Indus Chronicles

Bollywood Hungama has been at the forefront in delivering exciting and exclusive news about Battle Of Galwan, one of the most-awaited films of 2026. It stars Salman Khan in a never-before-seen avatar, as evident from the first look of the film. The film’s shoot is about to get over and the makers have still not announced the release date of the film. Earlier this month, we reported that the makers are considering releasing the film in June. But now, Bollywood Hungama has learned that Salman Khan is also eyeing the Ramzan Eid holiday.

A source told Bollywood Hungama, “It’s common knowledge that Salman Khan and Eid are synonymous with each other. Earlier, Salman Khan decided not to bring Battle Of Galwan on Eid, that is, March 19, 2026, as the slot was already taken by Toxic, starring KGF star Yash and the multi-starrer Dhamaal 4. But now, the superstar is toying with the idea and considering if his war film can arrive on the holy festival.”

The source further said, “The shoot would be wrapped up in December and hence, Battle Of Galwan will be ready by March. Moreover, his fans will be overjoyed if the film is announced as an Eid release. Hence, Eid is a date that he’s seriously considering and he plans to take a call on the same soon.”

It now remains to be seen whether Salman Khan announces Battle Of Galwan’s release date on his much-awaited 60th birthday next month or before the landmark occasion. It also remains to be seen whether Toxic or Dhamaal 4 will make way once the superstar decides to reclaim his traditional Eid release date.

If Battle Of Galwan does release on March 19 next year, it’ll be Salman Khan’s 17th Eid release, the other 16 being Judwaa (1997), Kyon Ki (2005), Jaan-E-Mann (2006), Wanted (2009), Dabangg (2010), Bodyguard (2011), Ek Tha Tiger (2012), Kick (2014), Bajrangi Bhaijaan (2015), Sultan (2016), Tubelight (2017), Race 3 (2018), Tubelight (2017), Radhe – Your Most Wanted Bhai (2021), Kisi Ka Bhai Kisi Ki Jaan (2023) and Sikandar (2025).

Also Read: SCOOP: Battle Of Galwan makers considering June 2026 release; shoot of Salman Khan-starrer wraps up in December

The Bollywood Hungama OTT India Fest and India Entertainment Awards is just around the corner. The grand show celebrating streaming content is all set to take place on December 3 and 4 in Mumbai. One can expect a large number of prominent personalities from the digital space to gather under one roof. But before that happens, here’s looking at what India is watching currently and why it matters.

Over the past few years, India’s digital entertainment landscape has exploded — and in 2025, Hindi-language OTT shows continue to be at the heart of that boom. From crime thrillers to family dramas and superhero sagas, here’s a closer look at what Indians are tuning into right now — and why those viewing patterns are so consequential.

One standout in the current Hindi OTT lineup is Criminal Justice (Season 4) on JioHotstar. Starring Pankaj Tripathi, this legal drama has broken records: it became India’s most-watched streaming original in 2025 so far. Its success is emblematic of a larger trend: audiences are increasingly drawn to polished, character-driven stories that address moral and social dilemmas.

At the same time, legacy favourites are making major comebacks. The Family Man Season 3, featuring Manoj Bajpayee, is now streaming on Amazon Prime Video — mixing everyday familial chaos with high-stakes espionage.

On a very different note, Paatal Lok Season 2 has also returned, continuing its unflinching exploration of crime, power, and inequality.

But it’s not only crime or spy thrillers dominating screens. Platforms are branching out into newer genres: Court Kacheri, on SonyLIV, is a legal drama laced with humour, set in the context of intergenerational and small-town courtroom dynamics.

And for lighter fare, Bada Naam Karenge (also on SonyLIV) brings fresh romantic drama, backed by Sooraj Barjatya’s signature storytelling.

Even superhero content is finding its place in India’s OTT ecosystem — Power of Paanch, a Hindi superhero series, premiered earlier this year on Disney+ Hotstar.

So, why does what India is watching right now matter far more than just entertainment?

First, this surge reflects a maturing OTT market. With the huge reach of platforms, streaming has become mainstream, not niche. This rise is shifting how Indian creators invest in storytelling: longer seasons, more complex narratives, and higher production values.

Second, the diversity of genres shows a growing appetite for varied content. Indian viewers are no longer satisfied with just melodrama or traditional family sagas: they want crime thrillers, legal turf battles, slice-of-life stories, and even superhero fantasies. That’s encouraging more experimentation, and it raises the bar for what “Indian content” can be.

Third, there’s a cultural impact. Many of these shows tackle deeply rooted social issues — corruption, class divide, justice — offering not just entertainment but reflection. For example, a courtroom drama like Court Kacheri or a legal thriller like Criminal Justice can spark conversations about the judicial system, power structures, and everyday morality.

Finally, this matters economically. As Hindi OTT originals scale up in popularity, they attract more investment, better talent, and stronger competition among platforms. This, in turn, fuels further innovation — a virtuous cycle for India’s streaming industry.

In short, what India is watching on its OTT platforms today is more than just good TV. It’s a mirror to changing tastes, evolving platforms, and an increasingly discerning audience — and that matters for the future of Indian storytelling.

The Bollywood Hungama OTT India Fest and India Entertainment Awards is presented by SleepZ by Raymond, co-powered by Fima, Carlo Frattini, and Amante in association with Helios, Style Partner Rare Rabbit, Lovestory Patner Truly Madly, Stylish Furniture Partner Uraban Ladder, with healthcare partner HCG, skincare partner Fixferma, Spirituality partner Satvik, conversation partner Bevzilla, gourmet dessert partner Smoor, nutrition partner The Naturik Co., radio partner Radio City and celebration partner Heineken Silver.

Also Read: She’s the Story Now: Women who changed the screen in 2025

Celina Jaitly has once again turned to social media to highlight the emotional and uncertain battle her family has been fighting for more than a year. On Sunday, the actress penned a deeply emotional note for her brother, Army officer Major Vikrant Kumar Jaitly, who has been detained in the Middle East for over 444 days. Opening up about the turmoil her family has endured since his abduction, she said the passage of time has felt like “a countdown of fear, hope and unbearable silence.”

In her note, Celina wrote that her brother’s detention began with eight months of complete incommunicado isolation, followed by his continued confinement at an undisclosed location. She recalled receiving one final call from him — a call he made to the only number he could remember, one that, according to her, “carried more pain than words and more truth than the world is ready to face.” She added that Major Vikrant suffers from several service-related injuries and has “given his youth, strength, mind and life to Bharat.”

