Indus Chronicles

Veteran actor Prakash Raj has officially started shooting for the much-anticipated Hindi thriller Drishyam 3. The actor confirmed his participation through a social media post, while also addressing speculation surrounding the film’s casting after Akshaye Khanna’s reported exit from the project.

Taking to X, Prakash Raj shared an update from the sets and wrote: “Started shooting for this engaging franchise #Drishyam3 in Hindi. With a wonderful team and a scintillating role to play. I’m sure you will love it. (And yes, I’m not replacing anyone..)”

Started shooting for this engaging franchise #Drishyam3 in hindi. With a wonderful team and a scintillating role to play . Im sure you will love it . ❤️❤️❤️( and yes im not replacing anyone..) 😛😛😛 — Prakash Raj (@prakashraaj) February 10, 2026

The post appeared to directly respond to ongoing assumptions that he might be stepping into a role earlier associated with Khanna. His clarification suggests that his character is a new addition rather than a replacement.

Notably, Bollywood Hungama was the first to report that Prakash Raj would be joining the cast of Drishyam 3, hours before the actor confirmed the development himself.

The third instalment of the franchise continues the story of Vijay Salgaonkar and his family, with Ajay Devgn expected to reprise his lead role. The earlier films were both commercial successes and built a strong following, raising expectations for the upcoming chapter. Recent clarification on Spirit rumours The development comes shortly after Prakash Raj addressed separate reports claiming that he had been dropped from Sandeep Reddy Vanga’s upcoming film Spirit due to creative differences. The Prabhas and Triptii Dimri-starrer is currently in production and has been generating steady buzz since its announcement.

Earlier reports had suggested that Prakash Raj, who was initially announced as a key cast member, was removed from the project while the film was already being shot in Hyderabad. According to these claims, issues allegedly arose on set, leading to an unexpected casting change at that stage of production.

However, Prakash Raj strongly refuted these reports. Taking to his X handle (formerly Twitter), the actor wrote, “To all the toxic #Fakenews peddlers…. On #Spirit the movie. We have not even started shooting for my scenes, and you whatsup factories speculate stories. Grow up and have a life. #justasking.”

As Drishyam 3 moves forward in production and Spirit remains in active development, Prakash Raj has now publicly clarified his association with both projects, putting recent speculation on record.

Also Read: Prakash Raj slams National Film Awards: “When files and piles are getting awards! They don’t deserve Mammukka”

Actor Ranveer Singh has received a threat, prompting a police probe and heightened security at his Mumbai residence. According to a report by PTI, the actor was sent a threatening voice message, following which the authorities initiated an investigation.

Police sources confirmed that the Crime Branch is currently examining the voice note and attempting to trace the sender. A search operation has been launched as part of the inquiry.

In the wake of the threat, security arrangements at the residence shared by Ranveer Singh and Deepika Padukone have reportedly been strengthened. According to a letter circulating online and attributed to the society managing committee of the residential complex, six armed private security guards have been stationed at the premises along with one uniformed police personnel. The letter notes that such deployment was not in place earlier.

The society has raised concerns about the movement of armed guards through common areas, including the lobby, gymnasium and children’s play area. Residents have expressed discomfort and flagged safety concerns over the presence of weapons in shared spaces.

In a letter dated February 10 addressed to Dadar Police, the Society Managing Committee sought clarification on multiple points. These include whether the private security guards are carrying licensed firearms within the residential premises, whether Dadar Police Station has granted permission for such deployment, and details regarding the police personnel stationed at the flat — including the department responsible and the nature of the assignment.

While acknowledging and appreciating the police department’s prompt action in sending an officer to verify the security arrangements, the society has requested official clarification to address concerns among residents. Police officials have not yet disclosed further details about the content of the threatening message. The investigation remains ongoing.

Also Read: “Ranveer Singh is absolutely beautiful to watch on screen,” says ‘Shararat’ song fame Ayesha Khan

Filmmaker Karan Johar has opened up about a challenging experience early in his career, recalling how legendary choreographer Saroj Khan reacted to his involvement during the making of Dilwale Dulhania Le Jayenge (DDLJ). In a conversation with The Hollywood Reporter India, Johar described the encounter as frightening and emotionally taxing, even though he ultimately acknowledged Saroj Khan’s talent.

Johar began his career in the film industry as a costume assistant on the 1995 romantic drama, working under Aditya Chopra and alongside designer Manish Malhotra. Years later, he reflected on the intensity he experienced on set, particularly during the filming of the song ‘Mehndi Laga Ke Rakhna.’

“At that time, the costume dada was my biggest ally… Manish would come in the morning, hand over the clothes, and leave. I was the costume assistant, and Pam aunty was deeply involved in the process,” Johar recalled, referring to Pamela Chopra’s hands-on role with costumes.

Trouble emerged when Saroj Khan requested additional red scarves for dancers mid-shoot. The team did not have enough fabric on hand, prompting Johar to suggest a workaround to Saroj’s assistant: “…it would look stylish if the dancers put one hand in their pocket and held the scarf in the other.”

