Indus Chronicles

Aamir Khan and Rajkumar Hirani's reunion on the Dadasaheb Phalke biopic created a stir like never before. And why not? Two stalwarts are teaming up for the third time after cults like 3 Idiots and PK. But we have some disappointing news for all the fans of this duo. According to very reliable sources close to the actor, the Dadasaheb Phalke Biopic has been put on hold.

A source informed Bollywood Hungama on anonymity, "Aamir Khan heard the script of Dadasaheb Phalke from Rajkumar Hirani and Abhijat Joshi. He felt that the script didn't have enough elements to make for a theatrical watch. He expected Raju and Abhijat to have a typical approach of mixing laughter with emotion and drama. But the script was devoid of comedy. This raised a doubt in the mind of Aamir, and he requested Raju to rewrite the script and come back."

The source tells us further, "Raju and Abhijat were shocked by Aamir's reaction, and are now figuring out what to do next. The film, which was to start in the month of October 2025, is no longer on track to go on floors next month. Things are on a standstill at the moment, and Aamir has already started to hunt for more scripts. He is hearing subjects from all across the industries."

His hunt for the next continues, as both Rajkumar Hirani and Lokesh Kanagaraj film seem to be on the back burner for now.

Also Read: Aamir Khan credits himself for introducing PATHBREAKING changes with Lagaan: “It was first film to have first AD, walkie-talkies, sync sound; Ronit Roy SECURED the sets with 150 guards, a FIRST in Bollywood”

When Paul Thomas Anderson calls, you don’t ask questions—you just show up. That’s exactly how Benicio Del Toro describes his decision to join the director’s latest film, One Battle After Another. “Three letters. P T A,” Del Toro said in an exclusive conversation. “When Paul Thomas Anderson calls and says, ‘I got a script, and I got a part that I want you to play.’ Before I read it, I was in. Simple as that.”

Del Toro takes on the role of Sensei Sergio St. Carlos, a karate instructor whose life becomes entangled with that of Bob (Leonardo DiCaprio), a desperate father searching for his missing daughter, Willa. For Del Toro, the role offered the chance to play a character with both grit and grace.

“Sensei is a karate instructor of Willa, who is the daughter of Bob,” he explained. “And when the shit hits the fan and Willa disappears, Leo’s character comes to get help from Sensei to try and help him find her. Basically, Sensei helps Bob to get from point A to point C in his journey to reunite with his daughter. Sensei provides protection and transportation for Bob while at the same time juggling with his own situation. Allowing Bob and us to peep into Sensei’s world. One could say that for a moment, Sensei becomes Bob’s guardian angel. He sacrifices himself to allow Bob to continue his journey to find his daughter.”

Del Toro hinted that Sensei’s role in the narrative carries an almost spiritual weight, balancing between guide and protector. It’s a turn that’s bound to resonate with audiences, particularly because it shows the layers beneath the action-thriller surface.

For Del Toro, saying yes to Anderson wasn’t just about reuniting with an old friend in cinema but about joining a project that combines action, emotion, and moral complexity. “Sometimes a role isn’t just about fighting or surviving—it’s about what you’re willing to give up so someone else can,” Del Toro said. “That’s where the heart of Sensei lies.”

One Battle After Another releases on September 26, 2025.

Also Read: EXCLUSIVE: Benicio Del Toro on teaming up with Leonardo DiCaprio in One Battle After Another; says, “If Hollywood was a university, we’re from the same class”

Bollywood actor, model, and fitness icon Malaika Arora has opened up about the many judgments she has faced throughout her life for her work, her appearance, and her personal life. In a candid conversation with Hindustan Times, she revealed how labels like “too bold” or “too outspoken” followed her career until she decided to refuse to live by others’ expectations.

Malaika said, “It was tough because people love to tell you what you should or shouldn’t be. I was judged for my career, my clothes, my relationships you name it. But the day I stopped explaining myself was the day I felt free. My biggest takeaway? The only narrative that matters is the one you write for yourself.”

She described how, for years, societal norms attempted to confine her from what she wore to who she associated with. But now, she claims, she wears those criticisms “like a crown.” As she puts it: “I’ve been called too bold, too outspoken, too everything. And honestly? I wear it like a crown now. If I’m “too much” for someone, they’re probably not enough for me.”

Malaika has translated her journey into her professional work as well. In her latest campaign with cosmetics brand HYUE, titled Own It, she said, “Whether in fashion, fitness, or just the choices I’ve made, I’ve never followed a formula. I’ve always believed that real confidence comes when you stop performing for the world and start living for yourself.”