Celina also expressed concern over what she described as a rising pattern of Indian soldiers and veterans being targeted abroad as India strengthens its global presence. She urged the nation not to remain silent, questioning whether such incidents could now be affecting national security. While raising difficult questions, the actress emphasised that she continues to place her full faith in the Indian government, calling for the same decisive action that secured the release of naval veterans from Qatar. “Our soldier deserves no less,” she wrote, stressing that no Indian soldier should ever be abandoned.

From the Battlefield to a Cell, The Unspoken Pain of an Indian Soldier, 444 Days Without My Brother! It’s been 1 year, 2 months, 17 days, 443 days in total, 10,632 hours, 637,920 minutes… since my brother, Major Vikrant Kumar Jaitly, was taken. Since Maj Vikrant was 1st… pic.twitter.com/CoxEIXVGpB

— Celina Jaitly (@CelinaJaitly) November 23, 2025

Her note closed with a powerful remembrance of her late father, Col VK Jaitly (SM), who often said: “If you want to honour a soldier, be an Indian worth dying for.” Celina vowed that she would not stop fighting until her brother returns home to Bharat — the country he dedicated his life to.

Earlier this month, the actress had shared a similar message of strength and resilience, reaffirming her support for Major Vikrant as he continues to endure difficult circumstances.

Also Read: Celina Jaitly pens emotional message amid brother’s detention in UAE: “I haven’t slept a single night without crying for you”

Shah Rukh Khan attended the Global Peace Honours 2025 on Saturday at the Gateway in Mumbai, where he paid tribute to the victims of major terror attacks and acknowledged the courage of India’s security forces. The event, organised by the Divyaj Foundation and led by Amruta Fadnavis, brought together survivors, families of victims, national leaders, dignitaries and members of the film industry for a collective remembrance.

During his address, Shah Rukh remembered those who lost their lives in the 26/11 Mumbai attacks, the Pahalgam terror incident and the recent blasts in Delhi. He also offered his respect to the personnel who were martyred in these tragedies.

Sharing a specially written set of lines dedicated to the armed forces, he said: “My humble tribute to the innocent people who lost their lives in the 26/11 terrorist attack, the Pahalgam terrorist attack, and the recent Delhi blasts, and my respectful salute to our brave security personnel who were martyred in these attacks. Today, I have been asked to recite these four beautiful lines for the brave soldiers and jawans of the country… When someone asks you what you do, say with pride that I protect the country.”

He further added, “If someone asks you how much you earn, smile slightly and say, I earn the blessings of 1.4 billion people. And if they turn around and ask you again, ‘Aren’t you ever afraid?’ Look them in the eye and say, ‘Those who attack us feel it’… Let us all take steps towards peace together. Let us forget the caste, creed, and discrimination around us and walk the path of humanity, so that the martyrdom of our heroes for the peace of our country is not in vain.”

#WATCH | Mumbai | At the Global Peace Honours 2025, Superstar Shah Rukh Khan says, "My humble tribute to the innocent people who lost their lives in the 26/11 terrorist attack, the Pahalgam terrorist attack, and the recent Delhi blasts and my respectful salute to our brave… pic.twitter.com/XQtJp0pm1I — ANI (@ANI) November 22, 2025

The Global Peace Honours saw the presence of several notable attendees, including Nita Ambani, Maharashtra Chief Minister Devendra Fadnavis, Amruta Fadnavis, Tiger Shroff, Manisha Koirala, Vikrant Massey, Akanksha Malhotra, Archana Kochhar, Kripashankar Singh and others.

Also Read: Shah Rukh Khan, Salman Khan come together to attend the VIP opening of the Natural History Museum in Abu Dhabi

There’s something undeniably timeless about the mermaid gown — a silhouette that hugs the body till the knees and then flares out dramatically, much like a mermaid’s tail. Elegant, sensual, and perfectly sculpted, this style has long been a red-carpet favourite across the globe, and now Bollywood’s leading ladies are giving it their own spin.

Be it structured metallics, pastel drapes, or high-shine sequins, these stars are redefining glamour and making the mermaid gown the statement look of the season.

Akansha Ranjan Kapoor

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Akansha Ranjan Kapoor is quickly carving her niche as one of the industry’s most effortlessly stylish stars. Recently seen in a pastel-hued mermaid gown that perfectly combined structure and softness, Akansha looked ethereal. The gown’s subtle train and sculpted bodice highlighted her frame without overpowering her natural elegance. With sleek hair, muted tones, and minimal accessories, she proved that quiet sophistication can often make the loudest impact.

Kiara Advani

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Kiara Advani is synonymous with red carpet perfection, and her love for the mermaid gown silhouette is proof of her refined taste. Whether it’s a corseted number with a dramatic trail or a sequinned creation that sparkles under the spotlight, Kiara knows how to strike the right balance between elegance and allure. Her polished styling, confident posture, and radiant charm make her one of Bollywood’s most consistent fashion icons.

Janhvi Kapoor

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When it comes to embracing figure-hugging glamour, Janhvi Kapoor rarely misses the mark. Her affinity for mermaid gowns — often in dazzling metallics and rich jewel tones — reflects her flair for dramatic yet feminine looks. With soft waves, luminous makeup, and that signature confidence, Janhvi channels the perfect mix of classic beauty and contemporary style.

Sharvari

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Sharvari’s rise as a fashion favorite has been nothing short of impressive. Her choice of a structured, jewel-toned mermaid gown recently showcased her evolving sartorial sensibility. The sculpted fit, clean lines, and subtle drama of the flare perfectly captured her balance of grace and modernity. Sharvari’s fashion journey continues to be about thoughtful choices that command attention without trying too hard.

Ananya Panday

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Ananya Panday brings a playful twist to the mermaid silhouette. From soft pastel tones to intricately embellished fits, her interpretations of the trend feel young, breezy, and full of personality. Often pairing her gowns with minimal jewelry and fresh makeup, Ananya effortlessly proves that the mermaid style can be equal parts fun and fabulous.

Also Read: Amar Kaushik clarifies rumours about Aneet Padda replacing Kiara Advani in Maddock’s next horror comedy Shakti Shalini

Rachit Singh was recently seen as a Betaal in Aditya Sarpotdar’s Thamma. The film was a part of the Maddock Horror Comedy Universe. But much before making his film debut in the movie, Rachit has been working as an acting coach, who has trained quite a few actors. One of them is Shanaya Kapoor, who made her acting debut earlier this year in Santosh Singh’s Aankhon Ki Gustaakhiyan, in which she was cast opposite Vikrant Massey.

