Indus Chronicles

Bollywood actor Arjun Kapoor took the stage at the FICCI Young Leaders Summit in Mumbai and delivered a candid and emotional talk on his struggles with obesity, mental health and the profound loss of his mother Mona Shourie Kapoor. He stressed the importance of normalising therapy and embracing vulnerability as a strength rather than a weakness.

Kapoor revealed that the COVID-19 pandemic was a turning point for him. “I started therapy after realising that I hadn’t taken care of myself for a decade.” He also reflected on the emotional storm of his mother’s death in 2012, saying, “I was mourning and celebrating at the same time. I became a star overnight, but I was only running away from my pain.”

On his weight battle, Kapoor shared, “Losing 50 kilos took me four years. It was as much a mental battle as a physical one. I was lucky to have my mother’s support, but many people don’t have that kind of emotional or financial backing. When you lose your backbone at 25, what can the world do to you?”

He urged younger people to value mental health and therapy. “There’s nothing wrong with being vulnerable,” Kapoor emphasised, adding that “the strongest people are those who can acknowledge their emotions.” He described therapy as a “safe outlet for expression, helping individuals feel empowered and sensible.”

In closing, he encouraged the audience to “wear their emotions with pride” and insisted that one “can be emotional and still be powerful.”

Kapoor’s comments come at a time when mental-health dialogue in Bollywood is growing more open, and his personal confession adds a strong voice to the discussion.

Also Read : Inside the grand 70th birthday bash of Boney Kapoor: Anil Kapoor, Arjun Kapoor, Janhvi Kapoor and others come together to celebrate; Shikhar Pahariya joins celebration too

The eighth episode of Two Much With Kajol And Twinkle featured Vicky Kaushal and Kriti Sanon and it made for a fun watch as they have never been paired together. Vicky raised laughs as he reacted to being called the ‘Green Flag Man’.

Vicky said, “I’ve received excellent training. Ab main Green Flag se Green Forest banna chahta hoon. Fir Green Planet banna chahta hoon. Fir achanak se Green Universe ban jaunga. I’m not going to stop. I’ll become green, greener, greenest!”

Vicky was asked how he met his wife Katrina. He replied, “I met Katrina Kaif backstage at an award show that I was hosting. She was there as a guest.” Kriti asked him, “Is this when you danced on 'Chinki Chameli' with her?” Vicky said, “I think so, yeah.”

He continued, “In fact, I met her the first time on stage and then we went backstage. I still remember that I had to take an entry, she had to take an entry and there was Sunil Grover along with me. The three of us were standing. Sunil and Katrina had shot Bharat (2019). So, they were like pally and friends. Sunil Grover introduced me to her. For the first 5 minutes of me meeting with Katrina, she trained me how to host the show! This was when we were going to go on stage just to say, 'Goodnight, everyone. Thank you for coming'. I have hosted the entire show, it’s all done!”

Vicky added, “It was like, 'Hi, I am Katrina', 'Hi, I am Vicky'. Then, she immediately told me, 'You know what? You shouldn't care about the audience. You should always do so-and-so'. I got a full-blown tutorial about how to host an award show, which I had already finished. That was my first interaction.”

Kriti Sanon then told Vicky Kaushal, “Katrina and I used to work out in the same gym. When she started dating you, her playlist suddenly changed. Suddenly, her playlist had Punjabi music. I looked at her and asked her, 'Is this your playlist?' Those were definitely not the songs she was listening to before.”

Also Read: From Kajol’s ‘Kriti heels’ to Kriti Sanon’s ‘current crush’ and Vicky Kaushal’s dance rehearsal to impress Hrithik Roshan, this week’s Two Much with Kajol and Twinkle delivers double the drama and fun!

The eighth episode of Two Much With Kajol And Twinkle featured Vicky Kaushal and Kriti Sanon and it made for a fun watch as they have never been paired together. The highlight was when Vicky was asked about an embarrassing situation on the sets of a film. He narrated an incident that occurred when he was shooting for Uri: The Surgical Strike (2019).

Vicky began by saying, “We were shooting in Serbia for all the action sequences. I was playing a special forces commando. So, my uniform had a lot of gadgets. One of the gadgets was a GoPro and it was on my shoulder. Director Aditya Dhar suggested, 'Let's keep it rolling. So, whatever footage we get, we'll put it in the war room scenes. This is your POV and that's what it should be'. Hence, he told me that 'Rather than shooting it separately, just keep it on'.”

Vicky continued, “The job of switching it on, during the take, and keeping it off, when the scene wasn't been shot, was given to the ADs. Of course, they used to forget. In between the shots, I would go to use the bathroom. The vanity vans in Serbia were not as lavish as the ones we have here. There, they have small trolleys. Hence, when I had to use the van, I used to bend, considering my height. Meanwhile, the GoPro was kept on my shoulder!”

Vicky Kaushal said, “A few days later, I asked my director, 'Bro, how’s the footage looking?'. He told me, 'Beta, main tujhe ek baat batana chahta hoon. Tu apna GoPro bandh kar liya kar' (laughs). I didn't understand and asked him, 'Why? What happened? We're getting extra footage'. He revealed, 'Jo footage mil raha hai, woh na tu dekhna chahega, na main dekhna chahunga lekin fir bhi main dekh raha hoon'!”

Vicky then joked, “I jokingly told Aditya Dhar, 'I cannot say no to your scripts in the future because you have some footage of mine, which I would not like to come out. Warna sach mein tauba tauba ho jaayega!”