She added, “It (the association) felt like they were telling my story through beauty. I’ve had to fight labels, opinions, and expectations all my life. So Own It isn’t just a tagline to me – it’s my lived reality.”

Yet, despite her public confidence, she admits she also faces periods of uncertainty. “Self-doubt is human—it never really disappears. There are days when I question myself, just like anyone else. But over the years, I’ve learned to meet those moments with kindness rather than criticism,” Malaika confesses. And she added, “Confidence, for me, isn’t about never doubting—it’s about moving forward with grace despite it.”

Also Read : Abhinav Kashyap reveals clash between Malaika Arora and Salman Khan over ‘Munni Badnaam Hui’ costumes: “They want their women covered up”

Emraan Hashmi and Yami Gautam are teaming up for the first time in director Suparn Varma’s upcoming film HAQ, a hard-hitting courtroom drama inspired by one of the most debated cases in India’s legal history.

According to a report by Pinkvilla, the film takes inspiration from the landmark Supreme Court judgement in the Shah Bano vs Ahmed Khan case, which triggered nationwide conversations on personal laws and women’s rights. Produced by Junglee Pictures in association with Insomnia Films and Baweja Studios, the project is said to delve into themes that promise to stir strong public discourse.

A source quoted in the report revealed, “HAQ has been produced by Junglee Pictures in association with Insomnia Films and Baweja Studios. It is inspired by the landmark Supreme Court judgement of Shah Bano vs Ahmed Khan – a case that shook the nation. The exact details have been kept under wraps, but the controversial theme and the courtroom proceedings have the potential to stir a public discourse.”

The film’s teaser, which has already been locked, is expected to be unveiled soon. “The teaser of HAQ is locked and the ones who have seen it can’t stop raving about the content. The teaser will also officially confirm the release date,” an insider said.

As per the report, the makers are eyeing a theatrical release on November 7, 2025.

Yami Gautam, who has recently delivered impactful performances in Article 370 and OMG 2, continues her streak of diverse collaborations, this time sharing screen space with Emraan Hashmi. For Hashmi, HAQ marks another addition to his slate of intense and socially relevant dramas.

Also Read: Awarapan 2: Disha Patani signed opposite Emraan Hashmi in the sequel to cult love story set in gangster world

September 15 marked a special day for Akshay Kumar and Twinkle Khanna as their son, Aarav, celebrated his 23rd birthday. Both parents took to social media to share heartfelt notes, accompanied by the same candid picture of Akshay with Aarav.

Akshay, in his trademark humorous yet emotional style, wrote, “Happy 23rd, Aarav! When I was twenty three I was learning to beat up people on screen… it’s a strange feeling now to see you beat me everyday right from tech to fashion to arguments on the dinner table. Dekhte hi dekhte itna bada ho gaya hai yaar tu… you make me feel like a proud sidekick in my own story / Love you beta. Cheers to the best 23 years of my life because they’ve been with you.”

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Twinkle Khanna, known for her wit and writing flair, chose a reflective tone. She posted, “And he turns 23 / Though I have an undeniable compulsion to hold on to him, it would be wise to remember that children are like the air stored in our lungs, in our custody for just a moment before the next exhalation. This may not be an entirely correct analogy because unlike breaths we can’t keep popping babies in and out constantly, but you get the point right :) Here’s to the birthday boy. May he continue filling the world with his innate kindness.”

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The posts instantly struck a chord with fans, who filled the comments section with warm wishes for Aarav. Many admired the heartfelt words, while others praised the bond the family shares.

The birthday celebrations came the same day Twinkle Khanna unveiled the trailer of her upcoming celebrity chat show, Two Much With Kajol and Twinkle, which will stream on Prime Video. Meanwhile, Akshay Kumar is busy on the professional front, promoting Jolly LLB 3. He recently wrapped the outdoor schedule of Haiwaan, his next collaboration with Priyadarshan, co-starring Saif Ali Khan.

Also Read: Akshay Kumar brings luxe fashion to Bigg Boss 19 in Rs 1.1 lakh velvet statement piece

Days after unidentified assailants opened fire outside actress Disha Patani’s residence in Bareilly, Uttar Pradesh Chief Minister Yogi Adityanath has personally assured the Patani family of their safety.