In an exclusive chat with Bollywood Hungama, Rachit said that the world will see Shanaya’s true talent in her upcoming projects. “You will now watch Shanaya’s actual potential,” he said. “Till now, we have only seen her in her first film. She is doing quite a few films in which she is playing different types of characters. She is a very hardworking girl.”

Rachit has also trained Aneet Padda, who hit a jackpot earlier this year with Mohit Suri’s Saiyaara. He gave her example for Shanaya saying, “Like how Saiyaara happened to Aneet. Of course, Aneet is very good but it’s also a good script and a good director, who can take that performance out of you. I think with Shanaya also (this can happen). She is doing so many different types of roles. She is working with so many directors.”

Rachit added, “I think once her films will start coming out, you will see her potential. Just fingers crossed for her because I know how hardworking and dedicated she is as an actor. I have been working with her from her first film. So, I have seen her journey and growth as an actor. I am just waiting for her films to come out and you guys to watch it and get blown away by it.”

As far as Rachit’s acting career is concerned, he will be seen next in Baby Do Die Do, which stars Huma Qureshi in the lead. The film is also produced by her and her brother Saqib Saleem under their banner Saleem Siblings.

Also Read: EXCLUSIVE: Aneet Padda’s acting coach Rachit Singh when he first met her, “Whatever you ask her to do, she will listen, surrender and just do it”

Veteran actor and voice artist Ninad Kamat, known for his extensive work across films, advertising, and dubbing, opened up about the emotional toll of constant auditions and rejections—even after spending over three decades in the entertainment industry. In a conversation with Digital Commentary, he revealed that the struggle for roles persists even with experience.

Sharing a recent incident, Kamat said he had auditioned just a week ago for a major film. Despite being called four times for the same character, he was eventually told he did not cut.

“Even after 31 years, you still have to audition,” he said. “Just a week ago, I gave an audition. And then came a heartbreaking rejection. It was a very big film—I can’t name it. I auditioned four times for one of the three main characters, travelling from Mahim to Andheri Versova each time. Three days ago, I was told, ‘Sorry, sir.’”

Kamat added that he had worked extensively on fine-tuning the character. “I picked a slight North Indian accent, worked on the humour the role required… all of that I kept practising at home. When they tell you three days before that it’s not happening—especially for a main character—it really hurts.”

Talking about the changing dynamics of casting, the actor said the landscape has shifted dramatically. “It’s a very different ball game today. Whether it’s social media, lobbying, or marketing… an actor’s follower count has started deciding things. I feel that’s what has killed the art.”

Kamat’s comments come at a time when several senior actors have been speaking up about how the audition culture often disregards years of experience.

Just a few months ago, veteran Marathi and television actor Usha Nadkarni recalled turning down an audition for Zoya Akhtar’s Gully Boy. She revealed that she was offended when a young assistant director asked her to test for a role without having checked her decades-long body of work.

Nadkarni had said in an interview with Pinkvilla that she refused the offer immediately: “I asked him how old he is—he said 25. I told him I’ve been working longer than his mother has been alive. I don’t do such pointless auditions. When he told me who the director is, I said, ‘She’s the daughter of a big man, isn’t she? Ask her to look up my name on the computer, then she’ll know the work I’ve done.’”

Also Read: EXCLUSIVE: Pranutan Behl reveals that she auditioned for Rajshri’s Dono; fondly recalls interacting with Rani Mukerji on Kahin Pyaar Na Ho Jaaye sets: “When I reminded her, she caught my cheeks in her typical loving way and gave me a small kiss”

Karisma Kapoor has made headlines once again, this time for a major personal move amid an ongoing legal dispute over her late ex-husband Sunjay Kapur's colossal estate. The actress, whose children Samaira Kapur and Kiaan Raj Kapur are currently embroiled in a legal battle with Sunjay Kapur’s widow, Priya Sachdev Kapur, has reportedly renewed the lease on her luxury Bandra West apartment. According to documents reviewed by Square Yards, Karisma has signed a new one-year agreement for her swanky residence in the Grand Bay Condominium on Hill Road, Bandra West, with the total lease value pegged at Rs 66.12 lakhs.

This premium apartment spans a generous 2,200 sq ft and includes three dedicated car parking spaces, further underlining its exclusive appeal. The renewed lease was registered on November 14, 2025, and required a stamp duty payment of Rs 17,100 along with registration charges of Rs 1,000. A security deposit of Rs 20 lakhs has been included in the agreement, while the monthly rent is set at Rs 5.51 lakhs for the duration of the one-year term, totaling Rs 66.12 lakhs for the full period. The space continues to be rented out to Kongsberg Maritime India Pvt Ltd, the same company that has held the lease previously. Under the earlier agreement, signed in November 2023, the monthly rent amounted to Rs 5 lakhs for the first year and Rs 5.25 lakhs for the second, reaching Rs 1.23 crore across two years.

This property update comes at a time when Karisma’s family finds itself at a pivotal juncture in the continuing estate dispute. Recent courtroom developments saw Karisma’s legal team claim that Samaira’s university fees remained unpaid due to lack of clearance by the estate’s managers. However, this assertion was vigorously challenged in court by Priya Sachdev Kapur, who presented receipts showing the fees had indeed been paid — Rs 95 lakhs per semester — with the next instalment only due in December, as confirmed by her lawyer Sheyl Trehan.

The central issue, however, remains the contested will of Sunjay Kapur. Karisma’s children have alleged that their stepmother Priya forged or altered the will to exclude them from Sunjay’s estimated Rs 30,000-crores estate. Priya Kapur’s legal counsel, led by senior advocate Rajiv Nayar, has dismissed these claims outright, arguing in court that it is common for a husband to leave all his assets to his wife, referencing family tradition as precedent.

Sunjay Kapur, an eminent industrialist, passed away in London this past June following a polo match, a tragedy that has since sparked a high-profile legal battle between his widow and children. Both parties continue to present evidence, receipts, and arguments to the Delhi High Court as the case unfolds.

Also Read: Karisma Kapoor and Terry Crews break the internet with a crossover that blends two entertainment worlds

Kalyani Priyadarshan has taken audiences by surprise with her latest appearance in the teaser of upcoming track ‘You and I’, in collaboration with Divine. Known for her rooted, intense presence as Chandra in Lokah: Chapter 1, the actress shifts gears entirely, stepping into a retro-cool avatar that leans heavily into vintage fashion cues and a distinctly groovy mood-scape.