However, when Saroj Khan learned of the idea she was not receptive. Johar said she “lost it,” demanding red satin cloth immediately or threatening not to shoot. He later described the ordeal vividly: “She caught hold of me — literally pushed me — and said, ‘Go wherever you have to. Go to Goregaon, bring the red cloth, or I will not shoot.’ I remember running on the streets of Goregaon with the costume dada, desperately looking for red satin cloth. I was scared for my life. I was traumatised. She was terrifying.”

Despite the fear he felt at the time, Johar balanced his account by acknowledging Saroj Khan’s skill and contribution to Indian cinema. “She was scary, but she was the best. She didn’t like me at all. She was just unhappy with me,” he said, underlining the creative intensity she brought to her work.

Johar also shared a lighter memory from the same production involving his tendency to give unsolicited costume suggestions. During the filming of ‘Tujhe Dekha Toh Yeh Jaana Sanam,’ he playfully dressed the lead actors in dungarees — an idea Saroj Khan reacted to with surprise. “She looked at them and said, ‘‘Yeh baba baby banke kyun aaye hain?’’ I answered back… She’d be like, ‘Yeh kyun bolta rehta hai?’ because I was always giving my two cents,” he said with a laugh.

Also Read: Karan Johar, Vicky Kaushal, Ananya Panday and others attend day 2 of the 100-year celebration event of RSS in Mumbai

A financial dispute has emerged between Bollywood actor Ranveer Singh and Don 3 producers Farhan Akhtar and Ritesh Sidhwani’s Excel Entertainment following Singh’s reported exit from the much-anticipated action thriller. The production house is seeking compensation of Rs 40 crores for alleged losses incurred after the actor stepped away from the project.

The conflict has taken an industry spotlight not over box office performance, but over costs associated with pre-production. Sources cited in a report by Variety India indicate that Excel Entertainment claims it invested heavily in early stages of development — including scheduling, location planning and hiring crew — based on Ranveer Singh’s commitment to play the lead role.

Ranveer Singh is said to strongly contest the demand. According to the report, he argues he should not be held financially responsible for leaving the project. “Ranveer claims he left the project because he wasn’t happy with the script. He kept asking for changes to be made and didn’t like what the final draft read,” the report quoted, while noting that Excel maintained pre-production moved ahead only after Singh had given his approval.

The report further stated that several heads of departments were released from their roles and asked to seek alternative work, a move the production house attributes to the financial setback. This element of the dispute underscores the broader impact such disagreements can have on film crews and production timelines.

A two-hour meeting between representatives of Ranveer Singh and Excel was held last Friday to resolve differences, but sources told reporters that no agreement was reached. With tensions persisting, the Producers Guild of India (PGI) has stepped in to mediate between the parties in hopes of finding common ground and preventing further escalation.

Neither Ranveer Singh nor Excel Entertainment has issued an official statement on the matter as of this writing. The dispute comes at a time when Singh is preparing for the release of Dhurandhar: Part 2, while Excel still evaluates its slate following delays to Don 3.

Also Read: Suniel Shetty praises Aditya Dhar and Ranveer Singh after watching Dhurandhar; calls it ‘mind-blowing film’

The controversy around the upcoming Netflix film Ghooskhor Pandat, produced by Neeraj Pandey and starring Manoj Bajpayee, grew more intense this week after the Federation of Western India Cine Employees (FWICE) formally objected to its title and urged the makers to withdraw it, warning of significant industry action if the demand is not met.

The dispute began soon after the film’s announcement and teaser release, with many viewers and various organisations criticising the title Ghooskhor Pandat as offensive and potentially derogatory toward a specific community. The title combines ghooskhor — a colloquial Hindi term for someone who takes bribes — with Pandat, commonly associated with the Brahmin community. Critics argued that this linkage could perpetuate stereotypes and hurt sentiments. FWICE’s Objection and Warning FWICE, a body representing workers, technicians and artists across more than three dozen affiliated associations, sent a letter to producers’ bodies and major OTT platforms, including Netflix, Amazon Prime Video, Zee5 and SonyLIV. The organisation, according to a PTI report, stated: “FWICE and all its affiliated associations strongly object to the use of this title, as it appears to single out and target a particular community and its traditional means of livelihood in a derogatory and offensive manner.”

The letter added, “Such a title has the potential to hurt sentiments, provoke misunderstanding, and disturb social harmony… We therefore appeal to all producer bodies to refrain from allowing the registration or continuation of film titles that are provocative in nature and capable of creating unrest among Indians.” The federation emphasised that the film industry, as a platform of influence, has a responsibility to avoid promoting disrespect or division.

FWICE also warned that if the title is not withdrawn promptly, it may advise its associations and members to distance themselves from any project associated with the film’s production house. This could translate into a boycott of technicians and crew working on future films by the same producers. Government, Legal and Public Reaction to Ghooskhor Pandat The controversy crossed into legal and political arenas. In Lucknow, an FIR was lodged against the film’s creators for allegedly hurting caste sentiments, and a writ petition has been filed in the Delhi High Court seeking a stay on the film’s release on grounds that the title is “communally offensive.”

Political organisations and leaders have also joined the criticism. The Vishwa Hindu Parishad (VHP) labelled the title as “offensive” and has urged appropriate measures against the film. Amid the backlash, authorities reportedly directed Netflix India to remove the teaser and related promotional content from official channels.