Jagdish Patani, the actress’s father and a retired deputy superintendent of police, revealed in a video statement that the Chief Minister reached out to him late at night. “I received a call from the Honorable Chief Minister. He offered his condolences to my entire family and said that the whole state stands with us. The Chief Minister assured that there will be no negligence whatsoever in ensuring our security,” he said.

He further added that the Chief Minister was firm about the investigation. “CM Yogi said the culprits would be tracked down even from the depths of the earth,” Patani shared.

Bareilly, UP: CM Yogi Adityanath spoke to Disha Patani’s father Jagdish Patani, assuring security and ordering a swift investigation after Goldy Brar’s gang fired seven rounds at their house near Chaupala Crossing. The shots were allegedly fired after his daughter Khusboo… pic.twitter.com/zUbbn7coPe — Krishna Chaudhary (@KrishnaTOI) September 15, 2025

Firing at Disha Patani’s House in UP The firing took place in the early hours of September 12 at around 3:30 am when two unidentified men on a motorcycle opened fire outside the Patani residence. Fortunately, no injuries were reported.

Soon after, a social media account named ‘Rohan Godara Goldy Brar’ claimed responsibility for the incident. The post alleged that the attack was carried out in response to the supposed insult of Hindu saints Premanand Maharaj and Aniruddhacharya Maharaj allegedly by Disha’s sister Khushboo Patani. Investigation underway The local police have stepped up security around the Patani residence and launched a probe into the attack. Authorities are currently investigating the authenticity of the social media claim while attempting to trace the two unidentified assailants.

Also Read: Disha Patani shares front row at Calvin Klein Spring 2026 NYFW with global celebrities

Filmmaker Ajay Bahl’s Section 375 recently completed six years. The film starred Rahul Bhat in the role of a filmmaker accused of a sexual crime. On the film’s anniversary, he got talking to us about his experience of doing the film in an interview.

Ajay Bahl’s rare film on the MenToo movement in which you played a victim of a false sex offence case, is now 6

It’s hard to believe Section 375 completes six years. That film changed me, it made me dig deep into a very layered character and confront difficult truths about consent and power. Even today, people come up to me and say the film made them think, argue, even fight about right and wrong. That’s exactly what we wanted to do - start a conversation.

It is hard to believe the film actually got made

I will always be grateful to producer Kumar Mangat and director Ajay Bahl and the team for trusting me with such a bold story. For me, Section 375 wasn’t just a role, it was a responsibility, and I’m proud it continues to stay relevant.

Do you feel the MenToo movement got smothered by the MeToo movement?

I do feel that the #MenToo conversation never got the space it deserved. The moment anyone spoke about false accusations or misuse of laws, it was seen as undermining the larger cause of women’s safety, which was never the intention. For me, #MenToo was never about discrediting genuine survivors of assault. It was about acknowledging that justice should be fair to everyone, regardless of gender. There are real victims on both sides, women who face harassment, and men whose lives are destroyed by false accusations. Section 375 tried to show exactly that that the law can be misused, and that we must talk about both justice for survivors and safeguards for the innocent.

Where would you place Section 375 among your films?

If I had to place Section 375 in my career, I’d put it somewhere in the top. Rohan Khurana made me fearless. It taught me to embrace the grey and never shy away from uncomfortable stories.

Why are more such films not made?

Because we’re scared, scared of offending, scared of backlash, scared of losing box office numbers. Films like Section 375 are rare because they make people uncomfortable, and discomfort isn’t always good for business. But that’s exactly why such films matter. Cinema’s job, at its best, is to hold up a mirror and make us reflect. Good cinema should do more than just entertain; it should make us think. Section 375 proved that audiences are ready for uncomfortable truths. It’s the film industry that needs to catch up.

Also Read: Rahul Bhat hosts lavish Kashmiri dinner for The Wives team; director Madhur Bhandarkar attends

The Enforcement Directorate (ED) has issued summonses to former Trinamool MP and actor Mimi Chakraborty and Urvashi Rautela in connection with its investigation into the alleged illegal operations of the online betting platform 1xBet, as per a report by NDTV.

Chakraborty has been asked to appear at the ED’s Delhi headquarters on Monday, while Rautela is to report a day later on Tuesday.

This development forms part of an ongoing probe into several betting apps accused of defrauding large numbers of people and investors of crores of rupees, and allegedly evading substantial taxes.

Specifically, Chakraborty is expected to be questioned about her alleged connections with 1xBet, which is under scrutiny for possible money laundering and tax evasion. ED investigators have already questioned several actors and cricketers in relation to the case, including cricketer Suresh Raina.

