Indus Chronicles

Tu Meri Main Tera Main Tera Tu Meri, starring Kartik Aaryan and Ananya Panday, is all set to release tomorrow. The advance booking has picked up since Monday night and the romcom is all set to take a decent start at the box office. Interestingly, an interesting development has happened, probably for the first time ever, with Tu Meri Main Tera Main Tera Tu Meri.

It’s generally understood that in most multiplexes, the front-row seats are priced the lowest, and the ticket rates steadily rise as you move towards the middle and back rows. But in the case of PVR Oberoi Mall Goregaon East, the unthinkable has happened. Here, you’ll have to shell out a higher price if you want to see the musical entertainer in the first three rows. But your ticket will be cheaper if you select the middle or the back rows!

For the 8:00 am and 10:45 am show of Tu Meri Main Tera Main Tera Tu Meri on December 25, the first three rows, which come under the Classic category, are available for Rs. 370. But the Prime Class tickets are sold for Rs. 290.

For the 1:50 pm show of the film, Classic seats are sold for Rs. 430 while Prime Class tickets are available for Rs. 350. For the shows at 4:55 pm, 8:00 pm and 11:05 pm, one will have to shell out Rs. 540 for Classic seats and Rs. 460 for Prime Seats.

Interestingly, despite the tickets being in the front row and despite the higher rates, most of them are sold out or almost full. An exhibition source explained to Bollywood Hungama, “Since the tickets of the front row were fast-filling, the dynamic pricing came into play, and its rates went up.”

However, the exhibition source agreed, “This is unusual and probably happened for the first time ever as far as I remember.”

Also Read: Tu Meri Main Tera Main Tera Tu Meri faces copyright trouble; Trimurti Films moves Bombay HC against Karan Johar’s Dharma Productions over ‘Saat Samundar Paar’ use

Chiranjeevi and director Bobby Kolli, who earlier collaborated on Waltair Veerayya, are all set to reunite for their second project together. Multiple sources reveal that Mohanlal will join Chiranjeevi for the first time in his career. The two legends have long expressed deep admiration for each other’s work and often meet socially whenever they are in the same city.

Surprisingly, no one has previously attempted to bring Mohanlal and Chiranjeevi together on screen, making this collaboration a historic first for Indian cinema.

Shedding more light on the project, a source reveals, “Chiranjeevi plays the lead, while Mohanlal makes a powerful entry midway through the film—much like Amitabh Bachchan’s iconic appearance in Andha Kanoon.”

Also Read: Chiranjeevi and Venkatesh reunite for a high-energy dance number in Mana Shankara Vara Prasad Garu

Akshaye Khanna is currently enjoying a strong career resurgence, thanks to his power-packed performance in Dhurandhar. The actor has been widely praised for his restrained yet impactful screen presence, and the success of the recently released Ranveer Singh–starrer spy drama has firmly placed him back in the spotlight. Adding to this momentum, Khanna was also part of another blockbuster of 2025 — Chhaava as the lead antagonist— further consolidating his standing as one of the most reliable performers in the industry today.

With this renewed demand, it comes as little surprise that Akshaye Khanna has reportedly revised his remuneration. However, this fee hike may have had a ripple effect on one of the most anticipated films currently in production — Drishyam 3. For the unversed, Akshaye played a crucial role in Drishyam 2, the Hindi adaptation of the popular Malayalam thriller franchise led by Ajay Devgn and Tabu. His character added a significant narrative layer to the sequel, with audiences eagerly anticipating his return in the third installment.

However, according to a report by Bollywood Machine, the makers of Drishyam 3 were reportedly not prepared to meet Akshaye Khanna’s revised fee expectations. The report further claims that apart from financial negotiations, there may also be creative differences between the actor and the makers, which could have contributed to his reported decision to step away from the project.

That said, the situation may still be fluid. The same report suggests that this may not be a final call, as Akshaye Khanna is said to be in ongoing discussions with the makers to arrive at a mutually agreeable solution. Whether the actor ultimately continues with the franchise remains to be seen, but his involvement would undoubtedly add to the further intrigue surrounding the film.

Meanwhile, Drishyam 3 has already generated considerable buzz. Recently, the makers unveiled an announcement video featuring Ajay Devgn’s voiceover, teasing audiences about what lies ahead in the next chapter of the much-loved thriller. The film is being made simultaneously in Malayalam, with the original version expected to release first. The Hindi adaptation is slated to hit cinemas on October 2, 2026 — a date that holds special significance for the Drishyam franchise.

In addition to Ajay Devgn, Drishyam 3 will also star Tabu, Shriya Saran and Ishita Dutta in key roles. As fans await further updates, all eyes are now on whether Akshaye Khanna will return to the franchise that played a pivotal role in his recent cinematic journey.

Also Read: Akshaye Khanna, Suniel Shetty to make cameos in Border 2? Here’s what we know!

Two days are left for the release of Tu Meri Main Tera Main Tera Tu Meri, starring Kartik Aaryan and Ananya Panday, and the excitement is slowly building up thanks to its fresh look, youthful appeal, music and casting. The advance booking of the film commenced over the weekend and in this article, Bollywood Hungama will inform readers about the demand put forward by Dharma Productions’ in-house distribution team in front of the single-screen theatres and multiplexes.