Responding to the uproar, Neeraj Pandey issued a statement acknowledging that the title had “hurt” some viewers and announced that all promotional material for the project would be taken down for the moment. He clarified: “Our film is a fictional cop drama… the term ‘Pandat’ is used simply as a colloquial name for a character. The story focuses on an individual’s actions and choices and does not comment on or represent any caste, religion or community.”

Manoj Bajpayee also addressed the controversy on his official social media, writing: “I respect the emotions and concerns people have shared, and I take them seriously… For me, this was about portraying a flawed individual and his journey of self-realisation. This was not meant to be a statement about any community.”

Beyond FWICE, the Film Makers Combine (FMC) — another industry body — has objected to the title on procedural grounds, noting that Ghooskhor Pandat had not been formally approved under standard title registration processes. The organisation has cautioned the production and Netflix against using an unauthorized title.

Also Read: After Neeraj Pandey, Manoj Bajpayee addresses backlash over Ghooskhor Pandat title: “Not meant to be a statement about any community”

Actor Vikrant Massey addressed widespread rumours surrounding his alleged role in Ramayana, a two-part film directed by Nitesh Tiwari, and reports that he was replaced by Raghav Juyal. The speculation began earlier this week, triggering reactions across social media and entertainment outlets.

In a post shared on his Instagram Stories, Massey firmly denied being part of the project. “Ok. To put the rumours to rest. I never was a part of Nitesh Tiwari’s Ramayan,” he wrote, reflecting on the coverage that suggested he had lost a role in the film. “The many media portals reporting about my supposed ‘replacement’ should’ve done the requisite background check. Disappointing. Nonetheless, wishing everyone a part of the movie all the very best. Love.”

The actor later deleted the post from his Instagram Story, though no explanation was given for its removal.

The controversy stemmed from a report by Variety India mentioning that Raghav Juyal had been cast as Meghanad (also called Indrajit) — the eldest son of Ravana and a key warrior in the Ramayana narrative — for Ramayana: Part 2. The same report indicated that the role was once linked to Massey before the filmmakers made a different casting choice. The publication quoted a source saying, “The role was initially supposed to be played by Vikrant Massey, but things apparently didn't work out. Raghav was subsequently approached, and he immediately came on board.”

Despite the buzz, Massey made it clear he had no official involvement with the project at any stage. The deleted clarification post was his way of countering the growing speculation.

Nitesh Tiwari’s Ramayana is being produced as a two-part cinematic adaptation of the ancient Indian epic and is expected to be among the biggest live-action films in Indian cinema. Ranbir Kapoor headlines as Lord Ram, while Sai Pallavi plays Goddess Sita. Yash embodies Ravana, with Sunny Deol as Hanuman and Ravie Dubey as Lakshman. The ensemble cast also includes several other prominent actors in key roles.

The first part of Ramayana is scheduled for a Diwali 2026 release, while the second installment is expected around Diwali 2027.

Also Read: Musafir Café on Netflix: Vikrant Massey, Vedika Pinto and Mahima Makwana lead a soulful love story

Earlier in the day, Bollywood Hungama announced that the much-awaited film, Battle Of Galwan, might not be able to make it on April 17, as scheduled. The news went viral as soon as it went live. We now bring to you another exciting update – the new release date of the Salman Khan-starrer.

A source told Bollywood Hungama, “Battle Of Galwan has indeed been postponed and it’ll now release on August 14, 2026. Salman Khan and the makers are of the opinion that it would be a better date since India’s Independence Day falls on August 15. The patriotic sentiment will be at an all-time high and Battle Of Galwan would be an ideal flick to watch in this period.”

The source further said, “The makers are expected to shortly announce the new release date of Battle Of Galwan officially.”

Earlier, Bollywood Hungama, in its article, carried a quote from a source who explained the reason for the delay, “The shoot is not yet over and the reshoot is taking more time than expected. From Monday, February 9, a one-week schedule will commence in the Golden Tobacco Factory in Mumbai. After this schedule gets over, a few more days of shooting are left and by February-end, it’ll be a wrap.”

The source further said, “Director Apoorva Lakhia will begin editing the reshot portions. And that’s not all. As per the rules, Battle Of Galwan needs to be shown to the Ministry of Defence and this process might also take time. Due to these two reasons, the makers feel that they would not be able to meet the April 17 deadline. Salman Khan is clear that such a special, patriotic film needs to be nurtured well. He has told the team of the film that they should not rush through the process and take their time in ensuring that the final product looks appealing, compelling and cinematic.”

Interestingly, Battle Of Galwan will now clash with Kartik Aaryan-starrer Naagzilla.

Also Read: Salman Khan back on Battle Of Galwan sets for 15-day additional shoot and patchwork; action scene added

The Rashtriya Swayamsevak Sangh (RSS) completed 100 years in 2025. As part of its centenary celebrations, a grand two-day event is being held at a sprawling auditorium in Mumbai. The first day of the event took place on Saturday, February 7, with several prominent personalities from various fields in attendance. The Bollywood film fraternity was not far behind and many celebs attended the first day of the event like superstars Salman Khan and Ranbir Kapoor, filmmakers Mohit Suri, Subhash Ghai, Nitesh Tiwari, Mahaveer Jain, Om Raut, Vikram Malhotra, lyricist Prasoon Joshi and others.