In the brief teaser, Kalyani channels a look that blends old-school charm with contemporary edge — think classic silhouettes, textured styling, and a relaxed, rhythm-friendly vibe that instantly sets a different tone from her recent film persona. Rather than making the moment about glamour, the styling feels more like an atmospheric shift, as if she’s tapping into a fashion era that brings out a new, experimental side of her. The contrast is unmistakable and adds to the intrigue around the music video.

The transition is especially interesting considering her last big outing in Lokah: Chapter 1 – Chandra, the Malayalam-language superhero film directed by Dominic Arun and backed by Wayfarer Films. In the film, she played Chandra, a mysterious woman summoned to Bengaluru to take on a rising threat, navigating complex alliances and high-stakes action sequences. The performance added a fresh layer to her evolving career, which has steadily expanded across Malayalam, Tamil and Telugu cinema.

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Her appearance in Divine’s track also adds another layer of curiosity, with the music video being set against the vibrant backdrop of Mumbai. The city’s energy, combined with Kalyani’s new aesthetic, hints at an interesting crossover of atmospheres — one that subtly places her in a space she hasn’t explored onscreen yet, making the teaser feel even more refreshing.

From the grounded world of Lokah to the stylish, groove-infused canvas of ‘You and I’, Kalyani seems to be enjoying a phase of reinvention. And while the teaser only offers a glimpse, it’s enough to spark anticipation about what this unexpected shift will bring when the full music video drops.

Also Read: Krithi Shetty and Kalyani Priyadarshan dazzle in Genie’s ‘Abdi Abdi’; fans can’t get enough of their belly dance performance

Vivek Oberoi has revisited one of the most unsettling incidents of his career — the time he received death threats while filming the Saif Ali Khan and Kareena Kapoor Khan-starrer Kurbaan. In a recent interview with Pinkvilla, the actor shared that he was caught off guard by a threatening message left on the answering machine during the film’s shoot in the United States.

Recalling the moment, Vivek said, “I was shooting for Kurbaan in the US and they left a threat on the (answering machine) system and as per law, I had to report it to the authorities there.”

He revealed that authorities questioned him immediately, but he had no context for the menacing message. “I told them, ‘I don’t know anything’. I just landed up in this, where they were saying, ‘We know you are here, khatam kar denge, uda denge (we will finish you, we will shoot you).’ They were saying such things. And they traced that number back to Pakistan. And they said it’s a real number which has been flagged, that’s when I got scared,” he added.

Released in 2009, Kurbaan was set against the backdrop of global terrorism, unfolding across New York and Delhi. The thriller followed Avantika Ahuja, a psychology professor whose life spirals after she unknowingly marries a member of a terrorist sleeper cell. Vivek played a man seeking revenge for the death of his partner Rehana, portrayed by Dia Mirza. His character infiltrates the sleeper cell, becoming a crucial piece of the narrative’s tense and emotionally charged conflict.

While Kurbaan remains one of his more intense films, Vivek is currently in a completely different zone professionally. The actor is gearing up for the release of Mastiii 4, the latest installment in the popular adult comedy franchise. The film reunites him with Riteish Deshmukh and Aftab Shivdasani, while also expanding the cast to include Tusshar Kapoor, Arshad Warsi, Nargis Fakhri, Elnaaz Norouzi, Shreya Sharma, Ruhi Singh, Nishant Malkani, and Shaad Randhawa, among others.

With Mastiii 4 expected to deliver the franchise’s trademark humour and chaos, Vivek’s anecdote about Kurbaan serves as a stark reminder of the unexpected challenges actors sometimes face behind the scenes — moments far removed from the laughter and entertainment they bring to the screen.

Also Read: Vivek Oberoi says even Shah Rukh Khan may be forgotten by 2050: “History relegates you into nothingness”

Star Cast: Manoj Bajpayee, Priyamani, Jaideep Ahlawat, Nimrat Kaur, Ashlesha Thakur, Vedant Sinha

Director: Raj-DK, Tusshar Seyth, Suman Kumar

Synopsis: THE FAMILY MAN SEASON 3 is the story of a spy facing the biggest challenge of his career. Few years have passed since the events of SEASON 2. Suchitra (Priyamani) has bought a bigger flat where she and her family - husband Srikant Tiwari (Manoj Bajpayee), daughter Dhriti (Ashlesha Thakur) and son Atharv (Vedant Sinha) - have shifted. Suchitra and Srikant are not on talking terms and are contemplating a divorce. Meanwhile, Srikant and his boss, Gautam Kulkarni (Dalip Tahil), leave for Kohima, Nagaland. There have been blasts in 6 cities in the Northeast in 48 hours, threatening Prime Minister Basu's (Seema Biswas) pet project, named Project Sahakar. It involves bringing rebel groups together with the aim of providing peace and stability in the region. The project has been possible, thanks to the highly respected local leader, David Khuzou (Sunil Thapa). Srikant and Kulkarni meet David a day before the deal is to be signed. David's grandson, Stephen Khuzou (Paalin Kabak), who runs a faction called MCA-S, is against the deal and makes it clear to David. On the day the deal is to be signed, the convoy of David, Srikant and Kulkarni is ambushed by a dreaded drug lord, Rukma (Jaideep Ahlawat). Rukma kills David and Kulkarni. He spares Srikant, presumably assuming that he's dead. Srikant survives and is able to identify Rukma. Stephen is assumed to be the one behind the attack and he goes into hiding. In a sudden turn of events, the NIA has a suspicion that Srikant could be behind the attack as well, since he survived and also because very few knew about the route of the convoy. Suchitra, meanwhile, is also facing a tough time, as the government bans 69 Chinese apps, one of which is her app, ShrinkMe. She tries to defend the app on a news channel debate but it backfires. A troll campaign starts against Suchitra and Dhruti is also dragged into it. An arrest warrant is issued against Srikant and he decides to run away with his family. The NIA, TASC and TASC's new chief, Yatish Chawla (Harman Singha) are behind him, but he outsmarts them and leaves Mumbai. What happens next forms the rest of the series.