A trade source told Bollywood Hungama, “The team of Tu Meri Main Tera Main Tera Tu Meri are aware that Dhurandhar is still unstoppable and will continue to find a huge audience on Christmas, when their film will arrive in cinemas. They also know that Avatar: Fire And Ash has taken up several shows and screens. Hence, they have asked for fair and modest showcasing, keeping in mind the realities.”

The source continued, “The distribution team of Tu Meri Main Tera Main Tera Tu Meri has asked for a minimum of 2 shows in theatres with 1 screen. In 2-screen plexes, they have asked for 5 shows. Multiplexes with 3, 4, 5 and 6 screens need to play 6, 8, 12 and 14 shows a day, respectively. Lastly, for multiplexes with 7 screens and more, the team of the film have asked for 16 shows. This is the minimum number of shows that they have requested.”

The source then said, “Despite these fair demands, the team of the film is struggling to get the desired number of shows. As of 9:00 am on December 23, only theatres with 4 more screens and more have opened bookings, that too in just one screen. Single-screens and 2 and 3-screen cinemas are yet to commence ticket sales as negotiations are still going on. Thankfully, Avatar: Fire And Ash didn’t get a release in single screens and hence, these theatres need to divide shows only between Dhurandhar and the romcom. But even that is proving to be a challenge as the demand for Dhurandhar is just not subsiding even after 18 days. Moreover, both Dhurandhar and Avatar: Fire And Ash are more than 3 hour films. So in multiplexes, dividing shows between the three films will also prove to be a challenge.”

An industry insider commented, “We have seen distributors being unreasonable and forcing cinemas to give 100% showcasing to their films. Keeping that in mind, kudos to Karan Johar and his team for being reasonable and practical and not asking for too many shows. Also, Tu Meri Main Tera Main Tera Tu Meri features a rising star like Kartik Aaryan and it belongs to a genre that has a lot of takers. Hence, we hope that cinemas give this film a chance.”

Also Read: Tu Meri Main Tera Main Tera Tu Meri faces copyright trouble; Trimurti Films moves Bombay HC against Karan Johar’s Dharma Productions over ‘Saat Samundar Paar’ use

As 2025 draws to a close, the year stands out as a surprising one for the Indian film industry, marked by several sleeper hits. While the year is set to end with Kartik Aaryan’s Tu Meri Main Tera Main Tera Tu Meri, anticipation around a slate of 2026 releases is steadily building. One of the most keenly awaited among them is Shahid Kapoor’s fourth collaboration with filmmaker Vishal Bhardwaj, O Romeo.

The makers appear keen to wrap up filming quickly, with the final leg of the shoot scheduled to begin on December 28. The team is unlikely to take a break for New Year celebrations, as Bhardwaj plans to kick off a 10-day patch shoot at Vrundavan Studios in Malad.

According to a report by Mid-Day, this phase will include action sequences and dialogue-heavy scenes. A source quoted by the publication revealed, “It’s a patch shoot, with some action and dialogue-heavy scenes lined up.” The report further stated that the first two days will largely focus on Shahid Kapoor’s portions, while co-stars Triptii Dimri and Randeep Hooda will not be required during this phase.

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  A post shared by Shahid Kapoor (@shahidkapoor)

Following a brief New Year break, the production is expected to resume with an additional eight-day shoot in January 2026. This schedule will reportedly involve crowd scenes and sequences using body doubles. “If required, the actors may be asked to report for a day or two,” the source added. Meanwhile, post-production work on the action thriller is already underway to ensure the film stays on track for its February 13 release.

View this post on Instagram

  A post shared by Shahid Kapoor (@shahidkapoor)

Produced by Sajid Nadiadwala under the Nadiadwala Grandson Entertainment banner, O Romeo is being positioned as a visually driven, high-octane action thriller with a strong romantic thread. The film also stars veteran actor Nana Patekar. The film is slated for a Valentine’s Day 2026 release.

Also Read: BREAKING: Sajid Nadiadwala’s Shahid Kapoor-starrer O Romeo expands ensemble with Vikrant Massey, Tamannaah Bhatia, Disha Patani

Singer Kumar Sanu and his former wife Rita Bhattacharya are once again in the spotlight as a legal dispute unfolds years after their divorce. The veteran playback singer filed a defamation suit in the Bombay High Court against Bhattacharya, alleging that recent interviews she gave contained defamatory remarks that harmed his reputation and violated the terms of their divorce agreement.

In his petition, Sanu’s legal team, led by advocate Sana Raees Khan, has sought damages reported to be Rs 50 crores and has demanded that the interviews in question be taken down from various entertainment platforms. The suit claims that Bhattacharya’s statements breach a clause from their 2001 divorce settlement that prohibited either party from making allegations against the other in public.

Reacting publicly for the first time since the notice was issued, Bhattacharya described her shock at the legal action, particularly the financial demand involved. In an interview with ETimes, she said, “The paper he has sent me, he is asking for 50 crores. I don’t know how Sanu is dreaming that I have so much money. It is really sad. I’m shocked. He is filing a case against the mother of his three grown-up sons.”

The conflict partly stems from remarks made in media interviews and social media responses earlier this year, including reactions tied to comments by actor Kunickaa Sadanand about a past relationship with a married man. Bhattacharya and her son, Jaan Sanu, responded on social platforms, prompting further scrutiny and the subsequent lawsuit.