Also Read: Two Much With Kajol and Twinkle Finale: Vicky Kaushal to impress with ‘Tauba Tauba’ Moves; Kriti Sanon to make major revelation on her love life

The third edition of the Bollywood Hungama OTT India Fest and India Entertainment Awards is all set to take place on December 3 and 4 in Mumbai. Those two days will celebrate some of the biggest names from the Indian OTT space, many of whom would gather under the same roof.

Before that happens, here’s looking back at 7 faces who owned OTT in 2025:

Jaideep Ahlawat

In his role in Paatal Lok Season 2, Jaideep Ahlawat brought a deeply conflicted, haunted cop to life, one who carries the weight of institutional failure, personal loss and moral frustration. His portrayal was noted for the layered nuance — anger simmering beneath control, vulnerability peeking through toughness — which lifted a gritty streaming narrative into something memorable.

Kajol

Making a mark in the digital space through The Trial Season 2, Kajol embraced a character that required her to sink into ambiguity and internal conflict — moving away from the more assured star-persona to someone unhinged, vulnerable yet defiant. Her willingness to adapt to OTT storytelling and anchor a show upon her shoulders earned attention for its mature craft.

Manoj Bajpayee

In a streaming thriller Despatch about investigative journalism and corporate corruption, Bajpayee delivered a performance that felt lived in: the weary investigator, the man caught between bureaucracy and truth, quiet but explosive when provoked. Critics and viewers alike pointed to the calm power of his acting as the pillar around which the film worked.

Sunny Kaushal

Breaking away from lighter or more conventional roles, Kaushal embraced complexity in the streaming film Phir Aayi Hasseen Dillruba, where his character navigates jealousy, manipulation and moral fall-outs. The turn was remarked upon for how it allowed him to explore a darker shade, proving he’s ready to take on off-beat, riskier work in the OTT space.

Jyotika

Known more for regional work, Jyotika’s venture into Hindi OTT with Dabba Cartel was noteworthy — she played a woman whose calm surface hides deep fissures of loyalty, ambition and survival. Her performance stood out precisely because of its restraint: she didn’t oversell emotion, she earned it, which made her part of a strong ensemble very impactful.

Abhishek Banerjee

In the film Stolen, Banerjee anchored a story of kidnapping, faith and class divide with rawness. The tension in his portrayal, the moral ambiguity he embodied, and the transformation the character goes through were all pointed to as high-points of the movie and a signal of his growing heft in OTT cinema.

Zahan Kapoor

In the gritty prison-drama series Black Warrant, Zahan Kapoor impressed many with his portrayal of a young officer in the brutal environment of Tihar Jail. Viewers and reviewers alike noted how he held his own in a high-intensity ensemble, bringing a grounded voice to a character thrust into chaos and moral test.

The Bollywood Hungama OTT India Fest and India Entertainment Awards is presented by SleepZ by Raymond, co-powered by Fima, Carlo Frattini, and Amante in association with Helios, Style Partner Rare Rabbit, Lovestory Patner Truly Madly, Stylish Furniture Partner Uraban Ladder, with healthcare partner HCG, skincare partner Fixferma, Spirituality partner Satvik, conversation partner Bevzilla, gourmet dessert partner Smoor, nutrition partner The Naturik Co., radio partner Radio City and celebration partner Heineken Silver.

Also Read: From Big Screen to Stream Screen: How Hindi cinema’s biggest names found freedom online

Siddhant Chaturvedi has impressed audiences ever since he made his film debut with Gully Boy (2019). Recently, he proved his worth yet again with Dhadak 2 (2025). Bollywood Hungama has learned that he has now bagged a film based on the legendary director, actor, producer and writer V Shantaram. The talented performer will play the lead role in this film, which has been titled Chitrapati V Shantaram.

A source told Bollywood Hungama, “This will be Siddhant’s biggest film to date and also his most ambitious one. With his past work, he has made it clear that he has oodles of talent. This motivated the makers of Chitrapati V Shantaram to sign him for the lead role. The film is in pre-production right now and Siddhant is working very hard to get into the character.”

The source further said, “V Shantaram’s contribution to the Indian film industry is immense and with this film, the younger generation will learn about it. Chitrapati V Shantaram will throw light on how this man, born in abject poverty in Kolhapur, learned filmmaking under Baburao Painter in Pune, and then left an unforgettable mark in the Hindi film industry with movies like Jhanak Jhanak Payal Baaje (1955), Do Aankhen Barah Haath (1957), etc. This film will also educate viewers that he was a trendsetter - he was the first one to cast women, the first one to sell film music rights and the first filmmaker to attempt a colour film. His films, made at Prabhat Studios, won praise at Cannes, Venice and Berlin Film Festivals and was also honoured with a Golden Globe in the year 1959. Not many are aware that Charlie Chaplin had praised V Shantaram's work and also about his rivalry with Bombay's (present-day Mumbai) elite filmmakers. Hence, the biopic will not just be enlightening but also entertaining and dramatic.”

Also Read: Aamir Khan and Rajkumar Hirani’s Dadasaheb Phalke Biopic shelved due to script issues

The 70th birthday of producer Boney Kapoor turned into a star-studded family affair, as the entire Kapoor clan gathered to celebrate the special milestone in grand style. The intimate yet luxurious celebration was held on a beautifully decorated lawn, illuminated with canopy lights and featuring a live orchestra that set the perfect festive tone for the evening.