The Family Man Season 3 Story Review: Raj-DK, Tusshar Seyth and Suman Kumar's story is promising and the obstacles in front of Srikant this time are many notches higher. Raj-DK, Tusshar Seyth, Nikhil Gonsalves, Sudhish Kamath and Suman Kumar's screenplay is captivating and neatly incorporates humour, which is a USP of the show. But as it happens, when the previous seasons have formed a benchmark, the writing feels underwhelming. Sumit Arora's dialogues are hilarious, sharp and one of the best things about the show, without doubt.

Raj-DK, Tusshar Seyth and Suman Kumar's direction is exemplary. The beauty of their execution is that amid the chaos and nail-biting moments, they make sure that viewers also laugh their guts out. This is no easy task, as often, this might not land properly. But every joke or every line, intended to raise laughs, works bang-on. Two scenes which stand out in this regard are when Srikant tells his son that he’s a spy, and the TC enquiring about JK Talpade (Sharib Hashmi), with Srikant cooking up a howlarious story. On the other hand, David and Stephen’s confrontation is significant. The scenes of Rukma and how he strategizes also makes for a nice watch. Meanwhile, the geopolitical angle also has its charm as it's soaked in realism. The makers borrow from real-life happenings like banning of Chinese apps, organized trolling, news channels being used, or rather misused, by vested interests, etc. Lastly, Raj-DK’s shows are known for one-take shots. Here, they tweak the technique a bit in the scene of the attack at Rukma’s farmhouse, and it's praiseworthy.

On the flipside, though the makers try their best, the new season doesn’t match up to Season 1 and 2, especially in terms of humour. The earlier 2 parts had jokes and moments that became meme-worthy and are remembered even today. The humour quotient in Season 3 is there but doesn't go into the cult zone, which will be the demand. The track of Meera (Nimrat Kaur) is unconvincing; a smart and careful person like her blows her cover and this whole bit is unconvincing. The show ends on a chilling cliffhanger but at the same time, several tracks are left abruptly. Lastly, the character of Chellam Sir (Uday Mahesh), who became a sensation after Season 2, gets a raw deal this time.

The Family Man Season 3 Performances: Manoj Bajpayee yet again slips into the ‘Family Man’ character effortlessly. This is his most adorable performance and the way he essays it with perfection adds a lot to the show. Priyamani makes her presence felt and this time, her equation with her hubby is different; it provides a nice touch though questions still remain. Ashlesha Thakur and Vedant Sinha are very impressive and even they get to try something novel in this season. Sharib Hashmi is adorable as always. Jaideep Ahlawat is terrific and his long-hair-look is dashing. Nimrat Kaur is a bit let down by the writing but performance has no complaints. Shreya Dhanwanthary (Zoya) returns in a major role and is damn good. Jugal Hansraj (Dwaraknath), Harman Singha, Jason Tham (Colonel Zhulong) and Andrea Kevichüsa (Nima) are aptly cast. Sunil Thapa and Dalip Tahil leave huge marks despite limited screen time. Seema Biswas, Paalin Kabak, Gul Panag (Saloni), Vipin Sharma (Sambit) and Aritro Rudraneil Banerjee (Punit) are dependable. Vijay Vikram Singh (Ajit) and Aditya Srivastava (Yashwant Kumar) get a limited scope. Riyan Mipi (Bobby) is cute. Uday Mahesh is forced.

The Family Man Season 3 music and other technical aspects: Sachin-Jigar's original title music sets the mood instantly. Ketan Sodha's background score is exhilarating. Jay Charola's cinematography is gritty as well as breathtaking. Parichit Paralkar's production design is superior, while Neha R Bajaj's costumes are straight out of life. Yannick Ben and Aejaz Gulab's action adds to the fun. Sumeet Kotian's editing is slick.

The Family Man Season 3 Review Conclusion: On the whole, THE FAMILY MAN SEASON 3 proves to be a satisfying and engaging new chapter, serving a potent mix of action, drama, tension and situational humour that fans of the franchise expect. The writing stumbles at places and a few tracks feel undercooked. Nevertheless, powered by the insane popularity of the brand and the enduring affection for Srikant Tiwari and his world, this season is poised to attract massive viewership and keep audiences eagerly waiting for what comes next.

Rating – 4 stars

The health of veteran actor Dharmendra has been at the centre of intense public attention ever since he was admitted to Mumbai’s Breach Candy Hospital earlier this month following age-related complications. While early reports speculated that his condition had worsened, a reassuring update has now emerged from an insider source, who told NDTV, “He is fine, better than earlier.” The positive update comes as a major relief to fans who have been anxiously tracking the actor’s recovery.

Dharmendra’s hospitalisation triggered a wave of concern across the film fraternity, with several prominent personalities visiting him over the course of his stay. However, mixed information soon began circulating. Some portals alarmingly claimed the actor was in critical condition, giving rise to panic among fans. Matters escalated further when hoax reports falsely declared the actor had passed away, a move that drew strong criticism from the Deol family, who condemned the irresponsible and insensitive reportage.

To counter the speculation, members of the Deol clan issued multiple statements, urging the public to rely only on verified updates. When Dharmendra was finally discharged, the family shared a detailed note expressing gratitude while appealing for privacy. “Mr. Dharmendra has been discharged from the hospital and will continue his recovery at home. We kindly request the media and the public to refrain from any further speculation and to respect his and the family’s privacy during this time. We appreciate everyone’s love, prayers, and good wishes for his continued recovery, good health, and long life. Please respect him because he loves you."

Amid the emotional turbulence, another controversy surfaced when a video from the actor’s hospital room went viral online. The clip—which appeared to be recorded by a hospital staff member—showed Dharmendra surrounded by family members. The breach of privacy sparked outrage, and strict action is expected to have been taken against the individual responsible for the leak.

With the worst now seemingly behind him, the Deol family is focusing on positive developments. As previously reported by Bollywood Hungama, they have already begun planning celebrations for Dharmendra’s milestone 90th birthday on December 8. The recent insider reassurance, paired with the family’s growing optimism, suggests that the beloved star is firmly on the path to recovery—comforting news for millions who continue to hold him close to their hearts.

Also Read: Dharmendra’s health improves; family prepares for his 90th birthday with Esha Deol

The Bollywood Hungama OTT India Fest and India Entertainment Awards are just around the corner. The two-day event is all set to take place on December 3 and 4 in Mumbai. One can expect some of the biggest names from Indian OTT sphere to assemble under the same roof. Before that happens, here’s looking at an interesting trend on OTT in recent times.