She further shared, “I never got a chance to talk to him. Neither my children ever got a chance to talk to him because he has always blocked us. I tried to call Sanu, but he never took our calls. We are blocked on his number." “I contacted his secretary and requested him to please stop this. It is a very big insult. My son was getting married, and the in-laws were asking questions. I requested many times. I have all the messages and recordings on my phone.”

Bhattacharya continued, “I am 63 years old, and again I have to fight in court. The first time he took me to court, I was pregnant with Jaan. Now again, at this age, I have to go through this. I will meet Sanu in the court after 31 years. This is very insulting. My children are not kids. They are grown-up men. My elder son will be 37, my second son will be 34, and Jaan is already 31. I don’t think it is their crime that they are answering people. They did nothing."

She also indicated she may pursue a counter-case, saying, “I will see him in court. And I will request Sanu with folded hands — just try to be a good human being and be the father of my three children. If you can’t love us, at least don’t disturb us and don’t harass us anymore."

In closing her remarks, Bhattacharya made a heartfelt appeal to her former husband, urging him to “be a good human being and be the father of my three children,” and asking that he stop what she described as harassment. The court is expected to hear the matter this month.

Also Read: Delhi HC grants interim protection to Kumar Sanu’s personality rights; orders takedown of infringing content

Nora Fatehi recently opened up about the frightening moments surrounding the serious car accident she was involved in earlier this year, an incident that left her with a concussion and temporarily halted her professional commitments. Recalling the experience, the actor-dancer described how the crash unfolded suddenly, leaving her disoriented and shaken.

As previously reported, the accident occurred when a drunk driver rammed into the car Nora was travelling in while she was on her way to attend the Sunburn Festival in Mumbai, where she was scheduled to appear alongside DJ and music producer David Guetta. Following the collision, her team immediately rushed her to the nearest hospital. Doctors conducted a CT scan to rule out internal bleeding, after which she was diagnosed with a concussion and advised rest.

Speaking about the incident, Nora said, “Hey guys, I'm just coming here to tell you that I am okay. Yes, I was in a really serious car accident. A drunk person who was driving under the influence smashed my car, and unfortunately, the impact was quite severe, and it flung me across the car. I bashed my head on the window.”

Sharing her health update, Nora asserted, “I'm alive, and I'm well. Except for some minor injuries, swelling, and a slight concussion, I'm okay. I'm grateful for that. That could have ended terribly, but I came to say this to say that this is why you should not drink and drive.I hate alcohol to begin with. In fact, I am not someone who has ever liked the idea of alcohol or anything like that, such as drugs, weed, anything that puts you in a different state of mind... It is not something I promote or even enjoy being around.”

She further continued, “You should not drink and drive. It's 2025. I cannot believe that this is even a conversation. I can't believe that this is even a scenario that has to happen. At 3 p.m. in the afternoon, I could never imagine someone would be driving under the influence and putting people in harm's way. Having said that, I just want to let everyone know I'm okay. I'm going to be suffering from pain for some time, but, thank God I am alive.”

A day later, Nora marked a strong return to the spotlight as she joined David Guetta on stage at Sunburn Festival 2025, turning what could have been a subdued comeback into one of the most talked-about moments of the event. Her appearance went beyond a symbolic gesture, as the duo teased their upcoming global single ‘Fire Starter,’ which also features Ciara. A high-energy remix of the track was played live, offering fans an early preview and generating immediate buzz.

The timing of the appearance aligned with a significant phase in Nora’s international journey. She recently made her U.S. television debut on The Tonight Show Starring Jimmy Fallon, performing ‘What Do I Know’ (Just A Girl) with Shenseea, and also delivered a high-impact performance at UNTOLD Dubai. Together, these moments underline a steady expansion of her global footprint.

Also Read: Nora Fatehi likely to make surprise appearance at David Guetta’s India concert

As Dhurandhar is continuing to rule the box office in India, the battle for the Christmas 2025 period is getting intense between the Kartik Aaryan led Tu Meri Main Tera Main Tera Tu Meri and the James Cameron film, Avatar: Fire and Ash. And in a surprising turn of events, exhibitors have decided to reduce the show count of Avatar: Fire and Ash on Christmas Day to accommodate the Kartik Aaryan rom-com at their properties.

"Jio Star Studios (Distributor of Avatar: Fire and Ash in India for Disney India) has permitted exhibitors to move the Christmas Day programming for Avatar: Fire and Ash as the exhibitors had strong pressure from the stakeholders of Tu Meri Main Tera Main Tera Tu Meri headlined by Kartik Aaryan with Ananya Panday. The show reduction process has already begun at independent chains, and approx. 30 per cent of the shows will be reduced for Avatar: Fire and Ash on Christmas Day, which will give a very good release to the Kartik Aaryan film," a trade source shared with Bollywood Hungama.

The exhibitors are bullish on Tu Meri Main Tera Main Tera Tu Meri as it's a happy film featuring a young star like Kartik Aaryan, and it fits the bill for the family plans over the holiday period of Christmas and New Year. "There is strong demand for Tu Meri Main Tera among the youth, and they are expected to ensure a strong start for the film on the opening day despite competition. The audience demand is driving the showcasing and programming, as Avatar: Fire and Ash has clearly not fired the way it should have at the box office," the trade source told Bollywood Hungama.