The second day of the event was also star-studded. While Ranbir attended the first day of the event, his Love & War co-star Vicky Kaushal made his presence felt on day 2. Karan Johar and Ananya Panday were also present and they were joined by veteran actor Jackie Shroff, the evergreen Raveena Tandon and Shilpa Shetty, music composer Pritam Chakraborty, singer Adnan Sami, television star Rupali Ganguly, Marathi actor Subodh Bhave, talented performer Viineet Kumar Siingh, and filmmakers Nitesh Tiwari, Madhur Bhandarkar, Mahesh Manjrekar, Aanand, L Rai, Amar Kaushik, Amit Sharma, Ramesh Taurani, Anand Pandit, Arunabh Kumar and others.

On the film front, Ananya Panday and Karan Johar are gearing up for their romantic flick, Chand Mera Dil. It also stars Lakshya of Kill (2024) and The Ba***ds Of Bollywood (2025) fame and is directed by Vivek Soni, whose Netflix original Aap Jaisa Koi (2025), starring R Madhavan and Fatima Sana Shaikh, received rave reviews.

Ananya Panday and Karan Johar’s last film together, Tu Meri Main Tera Main Tera Tu Meri (2025), was released in cinemas on Christmas. It recently premiered on Amazon Prime Video on rent. Meanwhile, Ananya is currently working on the second season of Call Me Bae. Incidentally, the slice-of-life show is also backed by Karan Johar.

Besides Call Me Bae Season 2 and Chand Mera Dil, Karan Johar is also gearing up for the Konkona Sen Sharma-Pratibha Ranta Netflix film Accused, Kartik Aaryan-starrer Naagzilla, Ayushmann Khurrana-Sara Ali Khan untitled flick, a thriller with Aditya Roy Kapur etc.

Also Read: Salman Khan, Ranbir Kapoor and others attend the 100-year celebration event of RSS in Mumbai

Bollywood actor Ishaan Khatter has reportedly made a significant real estate investment in Mumbai, purchasing a luxury apartment in the city’s upscale Pali Hill neighbourhood for Rs. 29.37 crore. The transaction details have emerged through property registration documents accessed by real estate data platform CRE Matrix.

According to the documents, Ishaan has acquired the apartment at Navroz Apartments, located in Bandra’s Pali Hill, under the Navroze Premises Co-operative Society. The high-end residence boasts a carpet area of 2,989.05 square feet, making it a spacious addition to the actor’s property portfolio. The seller of the apartment has been identified as Kapil M. Mahtani, and the transaction was officially registered on February 5, 2026.

The paperwork further reveals that the actor paid approximately Rs. 1.76 crore in stamp duty for the deal. In addition to the apartment, the purchase also includes four dedicated parking spaces, a valuable asset in one of Mumbai’s most sought-after residential zones. As of now, Ishaan Khatter has not issued any official statement confirming or commenting on the property purchase.

Pali Hill, situated in Bandra, continues to remain one of Mumbai’s most prestigious and exclusive residential areas. Known for its prime location and accessibility, the locality has long been home to several prominent Bollywood personalities and high-net-worth celebrities such as Aamir Khan, Shah Rukh Khan, Ranbir Kapoor, Alia Bhatt, Dilip Kumar, Jackie Shroff, and Sanjay Dutt, among others, own properties in and around the Pali Hill area, further underlining its elite status.

The reported purchase comes at a time when Ishaan Khatter is enjoying a notable phase in his career. The actor received widespread appreciation for his performance in Homebound, co-starring Vishal Jethwa and marking a reunion with his debut co-star Janhvi Kapoor. Produced by Dharma Productions and Neeraj Ghaywan, the film gained international attention and even entered the Oscars nomination race, bringing global visibility to the project.

Closer home, Ishaan also connected with Indian audiences through the Netflix series The Royals, where he featured alongside Bhumi Pednekar, Sakshi Tanwar, and Zeenat Aman. With strong critical and audience reception to his recent work, the actor’s reported investment in a prime Mumbai property appears to reflect both professional stability and long-term planning.

Also Read: Ishaan Khatter and Vishal Jethwa react to Homebound losing the Oscar race in heartfelt Instagram posts

Bollywood Hungama has been at the forefront in providing timely updates about Battle Of Galwan. We are now back with another news, which might disappoint those who have been waiting to catch the Salman Khan-starrer on the big screen. As per latest developments, the superstar and the makers of the film are toying with the idea of delaying the release.

A source told Bollywood Hungama, “Battle Of Galwan is scheduled to be released on April 17. But the shoot is not yet over and the reshoot is taking more time than expected. From Monday, February 9, a one-week schedule will commence in the Golden Tobacco Factory in Mumbai. After this schedule gets over, a few more days of shooting are left and by February-end, it’ll be a wrap.”

The source further said, “Director Apoorva Lakhia will begin editing the reshot portions. And that’s not all. As per the rules, Battle Of Galwan needs to be shown to the Ministry of Defence and this process might also take time. Due to these two reasons, the makers feel that they would not be able to meet the April 17 deadline. Salman Khan is clear that such a special, patriotic film needs to be nurtured well. He has told the team of the film that they should not rush through the process and take their time in ensuring that the final product looks appealing, compelling and cinematic.”