The bash saw the presence of Boney’s children — Janhvi Kapoor, Arjun Kapoor, and Anshula Kapoor — alongside his brothers Anil Kapoor and Sanjay Kapoor, who were joined by their wives, Sunita and Maheep Kapoor, respectively. Also in attendance were the Kapoor sister Reena and her husband Sandeep Marwah, making it a complete family get-together. Adding a personal touch to the night, Janhvi’s rumoured boyfriend, Shikhar Pahariya, was also seen at the celebration, marking his presence at another important Kapoor family event.

Anshula Kapoor, who recently got engaged, took to Instagram to share a heartwarming post for her father. Sharing glimpses from the evening, she wrote, “Everywhere I go, someone always mentions your kindness, your generosity, and the warmth you carry wherever you are @boney.kapoor. You’ve given so much love to the world, and I hope it all comes back to you today. Happy birthday, Dad. Love you.”

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Arjun Kapoor too penned an emotional note alongside a series of photos, including moments from the party and old memories with his father. He wrote, “Happy Birthday, Dad. You’ve spent your life building, creating, giving to family, to films, to everyone who crosses your path. Thank you for teaching me what it means to show up with heart, to keep evolving, and to always move forward. I’m proud to be your son.”

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Meanwhile, Boney’s brothers Anil and Sanjay Kapoor added their own wishes on social media. Sanjay shared a cheerful photo with his brothers, writing, “Happy 70th birthday big brother/father @boney.kapoor,” while Anil expressed his emotions with a nostalgic message, saying, “Hard to believe how many memories, laughs, and adventures we’ve lived through together. Wishing you all the happiness, love, and good health always.”

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From heartfelt tributes to the joyous family reunion, Boney Kapoor’s 70th birthday bash was truly a celebration of love, legacy, and togetherness.

Also Read: Arjun Kapoor, Janhvi Kapoor with Shikhar Pahariya, Sonam Kapoor Ahuja and others attend Anshula Kapoor and Rohan Thakkar’s engagement

Shefali Shah’s portrayal of DCP—now DIG—Vartika Chaturvedi has long been one of the strongest pillars of Delhi Crime, a series that has earned global acclaim and remains India’s only International Emmy Award-winning show. With Season 3 gearing up for release, anticipation is at an all-time high, and Shefali’s recent fan interaction has further fuelled excitement around the upcoming chapter.

During an Instagram Q&A, a fan asked her about the most fulfilling moment she has experienced while playing Vartika. Shefali responded with characteristic honesty, saying the “love and respect” she continues to receive from viewers means the most to her, adding that being addressed as “Madam Sir” has become a cherished sentiment over the years. Her response underlines the emotional bond she shares with audiences—a connection strengthened since Delhi Crime first debuted.

The much-awaited Season 3 trailer released earlier this month, offering a glimpse into what is being described as the show’s most expansive narrative yet. Moving beyond Delhi, the new season widens its world across Assam, Rohtak, and several other regions as the investigation stretches across state lines. Produced by Golden Karavan and SK Global Entertainment, and directed by Tanuj Chopra, the series also brings together a compelling ensemble cast including Rasika Dugal, Rajesh Tailang, Huma Qureshi, Sayani Gupta, Mita Vashisht, Anshumaan Pushkar, and Kelly Dorji.

At the heart of the story is DIG Vartika Chaturvedi, who begins probing a string of unexplained disappearances. As she and her team dig deeper, they uncover a chilling pattern pointing to systemic rot fuelled by fear, corruption, and silence. The investigation eventually reveals one recurring name across multiple cities—Badi Didi, played by Huma Qureshi. Described as ruthless, strategic, and perpetually ahead of the system, she emerges as the silent architect of a far-reaching criminal network.

What follows is an intense psychological standoff between two formidable women, each driven by conviction and unwilling to back down. With Shefali Shah bringing her trademark depth, restraint, and empathy to Vartika, the new season promises a gripping clash of ideologies as much as a crime thriller.

As Delhi Crime 3 prepares to return, Shefali’s reflections highlight why Vartika Chaturvedi remains one of the most respected and beloved characters in Indian storytelling—steadfast, human, and unafraid to confront the truth.

Also Read: Shefali Shah slams “unfair” work hours in film industry; questions why overtime and actor delays are normalised

The Deol family was forced to intervene on Tuesday morning after a wave of false reports claiming that veteran star Dharmendra had passed away spread rapidly across social media and certain digital platforms. The rumours, which surfaced shortly after the news broke of the actor being hospitalised for age-related ailments, triggered widespread confusion among fans and prompted an outpouring of concern.

Dharmendra, who was admitted for routine monitoring a few days ago, has been under medical care but remains stable and on the road to recovery, according to his family. Despite his children already keeping followers updated on his progress, misinformation continued to circulate, causing distress to both fans and the actor’s loved ones.

Deeply upset by the insensitivity, Hema Malini took to social media to issue a firm statement condemning the false reports. Calling the situation “unforgivable,” the actress and parliamentarian expressed shock at how “responsible channels” could circulate such baseless news. She emphasised that Dharmendra is “responding to treatment and recovering,” and criticised the spread of rumours as “extremely disrespectful and irresponsible.” She further urged media outlets and social media users to allow the family space during this time, stressing the importance of respecting their need for privacy.

What is happening is unforgivable! How can responsible channels spread false news about a person who is responding to treatment and is recovering? This is being extremely disrespectful and irresponsible. Please give due respect to the family and its need for privacy. — Hema Malini (@dreamgirlhema) November 11, 2025

Esha Deol, too, voiced her frustration with the situation, calling out the media’s haste in spreading unverified information. She reassured fans that her father is stable and recovering, adding that the family remains grateful for the prayers and well-wishes pouring in. Her message was clear: the Deols do not seek public speculation, only privacy and sensitivity from those reporting on the actor’s health.