In contrast, Jio Studios has not permitted any reduction in shows for Dhurandhar on Christmas Day. Exhibitors are adhering strictly to the original showcasing commitments for the film.

Also Read: EXCLUSIVE: CBFC censors 15 seconds of sexually suggestive scene in Tu Meri Main Tera Main Tera Tu Meri

Emraan Hashmi has once again proved why he is considered one of the most committed and resilient actors in the industry. During a high-octane action sequence on the sets of Awarapan 2, Emraan reportedly suffered a serious abdominal tissue tear that required immediate medical attention and surgery. While most actors would have opted for an extended break, sources reveal that Emraan chose to return to the set much sooner than expected, driven by his dedication to the film, his role, and his audience.

According to sources, Emraan is currently back on location in Rajasthan, with the shoot proceeding under strict supervision. His action movements have been restricted and the schedule has been carefully revised to ensure his health is prioritised while the film continues to move forward smoothly.

His determination has reportedly deeply inspired the team, who are in complete awe of his passion and professionalism. Awarapan 2 is among the most awaited upcoming projects, and Emraan’s resolve to continue shooting despite the physical challenges has added even more emotional depth to the journey of the film. Fans, colleagues, and well-wishers are said to be rallying behind him as he delivers yet another powerful performance.

Also Read: Shabana Azmi on joining Emraan Hashmi starrer Awarapan 2, “My character comes in at a crucial juncture in the story”

Ahaan Panday used the stage at the NDTV Indian of the Year 2025 to confirm his next film, revealing that he will soon be collaborating with filmmaker Ali Abbas Zafar. Fresh off the success of his Bollywood debut Saiyaara, the actor spoke candidly about the project during a brief interaction with the host after accepting his award.

Confirming the development, Ahaan said, “It’s an Ali Abbas Zafar film. I don’t know if I should say too much. All I can say is it will start rolling very soon, in the next couple of months. It’s an action film. It’s being led by three people under the age of 30. It has been something that’s not been done for a very long time. For the rest, the audience will have to wait for it.” While he refrained from sharing further details, the confirmation put an end to months of speculation around his next project.

Buzz around Ahaan’s follow-up to Saiyaara first surfaced in October this year. Reports suggest that Sharvari will play the female lead, with Bobby Deol expected to be seen in an antagonist’s role. The film is also said to be backed by Yash Raj Films, marking another collaboration between the production house and a young lead actor. According to reports, the actioner is expected to go on floors in March 2026, with the United Kingdom being one of the primary shooting locations.

Earlier in the evening, while accepting the Debutant Actor of the Year award, Ahaan took a moment to acknowledge the people who shaped his debut journey. Speaking about his Saiyaara co-star, he said, “I learned so much from Aneet, and I owe a lot to her. My growth on Saiyaara, I owe to Mohit Suri, but also to Aneet Padda.” Reflecting on their shared approach to storytelling, he added, “I remember telling her that whatever happens, all that matters is that one person leaves the cinema hall feeling something. That they're moved. That's our job as artists.”

With his next film set to move into production soon, Ahaan Panday appears poised to transition quickly from a successful debut to a large-scale action project.

Also Read: Ahaan Panday shares nostalgic memories that inspired his film career: “My introduction to the world of cinema came from my grandmother”

A viral video purporting to show a leaked romantic song from Shah Rukh Khan and Deepika Padukone's upcoming actioner King has been debunked as an AI-generated fan edit, sparking frenzy before users spotted visual inconsistencies like unnatural transitions.

The clip, shared widely on social media, depicted the duo in an intense embrace with soulful music and romantic lyrics, mimicking SRK's reported film look and Deepika in glamorous outfits to create the illusion of an official sequence. No official footage, song, or teaser from King has been released, confirming the content as fabricated despite its polished appearance.

KING SONG LEAKED Who tf made this 😭 pic.twitter.com/6piFMvgSj7 — Sameer (@sameerahmadx) December 18, 2025

The edit highlights advancing AI tools blurring real and fake content lines, with some praising creativity while others raised misinformation concerns amid high anticipation for SRK-Deepika's reunion post-Om Shanti Om, Chennai Express, and Pathaan. Makers have stayed silent on the video.​

Shah Rukh Khan returns to filming King on December 20 after a six-week break, entering the most demanding action-heavy schedule with stylized sequences and dramatic confrontations planned by director Siddharth Anand and international stunt directors at Film City, Goregaon. Suhana Khan joins her father on screen for the first time, alongside Deepika Padukone, Rani Mukerji, and Abhishek Bachchan, as SRK prepares extensively for the technically challenging shoot. The first look, unveiled on SRK's 60th birthday in November, set expectations for ambitious grounded combat.

Also Read: BTS, Arijit Singh, Shah Rukh Khan: India’s most-asked entertainment names on Alexa in 2025

Aditya Dhar’s heartfelt encomium to Ram Gopal Varma calling him a major source of inspiration has left the filmmaker deeply emotional. Dhar had written, “I came to Mumbai years ago carrying one suitcase, one dream, and an unreasonable belief that I would one day work under Ram Gopal Varma. That never happened. But somewhere along the way, without knowing it, I worked inside your cinema. Your films didn’t teach me how to make movies they taught me how to think dangerously.”