The source continued, “Though Salman Khan and Apoorva Lakhia are seriously considering postponing the Battle Of Galwan, they are yet to take the final call. Salman bhai is unpredictable; he might still get the film out on April 17 despite the circumstances, but the chances seem remote. A clearer picture is expected to emerge in a few days from now.”

Besides Salman Khan, Battle Of Galwan also stars Chitrangda Singh. Salman plays the role of Colonel Bikkumalla Santosh Babu in this film, which is based on a chapter in the book ‘India’s Most Fearless 3’ (2022), authored by Shiv Aroor and Rahul Singh. The film is inspired by the events of June 15, 2020, when Indian and Chinese soldiers clashed in the Galwan Valley during the COVID-19 pandemic.

Also Read: Salman Khan BREAKS SILENCE on trolls over Battle of Galwan teaser expression: “Ye Colonel ka look hai”

A year after Mrs sparked widespread conversation for its sharp social commentary, producer Harman Baweja and director Arati Kadav are set to reunite for a new project. The announcement comes as the film completes one year since its release, reaffirming the creative partnership that delivered one of the most discussed Hindi films of recent times.

Marking the milestone, both Harman Baweja and Arati Kadav took to Instagram to share the news of their next collaboration. The timing of the announcement, coinciding with the anniversary of Mrs, has added to the anticipation surrounding their reunion. While details of the new project remain under wraps, the development signals a continuation of the creative synergy that defined their previous collaboration.

Mrs, directed by Arati Kadav and headlined by Sanya Malhotra, was a Hindi adaptation of the Malayalam cult classic The Great Indian Kitchen, reimagined through a North Indian cultural lens. By weaving in familiar social rituals and domestic dynamics, the film examined gender roles and the gradual erosion of a woman’s individuality within marriage. Its restrained narrative approach and refusal to rely on sensationalism were widely appreciated by critics and audiences alike.

The film also marked a significant chapter for Baweja Studios. Beyond producing the project, Harman Baweja was closely involved in shaping its creative vision and co-writing the film. Mrs went on to earn critical acclaim, with Sanya Malhotra’s performance receiving multiple awards and recognition across platforms.

Speaking about the reunion, Harman Baweja said, “Mrs. was one of those rare films that stays with you long after it’s made not just because of the response it received, but because of the honesty with which it was created. Working with Arati reminded me how powerful cinema can be when everyone involved is aligned in intent and sensitivity. Over the last year, as the film found its audience and its recognition, it only strengthened my belief that this is the kind of storytelling I want to keep backing. Coming together again feels less like a reunion and more like a natural next step in a creative journey we deeply trust, This next project is born from that very faith, and I’m looking forward to once again push boundaries together.”

Echoing similar thoughts, Arati Kadav shared, “Making Mrs. was an emotionally demanding but deeply fulfilling experience, and a lot of that credit goes to the space Harman and Baweja Studios created for me as a filmmaker. There was complete faith, patience, and a willingness to listen qualities that are rare and invaluable. Over time, that trust has only grown stronger. Returning to collaborate again doesn’t feel like starting something new; it feels like continuing a conversation that began with honesty, care, and a shared belief in telling stories that matter.”

The reunion also comes at a strong phase for Baweja Studios. Harman Baweja’s recent project Haq has been gaining attention, while the studio has a packed slate ahead that includes Dil Ka Darwaza Kholo Na Darling, Captain India, Boy From Andaman, and several other upcoming titles.

As anticipation builds around their next collaboration, industry watchers will be keen to see how Harman Baweja and Arati Kadav build on the creative foundation established with Mrs.

Also Read: Photos: Anupam Kher, Raju Singh, Karan Razdan, Harman Baweja and others grace the Rajni 2.0 press conference

The Varanasi team’s widely circulated interview with Screen Rant features a rather awkward moment. When the interviewer asks Priyanka Chopra about her Telugu debut in Varanasi, the actor says she cannot remember when she last did a Telugu film.

Mahesh Babu quickly steps in to add, “This is her first Telugu film.”

But that is not entirely accurate. Priyanka Chopra had, in fact, featured in the Telugu version of the Amitabh Bachchan classic Zanjeer in 2013. Titled Thoofan, the Ram Charan starrer had Priyanka playing his love interest in what was admittedly a small role.

At the time, Chopra had expressed considerable gratitude to the makers of Thoofan, as opportunities in Bollywood were scarce for her then.

A senior member of the Thoofan team views her current statement as a case of selective amnesia. “When we signed her for Thoofan, nobody in the Hindi film industry was willing to sign her. We ourselves felt the role was not substantial enough for a future global star like her. But she was eager and did the role happily. Now she seems to have forgotten her Telugu debut altogether,” the team member says.

Sources suggest that the Varanasi team is keen to position the film as Priyanka Chopra’s Telugu debut. But should that come at the cost of factual accuracy?

Also Read: Priyanka Chopra Jonas reveals her ONLY request for Varanasi was to dance: “Poor Mahesh Babu had to do it too”

In an interview with BrandEquity, Hrithik Roshan spoke in detail about what it takes for a story to earn a greenlight under HRX Films. He also explained why, for him, the final stamp always comes down to the director’s complete adoption of the script.