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The rumours began circulating after reports emerged on Monday about Dharmendra being admitted to the hospital once again, which was quickly amplified online. By Tuesday, the misinformation had escalated to the point of falsely declaring the actor dead, compelling the family to step in and clarify the truth.

Dharmendra, a beloved figure in Indian cinema with a career spanning over six decades, continues to receive strong support from fans who have flooded social media with messages of love and prayers for his speedy recovery. With his family assuring that he is stable, they hope the public will rely on verified updates moving forward and refrain from sharing misleading content.

Also Read: Dharmendra health update: Veteran actor is stable, confirms family; dismisses ventilator rumours

Actress Aradhana Sharma is at the centre of one of television’s most nostalgic revivals as she takes on the lead role in Rajni 2.0, the contemporary reimagining of the 1985 classic Rajani. For millions of viewers, the original series — headlined by the late Priya Tendulkar — was more than a weekly show. It was a landmark movement that confronted corruption, questioned social norms and showcased an ordinary woman’s extraordinary courage.

With Rajni 2.0, that legacy returns, this time through the journey of Rajni’s daughter Guddu, played by Aradhana. And for the young actress, carrying forward a character that once defined Indian television comes with both pride and pressure. “It’s a big responsibility to do justice to the show because it’s a classic,” Aradhana said, acknowledging the emotional weight attached to the revival. “You can’t treat something like Rajni lightly — it’s more than entertainment, it’s a legacy. I had to be completely immersed in my character to ensure I did justice to the values and depth that the original Rajni stood for.”

Aradhana’s character mirrors the grit, moral strength and fearlessness that made Priya Tendulkar’s Rajni unforgettable — but with nuances shaped by today’s world. Rajni 2.0 explores how Guddu stands up against modern-day challenges, from institutional apathy to everyday injustice, while staying true to the essence of the original show. “For me, this isn’t just a performance — it’s a tribute,” Aradhana explained. “Priya ma’am created a woman who wasn’t afraid to speak up, even when it was uncomfortable. Through Rajni 2.0, we’re carrying that spirit forward for today’s generation — where the challenges are different, but the need for courage is the same.”

Early reactions indicate that audiences are connecting strongly with Aradhana’s portrayal, praising her grounded yet impactful screen presence. As Rajni 2.0 continues its run, Aradhana stands as the new face of a timeless message — that one voice, armed with conviction, can still spark change.

Also Read: Karan Razdan remembers former wife Priya Tendulkar on her death anniversary: “We loved each other and yet we were miserable together”

In a deeply personal and emotional conversation on Rhea Chakraborty’s podcast Chapter 2, Vijay Varma opened up about battling depression, navigating a turbulent childhood, and repairing his inner world through therapy and support from close friends.

The actor shared that while he had immense admiration for his father growing up, things began to shift during his teenage years. “He loved me, but he wanted so many things from me that I didn’t want — my career, my friends, even how I spent my time. Everything about me seemed to bother him,” he said, recalling how their conflicting ideologies strained the bond. As he grew older, the tension only intensified. “Actually, I could have enjoyed the business — but I didn’t enjoy my father’s company. His temper grew exponentially as I entered my teens. The more I resisted, the angrier he became,” Vijay added.

His passion for theatre became another point of conflict. When he confessed his desire to pursue it, the reaction he received pushed him to make a life-changing decision. “I called him and lied that I got a scholarship and it’s a one-year course. He said something nasty and warned, ‘You better leave before I return.’ So I packed my bags and left. I didn’t want havoc,” the actor recalled. Over the years, he found emotional solace in his mother, whom he described as his anchor.

However, the guilt of leaving home resurfaced years later during the COVID-19 lockdown, when he was isolated in his Mumbai apartment. “I was diagnosed with severe depression and anxiety. My therapist even suggested medication. I told her, ‘Let me try managing for now,’” Vijay shared.

He credited Ira Khan and Gulshan Devaiah for stepping in when he was at his lowest. “I kept deteriorating. Ira was the first to say, ‘Vijay, you need to start moving.’ She made me join Zoom workouts. She was like my coach,” he said.

Therapy became a powerful outlet for unresolved pain. Opening up about the emotional breakdowns he experienced, he admitted, “I have never spoken openly about many things that I hadn’t processed. Therapy and yoga brought everything up. During Surya Namaskar, I would collapse and cry for hours without knowing why.”

Grateful for the timely intervention, Vijay added, “I’m glad Ira stepped in at the right time. She told me therapy isn’t bad. Coming from a dysfunctional family, if you don’t sort things out, it leaves a lasting mark. You think you’ve forgotten childhood hurt, but the subconscious remembers.”

With this rare moment of vulnerability, Vijay Varma shed light on the importance of mental health, emotional healing, and the crucial role of a strong support system—both in life and in the entertainment industry.

Also Read: Vijay Varma reveals he once sold SIM cards for a living — and made a bold promise about a Nokia showroom!

Bigg Boss 19 delivered another one of its most dramatic turns this week with the double eviction of Abhishek Bajaj and Neelam Giri. Both contestants, who have been at the centre of multiple controversies since the beginning of the season, saw their journeys cut short after an intense round of nominations and weekend scrutiny.

Neelam Giri’s stint inside the house was marked by frequent reprimands from host Salman Khan. The Bhojpuri actress was repeatedly cautioned for her conduct, including the episode where she was accused of body shaming fellow contestant Ashnoor Kaur. Her run also included a series of confrontations— from a heated fallout with Tanya Mittal, once considered her close ally, to a major clash with Farrhana Bhatt.