Speaking to this writer, Ram Gopal Varma says, “I just spoke to Aditya. We had a long conversation. I feel like crying. When someone like Rajamouli or Aditya tells me that I have inspired them, I feel like that Liril soap ad from the 1970s which made the model Karen Lunel famous. But what about the soap itself?”

Varma believes that Dhurandhar has fundamentally altered the grammar of Indian filmmaking. “Like I said in my tweet, it is a quantum leap for Indian cinema, and we must celebrate its success rather than bitch about its politics. Who cares about its politics as long as it is a work that takes our cinema forward?”

Also Read: Ram Gopal Varma calls Ranveer Singh starrer Dhurandhar a turning point for Indian cinema and a wake-up call for the industry: “It is a warning to the film industry to grow up”

Dhurandhar, which is all set to become the biggest hit of the year, enters the third week of its release today. The film overperformed in its second week and is now all set for another huge week from today. The Ranveer Singh-starrer also had a release in the IMAX version. However, its IMAX run ended yesterday, on December 18.

This is because Avatar: Fire And Ash has now taken over all the IMAX screens across India and also the world. Directed by James Cameron, the fantasy drama is known for its spellbinding visuals. Hence, it makes for an ideal watch in IMAX theatres. It's no wonder that its shows in the IMAX cinemas got filled first.

Nevertheless, Dhurandhar had a glorious run in the IMAX version. The film also had a big screen appeal which enticed people to check it out in IMAX. Interestingly, the film didn’t get a release in IMAX on the day of its release due to late delivery of prints. But once the issue settled, the film managed to score big time in the wide-screen cinemas.

Avatar vs Dhurandhar update

Yesterday, Bollywood Hungama had reported that the advance booking in several one-screen and two-screen cinemas had not begun for shows from December 19 due to show-sharing issues between Avatar: Fire And Ash and Dhurandhar.

As per a trade source, “Disney, the studio releasing Avatar: Fire And Ash, has asked single-screen theatres that they want all shows for their film. In two-screen cinemas, they have asked for 5 or 6 shows. However, exhibitors are not comfortable with this directive as Dhurandhar is running very successfully. They are confident that even in its third week, the Ranveer Singh-starrer will find a huge audience, as evident by the steady footfalls the film has generated in the weekdays.”

The matter was expected to be resolved. Sadly, that hasn’t happened. The trade source informed Bollywood Hungama, “Disney was adamant about getting all shows for Avatar: Fire And Ash while the single screens requested for show sharing. With no other option, single-screen cinemas had to give up on the plan to play Avatar: Fire And Ash. Late Thursday night, they opened the advance booking and have decided to continue playing Dhurandhar with all shows until December 24.”

The only exception is PVR Le Reve, Bandra, formerly known as Globus Cinema. It’ll play Avatar: Fire And Ash with two shows a day, at 8:00 am and 7:20 pm, while Dhurandhar will be played by 11:40 am, 3:30 pm and 11:00 pm. In other words, PVR Le Reve is one of the few single screens in the whole of India that will play the James Cameron directorial.

On the other hand, all the two-screen cinemas of Mumbai have allotted 3 shows to Avatar: Fire And Ash and the remaining 6 shows to Dhurandhar.

Finally, those hoping to watch Avatar: Fire And Ash at Mumbai’s iconic G7 complex, popularly known as Gaiety-Galaxy, might be disappointed. Until December 18, bookings for Galaxy and Gemini were not opened, fuelling hope that the James Cameron directorial would find a slot in one of the two screens. However, late Thursday night, bookings for all screens were opened, and there was no listing for Avatar: Fire And Ash. Dhurandhar will continue to play in Gaiety and Galaxy, the complex’s biggest screens, while Gemini will play four shows of Kis Kisko Pyaar Karoon 2.

Also Read: Adivi Sesh BREAKS silence on Dacoit’s CLASH with Dhurandhar 2 on March 19, 2026: “I wish the sequel is world’s BIGGEST hit; jin logon ko Dhurandhar 2 ka ticket na mile, woh Dacoit dekhne aa jaaye!”

Dhurandhar, which is all set to become the biggest hit of the year, enters the third week of its release today. The film overperformed in its second week and is now all set for another huge week from today. The Ranveer Singh-starrer also had a release in the IMAX version. However, its IMAX run ended yesterday, on December 18.

This is because Avatar: Fire And Ash has now taken over all the IMAX screens across India and also the world. Directed by James Cameron, the fantasy drama is known for its spellbinding visuals. Hence, it makes for an ideal watch in IMAX theatres. It's no wonder that its shows in the IMAX cinemas got filled first.

Nevertheless, Dhurandhar had a glorious run in the IMAX version. The film also had a big screen appeal which enticed people to check it out in IMAX. Interestingly, the film didn’t get a release in IMAX on the day of its release due to late delivery of prints. But once the issue settled, the film managed to score big time in the wide-screen cinemas.

Avatar vs Dhurandhar update

Yesterday, Bollywood Hungama had reported that the advance booking in several one-screen and two-screen cinemas had not begun for shows from December 19 due to show-sharing issues between Avatar: Fire And Ash and Dhurandhar.

