box office on the second day. Who says good films have no takers in the audience. Congratulations to Aamir Khan and his team.”

So happy to learn about the record leap that sitaaray Zameen per has taken at the box office on the second day . Who says good films have no takers in the audience. Congratulations to Aamir khan and his team . — Javed Akhtar (@Javedakhtarjadu) June 22, 2025

Speaking of the film, Sitaare Zameen Par, a film that serves as a spiritual successor to the critically acclaimed Taare Zameen Par (2007), is directed by R.S. Prasanna and produced by Aamir Khan Productions. The social-comedy film takes forward Aamir’s legacy of combining storytelling with social sensitivity.

Khan is paired opposite Genelia Deshmukh and is supported by a remarkable ensemble cast that includes Dolly Ahluwalia, Gurpal Singh, Brijendra Kala, and Ankita Sehgal. But the heart of the film lies in its introduction of ten debutant actors with intellectual disabilities: Aroush Datta, Gopi Krishnan Varma, Vedant Sharmaa, Naman Misra, Rishi Shahani, Rishabh Jain, Ashish Pendse, Samvit Desai, Simran Mangeshkar, and Aayush Bhansali.

View this post on Instagram

  A post shared by Aamir Khan Productions (@aamirkhanproductions)

Also Read: Javed Akhtar congratulates Aamir Khan, applauds box office leap of Sitaare Zameen Par: “Who says good films have no takers in the audience”

There’s no denying the deep-rooted mutual respect between veteran lyricist-screenwriter Javed Akhtar and actor-filmmaker Aamir Khan. Their bond, built over decades of creative synergy and shared cinematic values, was once again on display when Akhtar took to social media to congratulate Khan on the strong box office performance of his latest film, Sitaare Zameen Par.

“So happy to learn about the record leap that Sitaare Zameen Par has taken at the box office on the second day. Who says good films have no takers in the audience? Congratulations to Aamir Khan and his team,” tweeted Akhtar, applauding the film’s growing momentum among audiences.

So happy to learn about the record leap that sitaaray Zameen per has taken at the box office on the second day . Who says good films have no takers in the audience. Congratulations to Aamir khan and his team . — Javed Akhtar (@Javedakhtarjadu) June 22, 2025

Earlier this year in March, PVR INOX announced a special film festival titled Aamir Khan: Cinema Ka Jadugar, celebrating the superstar’s illustrious contribution to Indian cinema ahead of his 60th birthday on March 14, 2025. The trailer launch event for the festival was graced by none other than Javed Akhtar, further underlining the warmth and admiration shared between the two.

Their long-standing association also features moments of creative disagreement, which both have acknowledged with grace and humour. In a recent episode of Aap Ki Adalat, Aamir recalled how Javed Akhtar had once advised him against making Lagaan. When asked if Javed Akhtar had discouraged the project, Aamir responded: "Haan, unhone aisa kaha tha. Lekin ye unka badappan hai ki unhone na sirf is baat ko maana, balki kain jagah is kisse ko sunaya bhi."

जावेद अख्तर ने आमिर खान को फिल्म 'लगान' करने से क्यों किया था मना ? @RajatSharmaLive @AKPPL_Official #AapKiAdalat #IndiaTV #AamirKhanInAapKiAdalat #AapKiAdalat #AamirKhan #SitaareZameenPar pic.twitter.com/pBbAlNB0Ed

— India TV (@indiatvnews) June 14, 2025

He added that Akhtar was skeptical about a film set in a village with a hero in a dhoti and songs with themes reminiscent of the Ramayana. According to Akhtar, back then, Lagaan had "all the qualities of a flop film." But history proved otherwise — Lagaan not only became a box office success but also a landmark in Indian cinema, both commercially and critically.

Coming back to Sitaare Zameen Par, directed by RS Prasanna under the banner of Aamir Khan Productions, it was released on June 20. The film also stars Genelia Deshmukh.

View this post on Instagram

  A post shared by Aamir Khan Productions (@aamirkhanproductions)

Also Read: Cinemas praise Aamir Khan for releasing Sitaare Zameen Par only in cinemas but upset with release strategy; 700-800 single screens not provided the film despite commitment; no show in ICONIC Raj Mandir Jaipur raises eyebrows