Abhishek Bajaj’s journey wasn’t any less turbulent. During the recently aired Weekend Ka Vaar, Salman Khan called him out once again, this time in the presence of Ashnoor Kaur, pointing out how her presence often gets overshadowed by Bajaj. The actor has also been embroiled in controversies linked to personal allegations made by his ex-wife Akanksha, who questioned his chemistry with Ashnoor and accused him of cheating during their marriage. His time in the house further saw repeated arguments with contestants like Baseer Ali and Shehbaz Gill.

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Along with Abhishek and Neelam, the other names in the elimination pool this week included Gaurav Khanna, Ashnoor Kaur, and Farrhana Bhatt, who survived the round.

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With the eviction of two strong yet contentious personalities, the competition now tightens among the remaining contestants—Kunickaa Sadanand, Amaal Malik, Malti Chahar, Pranit More, and Mridul Tiwari along with Khanna, Bhatt, and Kaur— each gearing up for the unpredictable twists Bigg Boss is known for.

The latest elimination has unquestionably reshaped the dynamics of Bigg Boss 19, setting the stage for more drama, shifting alliances, and high-octane faceoffs in the weeks ahead.

Also Read: Bigg Boss 19 hints at Pranit More’s possible return after health exit, internet reacts with excitement

Bigg Boss 19 delivered another one of its most dramatic turns this week with the double eviction of Abhishek Bajaj and Neelam Giri. Both contestants, who have been at the centre of multiple controversies since the beginning of the season, saw their journeys cut short after an intense round of nominations and weekend scrutiny.

Neelam Giri’s stint inside the house was marked by frequent reprimands from host Salman Khan. The Bhojpuri actress was repeatedly cautioned for her conduct, including the episode where she was accused of body shaming fellow contestant Ashnoor Kaur. Her run also included a series of confrontations— from a heated fallout with Tanya Mittal, once considered her close ally, to a major clash with Farrhana Bhatt.

Abhishek Bajaj’s journey wasn’t any less turbulent. During the recently aired Weekend Ka Vaar, Salman Khan called him out once again, this time in the presence of Ashnoor Kaur, pointing out how her presence often gets overshadowed by Bajaj. The actor has also been embroiled in controversies linked to personal allegations made by his ex-wife Akanksha, who questioned his chemistry with Ashnoor and accused him of cheating during their marriage. His time in the house further saw repeated arguments with contestants like Baseer Ali and Shehbaz Gill.

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Along with Abhishek and Neelam, the other names in the elimination pool this week included Gaurav Khanna, Ashnoor Kaur, and Farrhana Bhatt, who survived the round.

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With the eviction of two strong yet contentious personalities, the competition now tightens among the remaining contestants—Kunickaa Sadanand, Amaal Malik, Malti Chahar, Pranit More, and Mridul Tiwari along with Khanna, Bhatt, and Kaur— each gearing up for the unpredictable twists Bigg Boss is known for.

The latest elimination has unquestionably reshaped the dynamics of Bigg Boss 19, setting the stage for more drama, shifting alliances, and high-octane faceoffs in the weeks ahead.

Also Read: Bigg Boss 19 hints at Pranit More’s possible return after health exit, internet reacts with excitement

It was a weekend full of glitz, glamour, and graceful looks and celebrity makeup artist Meera Sakhrani was the creative force behind two of the most talked-about makeovers. Both Ananya Panday and Navya Nanda turned heads at a recent wedding celebration, dazzling in distinct yet equally elegant avatars.

Meera Sakhrani shared videos of the two beauties on her Instagram handle, showcasing their final looks. For Ananya Panday, Sakhrani created a dewy, soft-glam finish that emphasized her naturally radiant skin. The actress, who attended her best friend’s wedding, exuded a fresh bridal-guest glow with luminous skin, peach tones, and minimal eye makeup. Her voluminous, wavy hair was styled by Dablu Kumar, adding a youthful charm to the look. Completing her ensemble was a richly embroidered lehenga designed by Bhumika Sharma, known for her fusion of modern silhouettes and traditional craftsmanship.

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Meanwhile, Navya Nanda’s look leaned towards classic elegance. Sakhrani opted for a flawless base, softly defined eyes, and a muted lip, enhancing Navya’s poised persona. The young entrepreneur and social influencer radiated understated sophistication a perfect example of how minimalist glam can make a lasting impression.

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Both looks captured Meera Sakhrani’s signature style clean, glowing, and camera-ready making her one of the most sought-after celebrity makeup artists in the industry. Fans flooded the comments praising her artistry and the effortless beauty of both women.

With Ananya’s vivacious charm and Navya’s serene grace, Meera Sakhrani’s brushes worked magic once again, proving that subtle glamour never goes out of style.

Also Read : Ananya Panday lives her Kabira moment at best friend Deeya Shroff’s wedding

The month of November is here, which means that the much-awaited International Film Festival of India (IFFI) 2025, Goa, is around the corner. The schedule for the 56th edition, which will be held in the beach state from November 20 to November 28, 2025, is now available and features some interesting films. In this article, we’ll list the exciting Hindi titles.

Opening Film, Gala Premieres

The dystopian drama The Blue Trail will be the opening film. It is Brazil’s Oscar submission for the 98th Academy Awards, while it won the Silver Bear Grand Jury Prize at the 75th Berlin International Film Festival.

This year, some interesting forthcoming releases will be shown first at the festival and will also have gala premieres. This means that the star cast of the film is expected to be present. All these premieres will be held in the beautiful Inox Panjim. 