Over the past few years, Hindi crime shows on OTT platforms have emerged as one of the most-watched genres across the country. Whether it’s gritty police procedurals, dark psychological dramas, or real-life-inspired investigations, Indian audiences appear more hooked to crime narratives than ever before. The surge is not just a passing trend—it reflects a deeper shift in viewing habits, storytelling preferences, and the impact of streaming culture. One major reason behind this growing fascination is the freedom OTT platforms offer. Without the restrictions of traditional television or cinema, creators can explore crime in a more layered and realistic manner. The shows delve into complex motives, flawed characters, and morally ambiguous situations, providing viewers with a far more immersive experience. From small-town crime sagas to narratives based on high-stakes corporate frauds, the range is wider than what mainstream entertainment offered earlier. Another factor is the audience’s appetite for fast-paced, unpredictable content. Crime shows are inherently built on suspense, investigation, and twists—elements that encourage binge-watching. In a digital era driven by the need for constant engagement, this genre perfectly fits the mood. Viewers often finish an entire series over a weekend, drawn by cliffhangers and the urge to solve the mystery alongside the characters. There is also a growing curiosity about the darker side of society. Many shows highlight issues like political corruption, cybercrime, law enforcement challenges, and rising social tensions. This blend of fictional drama and real-world relevance makes crime shows both entertaining and thought-provoking. For many viewers, it feels like getting an insider’s view of the world that headlines often skim over. Additionally, the rise of strong performances and sharp writing has elevated the genre. Actors known for nuanced roles, along with fresh talent from theatre and indie cinema, have brought authenticity to characters—cops, criminals, victims, and investigators alike. High production values and cinematic storytelling have further made these shows visually compelling. Ultimately, Hindi crime shows have become the new obsession because they offer escapism and realism simultaneously. They satisfy the thrill-seeker in audiences while holding up a mirror to society. As OTT platforms continue to expand, crime dramas are likely to remain at the forefront—darker, sharper, and more addictive than ever. The Bollywood Hungama OTT India Fest and India Entertainment Awards is presented by SleepZ by Raymond, co-powered by Fima, Carlo Frattini, and Amante in association with Helios, Style Partner Rare Rabbit, Lovestory Patner Truly Madly, Stylish Furniture Partner Uraban Ladder, with healthcare partner HCG, skincare partner Fixferma, Spirituality partner Satvik, conversation partner Bevzilla, gourmet dessert partner Smoor, nutrition partner The Naturik Co., radio partner Radio City and celebration partner Heineken Silver. Also Read: Tabu backs the buzz around Huma Qureshi’s commanding performance in Delhi Crime 3

Shalini Pandey is on an impressive run, moving from one exciting project to the next with effortless momentum. After sharing screen space with Dhanush in his directorial venture Idli Kadai, the actress has now shifted her focus to Rahu Ketu, her next big release directed by Vipul Vig. The film pairs her with the widely loved Fukrey duo, Varun Sharma and Pulkit Samrat, setting the stage for a comedy steeped in mischief, charm, and cosmic madness.

At the centre of the buzz is Shalini’s own enthusiasm for the project. Reflecting on her experience, she said, “Rahu Ketu is the kind of film where every day on set felt fun. Varun and Pulkit are a riot, and Vipul brings this quirky world alive in the coolest way. I can’t wait for people to see the madness we’ve created!”. Her excitement hints that audiences can expect the same infectious energy when the film hits screens.

The actress recently wrapped up the schedule of Rahu Ketu in the scenic locations of Himachal Pradesh. While shooting for the film, Shalini had taken to social media to reveal that her character in the film is named Meenu, and she even shared behind-the-scenes glimpses that offered an early look at her onscreen avatar. Her updates have helped build anticipation for the film, particularly among fans who have followed her journey closely.

Back in June, Shalini had also informed her fans about wrapping the schedule in Manali, where she documented her experiences in a heartfelt note. From forming bonds with Himachali dogs and spending time in local cafés and pottery studios to highlighting the meaningful work done by Manali Strays, her reflections showed how deeply the environment had affected her. It was a shoot that doubled as a personal transformation, something that continues to shape her connection to the project.

With Idli Kadai adding fresh momentum to her filmography and Rahu Ketu promising a high-spirited entertainer, Shalini Pandey is excited to see what more is in store for her. As for the film, it is slated to release on January 16 next year.

Also Read: Shalini Pandey’s FANTASTIC Rapid Fire on Arjun Reddy, Kareena Kapoor, Salman Khan, Zoya Akhtar

Bollywood actor Saif Ali Khan has added yet another prime asset to his real estate portfolio, this time in Mumbai’s thriving commercial district of Andheri East. According to property registration documents, the actor has purchased two office units in the Kanakia Wallstreet building for a total consideration of Rs. 30.75 crore.

The combined area of the newly acquired offices measures 5,681 sq ft and includes six dedicated parking spaces. The seller of the property is Apiore Pharmaceutical, a US-based pharma company, as reflected in the registration filings. The deal was arranged by Volney, a real estate advisory and investor network firm.

The transaction was officially registered on November 18, 2025, with a stamp duty of Rs. 1.84 crore and a registration fee of Rs. 60,000. Industry experts note that Andheri East has rapidly emerged as one of Mumbai’s busiest commercial corridors, attracting corporates, global enterprises, and creative firms due to its improved connectivity and infrastructure. Volney’s founder, Rohan Sheth, described the area as a market that combines accessibility with strong rental prospects, adding that it continues to draw long-term investors.

Saif’s new commercial investment also places him among several high-profile names who have recently secured space in the vicinity. Elon Musk’s satellite internet company, Starlink Satellite Communications Private Limited, recently leased a 1,294 sq. ft. office in the nearby Chandivali area for a five-year period, with total rent valued at Rs. 2.33 crore. Additionally, the same building previously housed leased offices where Hrithik Roshan and Rakesh Roshan acquired three commercial units earlier this year for about Rs. 31 crores through HRX Digitech LLP.

Beyond his latest acquisition, Saif Ali Khan is already known for his premium residential and commercial holdings across Mumbai. He currently resides in a high-end apartment in Bandra West, a property he purchased nearly a decade ago for Rs. 24 crores. Records also show that he bought a sprawling 6,500 sq. ft. apartment in April 2012 for Rs. 23.50 crore from Satguru Builders, further cementing his presence in the city’s luxury real estate landscape.

With his latest investment, the actor continues to strengthen his position not just in cinema but also in Mumbai’s top-tier property market.