As per a trade source, “Disney, the studio releasing Avatar: Fire And Ash, has asked single-screen theatres that they want all shows for their film. In two-screen cinemas, they have asked for 5 or 6 shows. However, exhibitors are not comfortable with this directive as Dhurandhar is running very successfully. They are confident that even in its third week, the Ranveer Singh-starrer will find a huge audience, as evident by the steady footfalls the film has generated in the weekdays.”

The matter was expected to be resolved. Sadly, that hasn’t happened. The trade source informed Bollywood Hungama, “Disney was adamant about getting all shows for Avatar: Fire And Ash while the single screens requested for show sharing. With no other option, single-screen cinemas had to give up on the plan to play Avatar: Fire And Ash. Late Thursday night, they opened the advance booking and have decided to continue playing Dhurandhar with all shows until December 24.”

The only exception is PVR Le Reve, Bandra, formerly known as Globus Cinema. It’ll play Avatar: Fire And Ash with two shows a day, at 8:00 am and 7:20 pm, while Dhurandhar will be played by 11:40 am, 3:30 pm and 11:00 pm. In other words, PVR Le Reve is one of the few single screens in the whole of India that will play the James Cameron directorial.

On the other hand, all the two-screen cinemas of Mumbai have allotted 3 shows to Avatar: Fire And Ash and the remaining 6 shows to Dhurandhar.

Finally, those hoping to watch Avatar: Fire And Ash at Mumbai’s iconic G7 complex, popularly known as Gaiety-Galaxy, might be disappointed. Until December 18, bookings for Galaxy and Gemini were not opened, fuelling hope that the James Cameron directorial would find a slot in one of the two screens. However, late Thursday night, bookings for all screens were opened, and there was no listing for Avatar: Fire And Ash. Dhurandhar will continue to play in Gaiety and Galaxy, the complex’s biggest screens, while Gemini will play four shows of Kis Kisko Pyaar Karoon 2.

Also Read: Adivi Sesh BREAKS silence on Dacoit’s CLASH with Dhurandhar 2 on March 19, 2026: “I wish the sequel is world’s BIGGEST hit; jin logon ko Dhurandhar 2 ka ticket na mile, woh Dacoit dekhne aa jaaye!”

Filmmaker Sandeep Reddy Vanga has shelved his New Year’s break plans in order to push ahead with filming on his highly anticipated cop action drama Spirit, starring Prabhas, Triptii Dimri and Vivek Oberoi. The decision was taken to fast-track production so the project can meet its planned mid-2027 release timeframe, according to a report by Mid-Day.

Originally, Spirit was scheduled to shoot its first schedule through December and then pause for a New Year break. However, Vanga and his team decided to continue filming through the New Year’s week, with production now expected to run until at least the first week of January before a short pause. The report quoted a source close to the film revealing that the director called off holiday plans in a bid to wrap up the shoot ahead of schedule.

The movie marks Vanga’s first collaboration with both Prabhas and Vivek Oberoi. Insiders say the director is planning distinctive looks for the stars — a move reminiscent of how Vanga’s previous film Animal presented Bobby Deol in an unexpected avatar — indicating that Spirit will continue the filmmaker’s signature visual and narrative style.

Spirit began shooting on November 27 in Hyderabad, and the extended schedule means the cast and crew are now working through late December and into January to keep the production on track.

As it stands, Spirit is shaping up to be one of the most closely watched Indian films of 2027, powered by its high-profile star cast and the creative vision of one of Bollywood’s most discussed directors.

Also Read: 2 Years of Animal EXCLUSIVE: Khushaal Pawaar shares FASCINATING secret behind casting process: “Sandeep Reddy Vanga DIDN’T provide us with a script; a FIRST-ever such experience for me…you CANNOT manipulate him”

Indian film star Sara Ali Khan has been officially announced as the latest Friend of the Brand for iconic Swiss watchmaker Longines, marking a significant collaboration between one of Bollywood’s most admired young actresses and a heritage luxury timepiece house. The announcement was shared widely across media today following a press release and Sara’s own social media post, where she expressed her excitement over the partnership.

Sara took to Instagram to share the news with her followers, writing, “I’m delighted to share that I’ve joined the Swiss watch brand LONGINES as a Friend of the Brand. Its timeless elegance, rich heritage and authenticity have long inspired me and I cannot wait to show you what’s ahead! #Longines #ElegancelsAnAttitude #LonginesPrimaluna.” This message reflects her personal admiration for the brand’s legacy and values, setting the tone for what both parties hope will be a creative and inspiring collaboration.

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Longines, founded in Saint-Imier, Switzerland in 1832, is known for its graceful designs, precision engineering, and long history of sport timing and aviation partnerships. Its winged hourglass logo is recognised in more than 150 countries around the world. The brand’s association with India dates back to 1878, when it first sold watches in the country, a historical connection that the company says this new collaboration will further strengthen.

In the official statement, Longines praised Sara’s radiant personality, effortless charm and refined sense of style, noting that she perfectly embodies the spirit of timeless elegance which is a hallmark of the brand’s identity. Her versatility and strong public presence in cinema have made her an influential figure among modern audiences, aligning with Longines’ efforts to celebrate individuals who represent elegance not just through appearance, but through authenticity, confidence, and attitude.