Raat Akeli Hai: The Bansal Murders, the sequel to the much-loved 2020 Netflix film, Raat Akeli Hai, will be screened on November 21. This time, Nawazuddin Siddiqui and Radhika Apte are joined by Chitrangada Singh, Rajat Kapoor, Deepti Naval, Ila Arun and Revathy. 

Gustaakh Ishq, starring Vijay Varma and Fatima Sana Shaikh, will be released worldwide on November 28. But attendees of IFFI will get a chance to see it first, on November 24. Meanwhile, Vadh 2 is scheduled to be released on February 6, 2026. This Neena Gupta-Sanjay Mishra starrer will have its premiere on November 23.

Then there are titles which will have its premiere on the day of their release. The Family Man’s much-awaited Season 3 will be screened on November 21. The same day, Farhan Akhtar’s 120 Bahadur will also have its premiere. Similarly, Dhanush-Kriti Sanon starrer Tere Ishk Mein will be screened at the festival on November 28, the day it releases everywhere.

Another exciting premiere will be that of Calorie, starring Anupam Kher and Dolly Ahluwalia. Before its release in Canada on November 28, it’ll be shown at IFFI on November 23.

Lastly, two cult films will have their gala premieres at IFFI as well. While Sholay will be shown on November 26, 1942: A Love Story will have its show on November 21. The former is being shown as part of its 50th anniversary. The restored version will have its first-ever screening in India and moreover, it’ll be screened at Screen 1 of Inox Panjim. This auditorium has 483 seats and has one of the largest screens in India, which will make for an unforgettable experience.

Another classic, a Hollywood one, to have its screening is Quentin Tarantino’s Pulp Fiction (1994). It’ll be held on November 21, also in Screen 1 of Inox Panjim.

Other films to watch out for

Besides the aforementioned two films, some older memorable Hindi movies will have its screening at IFFI like Dr Kotnis Ki Amar Kahani (on November 21), Rudaali (on November 22), Umrao Jaan (on November 21), Gaman (on November 22), CID (on November 24), Pyaasa (on November 24), Ek Doctor Ki Maut (on November 22) etc.

The 56th IFFI will also give viewers a chance to see some of the memorable 2025 Hindi films on the big screen, like Su From So (on November 24), Tanvi The Great (on November 21), Ground Zero (on November 21), Chhaava (on November 23) and The Bengal Files (on November 21). The screenings of the film will be followed by a Q&A session with the filmmakers. 

Kesari Chapter 2, too, will have its screening, on November 27, but there's no clarity on whether its director will interact with the audience after the screening.

Closing film, masterclasses 

There’s no information yet on the closing film and a clearer picture should emerge on this front in the coming week.

Lastly, masterclass sessions will be held with prominent celebrities like Aamir Khan, Bobby Deol, Rajkumar Hirani, Ramesh Sippy, Anupam Kher, Vishal Bhardwaj, Vidhu Vinod Chopra, Muzaffar Ali, Shekhar Kapur and others.

Also Read: The Family Man Season 3 trailer launch: Manoj Bajpayee talks about being a ‘family man’ and his daughter Ava: “She’s a BIGGER fan of Sharib Hashmi than me!”; reveals Ava’s PRICELESS reaction on meeting her idol Sharib

Bollywood Hungama was among the first ones to break the news that Sooraj Barjatya’s next family entertainer, starring Ayushmann Khurrana and Sharvari, would go on floors on November 1. We have now learned what this film has got its title. It was reportedly earlier titled Prem Ki Shaadi, but now it has come to light that the film is called Yeh Prem Mol Liya.

A photographer named Ravendra Singh Bhadauria uploaded a picture on Instagram on November 6 that features a DSLR camera resting next to the clapperboard of the film. The clapperboard clearly mentions the name of the film, that is, Yeh Prem Mol Liya.

As per a report in Mid-Day, a week-long shoot was completed in Kandivali. Sooraj Barjatya shot a grand scale in this schedule, featuring Ayushmann Khurrana, Sharvari, other actors of the cast and 200 background dancers.

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The Mid-Day article also stated that the next schedule of the film will begin this week at Mehboob Studios. At the Bandra shooting venue, the team plans to complete 80% of the shoot, after which a few outdoor portions will remain. If all goes well, the shoot of Yeh Prem Mol Liya will be wrapped up by January 2026. The film also stars Anupam Kher, Seema Pahwa, and Supriya Pathak in pivotal roles, reportedly.

Yeh Prem Mol Liya is presented and produced by Rajshri Productions in association with Mahaveer Jain Films and Anita Gurnani. A source told Bollywood Hungama last month, “After Uunchai (2022), Sooraj Barjatya’s last film, Rajshri Productions has decided to join hands once again with Mahaveer Jain Films. Both Sooraj Barjatya and Mahaveer Jain had a wonderful time working with each other on Uunchai and hence, they decided to collaborate once more for the upcoming film.”

Also Read: Ayushmann Khurrana and Sharvari’s next with Sooraj Barjatya goes on floors; Anupam Kher shares update from sets

The Bollywood Hungama OTT India Fest and India Entertainment Awards are all set to take place on December 3 and 4 in Mumbai. The grand event will see some of the biggest names from the streaming world gather under one roof.

The OTT medium has helped a lot of Hindi film actors become known names. As we brace ourselves for the grand event, here’s having a look at 7 Hindi cinema actors who have found freedom online:

Sushmita Sen – Aarya Series (Disney+ Hotstar) & Taali

After years away from the big screen, Sushmita Sen made a phenomenal return with Aarya, playing a mother forced into the world of crime. Her commanding presence and emotional depth made the show one of the most acclaimed OTT hits. She followed it up with Taali, portraying transgender activist Gauri Sawant with rare dignity and power, reaffirming her status as a fearless performer.