Meanwhile, government sources say the market for real money online gaming and betting has been subject to increasing regulatory pressure. The Union government has recently introduced legislation banning such gaming, while it disclosed to Parliament that between 2022 and June 2025, it issued 1,524 orders to block online gambling and betting platforms.

Analysts estimate there are about 22 crores Indian users of various online betting apps, of which roughly half 11 crores are regular users. They say the sector is valued at over USD 100 billion, growing at a rate of about 30% annually.

Also Read : Urvashi Rautela claims her Dior baggage was stolen at Gatwick Airport after flying Emirates; seeks urgent help online

Bobby Deol has openly reflected on a period in his career when he felt that his choices had taken a toll on his progress and revealed he resorted to acting classes during the times when “he did not have any work”.

The actor, who received widespread acclaim for his performance in Animal, discussed these setbacks during an interview at the Toronto International Film Festival (TIFF). He said, “Today, I have become more brave and fearless. I have moved away from what my image used to be. The web shows I acted in were very helpful in this regard. In between when I did not have any work, I took acting classes. I asked myself why did my career have a good start? That’s because people saw something in me. However, because of my wrong choices, my career suffered. I worked on regaining faith in myself as well as being disciplined. If you are disciplined, you can put more effort into your work without feeling the pressure.”

Deol also addressed typecasting: “In this industry, one tends to get typecast. It is tough to break that mould. OTT gave me that chance to come out of it. Playing an antagonist character and getting appreciation is something I had not imagined. However, every antagonist has to be different, be it my character in Aashram or Animal.”

Following Animal, Bobby has been active. He is set to feature in The B***ds of Bollywood, the directorial debut of Aryan Khan (son of Shah Rukh Khan), and in Bandar, an Anurag Kashyap film that had its world premiere at TIFF.

Originally launching his career as a lead in the 1995 romantic film Barsaat, Bobby Deol has since appeared in films like Soldier, Badal, Gupt, Race 3, Jhoom Barabar Jhoom, and Ab Tumhare Hawale Watan Saathiyo, among others.

Also Read : EXCLUSIVE: Suneel Darshan on replacing Akshay Kumar with Bobby Deol in Barsaat, “There was an incident after which…”

Filmmaker Danish Renzu’s Songs Of Paradise recently started streaming on Prime Video. The film is inspired from the life of Kashmir’s celebrated singer Raj Begum. Veteran actress Soni Razdan plays the elderly version of the character in the movie. She spoke about the film and her experience of shooting it in an interview with us.

It is good to see you back on screen in Songs Of Paradise. How did the director Danish Renzu convince you? Thank you. Danish discussed this film with me I think before he even wrote the script. Like most people who don’t live in Kashmir, I had not heard of Raj Begum the singer. I said I have to do this role even before I read a script. It just sounded very fascinating.

Did the film live up to your expectations? It has been an honour for me to be a part of this film and to hopefully bring Kashmiri music out of the closet and into the world.

Was it a responsibility portraying Kashmir’s first recorded female singer? Yes, I felt a huge sense of responsibility. As I had never met Raj Begum I had to imagine her character, but at the same time, make sure that I somehow remain true to the iconic figure that she was. Well, I hope I’ve done some small justice to her character.

This is not the first time you play a Kashmiri woman I have never lived in Kashmir, and I have no family there but somehow I have always felt a strong connection to Kashmir and the problems people face there. Strangely, it is work that has taken me back there time and again since I did Raazi in 2018. Danish Renzu has been hugely instrumental in that. We’ve done some beautiful music videos together, shot in Kashmir, about Kashmir.

How will Paradise Lost be Paradise Regained in Kashmir? There is only one way the lost paradise can be regained and that is that some agreement needs to be reached, so that terrorism comes to an end. Things had improved so much, but it’s a constant battle to keep the peace and to keep things humming along in the valley. I am not a politician or an expert on the subject, so I can’t really comment further. But when I visited recently and spoke to people, they were all heartbroken about that terrible incident (Pahalgam attacks). Tourism has come to a grinding halt. It is extremely sad.

Why are you not seen more often on screen? Honestly, it’s not like I am rejecting roles left right and centre. If you want to see me more often, then I guess people will have to offer me more work!

Also Read: Soni Razdan praises daughters Alia Bhatt and Shaheen Bhatt for their “sass and sharp wit” in playful post

Bollywood superstar Salman Khan, who is currently filming his next project Battle of Galwan in Leh, paid a courtesy visit to the Lieutenant Governor of Ladakh, Kavinder Gupta, at Raj Niwas on Saturday, September 13.