Talking about his banner, Hrithik Roshan said, “HRX Films is a division of FilmKraft because that is the main school that I learned from. So, HRX Films operates under FilmKraft and it is the sweet spot between the commercial thinking of that school or my dad's school and content that is high on emotions, high on the nuances and HRX Films is about creating that sweet spot that brings both of these together.”

He explained, “Some big commercial films I have done are a community experience where you have the entire theatre clapping. But then there are some films that you watch just by yourself, and you feel fulfilled, you cry, and it changes you from the inside. It's cathartic and that catharsis, shall I say, I never get in a highly commercial banger of a film. That cathartic journey is always missed. So, HRX Films is an attempt to bring these two together and try to see if we can hit that sweet spot.”

Hrithik credited his cousin brother Eshaan, who identifies “the names, the scripts, the directors” and puts them through an in-office filtration, before it reaches Hrithik Roshan. He revealed, “There are times when I don't like the script, but he likes it a lot. So, he waits 6-8 months and brings it back to me. By that time, I have changed a little bit in my life and I am in a better position to actually recognize the beauty of the script.”

Hrithik then opened up about producing Storm and praised director Ajitpal Singh of Tabbar fame, “When I met Ajit, I just fell in love with him and his creative mind. I, honestly, told him, 'Whatever you will make I am with you'”.

On the question of creative control, Hrithik’s stance is blunt: “You are a fool if you think that you can inject your genius ideas without the acceptance of the director into his film…If you try to push something, bypassing him or forcing him to accept something that he doesn't feel fits into his film, you are being a fool. You are being unintelligent and you are self-sabotaging yourself because only the director will know what the entire painting is going to look like and whether that colour or that stroke is correct or wrong.”

Finally, Hrithik argued that Indian content is increasingly global, from the reach of Raj Kapoor and Mithun Chakraborty in Russia to the performance of Aamir Khan’s films in China, and the worldwide ripple of RRR. He pointed out the common ingredient in all these films – “There is an ingredient of integrity, conviction and a vision that is unadulterated. They are very truthful to the vision of that one director.”

Also Read: Hrithik Roshan vs Jr NTR comes home this Republic Day; War 2 gets its world TV premiere on Star Gold

Bhagam Bhag 2, the sequel to one of Bollywood’s enduring comedies, has seen a notable change in its cast as production advances toward a scheduled start. Reports emerging from industry sources indicate that Manoj Bajpayee will join stars Akshay Kumar and Paresh Rawal for the follow-up, while original cast member Govinda is not expected to return.

The original Bhagam Bhag (2006) featured Akshay Kumar, Govinda and Paresh Rawal in memorable comic roles and became a cult favourite over the years. As the sequel moves closer to production, the casting list is shifting. According toa report by Variety India, acclaimed actor Manoj Bajpayee is set to take on a significant role alongside Kumar and Rawal.

Govinda, who played one of the lead comic roles in the first film, is reportedly not part of the new instalment. The report noted that discussions with him did not materialise into a confirmed role for Bhagam Bhag 2, and the casting change marks a departure from early expectations.

The sequel will be directed by Raaj Shaandilyaa, known for his work on commercially successful comedies. Filming is expected to begin soon in Mumbai, with the production following an accelerated schedule after months in development.

Meenakshi Chaudhary has been reported as the female lead opposite Akshay Kumar, adding fresh talent to the ensemble. In bringing Bajpayee into the fold, the makers appear to be balancing nostalgia with new creative energy.

Bhagam Bhag was directed by Priyadarshan and featured a story that mixed slapstick humour with situational comedy, rooted in a theatre troupe’s misadventures. Its success has made the sequel one of the more anticipated comedy projects in recent years.

While exact plot details for Bhagam Bhag 2 have not been officially disclosed, the casting developments suggest the film will aim for a blend of familiar dynamics and new character interactions. As preparations continue, more details on the storyline and supporting cast are expected to emerge, offering clearer insight into how the sequel will pay homage to its predecessor while charting a new course for contemporary audiences.

Also Read: Petition filed in Delhi HC to stay Manoj Bajpayee starrer Ghooskhor Pandat over offensive title claim

After the anticipation around Shah Rukh Khan’s upcoming film King reaches its peak, fresh reports suggest that the actor’s next project could be a sequel to one of his most beloved films, Main Hoon Na. According to an exclusive from Pinkvilla, discussions between Khan and filmmaker Farah Khan are progressing, pointing to Main Hoon Na 2 as a strong contender for his post-King slate.

Shah Rukh Khan and Farah Khan to reunite If realised, this sequel would mark a reunion between Shah Rukh Khan and Farah Khan after nearly 12 years. Their collaborations in the past — including Om Shanti Om (2007) and Happy New Year (2014) — delivered significant box office results and helped define the commercial cinema of their respective eras.

Sources quoted in the report say Farah Khan has devised an “exciting double-role concept” specifically for Khan. “Farah Khan has cracked an exciting double-role concept for Shah Rukh Khan, which has excited the superstar,” one insider told Pinkvilla. “The idea is said to elevate the emotion and entertainment quotient of the sequel, while SRK will explore two contrasting characters.” Main Hoon Na original cast to return for sequel According to the report, the sequel will retain the emotional core of the original while expanding its scope. The central narrative is expected to revolve around a new threat to India, blending elements of patriotism with action and comedy — a combination that helped make the 2004 original memorable. “The film will be a patriotism galore, with the original cast returning,” the source added.