Manoj Bajpayee – The Family Man (Prime Video) & Killer Soup (Netflix)

Manoj Bajpayee became the face of India’s streaming boom with The Family Man, where his portrayal of the relatable yet razor-sharp Srikant Tiwari redefined the Indian spy genre. In Killer Soup, he showcased his chameleon-like range by playing dual roles with dark humour and emotional precision. OTT gave Bajpayee the mainstream recognition he long deserved.

Jaideep Ahlawat – Paatal Lok (Prime Video) & The Broken News (ZEE5)

Jaideep Ahlawat’s breakout as Hathiram Chaudhary in Paatal Lok was nothing short of phenomenal — raw, real, and riveting. The show cemented him as one of the finest actors of his generation. He continued his winning streak with The Broken News and web films like Jaane Jaan, proving that subtlety and intensity can coexist beautifully in performance.

Raveena Tandon – Aranyak (Netflix) & Karmma Calling (Disney+ Hotstar)

With Aranyak, Raveena Tandon shed her glam image and embraced a layered, small-town police officer’s role, earning critical acclaim. Her recent turn in Karmma Calling showcased her flair for playing icy, commanding characters. OTT has given her a second innings that highlights her emotional and dramatic strength like never before.

Pankaj Tripathi – Mirzapur, Criminal Justice, Kadak Singh (Prime Video, Hotstar, ZEE5)

Pankaj Tripathi is arguably the most definitive face of India’s OTT revolution. From the menacing Kaleen Bhaiya in Mirzapur to the witty and grounded lawyer Madhav Mishra in Criminal Justice and the emotionally charged father in Kadak Singh, he’s delivered masterclass after masterclass. His understated brilliance has made him a favourite of both critics and audiences.

Karishma Tanna – Scoop (Netflix)

Karishma Tanna reinvented herself completely with Hansal Mehta’s Scoop, based on journalist Jigna Vora’s life. Her grounded, deeply human performance as Jagruti Pathak — a reporter caught in a media and crime storm — surprised everyone and won her multiple awards. From glamour to grit, Tanna’s transformation has been one of OTT’s most inspiring success stories.

Abhishek Bachchan – Breathe: Into the Shadows (Prime Video) & Ludo, Dasvi (Netflix)

Abhishek Bachchan found renewed creative energy in the digital space. His turn in Breathe: Into the Shadows showcased a complex psyche, while Ludo and Dasvi revealed his comfort in balancing intensity with humour. OTT has allowed him to explore layered, unconventional characters — a space where he’s thrived artistically.

The Bollywood Hungama OTT India Fest and India Entertainment Awards is presented by SleepZ by Raymond, co-powered by Fima, Carlo Frattini, and Amante in association with Helios, Style Partner Rare Rabbit, Lovestory Patner Truly Madly, Stylish Furniture Partner Uraban Ladder, with healthcare partner HCG, skincare partner Fixferma, Spirituality partner Satvik, conversation partner Bevzilla, gourmet dessert partner Smoor, nutrition partner The Naturik Co., radio partner Radio City and celebration partner Heineken Silver.

Also Read: Digital Blockbusters: The films/series everyone binged in 2025

The Central Board of Film Certification (CBFC) is known to impose several cuts or ask for replacements and modifications in scenes or dialogues that they find inappropriate or objectionable. Even clean family entertainers have gone through such censorship. Hence, it’ll be a pleasant surprise for our readers to know that De De Pyaar De 2 has proved to be an exception.

Bollywood Hungama has learned that the upcoming Ajay Devgn-R Madhavan-Rakul Preet Singh starrer has not got a single visual or audio cut. The film has been passed as it is by the Examining Committee of the CBFC. The film has received a U/A 13+ certificate and the process was completed on November 6. The length of the film, as mentioned on the censor certificate, is 147.10 minutes. In other words, De De Pyaar De 2 is 2 hours, 27 minutes and 10 seconds long. It releases in cinemas on November 14.

Past experience

De De Pyaar De 2 is a sequel to the Ajay Devgn-Tabu-Rakul Preet Singh starrer De De Pyaar De (2019), which suffered several cuts from the CBFC. Even then, Bollywood Hungama was the first one to break the news about its CBFC process. Back then, the CBFC shockingly deleted the visuals of Rakul Preet Singh holding an alcohol bottle and replaced it with the actress holding flowers! Two dialogues, which had double entendre, were also asked to be modified.

Second zero cut film of the month

De De Pyaar De 2 is the second November release to be passed uncut, the first being Haq, starring Emraan Hashmi and Yami Gautam. It is based on the Shah Bano case and such controversial and sensitive films often get the maximum cuts from the CBFC. But like the Ajay Devgn-starrer, it also got a U/A 13+ certificate with no cuts. Its length is 136 minutes, that is, 2 hours and 16 minutes and its makers were handed over the censor certificate on October 28. The film was released in cinemas on November 7.

Also Read: R Madhavan opens up on reuniting with Ajay Devgn in De De Pyaar De 2; says, “This one’s more about one-upmanship”

At the recent Global Leadership Summit, two of India’s most celebrated creative visionaries Deepika Padukone and Sabyasachi Mukherjee came together for an inspiring session that highlighted India’s expanding global footprint in art, fashion, and cinema. Their conversation, centred on leadership, creativity, and cultural identity, offered a rare glimpse into the mutual respect and admiration shared by two pioneers who continue to redefine Indian storytelling on the world stage.