The film, directed by Apoorva Lakhia, is based on the 2020 Galwan Valley conflict between the Indian and Chinese armed forces. Salman will be seen portraying Colonel Bikkumalla Santosh Babu, who was among the brave officers leading Indian troops during the clash.

The Office of the Lieutenant Governor of Ladakh shared glimpses of the meeting on social media, writing on X (formerly Twitter): “Bollywood icon Salman Khan paid a courtesy visit to the Hon'ble Lt. Governor Shri @KavinderGupta at the Raj Niwas, #Leh.”

Bollywood icon Salman Khan paid a courtesy visit to the Hon’ble Lt. Governor Shri @KavinderGupta at the Raj Niwas, #Leh. pic.twitter.com/YByFcy8diS — Office of the Lt. Governor, Ladakh (@lg_ladakh) September 13, 2025

Dressed in a classic blue shirt and denim jeans, the actor looked dapper as he shared a warm interaction with the LG. During the meeting, Salman was also presented with a Thangka canvas painting — a traditional Buddhist art form depicting scenes from Buddha’s life. The two posed with the artwork, marking the cordial exchange at Raj Niwas.

Meanwhile, the shoot of Battle of Galwan continues in Leh, marking Salman’s swift return to work after his recent release Sikandar. Besides the film, Salman is also hosting Bigg Boss 19. However, with his ongoing schedule in Leh, the weekend episodes are being temporarily helmed by filmmaker Farah Khan.

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Also Read: Salman Khan extends ‘Best Wishes’ for Nishaanchi to Anurag Kashyap and team

After a successful 50-day theatrical run, Mohit Suri’s Saiyaara, starring debutants Ahaan Panday and Aneet Padda, arrived on Netflix on September 12, 2025. Just a day later, filmmaker Hansal Mehta took to social media to share his thoughts on the film, calling it a reminder of why Bollywood love stories once worked so beautifully.

In a candid note, Mehta wrote, “I don’t necessarily watch the kind of films I make. Or only the kind of films that people presume I would like. I am no cinema snob. That would make life so boring. So here go my thoughts on a film I watched really late last night — thanks to jet lag.”

Praising the film’s emotional depth, Mehta highlighted how Saiyaara struck the right balance with its storytelling elements: “Get the emotions right. Get the music right. Get the timing, the quantity. Get the lead pair right. Ahaan Pandey and Aneet Padda are just that — young, fresh, utterly watchable. You simply cannot look away. The real ‘a star is born’ unfolds here as you watch the young man stride gracefully and the lovely girl emote so effortlessly.”

Mehta also appreciated Suri’s treatment of Alzheimer’s in the narrative, describing it as more of a metaphor than a medical condition: “A device for conflict, drama, and memory. Suspension of disbelief at its best. The dialogues, the cinematography, the well-directed scenes are all cloaked in a rare emotional maturity. You care about these leads, you want them to find their way back.”

While he pointed out some shortcomings — including unconvincing secondary roles and an underdeveloped father–son track — Mehta emphasized that the heartfelt love story and Mohit Suri’s signature music lifted the film: “Yes, the secondary parts are unconvincing, the father–son relationship undercooked. But the heartfelt love story overwhelms it all. And the music! Mohit pours his soul into every note. You can feel it.”

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Concluding his review, Mehta lauded the film’s ability to evoke classic Bollywood emotions: “Love here comes with the spectacle, the fanfare, the teary eyes, the energy and yet, the hold, the pause. Nobody does it better than Mohit Suri. By the end, you’re not sure what exactly worked. But it did. Big time. You smile, you hum, you get misty-eyed, you relive young, vulnerable love. And really, what more does a love story need?”

For the unversed, Saiyaara was released in theatres on July 18, 2025, and turned out to be the second-highest-grossing Hindi film of 2025.

Also Read: EXCLUSIVE: Anand Pandit analyses the surprise success of Saiyaara, “There were no interviews of the lead stars in the media, trailer received sensational reviews”; also opens up on the relevance of promotions in a specially authored article

Rana Daggubati is one of the producers of the upcoming Tamil period film Kaantha along with Dulquer Salmaan, who also plays the lead. The movie, currently in the post-production stage, is set to release later this year.