The screenplay is being shaped under writer Aakash Kaushik, with the core story reportedly coming from Shah Rukh Khan himself. In addition to the return of some original cast members, the production team is also considering introducing new faces, preserving nostalgia while broadening the film’s appeal.

Production timelines are yet to be confirmed. Insiders indicate that Shah Rukh Khan is expected to hear the complete narration after he finishes shooting King, which is scheduled to wrap around May 2026. After the narration, Khan will make a final decision on whether to green-light Main Hoon Na 2.

This cautious approach reflects the gravity of attempting a sequel to a film that holds a special place for fans of Hindi cinema. The original Main Hoon Na blended action, drama, and light-hearted moments to become a cultural touchstone, and expectations around its follow-up are similarly high.

While Main Hoon Na 2 remains in an advanced development phase rather than actively in production, industry watchers see the reports as a strong indicator of where Shah Rukh Khan’s career may head after King.

Also Read: Next On Netflix 2026: 23 years after Kal Ho Naa Ho, Shah Rukh Khan, Saif Ali Khan reunite for Kartavya; Mismatched: Season 4 helmed by Jayeshbhai Jordaar director Divyang Thakkar

Ranveer Singh-starrer Dhurandhar continues to draw strong viewership on OTT, cutting across borders despite facing theatrical restrictions in key regions. The Aditya Dhar directorial is currently trending at No. 1 on Netflix across several territories, including India, Pakistan, Bahrain, Oman, and the UAE, highlighting the film’s sustained post-theatrical momentum.

As per Netflix’s latest weekly rankings, Dhurandhar debuted at the top position in Pakistan during the January 26–February 1 tracking period. The film has similarly secured the No. 1 spot in multiple other markets, reinforcing its wide appeal on streaming platforms.

In other Gulf regions, where the film did not receive theatrical clearance, Dhurandhar has also managed to chart prominently on Netflix. The film is currently ranked No. 7 in Saudi Arabia and No. 3 in Kuwait, indicating significant viewer interest even in territories where its cinema release was restricted. Meanwhile, Netflix viewing data for Qatar is currently unavailable on the platform’s official website, making it difficult to ascertain the film’s exact standing there.

The OTT success stands in contrast to the film’s earlier challenges in the Middle East. Dhurandhar was banned across all six Gulf Cooperation Council (GCC) countries—the UAE, Saudi Arabia, Qatar, Oman, Kuwait, and Bahrain—owing to objections raised over its geopolitical themes. The film, which centres on an undercover RAW agent, was denied theatrical certification after regional authorities reportedly flagged its portrayal of Pakistan as sensitive.

The ban significantly limited the film’s theatrical reach in Middle Eastern markets, traditionally considered crucial for Hindi cinema. However, Dhurandhar continued to perform steadily in India and select international territories and has now found a renewed audience through its digital release, where streaming norms differ from cinema regulations.

Dhurandhar released theatrically on December 5, 2025, and premiered on Netflix on January 30, 2026, even as it continues its theatrical run in select markets. The film’s strong streaming performance follows closely on the heels of the announcement of its sequel, Dhurandhar: The Revenge. The makers recently unveiled the teaser and a poster confirming a March 19, 2026 release.

Directed once again by Aditya Dhar, the sequel is slated to clash at the box office with Yash’s highly anticipated film Toxic: A Fairy Tale For Grown Ups.

Also Read: SCOOP: Dhurandhar 2 OTT rights EXPLODE to Rs. 150 cr; Ranveer Singh creates yet another RECORD as Jio Hotstar wins big!

One of India’s most iconic OTT franchises makes its long-awaited leap to cinemas. The makers announced September 4 as the theatrical release date of Mirzapur: The Movie, promising audiences a larger-than-life cinematic experience rooted in the gritty world they love. The film brings back iconic characters of Mirzapur — Kaleen Bhaiya (Pankaj Tripathi), Guddu Pandit (Ali Fazal), and marks the much-anticipated comeback of Munna Bhaiya (Divyenndu), one of the franchise’s most loved characters. Now, for the first time ever, the cult saga of Mirzapur steps into cinemas, transforming its beloved world into an epic big-screen experience.

The ensemble cast also includes Jitendra Kumar, Ravi Kishan, Abhishek Banerjee, Rasika Duggal, Shweta Tripathi, Shriya Pilgaonkar, Harshita Gaur, Sushant Singh, Mohit Malik, Sheeba Chadha, Rajesh Tailang, Kulbhushan Kharbanda, Sonal Chauhan, Pramod Pathak and Anangsha Biswas.

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Amazon MGM Studios, and Excel Entertainment present an Excel Entertainment Production, directed by Gurmmeet Singh and written by Puneet Krishna. The film releases in cinemas on September 4, 2026.

Also Read: Ali Fazal announces wrap of Mirzapur: The Film final schedule: “We brought our A game when the camera rolled up”

Actor and entrepreneur Vivek Oberoi has approached the Delhi High Court, filing a civil suit seeking protection of his personality and publicity rights amid alleged widespread misuse of his identity through fake social media accounts, unauthorised merchandise and AI-generated content.