During the discussion, Sabyasachi Mukherjee, Founder and Creative Director of the luxury fashion house Sabyasachi, spoke about Deepika with deep respect and affection, calling her the most bankable and the most famous person from India.

He said, “The fact is that, you know, she is probably the most bankable and the most famous person from India and you know, when we see her at the Olympics, when we see her at the Oscars, I don't think there's a greater brand ambassador or a culture ambassador for the country and I think Deepika should officially represent a whole lot of us in some of the biggest stages all over the world because, I think, that kind of representation matters and I hope Deepika you continue do that more and more and more.”

His words reflected not only his admiration for Deepika’s global stature but also her contribution to reshaping how India is perceived internationally. Deepika has been instrumental in expanding India’s influence across diverse arenas from global luxury and high fashion to meaningful cultural conversations. Whether representing the country at prestigious platforms like Cannes and the Academy Awards or advocating for mental health and women’s empowerment, she has consistently used her platform to create impact far beyond cinema.

At the summit, their conversation went beyond fashion and fame it was a dialogue on cultural leadership. As Sabyasachi aptly described, Deepika Padukone is not just a star but a symbol of India’s evolving identity a global ambassador who continues to represent the nation’s spirit with grace, confidence, and strength.

Also Read : Sabyasachi Mukherjee reveals Rani Mukerji’s ‘mad’ wedding with Aditya Chopra: “She was very chilled out”

Harshvardhan Rane, currently enjoying box office success with his romantic drama Ek Deewane Ki Deewaniyat, has unexpectedly become the centre of a social media debate — and this time, it’s not for his performance. A scene from the Milap Zaveri directorial has caught the attention of netizens and even medical professionals, leading to a wave of memes, criticisms and light-hearted trolling.

The moment under scrutiny appears in a sequence where Rane’s character sustains a bullet injury to his arm. While the narrative intends to depict the urgency of medical care, viewers were quick to point out a glaring continuity error: the dressing for the wound is applied over the actor’s shirt instead of on the skin. A doctor, who stumbled upon the clip, shared it on X (formerly Twitter) with a sarcastic caption that read, “Bollywood doctors are soo advanced… Shirt ke upper dressing…”

The post quickly gained traction, and social media users wasted no time turning the clip into meme material. Comments ranged from snarky to outright hilarious, with one user writing, “Maybe they couldn’t afford to tear that shirt,” while another joked, “They don’t use two brain cells.” Some others added to the humour with quips like “Sare COVID me pass out huye hai (they all passed out in COVID),” “Mashoor Gulati is their doctor,” and “Everything is possible in love and Bollywood.” A particularly popular comment read, “Even his shirt got hit by the bullet.”

Bollywood Doctors are soo advanced.... Shirt ke Upper Dressing....???? pic.twitter.com/OmY7sICl8x — Dr Anil Gurjar (@Dr_Akgurjar) November 5, 2025

Despite the trolling, Ek Deewane Ki Deewaniyat continues to draw audiences. The film, described as an intense romantic drama, features Sonam Bajwa alongside Harshvardhan Rane. Directed by Milap Zaveri and written by Zaveri and Mushtaq Shiekh, the project is backed by Desi Movies Factory. Released on 21 October 2025 during the Diwali weekend, it faced competition from the Maddock Horror Comedy Universe title Thamma, starring Ayushmann Khurrana and Rashmika Mandanna.

While the blooper has triggered online amusement, it hasn’t dampened the film’s commercial run. For now, Ek Deewane Ki Deewaniyat is trending both for its box office performance and for a moment of unintended comedy that the internet refuses to let go.

Also Read: Harshvardhan Rane signs Force 3 for Rs 15 crore fee: Reports

A special screening for Baramulla was organized for the press at a preview theatre in Mumbai. This was followed by an interactive session with Ruchikaa Kapoor Sheikh, Director, Original Films, Netflix India, producers Aditya Dhar and Lokesh Dhar, director Aditya Suhas Jambhale, writer Monal Thaakar and actor Bhasha Sumbli.

Aditya Dhar is one of the writers of the film as well, along with Monal. He explained, “For all of us filmmakers, whatever films we make, it all comes from our past and our life experiences. Those who have had good life experiences become Sooraj Barjatya! Those who go through difficult life experiences become Anurag Kashyap. Hence, Baramulla is something that is very personal to me, being a Kashmiri. But the whole point was that even a lot of Kashmiri Muslims have suffered. It would be absolutely wrong to say that only Kashmiri Pandits have felt the pain.”

He added, “I know a lot of Kashmiri Muslims, who are my friends. They are in the police force and are doing a phenomenal job in Kashmir. One of the most difficult places in India to be a cop is Kashmir. In every other place in India, you don’t have a threat to life. Kashmir is the only place in India where any terrorist can come and shoot you from behind. This doesn’t happen anywhere else in the country. The cops out there are one of the patriotic bunch of people that I have seen.”

Aditya Dhar further said, “I attempted to tell this story where I combine what Kashmiri Pandits experience and what these patriotic Kashmiri Muslims are experiencing right now, especially when the latter are being termed as traitors. This was a small thought and written way back in 2016. I even forgot about it as time passed. When I tried selling the script, toh kisi ne mujhe bahut gande paise offer kiye the. This is when I made up my mind that I would not sell this subject for a pittance and that I would make this film the right way.”

Baramulla is backed by Jio Studios and B62 Studios and releases on Netflix on November 7.

Also Read: Yami Gautam reacts to being labelled ‘nationalistic’; says, “Nationalistic hona kabse crime ho gaya?”