In an exclusive chat with Bollywood Hungama, Daggubati, while speaking about the film, was all praise for Dulquer. He said, “Dulquer and I have been friends for, maybe, two decades now. It’s amazing that we got to get together on Kaantha. It’s because of Selva (Selvamani Selvaraj), the filmmaker, that we found a story that was very honest and truthful. It captures the milieu of the 1950s very beautifully in a human story.”

Raggubati believes the film couldn’t have been made without Dulquer. “Still early on to tell but I think if it wasn’t Dulquer, I don’t know who else would have pulled this off,” he said.

Rana Daggubati is also excited as his SS Rajamouli directed magnum opus Baahubali will be releasing in theatres as a five-hour version of both the movies in the series on October 31. It is titled Baahubali: The Epic. “I think the beauty of Baahubali is the fact that it hasn’t dated even now,” he said. “It’s so relevant and cool. From the time we put out the teaser and trailers out, people got very excited, like it was a (new) release itself.”

On what one can expect from Baahubali: The Epic, Daggubati added, “This time in the theatres you will get to see a version that the audience has never seen before. It has two parts together, re-cut and re-mastered by Rajamouli. We got to see it, we were very excited for the audience to get a glimpse of it.”

Ever since the release and the subsequent success of both the Baabubali movies, Rana Daggubati and Prabhas have acquired the tag of ‘Baahubali actors’. When asked whether he is happy with such a tag, Daggubati said, “Well, anybody who is associated with Baahubali will be happy about it. I think Baahubali is something that even the audiences are happy if they are associated with watching it. So yes, it’s always a great honour.”

Also Read: EXCLUSIVE: Rana Daggubati on backing Sundance winner Sabar Bonda, “It was All We Imagine As Light that pushed us to take this film”

Debut filmmaker Anuparna Roy, winner of the Orizzonti Award for Best Director at the 82nd Venice Film Festival for her film Songs of Forgotten Trees, has defended her remarks on Palestine amid growing controversy, and revealed that noted filmmaker Anurag Kashyap had advised her against speaking on the subject.

Speaking to ANI, Roy said, “I meant whatever I said at the festival. It was said with the intention of pointing out the injustice around the world. If I support Palestine, if I am standing against injustice, it doesn't make me less Indian. People are thinking that I have spoken about it for the first time, but it's not that. I mentioned Palestine while receiving an award in Russia. This doesn't mean that I will not talk about the genocides or the violence in Nepal.”

She added, “I request everyone to celebrate the achievement and not 'politicise' it in such a manner. I don't represent anything.”

Roy also described being discouraged from making such remarks. “People are claiming that I made the comments under the influence of Anurag Kashyap, but I was strictly advised by my producers, my mentor, and Anurag Kashyap himself that I don't need to talk about it. I went beyond their advice and said it all. Now I understand why they asked me to avoid it. Things have been going completely against me. People are even calling me a traitor. But I am not angry at all. I made one film and I will make another one,” she said.

She added, “I will continue to speak against injustice. I believe such things should come into discussion, whether it is Kashmir, Murshidabad, or Gujarat.”

Regarding her acceptance speech at Venice, Roy stood firmly by her stance: “Every child deserves peace, freedom, liberation and Palestinians are no exception... It's a responsibility at the moment to stand by Palestine.... I might upset my country, but it doesn't matter to me anymore.”

Songs of Forgotten Trees was the only Indian film in Venice’s Orizzonti section, exploring the lives of two migrant women in Mumbai as they deal with loneliness, survival, and fleeting connections.

Also Read : Anuparna Roy becomes first-time director to win Orizzonti award at Venice for songs of Forgotten Trees

When two fashion-forward stars step out in the same designer outfit, comparisons are inevitable. This time, Malavika Mohanan and Alia Bhatt found themselves in a friendly fashion face-off, both opting for a striking Gucci look that blends structure with understated glamour.

Malavika Mohanan’s Take Malavika made a confident statement in the all-Gucci ensemble. She styled the brown fitted jersey shirt with wide-leg trousers in a slightly lighter shade, cinched neatly with a leather belt. What set her look apart was the choice of accessories—golden earrings, an oxidized choker, a chunky bracelet, and a maroon purse that added depth to the earthy palette. With her hair pulled back into a messy low ponytail, she struck a fine balance between polished elegance and effortless ease.