Also Read: Dining with the Kapoors Trailer: Netflix brings together Bollywood’s first family for a grand tribute to Raj Kapoor

November is a special month for Suparn S Varma. His recent film, Haq, premiered in cinemas on November 7 and garnered widespread acclaim from critics and moviegoers alike. November was also the month when his debut directorial, Ek Khiladi Ek Haseena (2005), was released 20 years ago, on November 18. The film is memorable for its music, sleek look, and the ensemble cast – Fardeen Khan, Koena Mitra, Kay Kay Menon, Rohit Roy, Gulshan Grover, and, above all, the late Feroz Khan. In an exclusive interview with Bollywood Hungama, Suparn S Varma spoke about Ek Khiladi Ek Haseena and his beautiful memories associated with it.

You were one of the writers on Janasheen (2003), which starred Fardeen Khan and was directed by Feroz Khan. Did this experience help you form a bond with the two and get them on board for Ek Khiladi Ek Haseena? Yes. I had known Fardeen and Feroz Khan saab. I narrated the idea to them and both came on board. So, my script and actors were in place when I went to PNC (Pritish Nandy Communications). Mr Pritish Nandy heard it, he loved it and he came on board as well as a producer.

It came from belief. I am really grateful to the universe that people have always believed in me. Hansal Mehta believed in me when I was a journalist after reading my reviews (and offered me Chhal and Yeh Kya Ho Raha Hai; 2002). Ramu (Ram Gopal Varma) also trusted me and had me working with him for 6-7 months. None of my films were released, and yet, Khan saab took me on for Janasheen. So did Harry Baweja (who offered him Qayamat; 2003). Chhal was the only film of mine that had been released when Rohit Shetty asked me to join him on Zameen (2003). So, it’s been a series of coincidences that has brought everything for me. One connection led to another.

As per IMDb, Koena Mitra shot a whole song with a stone in her kidney and had an operation to remove it the next day… Yes. Before shooting ‘Sara Jahaan Kahe Ishq Hai Jhootha’, she had kidney stones. Pritam gave really good music to Ek Khiladi Ek Haseena. Every song was a chartbuster. Sameeruddin’s background score was also outstanding.

How important are songs to you? Every film of yours has had music… I love music in films. When we wrote Haq and even shot it, there were no songs. But I had songs in my head. After the lineup and the first edit were done, I went to Vishal Mishra. He heard the same music that was there in my head and heart. He’s the one who found a soul. We spent 2-3 weeks in London composing and playing cricket. It was the most amazing experience (smiles).

Today, digital promotion is indispensable. Ek Khiladi Ek Haseena was the first film to try it out. An MMS clip, showing Fardeen Khan and Koena Mitra getting intimate, was released and interestingly, Pritish Nandy agreed that it was done by the makers themselves… Every film needed a gimmick in those days. We had the song ‘Jal Jal Ke Dhuan Ho Rahe Hum’. We released a small bit of that song on MMS. That was done just to test the waters. Those days, I think colour phones had just come and so, a marketing experiment was done at that time (laughs).

It was a path-breaking move, considering that we are still talking about it even after 20 years… A lot of people tell me that their honeymoon and first lovemaking session have been to ‘Jal Jal Ke Dhuan Ho Rahe Hum’!

Also Read: EXCLUSIVE: Suparn Varma talks about Sultan Of Delhi and creating HISTORY by becoming the first director of India to have 4 web show releases in a year; also speaks highly of Ajay Devgn: “He is a born director. He understood facts, figures and distribution even when he began in the 90s”

Amitabh Bachchan marked granddaughter Aaradhya Bachchan’s birthday with a deeply heartfelt message on his personal blog, where he not only extended his blessings to the young star kid but also expressed his gratitude towards all those who sent their wishes. The veteran megastar wrote that he was overwhelmed by the love pouring in for Aaradhya and thanked fans warmly for remembering her special day.

“To all of them that wished Aaradhya on her birthday Nov 16, 2025, my gratitude and love .. it shall be very difficult to reply individually .. so pardon and excuse .. but it is greatly appreciated ..,” he shared on his Tumblr blog. The actor went on to pen an affectionate note for Aaradhya, reflecting on the passage of time and the joy that children bring into a family. “Blessings on the eve of the little one, Aaradhya .. the child in us all grows with time and we wish them the mostest .. we pray the same .. And today be the dawn of the loved one’s birth .. all blessings,” he wrote, adding his trademark warmth to the emotional message.

Bachchan also shared a philosophical reflection on life’s bittersweet rhythms, speaking about grief, endurance and moving forward. “In all the days passed the sadness of loss has been of immense grief, but life moves on .. as it must and as it has been through life and time .. our prayers continue .. we live, we perceive, we persist, persevere and continue to continue the odds of life .. this be our reckoning and belief .. ... and the show goes on ..” his blog entry read.

Aaradhya, the daughter of Abhishek Bachchan and Aishwarya Rai Bachchan, continues to remain one of the most recognised star kids in the country. Over the years, she has become a familiar face to paparazzi, often accompanying her mother to film events, charity engagements, and global platforms. Her appearances at the Cannes Film Festival, where she has frequently been spotted walking alongside Aishwarya, have especially garnered attention from fans across the world.

Amitabh Bachchan has often spoken with deep affection about his grandchildren, Aaradhya, Agastya and Navya Naveli, celebrating their achievements and milestones through his blogs and social media posts. His warm and protective nature towards them has frequently resonated with fans, who admire the bond he shares with the younger generation of the Bachchan family.

With his latest message, Big B once again offered a glimpse into that cherished bond, making Aaradhya’s birthday a moment shared not just within the family, but with admirers everywhere.

Also Read: Manoj Bajpayee and Jaideep Ahlawat leave Amitabh Bachchan in splits as they recreate his iconic dialogue in Bhojpuri on KBC 17

The Bollywood Hungama OTT India Fest and India Entertainment Awards is just around the corner. The grand event is all set to take place on December 3 and 4 in Mumbai. Apart from the best of OTT being awarded, the event is also known for its style and glamour.

Here’s looking back at the best dressed stars from the previous edition:

Kartik Aaryan

Kartik brought classic elegance in a sleek black tuxedo, pairing it with an open-collared shirt for a relaxed yet polished look. A timeless choice, but with a modern twist — very red-carpet-ready. No wonder the actor has a large fan following.