In the petition filed through advocates Sana Raees Khan and Pranay Chitale, Oberoi asserts that his name, image, voice, likeness and other distinctive attributes associated with him are being exploited without his consent for commercial and other gains. The suit names entities such as Collector Bazar, ZoomMantra and Indiancontent among the defendants, alongside unidentified individuals labelled as John Doe.

Oberoi’s legal team has sought a permanent injunction to restrain infringement of his personality rights, alleging that the defendants are actively impersonating him on platforms such as Instagram by operating fake accounts using his identity. The plea also highlights the sale of unauthorised merchandise — including posters, T-shirts and postcards bearing his name and likeness — on various e-commerce sites.

A significant aspect of the suit focuses on the alleged misuse of artificial intelligence and deepfake technology. Oberoi contends that AI-generated content has been used to create misleading and derogatory depictions of him, including superimposing his face onto objectionable imagery and spreading facts that he says are false. The petition describes this as potentially harmful to his reputation, creating public confusion about fake endorsements and diluting his personal identity.

Oberoi has argued that unchecked use of generative AI poses a serious risk to personality and publicity rights, leading to “public confusion regarding false endorsements, dilution of personal identity, infringement of privacy and erosion of an individual’s exclusive right to commercially benefit from their persona.”

Because such activities are widely accessible online, the actor has described it as nearly impossible to identify every infringer individually. In light of this, he has sought an omnibus ‘John Doe’ injunction to cover unknown persons found violating his rights.

Claiming that he has already suffered and is likely to suffer irreparable harm to his goodwill, reputation and business interests, Oberoi has urged the High Court to order the removal of unauthorised posts, merchandise and content, and to restrain further misuse of his identity in any form.

Also Read: Vivek Oberoi, Mona Singh, Sunny Leone, Lauren Gottlieb and other celebs share intimate glimpses from their Christmas 2025 celebrations

Sandeep Reddy Vanga’s Ranbir Kapoor-starrer blockbuster Animal may be getting even bigger than originally planned. While Animal Park, the second instalment of the franchise, is still in the scripting stage, strong industry buzz suggests that Vanga could be contemplating expanding the narrative into a three-part saga.

Though there has been no official announcement yet, sources familiar with the development indicate that the filmmaker’s creative ambitions for the sequel may have outgrown the idea of a simple two-part structure. “Vanga’s original plan was to tell the story in two films,” a source close to the project told this writer. “But while writing the second part, he realised the narrative had far more depth and material than could be contained in just one more instalment. That’s when the possibility of a third part entered the picture.”

If this plan moves forward, Ranbir Kapoor is expected to remain the common thread across all three films. Interestingly, insiders suggest that the antagonist may not be constant through the trilogy, with different villains potentially driving the conflict in Animal Park and a possible third film, allowing each chapter to explore new dimensions of the story.

At the moment, all decisions remain contingent on the final scripting of Animal Park. However, if the speculation proves true, Animal could well evolve into one of the most expansive character-driven franchises in recent Hindi cinema, redefining how dark, adult-themed narratives are mounted on a blockbuster scale.

Also Read: Ranbir Kapoor on Animal Park says: “It will be bigger, bolder, and more engaging”

The exciting teaser of Dacoit was launched with much fanfare in December in the presence of its lead actors, Adivi Sesh, Mrunal Thakur and Anurag Kashyap. The Pan-India action entertainer was scheduled to release on March 19, 2026 and Bollywood Hungama has now exclusively learned that Dacoit has been pushed.

A source told Bollywood Hungama, “With March witnessing multiple releases and announcements, the makers of Dacoit have thoughtfully realigned the film’s release plans, shifting the date to April 10. It was earlier set to arrive alongside Dhurandhar: The Revenge and Toxic: A Fairytale For Grown-Ups, making it a time when multiple highly anticipated films were slated to release together. The team holds great respect for both Dhurandhar as well as Toxic and their creative teams, and firmly believes that every theatrical release deserves its own moment with audiences.”

Trade sources believe that postponing the release date of Dacoit, previously described by the makers as a ‘gold fish’ among larger releases, reflects the maker’s confidence in the film’s content and its ability to strike a chord with the audiences. The source added, “Staying true to that thought, the decision to move to April 10 comes from a place of fairness and clarity, ensuring that Dacoit gets its due spotlight while audiences can enjoy all films on their own terms. It also reflects strategic planning and thoughtful timing, focused on the film’s theatrical experience.”

Dacoit is directed by Abhinay Deo, produced by Supriya Yarlagadda and backed by S S Creations and Suniel Narang Production. As for Dhurandhar: The Revenge, it is the sequel to the much-loved blockbuster, Dhurandhar (2025) and stars Ranveer Singh and others. Meanwhile, Toxic: A Fairytale For Grown-Ups, directed by Geetu Mohandas, is a multi-starrer, starring Yash of KGF fame, Nayanthara, Kiara Advani, Huma Qureshi, Tara Sutaria, Rukmini Vasanth, Akshay Oberoi and others.

Also Read: Adivi Sesh wraps final schedule of Dacoit ahead of its anticipated festive release in March: “This film has been an intense journey”