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Alia Bhatt’s Interpretation Alia, on the other hand, wore the same outfit for a magazine shoot and gave it a fresh editorial spin. She paired the brown shirt and linen trousers with a standout golden chain choker cascading down to her waist. A pop of contrast came through her yellow Gucci purse, complemented by maroon-brown stilettos. With her hair styled in soft, tousled waves and a nude, dewy makeup look, Alia’s version leaned into youthful charm and magazine-ready appeal.

Style Showdown Both actresses stayed true to their personal style while honoring the outfit’s sophistication. Malavika’s approach felt more event-ready and grounded, while Alia’s leaned into high-fashion drama with playful touches. Neither look outshines the other completely—they simply highlight the versatility of the ensemble.

Also Read: Malavika Mohanan on working with Mohanlal in Hridayapoorvam; says, “I love that my character Haritha is so well etched out”

In what promises to be a major launch onto the Bollywood scene, Aryan Khan is stepping into three significant roles in the upcoming series The Ba***ds of Bollywood. Not only is this his debut as a writer‐director, but he is also making his singing debut in a track alongside Punjabi superstar Diljit Dosanjh.

The song, titled ‘Tennu Ki Pata,’ is the latest release from the series’ soundtrack. Aryan’s voice features partially on it, along with Diljit and composer‐producer Ujwal Gupta. The lyrics are written by Kumaar. It follows two earlier tracks from the same album, ‘Tu Pehli Tu Aakhri’ and ‘Badli Si Hawa.’

On-screen, the series will be led by Lakshya, with Raghav Juyal, Sahher Bambba, and Anya Singh in parallel lead roles. And in terms of cameos, it brings together a major line-up, Aamir Khan, SS Rajamouli, Disha Patani, Karan Johar, Badshah, Shah Rukh Khan himself. It's like having all industry titans under the same roof.”

Although the trailer is just out, it has already generated buzz. Among the comments from viewers are observations such as: “an outsider leaving a dharma production film and getting banned by kjo, hmm where have we heard that one before”, “this lowkey looked liked kartik and dharma beef story where the outsider is in dilemma and Targetted from everywhere”, and “Very Aryan calling Aaryan promo”.

The Ba***ds of Bollywood is slated for release on September 18 on Netflix.

Also Read : The Ba***ds Of Bollywood song ‘Tenu Ki Pata’ out: Manoj Pahwa vs. Badshah battle in this quirky Diljit Dosanjh track is unmissable, watch

During his recent stay in India, global pop icon Ed Sheeran made headlines with a striking comparison between Shah Rukh Khan’s blockbuster Om Shanti Om and the cult classic Star Wars. Speaking with Zane Lowe on his YouTube channel, Sheeran said that encountering Om Shanti Om for the first time was like “introducing Star Wars to someone… They just go like, ‘What the f*** is this?’”

Sheeran’s visit to India was in connection with the filming of his track ‘Sapphire’ alongside Bollywood singer Arijit Singh. Reflecting on his travels, he remarked: “What was interesting about doing the whole India tour was that the only reason we were there was to shoot the music video. We thought that we needed to go all over the country and shoot a little bit everywhere. I love that every hundred miles, the culture, language, food, fashion, rhythms, and all of it changed.”

On the subject of Indian cinema, Sheeran recalled being introduced to Om Shanti Om. He said, “It's a wealth of discovery of movies, and someone going like, ‘Oh, have you seen this movie? Have you seen Om Shanti Om?’ It's like a really big Shah Rukh Khan movie, and it has amazing songs and dances in it. This is a weird analogy, but it is almost like introducing Star Wars to someone for the first time, and they just go like, ‘What the f*** is this?’ There are superstars in the same country singing in different languages.”

He called his stay in India and his work with Arijit Singh “the most incredible days of my musical journey,” as he was seen wandering through local streets, riding in autos, and even giving surprise performances in Hyderabad.

Om Shanti Om, directed by Farah Khan and released in 2007, was a major milestone in Bollywood: it marked Deepika Padukone’s debut opposite Shah Rukh Khan and is celebrated for its spectacle, music, and dance.

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The Pan-India mythological-fantasy film Mirai has been released today worldwide. The excitement for it is there due to the subject, casting, exciting trailer and also the association of Karan Johar’s Dharma Productions for the Hindi version. Bollywood Hungama has learned that Mirai is not just a one-part saga. The makers have intended it to be a multi-part series and the hint about it is given towards the end of the film.

Mirai ends with the promise of a sequel. The title of the second part is mentioned in the end slate - Mirai: Jaithraya. That’s not all. A mid-credit scene is shown to the audience and it introduces the new villain of the series – Rana Daggubati!