Sara Ali Khan, who made her film debut in 2018 with the hit Kedarnath and has since starred in successful films like Simmba, Atrangi Re, and Zara Hatke Zara Bachke, brings both contemporary appeal and cultural relevance to the Longines family. A graduate of Columbia University with a degree in history and political science, she is widely respected for her intellect as well as her on-screen presence qualities that the brand sees as reflective of its values of precision and heritage.

The collaboration is expected to spotlight Longines’ PrimaLuna collection, known for its elegant design and feminine sophistication an aesthetic that resonates with Sara’s personal style and public image, making this partnership a blend of tradition and modernity that appeals to watch enthusiasts and fashion followers alike.

This announcement adds to Sara Ali Khan’s growing list of high-profile partnerships and reinforces Longines’ commitment to working with influential cultural figures who embody its core principles of grace, authenticity, and timeless elegance.

Also Read : Sara Ali Khan shares heartfelt note for Sushant Singh Rajput on 7 years of Kedarnath: “Thank you for reminding me to be curious”

Less than 24 hours are left for the release of Avatar: Fire And Ash and the excitement is building up for it thanks to its big-screen appeal, grandeur and popularity of the franchise. Interestingly, viewers will be treated with two tantalizing assets when they venture out to watch the James Cameron directorial in cinemas from December 19.

Bollywood Hungama has learned that the introduction teaser of Ramayana has been attached to Avatar: Fire And Ash. It was launched on July 3 and has been loved for its ensemble cast and stunning VFX.

Directed by Nitesh Tiwari of Dangal (2016) and Chhichhore (2019) fame, Ramayana stars Ranbir Kapoor as Rama, KGF star Yash as Ravana, Sai Pallavi as Sita, Ravie Dubey as Lakshman and Sunny Deol as Hanuman. It is produced by Namit Malhotra’s Prime Focus Studios and 8-time Oscar-winning VFX studio DNEG in association with Yash’s Monster Mind Creations, written by Shridhar Raghavan and has music by the greats, A R Rahman and Hans Zimmer. The first part releases in cinemas on Diwali 2026, while part 2 will arrive on Diwali 2027.

The other teaser attached to the Hollywood flick is that of Hanuman – The Eternal. This video isn’t out yet on digital and hence, viewers will see a glimpse of the film for the first time on the big screen. It is one of India’s first theatrical films made using AI and arrests attention thanks to its visual appeal, scale and depiction of Lord Hanuman. It is directed by Rajesh Mapuskar of Ferrari Ki Sawaari (2012) and Rudra: The Edge Of Darkness (2022) fame, produced by Vikram Malhotra’s Abundantia Entertainment and Collective Media Network’s Historyverse. As per reports, it is slated for a theatrical release on Hanuman Jayanti, that is, April 2 next year.

However, Hanuman – The Eternal has been in the news after Anurag Kashyap slammed the announcement news and also one of the film's producers, Vijay Subramaniam, for backing an AI-generated film while heading an artists' agency. Shockingly, Anurag even mentioned in the post, “This right here is the future for the spineless and cowardly so-called artists in the Hindi Film industry. Well done Vijay Subramaniam. Shame is not enough on you. You should be in the gutter.”

Also Read: Ramayana: Ranbir Kapoor starrer to mark a historic collab with Avatar: Fire and Ash as it premieres in theatres

The biggest Hollywood film of the year, Avatar: Fire And Ash, is all set to release tomorrow, that is, Friday, December 19. While advance booking commenced on December 5, several cinemas, especially one-screen and two-screen cinemas, have yet to begin advance booking. Bollywood Hungama spoke to trade and exhibition sources to understand the reason behind it.

A trade source told Bollywood Hungama, “Disney, the studio releasing Avatar: Fire And Ash, has asked single-screen theatres that they want all shows for their film. In two-screen cinemas, they have asked for 5 or 6 shows. However, exhibitors are not comfortable with this directive as Dhurandhar is running very successfully. They are confident that even in its third week, the Ranveer Singh-starrer will find a huge audience, as evident by the steady footfalls the film has generated in the weekdays.”

The source continued, “The exhibitors have requested that they’d like to divide shows equally between the two films. After all, they realize that Avatar: Fire And Ash will also be a crowd puller. However, so is Dhurandhar. But Disney hasn’t accepted this idea. Negotiations are going on and a middle ground is expected to be reached today.”

As for 8:30 am on December 18, single-screen theatres in Mumbai like Gold Cinema Santacruz, Chitra Dadar, Roxy Opera House, Maratha Mandir, Kasturba Malad, Citylight Mahim, Inox Nakshatra Dadar, MovieTime Star City, New Excelsion, MovieTime Dahisar, Gold Cinema Sona Borivali, MovieMax Andheri East, MovieTime Suburbia, PVR Le Reve etc. are yet to start bookings for tomorrow.

The same issue can be seen in two-screen plexes like Sun City Vile Parle, Mukta A2 Cinemas Lalbaug, Topiwala Goregaon, PVR Milap Kandivali, Movietime Malad etc.

Shockingly, ticket sales for Avatar: Fire And Ash as well as Dhurandhar, for December 19 onwards are yet to commence in a full-fledged manner in even certain three-screen properties like Sterling, MovieMax Mira Road, MovieMax Sion etc. as well as in four-screen properties like Miraj R Mall Mulund, Inox Raghuleela Kandivali, PVR Odeon Ghatkopar, Inox Korum Mall Thane, MovieMax SM5 Kalyan, MovieMax Wonder Mall Thane, etc.