Ayushmann Khurrana

Ayushmann went with a refined black tuxedo and crisp white shirt, complete with a perfectly tied black tie. His charm and smile elevated the simplicity of the look — sometimes less is more. The look had the same heroism and un-conventionalism, like in his film subjects.

Kriti Sanon

Kriti entered the red carpet at the OTT Fest in a Versace denim look, styled by Sukriti Grover. Her look was bold in its informality — denim for an awards event, but elevated. Her look showed that reinventing casual fabrics for formal events and good styling can transform you in an unexpected way.

Tiger Shroff

Bold and edgy: Tiger opted for an all-black leather ensemble (jacket + trousers), paired with his signature sunglasses. This look broke the mold of traditional red-carpet suits and made a statement. One could see his natural swag in this look.

Ananya Panday

Ananya wore a fitted black gown paired with a dramatic cape-style blazer, adding a powerful, structured touch. The embellished, high-neck bodice brings shimmer and sophistication, while the long black leather gloves give the outfit a bold, couture edge.

Sharvari

She opted for a playful yet elegant strapless black dress with a striking white bow detail. That bow added just the right touch of whimsy to a sophisticated silhouette. Her confidence was for all to see at the event, just like her on-screen appearances.

The Bollywood Hungama OTT India Fest and India Entertainment Awards is presented by SleepZ by Raymond, co-powered by Fima, Carlo Frattini, and Amante in association with Helios, Style Partner Rare Rabbit, Lovestory Patner Truly Madly, Stylish Furniture Partner Uraban Ladder, with healthcare partner HCG, skincare partner Fixferma, Spirituality partner Satvik, conversation partner Bevzilla, gourmet dessert partner Smoor, nutrition partner The Naturik Co., radio partner Radio City and celebration partner Heineken Silver.

Also Read: She’s the Story Now: Women who changed the screen in 2025

India’s exhibition landscape is witnessing a groundbreaking moment as Excel Entertainment and Trigger Happy Studios’ upcoming war epic 120 Bahadur becomes the first film in the country to release across defence theatres nationwide. This landmark initiative, enabled through PictureTime’s mobile cinema network, ensures that a film honouring unparalleled courage will directly reach the brave hearts it pays tribute to.

The Farhan Akhtar-starrer is set to screen exclusively for the defence community in more than 800 cinema halls across India when it opens globally on November 21. The rollout, executed by PictureTime in collaboration with GenSync Brat Media, marks a major leap in accessibility, bringing high-quality cinematic experiences to soldiers and their families posted in remote and previously underserved regions.

Explaining the scale and impact of the initiative, Sushil Chaudhary, Founder-CEO of PictureTime, highlighted the long-standing gap in entertainment access for armed forces personnel. “There are 1.5 million active soldiers and over six million viewers. But only 30 percent of India’s 20-million strong veteran and family audience has access to defense cinemas. We aim to expand the ecosystem to additionally reach the underserved 70% and we begin with a bang with 120 Bahadur, a film we know will deeply resonate with the forces,” Chaudhary said.

Excel Entertainment CEO Vishal Ramchandani echoed this sentiment, emphasising the emotional significance of the film’s defence-first release. “120 Bahadur honours the courage and sacrifice of our armed forces. We feel truly privileged that the soldiers whose spirit the film celebrates will be watching it with their families. Our sincere thanks to PictureTime for facilitating this screening for those who serve the nation.”

Based on the heroic Battle of Rezang La, 120 Bahadur features a strong ensemble cast including Raashii Khanna, Sparsh Walia, Vivan Bhatena, Dhanveer Singh, Digvijay Pratap, Sahib Verma, Ankit Siwach, Devendra Ahirwar, Ashutosh Shukla, Brijesh Karanwal, Atul Singh, along with senior officers Ajinkya Deo and Eijaz Khan.

Directed by Razneesh ‘Razy’ Ghai and produced by Ritesh Sidhwani, Farhan Akhtar, and Amit Chandrra, 120 Bahadur releases in cinemas on November 21, 2025.

Also Read: 120 Bahadur to hold paid previews 3 DAYS before release; Excel Entertainment & Trigger Happy Studios announce historic nationwide screenings on Nov 18, 2025

Colors’ Dhamaal With Pati Patni Aur Panga signed off its debut season with Rubina Dilaik and Abhinav Shukla emerging as the Sarvagun Sampann Jodi. The reality series, positioned as a light-hearted look into the dynamics of marriage, quickly became one of the channel’s standout non-fiction successes of the year, offering a mix of humour, emotional moments, and candid exchanges between celebrity couples.

Hosted by Sonali Bendre and Munawar Faruqui, the show brought together seven celebrity jodis who participated in challenges designed to reflect the everyday quirks, conflicts, and warmth that shape married life. Over several weeks, audiences saw the couples navigate unexpected tasks, revisit personal milestones, and address the relatable push-and-pull that accompanies long-term partnerships. The season culminated in a grand finale styled like a big fat Indian wedding, where the couples dressed as dulha and dulhan to symbolically renew their vows in a celebratory setting.

For fans of Rubina and Abhinav, watching the duo together on screen again added a nostalgic charm to the season. Their spirited banter, emotional transparency and light-hearted humour became recurring highlights. At one point, Rubina teased, “Engineers mein sabse poor quality ka romance hota hai,” while Abhinav’s steady gestures—including a heartfelt birthday gift from their financially tougher days—resonated strongly with viewers who appreciated the couple’s authenticity.

After three months of competition, eliminations, and unexpected turns, the couple secured the winning title. Sharing their gratitude, Rubina and Abhinav said, “Dhamaal with Pati Patni Aur Panga was a superb way for us to spend time together without life rushing by us. As a couple, we’re far from perfect, and we, along with other couples, were very candid about our blind spots, and that was super liberating. Winning this trophy is extremely special; it’s the result of all the love we’ve received from the viewers and the supportive spirit of every couple who made this journey so much fun”.

“We want to thank Colors and the makers of this show for creating a space that was honest, warm, and full of heart. Our deepest gratitude to Sonali ma’am and Munawar for their love, gentleness, humour, and guidance. And to the audience, thank you for pampering us like we’re your own family. If there’s one thing we hope our journey reminds people of, it’s this: Love is not about being flawless. It is about choosing each other over everything else, even on the days it feels hardest”, the winning couple added.

With the show now concluded, Colors will release its next non-fiction offering, Laughter Chefs, premiering on November 22 at 9 PM.

Also Read: Avika Gor and Milind Chandwani’s on-set wedding blends tradition with togetherness