Further, Rana’s character is shown to possess a mysterious power. It is quite intriguing and with this scene, the makers make it clear that Veda, the protagonist, is up for a bigger threat in the sequel. Rana Daggubati looks apt for the casting and moreover, his role will surely remind one of his legendary villainous act as Bhallaladeva in Baahubali.

Mirai stars Teja Sajja, Manchu Manoj, Ritika Nayak, Shriya Saran and others. Written and directed by Karthik Gattamneni, it is the story of an orphan who realizes that he is in the world for the greater good and to stop an evil force. Teja plays the protagonist Veda while Manchu Manoj is the villain, Mahabhir Lama.

At the trailer launch of Mirai’s Hindi version in Mumbai, Teja Sajja remarked, “Why does nobody question when the same love story is made again and again, but the moment we try to tell a story inspired by our ‘dharma’, people start raising doubts? We should feel proud—this is our land, these are our morals. In the 3 minutes 10 seconds of the trailer, only 10 seconds show a glimpse of Lord Rama, and for that alone, questions of religion are being raised. This film is not just about that—it’s a mix of fantasy, action, adventure, superhero storytelling, and deep emotions. We’re bringing all of this together through the lens of our Indian itihasa, in a fresh and cool way, so that the younger generation can connect with it and embrace it.”

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Actor-turned-presenter Mandira Bedi has opened up about the difficult beginning to her stint as a host during the 2003 Cricket World Cup, saying that despite a rocky first week, she managed to turn public opinion around by changing her approach on live TV. The account appeared in an Indian Express report summarising Bedi’s conversation on Sanjeev Datta’s Personality School YouTube channel.

Mandira said, “Cricket was career changing for me,” revealed she was spotted after screen tests and selected from among many hopefuls. “My first reaction was yes when they asked me to host the World Cup, but a lot came after that. They were screen-testing 1000 other women.” She remembered how intimidating it was to sit beside legendary ex-cricketers and face live television for the first time.

She reflected on her first experience of hosting the World Cup, describing it as highly challenging. Sharing the stage with legendary former cricketers, she admitted, “No matter how much you prepare for that moment, you’re never truly prepared for it.”

Reflecting on that opening week, Bedi admitted, “The beginning was disastrous. I had a lot of baggage in my head, thinking this is cricket, it is the highest rated content on Indian television. And words once spoken on live TV cannot be taken back. I had a lot of nervous energy and I messed up a few times. After every show, I would put my head down and would cry.”

She said channel executives intervened to calm her and reshape expectations. “Eventually, they had a little intervention, and they told me that you have what it takes, but there is something that is holding you back, just go and have fun. They told me you are not a commentator or an analyst, so just go and ask whatever you want, nothing is off the table,” she revealed.

After that talk, Bedi changed tack on air. “Post that intervention with tears streaking on my face, I went on air and I smiled through it all. That was half the job done. I smiled and asked cheeky questions. I made people laugh and everything changed after that.”

She added, “The first week was a disaster, but it was a long tournament, so I took time to change people’s minds. All the talk that was coming about ‘how dumb she is, not one word that she speaks is sensible’, it changed to ‘what a delight it is to have her on the panel, she makes the panel more fun.’ A lot of people’s minds got changed during that period of a few weeks.”

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Salman Khan, one of Bollywood’s most popular stars, has delivered several major hits over the years. His 2012 action thriller Ek Tha Tiger was a huge success and went on to become a blockbuster. Now, the film is set for an exciting re-release on the big screen.

Salman Khan’s much-loved film Ek Tha Tiger is set to return to theatres with a special re-release. This gives fans a chance to revisit the action-packed entertainer on the big screen, while also offering audiences who missed it during its original run in 2012 the opportunity to experience the film in cinemas for the first time.

Ek Tha Tiger, released in 2012, was among the year’s biggest hits and marked the beginning of YRF’s Spy Universe. The film introduced audiences to Tiger, played by Salman Khan, and set the stage for the franchise. Directed by Kabir Khan, it also features Katrina Kaif in the lead, alongside Ranvir Shorey, Roshan Seth, Girish Karnad, and Gavie Chahal in supporting roles.

Apart from the re-release, Salman Khan has a busy lineup of big commercial projects. His upcoming war drama Battle of Galwan has already sparked conversations online following the release of its first look. Meanwhile, a possible reunion with Kabir Khan for Bajrangi Bhaijaan 2 could bring back the emotionally driven storytelling that marked their earlier collaboration.

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