At Mumbai’s iconic G7 complex, popularly known as Gaiety-Galaxy, advance bookings have opened in four cinemas, but Galaxy and Gemini are yet to begin. Dhurandhar will continue at Gaiety with three shows from December 19. Until December 18, it was being screened in both Gaiety and Galaxy. It now remains to be seen whether Avatar: Fire And Ash will be accommodated at Galaxy or Gemini, or both, and whether Dhurandhar also gets additional shows in the other two cinemas at G7.

Also Read: EXCLUSIVE: Unlike Avatar: The Way Of Water, CBFC passes Avatar: Fire And Ash with ZERO cuts

Homebound, the critically acclaimed Hindi drama directed by Neeraj Ghaywan, has been officially selected as India’s entry for the Best International Feature Film category at the 98th Academy Awards and has now been shortlisted by the Academy of Motion Picture Arts and Sciences as one of the contenders moving forward in the awards process.

The film starring Ishaan Khatter, Vishal Jethwa, and Janhvi Kapoor was chosen by the Film Federation of India from a competitive list of 24 films submitted this year, cementing its place as the nation’s representative on cinema’s biggest global stage.

In the shortlist announced this week, Homebound is among only 15 international films advancing toward final nominations for the Best International Feature Film Award, marking a significant achievement for Indian cinema ahead of the Oscars scheduled in March 2026.

Homebound tells the poignant journey of two childhood friends striving to become police officers to earn dignity and respect in a system shaped by caste and socioeconomic divides.

Producer Karan Johar reacted emotionally to the film’s Oscars shortlist announcement, taking to social media to share his pride. He wrote, “I am not sure I can articulate how proud, elated and over the moon I am with the journey of #HOMEBOUND… all of us @dharmamovies are privileged to have this proud and important film in our filmography … thank you @neeraj.ghaywan for making so many dreams of ours come true… from Cannes to being on the Oscar shortlist this has been such an overwhelming journey! Love to the entire cast and crew and teams of this special special film!!!!!!!!! Upwards and onwards…….. #HOMEBOUND streaming now on @netflix_in.”

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The film has already earned international recognition after its premiere in the Un Certain Regard section at the 78th Cannes Film Festival, where it received a nine‑minute standing ovation from audiences. It also screened at the Toronto International Film Festival (TIFF), where it won the International People’s Choice Award as second runner‑up.

Industry insiders and audiences have celebrated Homebound’s selection, seeing it as a testament to the depth of India’s cinematic storytelling. Key cast and crew members expressed excitement as the film’s Oscar campaign progresses, with many hoping it will secure a nomination when the final list is announced early next year.

Also Read : Janhvi Kapoor, Ishaan Khatter, Vishal Jethwa react to Shah Rukh Khan showering love on Homebound

The inheritance battle over late industrialist Sunjay Kapur’s colossal Rs. 30,000 crores estate has taken a sensational twist. On Tuesday, Priya Sachdev Kapur, Sunjay’s third wife, fiercely opposed any forensic examination of the Will that forms the bedrock of her claim to his personal assets and control over the Sona Comstar Group. The plea for scientific scrutiny—covering handwriting, ink, and paper analysis—was pressed by Sunjay’s children from his previous marriage, Samaira and Kiaan Raj Kapur, who argue that such checks are vital to confirm authenticity.

Legal experts say Priya’s resistance is highly unusual in a probate dispute of this magnitude, as courts routinely rely on forensic tests to settle doubts over testamentary documents. Blocking this process, they warn, could amplify suspicions surrounding a Will that completely excludes Sunjay’s biological children.

Adding fuel to the fire, Shradha Suri Marwah—the Will’s purported executor—has dramatically altered her stance on how she first received the document. Initially claiming Priya handed it over on June 24, Suri later said it came from Dinesh Agarwal on June 14, only to revert to her original version after reviewing Priya’s submissions. These oscillations, coupled with her admission that she was unaware of being named executor and lacked independent legal advice, have raised eyebrows. Her request for indemnity from Priya and reluctance to probate the Will further deepen scepticism.

Senior counsel Mahesh Jethmalani, representing Samaira and Kiaan, argued that under Indian law, an executor cannot be appointed without prior consent. If the Will fails judicial scrutiny, Sunjay’s estate would devolve equally among all Class I heirs—a point even Suri’s counsel conceded.

The Delhi High Court will hear both the forensic inspection plea and Suri’s amendment application on January 20, 2026, a date that could decide whether the Will reflects Sunjay Kapur’s true intentions or collapses under scrutiny.

For the unversed, Sunjay Kapur, Chairman of Sona Comstar, died suddenly on June 12, 2025, during a polo match in Windsor, England. The contested Will, dated March 21, 2025, allegedly leaves his entire personal estate to Priya and their minor son Azarias, excluding his children from his previous marriage to Karisma Kapoor. The dispute has spiralled into one of India’s most high-stakes inheritance battles, with allegations of forgery, concealment, and even conspiracy swirling around the case.

Also Read: Explosion in Rs. 30,000-Crore Sunjay Kapur estate battle: Missing email attachment triggers Will scam suspicion